By Louise Imogen Guiney

Louise Imogen Guiney (1861–1920) · 1884

iambic tetrameter · octosyllabic couplets · 4 lines · from Songs at the Start

“And we sail on, away, afar,Without a course, without a star,But by the instinct of sweet music driven.”SHELLEY: Prometheus Unbound.

Words in this poem

afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

By Louise Imogen Guiney is in the public domain. This text is taken from Songs at the Start, Project Gutenberg ebook #53087; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Louise Imogen Guiney, By Louise Imogen Guiney, in Songs at the Start (1884), text of Project Gutenberg ebook #53087, Laurel, https://laurelpoetry.com/poem/guiney-songs/by-louise-imogen-guiney.html, id L11195.

Form and metre

By Louise Imogen Guiney is 4 lines in a single stanza. It is in rhyming couplets, 50% of the lines: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA-- afarA · starA · driven · unbound
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
“And we sail on, away, afar,8····˘/˘/
Without a course, without a star,8········
But by the instinct of sweet music driven.”10···/˘··/˘/
SHELLEY: Prometheus Unbound.8/˘˘/˘˘˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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