Genius Singing to Love

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · 80 lines · from Poems

“That voice re-measuresWhatever tones and melancholy pleasuresThe things of nature utter; birds or trees,Or where the tall grass mid the heath-plant waves,Murmur and music thin of sudden breeze.” Coleridge.

I heard a song upon the wandering wind,A song of many tones--though one full soulBreathed through them all imploringly; and madeAll nature as they pass’d, all quivering leavesAnd low responsive reeds and waters, thrillAs with the consciousness of human prayer.--At times the passion-kindled melodyMight seem to gush from Sappho’s fervent heart,Over the wild sea-wave;--at times the strainFlow’d with more plaintive sweetness, as if bornOf Petrarch’s voice, beside the lone Vaucluse;And sometimes, with its melancholy swell,A graver sound was mingled, a deep noteOf Tasso’s holy lyre. Yet still the tonesWere of a suppliant--“Leave me not!” was stillThe burden of their music; and I knewThe lay which Genius, in its loneliness,Its own still world, amidst th’ o’erpeopled world,Hath ever breathed to Love.

“They crown me with the glistening crown,Borne from a deathless tree;I hear the pealing music of renown--O Love! forsake me not!Mine were a lone, dark lot,Bereft of thee!They tell me that my soul can throwA glory o’er the earth;From thee, from thee, is caught that golden glow!Shed by thy gentle eyes,It gives to flower and skiesA bright, new birth!

“Thence gleams the path of morningOver the kindling hills, a sunny zone!Thence to its heart of hearts the rose is burningWith lustre not its own!Thence every wood-recessIs fill’d with loveliness,Each bower, to ring-doves and dim violets known.

“I see all beauty by the rayThat streameth from thy smile;=Oh! bear it, bear it not away!Can that sweet light beguile?Too pure, too spirit-like, it seems,To linger long by earthly streams;I clasp it with th’ alloyOf fear midst quivering joy.Yet must I perish if the gift depart--Leave me not, Love! to mine own beating heart!

“The music from my lyreWith thy swift step would flee;The world’s cold breath would quench the starry fireIn my deep soul--a temple fill’d with thee!Seal’d would the fountains lie,The waves of harmony,Which thou alone canst free!

“Like a shrine midst rocks forsaken,Whence the oracle hath fled;Like a harp which none might wakenBut a mighty master dead;Like the vase of a perfume scatter’d.Such would my spirit be--So mute, so void, so shatter’d,Bereft of thee!

“Leave me not, Love! or if this earthYield not for thee a home,If the bright summer-land of thy pure birthSend thee a silvery voice that whispers ‘Come!’Then, with the glory from the rose,With the sparkle from the stream,With the light thy rainbow-presence throwsOver the poet’s dream;With all th’ Elysian huesThy pathway that suffuse,With joy, with music, from the fading grove,Take me, too, heavenward on thy wing, sweet Love!”

Words in this poem 19
responsive a.
That responds; ready or inclined to respond. [Cf. F. resposif.]
fervent a.
Hot; glowing; boiling; burning; as, a fervent summer. [F. fervent, L. fervens, -entis. p.pr. of fervere o the boiling hot, to boil, glow.]
lone n.
A lane. See Loanin.
graver n.
One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
suppliant a.
Asking earnestly and submissively; entreating; beseeching; supplicating. [F., p.pr. of supplier to entreat, L. supplicare. See Supplicate, and cf. Supplicant.]
loneliness n.
The condition of being lonely; solitude; seclusion.
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
starry a.
Abounding with stars; adorned with stars.
oracle v. i.
To utter oracles.
waken v. i.
To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
elysian a.
Pertaining, or the abode of the blessed after death; hence, yielding the highest pleasures; exceedingly delightful; beatific. [L. Elysius, fr. Elysium.]
pathway n.
A footpath; a beaten track; any path or course. Also used figuratively.
suffuse v. t.
To overspread, as with a fluid or tincture; to fill or cover, as with something fluid; as, eyes suffused with tears; cheeks suffused with blushes. [L. suffusus, p.p. of suffundere to overspread; sub under + fundere to pour. See Fuse to melt.]
fading n.
An Irish dance; also, the burden of a song.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Genius Singing to Love is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Genius Singing to Love, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/genius-singing-to-love.html, id L19668.

Form and metre

Genius Singing to Love is 80 lines in 8 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAA-- measuresA · pleasuresA · treesA · waves · coleridge
  2. 2 ----A---------A---- wind · soul · made · leaves · thrillA · prayer · melody · heart · strain · born · vaucluse · swell · note · tones · stillA · knew · loneliness · world · love
  3. 3 ABACCBDEDFFE crownA · treeB · renownA · notC · lotC · theeB · throwD · earthE · glowD · eyesF · skiesF · birthE
  4. 4 -A-ABBA morning · zoneA · burning · ownA · recessB · lovelinessB · knownA
  5. 5 ABABCCDDEE rayA · smile;=B · awayA · beguileB · seemsC · streamsC · alloyD · joyD · departE · heartE
  6. 6 ABABB-B lyreA · fleeB · fireA · theeB · lieB · harmony · freeB
  7. 7 ABABCDCD forsakenA · fledB · wakenA · deadB · scatter'dC · beD · shatter'dC · theeD
  8. 8 ABABCDCDEE-- earthA · homeB · birthA · comeB · roseC · streamD · throwsC · dreamD · huesE · suffuseE · grove · love
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
“That voice re-measures5···/˘
Whatever tones and melancholy pleasures11·/˘··/˘·˘/˘
The things of nature utter; birds or trees,10···/˘/˘···
Or where the tall grass mid the heath-plant waves,10··········
Murmur and music thin of sudden breeze.” Coleridge.12/˘·/˘··/˘·/˘
I heard a song upon the wandering wind,10·······/˘·
A song of many tones--though one full soul10···/˘·····
Breathed through them all imploringly; and made10··········
All nature as they pass’d, all quivering leaves10·/˘····/˘·
And low responsive reeds and waters, thrill10··˘/˘··/˘·
As with the consciousness of human prayer.10···/˘˘·/˘·
--At times the passion-kindled melody10···/˘/˘/˘˘
Might seem to gush from Sappho’s fervent heart,10·······/˘·
Over the wild sea-wave;--at times the strain10··········
Flow’d with more plaintive sweetness, as if born10···/˘/˘···
Of Petrarch’s voice, beside the lone Vaucluse;10····˘/····
And sometimes, with its melancholy swell,10·/···/˘·˘·
A graver sound was mingled, a deep note10·/˘··/˘···
Of Tasso’s holy lyre. Yet still the tones10·/·/˘·····
Were of a suppliant--“Leave me not!” was still11···/˘˘·····
The burden of their music; and I knew10·/˘··/˘···
The lay which Genius, in its loneliness,10···/˘··/˘˘
Its own still world, amidst th’ o’erpeopled world,9····˘/···
Hath ever breathed to Love.6·/˘···
“They crown me with the glistening crown,9·····/˘˘·
Borne from a deathless tree;6···/˘·
I hear the pealing music of renown--10···/˘/˘·˘/
O Love! forsake me not!6··˘/··
Mine were a lone, dark lot,6······
Bereft of thee!4˘/··
They tell me that my soul can throw8········
A glory o’er the earth;6·/˘···
From thee, from thee, is caught that golden glow!10·······/˘·
Shed by thy gentle eyes,6···/˘·
It gives to flower and skies7···/˘··
A bright, new birth!4····
“Thence gleams the path of morning7·····/˘
Over the kindling hills, a sunny zone!10···/˘··/˘·
Thence to its heart of hearts the rose is burning11·········/˘
With lustre not its own!6·/˘···
Thence every wood-recess7·/˘˘·/˘
Is fill’d with loveliness,6···/˘˘
Each bower, to ring-doves and dim violets known.10·/·····/˘·
“I see all beauty by the ray8···/˘···
That streameth from thy smile;=6·/˘···
Oh! bear it, bear it not away!8······˘/
Can that sweet light beguile?6····˘/
Too pure, too spirit-like, it seems,8···/˘···
To linger long by earthly streams;8·/˘··/˘·
I clasp it with th’ alloy6····/·
Of fear midst quivering joy.7···/˘˘·
Yet must I perish if the gift depart--10···/˘···˘/
Leave me not, Love! to mine own beating heart!10·······/˘·
“The music from my lyre6·/˘···
With thy swift step would flee;6······
The world’s cold breath would quench the starry fire11·······/˘/˘
In my deep soul--a temple fill’d with thee!10·····/˘···
Seal’d would the fountains lie,6···/˘·
The waves of harmony,6···/˘˘
Which thou alone canst free!6··˘/··
“Like a shrine midst rocks forsaken,8·····˘/˘
Whence the oracle hath fled;7··/˘˘··
Like a harp which none might waken8······/˘
But a mighty master dead;7··/˘/˘·
Like the vase of a perfume scatter’d.9·····˘//˘
Such would my spirit be--6···/˘·
So mute, so void, so shatter’d,7·····/˘
Bereft of thee!4˘/··
“Leave me not, Love! or if this earth8········
Yield not for thee a home,6······
If the bright summer-land of thy pure birth10···/˘·····
Send thee a silvery voice that whispers ‘Come!’10···/˘··/˘·
Then, with the glory from the rose,8···/˘···
With the sparkle from the stream,7··/˘···
With the light thy rainbow-presence throws9····/·/˘·
Over the poet’s dream;6···/˘·
With all th’ Elysian hues6··˘/˘·
Thy pathway that suffuse,6·/··˘/
With joy, with music, from the fading grove,10···/˘··/˘·
Take me, too, heavenward on thy wing, sweet Love!”11···/˘˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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