Gloucester Harbor
NORTH from the beautiful islands,North from the headlands and highlands,The long sea-wall,The white ships flee with the swallow;The day-beams follow and follow,Glitter and fall.
The brown ruddy children that fear not,Lean over the quay, and they hear notWarnings of lips;For their hearts go a-sailing, a-sailing,Out from the wharves and the wailingAfter the ships.
Nothing to them is the goldenCurve of the sands, or the oldenHaunt of the town;Little they reck of the peacefulChiming of bells, or the easefulSport on the down:
The orchards no longer are cherished;The charm of the meadow has perished:Dearer, ay me!The solitude vast, unbefriended,The magical voice and the splendidFierce will of the sea.
Beyond them, by ridges and narrowsThe silver prows speed like the arrowsSudden and fair;Like the hoofs of Al Borak the wondrous,Lost in the blue and the thund’rousDepths of the air;
On to the central Atlantic,Where passionate, hurrying, franticElements meet;To the play and the calm and commotionOf the treacherous, glorious ocean,Cruel and sweet.
In the hearts of the children foreverShe fashions their growing endeavor,The pitiless sea;Their sires in her caverns she stayeth,The spirits that love her she slayeth,And laughs in her glee.
Woe, woe, for the old fascination!The women make deep lamentationIn starts and in slips;Here always is hope unavailing,Here always the dreamers are sailingAfter the ships!
Words in this poem
- quay n.
- A mole, bank, or wharf, formed toward the sea, or at the side of a harbor, river, or other navigable water, for convenience in loading and unloading vessels. [F. quai. See Key quay.]
- olden a.
- Old; ancient; as, the olden time.
- reck v. t.
- To make account of; to care for; to heed; to regard. [AS. reccan, remccan, to care for; akin to OS. rokian, OHG. ruochan, G. geruhen, Icel. rækja, also to E. reckon, rake an implement. See Rake, and cf. Reckon.]
- easeful a.
- Full of ease; suitable for affording ease or rest; quiet; comfortable; restful.
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- glee n.
- Music; minstrelsy; entertainment.
- fascination n.
- The act of fascinating, bewhiching, or enchanting; enchantment; witchcraft; the exercise of a powerful or irresistible influence on the affections or passions; unseen, inexplicable influence. [L. fascinatio; cf. F. fascination.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Gloucester Harbor is in the public domain. This text is taken from Songs at the Start, Project Gutenberg ebook #53087; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Louise Imogen Guiney, Gloucester Harbor, in Songs at the Start (1884), text of Project Gutenberg ebook #53087, Laurel, https://laurelpoetry.com/poem/guiney-songs/gloucester-harbor.html, id L11196.
Form and metre
Gloucester Harbor is 48 lines in 8 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 7 of its 8 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 86% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 28 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCCB islandsA · highlandsA · wallB · swallowC · followC · fallB
- 2 AABCCB notA · notA · lipsB · sailingC · wailingC · shipsB
- 3 AAB--B goldenA · oldenA · townB · peaceful · easeful · downB
- 4 AABCCB cherishedA · perishedA · meB · unbefriendedC · splendidC · seaB
- 5 AABCCB narrowsA · arrowsA · fairB · wondrousC · thund'rousC · airB
- 6 AABCCB atlanticA · franticA · meetB · commotionC · oceanC · sweetB
- 7 AABCCB foreverA · endeavorA · seaB · stayethC · slayethC · gleeB
- 8 AABCCB fascinationA · lamentationA · slipsB · unavailingC · sailingC · shipsB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| NORTH from the beautiful islands, | 8 | ···/˘˘/˘ |
| North from the headlands and highlands, | 8 | ······/˘ |
| The long sea-wall, | 4 | ···· |
| The white ships flee with the swallow; | 8 | ······/˘ |
| The day-beams follow and follow, | 8 | ···/˘·/˘ |
| Glitter and fall. | 4 | /˘·· |
| The brown ruddy children that fear not, | 9 | ··/˘/˘··· |
| Lean over the quay, and they hear not | 8 | ········ |
| Warnings of lips; | 4 | /˘·· |
| For their hearts go a-sailing, a-sailing, | 10 | ·····/˘·/˘ |
| Out from the wharves and the wailing | 8 | ······/˘ |
| After the ships. | 4 | ···· |
| Nothing to them is the golden | 8 | /˘····/˘ |
| Curve of the sands, or the olden | 8 | ······/˘ |
| Haunt of the town; | 4 | ···· |
| Little they reck of the peaceful | 8 | /˘····/˘ |
| Chiming of bells, or the easeful | 8 | /˘····/˘ |
| Sport on the down: | 4 | ···· |
| The orchards no longer are cherished; | 9 | ·/˘·/˘·/˘ |
| The charm of the meadow has perished: | 9 | ····/··/˘ |
| Dearer, ay me! | 4 | /˘·· |
| The solitude vast, unbefriended, | 9 | ·/˘······ |
| The magical voice and the splendid | 9 | ·/˘˘···/˘ |
| Fierce will of the sea. | 5 | ····· |
| Beyond them, by ridges and narrows | 9 | ····/˘·/˘ |
| The silver prows speed like the arrows | 9 | ·/˘····/˘ |
| Sudden and fair; | 4 | /˘·· |
| Like the hoofs of Al Borak the wondrous, | 10 | ·····/˘·/˘ |
| Lost in the blue and the thund’rous | 8 | ······/˘ |
| Depths of the air; | 4 | ···· |
| On to the central Atlantic, | 8 | ···/˘˘/˘ |
| Where passionate, hurrying, frantic | 9 | ·/˘˘/˘˘/˘ |
| Elements meet; | 4 | /˘˘· |
| To the play and the calm and commotion | 10 | ·······˘/˘ |
| Of the treacherous, glorious ocean, | 9 | ··/˘˘/˘/˘ |
| Cruel and sweet. | 4 | /˘·· |
| In the hearts of the children forever | 10 | ·····/˘˘/˘ |
| She fashions their growing endeavor, | 9 | ·/˘·/˘˘/˘ |
| The pitiless sea; | 5 | ·/˘˘· |
| Their sires in her caverns she stayeth, | 9 | ····/˘·/˘ |
| The spirits that love her she slayeth, | 9 | ·/˘····/˘ |
| And laughs in her glee. | 5 | ····· |
| Woe, woe, for the old fascination! | 9 | ······˘/˘ |
| The women make deep lamentation | 9 | ·/˘······ |
| In starts and in slips; | 5 | ····· |
| Here always is hope unavailing, | 9 | ·/····˘/˘ |
| Here always the dreamers are sailing | 9 | ·/˘·/˘·/˘ |
| After the ships! | 4 | ···· |
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