In the Servants’ Quarters
“MAN, you too, aren’t you, one of these rough followers of thecriminal?All hanging hereabout to gather how he’s going to bearExamination in the hall.” She flung disdainful glances onThe shabby figure standing at the fire with others there,Who warmed them by its flare.
“No indeed, my skipping maiden: I know nothing of the trial here,Or criminal, if so he be.—I chanced to come this way,And the fire shone out into the dawn, and morning airs are cold now;I, too, was drawn in part by charms I see before me play,That I see not every day.”
“Ha, ha!” then laughed the constables who also stood to warmthemselves,The while another maiden scrutinized his features hard,As the blaze threw into contrast every line and knot that wrinkledthem,Exclaiming, “Why, last night when he was brought in by the guard,You were with him in the yard!”
“Nay, nay, you teasing wench, I say! You know you speak mistakenly.Cannot a tired pedestrian who has footed it afarHere on his way from northern parts, engrossed in humble marketings,Come in and rest awhile, although judicial doings areAfoot by morning star?”
“O, come, come!” laughed the constables. “Why, man, you speak thedialectHe uses in his answers; you can hear him up the stairs.So own it. We sha’n’t hurt ye. There he’s speaking now! HissyllablesAre those you sound yourself when you are talking unawares,As this pretty girl declares.”
“And you shudder when his chain clinks!” she rejoined. “O yes, Inoticed it.And you winced, too, when those cuffs they gave him echoed to us here.They’ll soon be coming down, and you may then have to defend yourselfUnless you hold your tongue, or go away and keep you clearWhen he’s led to judgment near!”
“No! I’ll be damned in hell if I know anything about the man!No single thing about him more than everybody knows!Must not I even warm my hands but I am charged with blasphemies?” . . .—His face convulses as the morning cock that moment crows,And he stops, and turns, and goes.
Words in this poem
- shabby a.
- Torn or worn to rage; poor; mean; ragged. [See Shab, n., Scabby, and Scab.]
- flare v. i.
- To burn with an unsteady or waving flame; as, the candle flares. [Cf. Norw. flara to blaze, flame, adorn with tinsel, dial. Sw. flasa upp, and E. flash, or flacker.]
- mistakenly adv.
- By mistake. Goldsmith.
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- damned a.
- Sentenced to punishment in a future state; condemned; consigned to perdition.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
In the Servants’ Quarters is in the public domain. This text is taken from Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces, Project Gutenberg ebook #2863; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, In the Servants’ Quarters, in Satires of Circumstance, Lyrics and Reveries (1914), text of Project Gutenberg ebook #2863, Laurel, https://laurelpoetry.com/poem/hardy-satires/in-the-servants-quarters.html, id L24079.
Form and metre
In the Servants’ Quarters is 41 lines in 7 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --A-AA the · criminal · bearA · on · thereA · flareA
- 2 -A-AA here · wayA · now · playA · dayA
- 3 --A--AA warm · themselves · hardA · wrinkled · them · guardA · yardA
- 4 -A-AA mistakenly · afarA · marketings · areA · starA
- 5 --A--AA the · dialect · stairsA · his · syllables · unawaresA · declaresA
- 6 --A-AA i · it · hereA · yourself · clearA · nearA
- 7 -AAAA man · knowsA · blasphemiesA · crowsA · goesA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “MAN, you too, aren’t you, one of these rough followers of the | 14 | ···/˘·····/˘·· |
| criminal? | 3 | /˘˘ |
| All hanging hereabout to gather how he’s going to bear | 14 | ·/˘/˘··/˘··/·· |
| Examination in the hall.” She flung disdainful glances on | 16 | ˘·˘/˘·····˘/˘/˘· |
| The shabby figure standing at the fire with others there, | 14 | ·/˘/˘/˘··/·/˘· |
| Who warmed them by its flare. | 7 | ··˘···· |
| “No indeed, my skipping maiden: I know nothing of the trial here, | 17 | ·˘/·/˘/˘··/˘··/˘· |
| Or criminal, if so he be.—I chanced to come this way, | 13 | ·/˘·········· |
| And the fire shone out into the dawn, and morning airs are cold now; | 16 | ··/·······/˘···· |
| I, too, was drawn in part by charms I see before me play, | 14 | ·············· |
| That I see not every day.” | 8 | ····/˘˘· |
| “Ha, ha!” then laughed the constables who also stood to warm | 13 | ·····/˘·/˘··· |
| themselves, | 2 | ˘/ |
| The while another maiden scrutinized his features hard, | 14 | ··˘/˘/˘/˘··/˘· |
| As the blaze threw into contrast every line and knot that wrinkled | 16 | ······/˘/˘····/˘ |
| them, | 1 | · |
| Exclaiming, “Why, last night when he was brought in by the guard, | 14 | ˘/˘··········· |
| You were with him in the yard!” | 7 | ······· |
| “Nay, nay, you teasing wench, I say! You know you speak mistakenly. | 15 | ···/˘·······˘/˘ |
| Cannot a tired pedestrian who has footed it afar | 14 | ˘/·/˘/˘··/˘·˘/ |
| Here on his way from northern parts, engrossed in humble marketings, | 15 | ·····/˘·˘/·/˘/˘ |
| Come in and rest awhile, although judicial doings are | 14 | ····˘/··˘/˘/˘· |
| Afoot by morning star?” | 6 | ˘/·/˘· |
| “O, come, come!” laughed the constables. “Why, man, you speak the | 12 | ·····/˘····· |
| dialect | 3 | /˘· |
| He uses in his answers; you can hear him up the stairs. | 14 | ·/˘··/˘······· |
| So own it. We sha’n’t hurt ye. There he’s speaking now! His | 13 | ·········/˘·· |
| syllables | 3 | /˘˘ |
| Are those you sound yourself when you are talking unawares, | 14 | ····˘/···/˘·˘/ |
| As this pretty girl declares.” | 7 | ··/˘·˘/ |
| “And you shudder when his chain clinks!” she rejoined. “O yes, I | 14 | ··/˘·····˘/··· |
| noticed it. | 3 | /˘· |
| And you winced, too, when those cuffs they gave him echoed to us here. | 15 | ··········/˘··· |
| They’ll soon be coming down, and you may then have to defend yourself | 16 | ···/˘·······˘/˘/ |
| Unless you hold your tongue, or go away and keep you clear | 14 | ········˘/···· |
| When he’s led to judgment near!” | 7 | ····/˘· |
| “No! I’ll be damned in hell if I know anything about the man! | 16 | ·········/˘····· |
| No single thing about him more than everybody knows! | 14 | ·/˘······/˘·˘· |
| Must not I even warm my hands but I am charged with blasphemies?” . . . | 14 | ···/········/˘ |
| —His face convulses as the morning cock that moment crows, | 14 | ·······/˘··/˘· |
| And he stops, and turns, and goes. | 7 | ······· |
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