And I Too in Arcadia
They have wander’d in their gleeWith the butterfly and bee;They have climb’d o’er heathery swells,They have wound through forest dells;Mountain-moss hath felt their tread,Woodland streams their way have led;Flowers, in deepest shadowy nooks,Nurslings of the loneliest brooks,Unto them have yielded upFragrant bell and starry cup:Chaplets are on every brow--What hath staid the wanderers now?Lo! a gray and rustic tomb,Bower’d amidst the rich wood-gloom;Whence these words their stricken spirits melt,--“I too, Shepherds! in Arcadia dwelt.”
There is many a summer soundThat pale sepulchre around;Through the shade young birds are glancing,Insect-wings in sun-streaks dancing;Glimpses of blue festal skiesPouring in when soft winds rise;Violets o’er the turf belowShedding out their warmest glow;Yet a spirit not its ownO’er the greenwood now is thrown!Something of an under-noteThrough its music seems to float,Something of a stillness grayCreeps across the laughing day:Something dimly from those old words felt,--“I too, Shepherds! in Arcadia dwelt.”
Was some gentle kindred maidIn that grave with dirges laid?Some fair creature, with the toneOf whose voice a joy is gone,Leaving melody and mirthPoorer on this alter’d earth?Is it thus? that so they stand,Dropping flowers from every hand--Flowers, and lyres, and gather’d storeOf red wild-fruit prized no more?--No! from that bright band of mornNot one link hath yet been torn:’Tis the shadow of the tombFalling o’er the summer-bloom--O’er the flush of love and lifePassing with a sudden strife;’Tis the low prophetic breathMurmuring from that house of death,Whose faint whisper thus their hearts can melt,--“I too, Shepherds! in Arcadia dwelt.”
Words in this poem
- glee n.
- Music; minstrelsy; entertainment.
- heathery a.
- Heathy; abounding in heather; of the nature of heath.
- starry a.
- Abounding with stars; adorned with stars.
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- arcadia n.
- A mountainous and picturesque district of Greece, in the heart of the Peloponnesus, whose people were distinguished for contentment and rural happiness.
- sepulchre n.
- The place in which the dead body of a human being is interred, or a place set apart for that purpose; a grave; a tomb. [OE. sepulcre, OF. sepulcre, F. sépulcre, fr. L. sepulcrum, sepulchrum, fr. sepelire to bury.]
- glancing a.
- Shooting, as light.
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- greenwood n.
- A forest as it appears is spring and summer.
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- dimly adv.
- In a dim or obscure manner; not brightly or clearly; with imperfect sight.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
And I Too in Arcadia is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Felicia Hemans, And I Too in Arcadia, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/and-i-too-in-arcadia.html, id L19638.
Form and metre
And I Too in Arcadia is 52 lines in 3 stanzas. The rhyme scheme is AABBCCDDEEFFGGHH, complete in 2 of its 3 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHH gleeA · beeA · swellsB · dellsB · treadC · ledC · nooksD · brooksD · upE · cupE · browF · nowF · tombG · gloomG · meltH · dweltH
- 2 AABBCCDDEEFFGGHH soundA · aroundA · glancingB · dancingB · skiesC · riseC · belowD · glowD · ownE · thrownE · noteF · floatF · grayG · dayG · feltH · dweltH
- 3 AA--BBCCDDEEFFGGHHII maidA · laidA · tone · gone · mirthB · earthB · standC · handC · storeD · moreD · mornE · tornE · tombF · bloomF · lifeG · strifeG · breathH · deathH · meltI · dweltI
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| They have wander’d in their glee | 7 | ··/˘··· |
| With the butterfly and bee; | 7 | ··/˘··· |
| They have climb’d o’er heathery swells, | 8 | ····/˘˘· |
| They have wound through forest dells; | 7 | ····/˘· |
| Mountain-moss hath felt their tread, | 7 | /˘····· |
| Woodland streams their way have led; | 7 | /······ |
| Flowers, in deepest shadowy nooks, | 7 | /·/˘/˘· |
| Nurslings of the loneliest brooks, | 8 | ········ |
| Unto them have yielded up | 7 | ····/˘· |
| Fragrant bell and starry cup: | 7 | /˘··/˘· |
| Chaplets are on every brow-- | 7 | ····/˘· |
| What hath staid the wanderers now? | 7 | ····/˘· |
| Lo! a gray and rustic tomb, | 7 | ····/˘· |
| Bower’d amidst the rich wood-gloom; | 8 | ··˘/···· |
| Whence these words their stricken spirits melt, | 9 | ····/˘/˘· |
| --“I too, Shepherds! in Arcadia dwelt.” | 9 | ··/˘·˘/˘· |
| There is many a summer sound | 7 | ··/·/˘· |
| That pale sepulchre around; | 6 | ······ |
| Through the shade young birds are glancing, | 8 | ······/˘ |
| Insect-wings in sun-streaks dancing; | 8 | /·····/˘ |
| Glimpses of blue festal skies | 7 | /˘··/˘· |
| Pouring in when soft winds rise; | 7 | /˘····· |
| Violets o’er the turf below | 7 | /˘····· |
| Shedding out their warmest glow; | 7 | /˘··/˘· |
| Yet a spirit not its own | 7 | ··/˘··· |
| O’er the greenwood now is thrown! | 7 | ··/···· |
| Something of an under-note | 7 | /˘····· |
| Through its music seems to float, | 7 | ··/˘··· |
| Something of a stillness gray | 7 | /˘··/˘· |
| Creeps across the laughing day: | 7 | ·˘/·/˘· |
| Something dimly from those old words felt, | 9 | /˘/˘····· |
| --“I too, Shepherds! in Arcadia dwelt.” | 9 | ··/˘·˘/˘· |
| Was some gentle kindred maid | 7 | ··/˘/˘· |
| In that grave with dirges laid? | 7 | ····/˘· |
| Some fair creature, with the tone | 7 | ··/˘··· |
| Of whose voice a joy is gone, | 7 | ······· |
| Leaving melody and mirth | 7 | /˘/˘˘·· |
| Poorer on this alter’d earth? | 7 | /˘··/˘· |
| Is it thus? that so they stand, | 7 | ······· |
| Dropping flowers from every hand-- | 7 | /˘/·/˘· |
| Flowers, and lyres, and gather’d store | 7 | /···/˘· |
| Of red wild-fruit prized no more? | 7 | ······· |
| --No! from that bright band of morn | 7 | ······· |
| Not one link hath yet been torn: | 7 | ······· |
| ’Tis the shadow of the tomb | 7 | ··/···· |
| Falling o’er the summer-bloom-- | 7 | /˘··/˘· |
| O’er the flush of love and life | 7 | ······· |
| Passing with a sudden strife; | 7 | /˘··/˘· |
| ’Tis the low prophetic breath | 7 | ···˘/˘· |
| Murmuring from that house of death, | 7 | /˘····· |
| Whose faint whisper thus their hearts can melt, | 9 | ··/˘····· |
| --“I too, Shepherds! in Arcadia dwelt.” | 9 | ··/˘·˘/˘· |
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