Prelude

Harry Graham (1874–1936) · 1905

iambic tetrameter · ABABCC · 60 lines · from Verse and Worse

I have no knowledge of disease,No notion what ill-health may be,Since Housemaid's Throat and Smoker's KneesMean something different to meTo what they do to other folk.(This is, I vow, no vulgar joke.)

Of course, when young, I had complaints,And little childish accidents;For twice I ate a box of paints,And once I swallowed eighteen pence.(N.B., I missed the paints a lot,But got the coins back on the spot.)

But no practitioner has seenMy tongue since then, down to the present,And I, alas! have never beenAn interesting convalescent.Ah! why am I alone deniedThe Humour of a weak inside?

Why is it? I will tell you why;A certain mixture is to blame.One day for fun I chanced to tryA bottle of--what is the name?That thing they advertise a lot,--(Oh, what a memory I've got!)

It's stuff you must, of course, have seen,Retailed in bottles, tins, or pots,In cakes or little pills, I mean--(Oh goodness me! I've bought such lots,That I am really much to blameFor not remembering the name!)

Still, let me recommend a keg(With maker's name, be sure, above it),'Tis sweeter than a new-mown egg,And village idiots simply love it;Old persons sit and scream for it,--I do so hope you'll try a bit!

So efficacious is this stuff,Its virtue and its strength are such,One single bottle is enough,--In fact, at times, 'tis far too much.(The patient dies in frightful pain,Or else survives, and tries again.)

An aunt of mine felt anyhow,All kind-of-odd, and gone-to-bits,Had freckles badly too; but nowShe doesn't have a thing but fits.She's just as strong as any horse,--Tho' still an invalid, of course.

I had an uncle, too, that way,His health was in a dreadful plight;Would often spend a sleepless day,And lie unconscious half the night.He took two bottles, large and small,And now--he has no health at all!

The Moral plainly bids you buyThis stuff, whose name I have forgotten;You won't regret it, if you try--(My memory is simply rotten!)My funds will profit, in addition,Since I enjoy a small commission!

Words in this poem

folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
convalescent a.
Recovering from siclness or debility; partially restored to health or strength. [L. convalescens, -entis, p.pr.: cf. F. convalescent.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
advertise v. t.
To give notice to; to inform or apprise; to notify; to make known; hence, to warn; -- often followed by of before the subject of information; as, to advertise a man of his loss. [F. avertir, formerly also spelt advertir, to warn, give notice to, L. advertere to turn to. The ending was probably influenced by the noun advertisement. See Ad]
frightful a.
Full of fright; affrighted; frightened.
anyhow adv.
In any way or manner whatever; at any rate; in any event.
dreadful a.
Full of dread or terror; fearful.
plight v. t.
To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
sleepless a.
Having no sleep; wakeful.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Prelude is in the public domain. This text is taken from Verse and Worse, Project Gutenberg ebook #36702; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Harry Graham, Prelude, in Verse and Worse (1905), text of Project Gutenberg ebook #36702, Laurel, https://laurelpoetry.com/poem/graham-verse-and-worse/prelude.html, id L23325.

Form and metre

Prelude is 60 lines in 10 stanzas of 6 lines each. The rhyme scheme is ABABCC, complete in 7 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCC diseaseA · beB · kneesA · meB · folkC · jokeC
  2. 2 AAA-BB complaintsA · accidentsA · paintsA · pence · lotB · spotB
  3. 3 ----AA seen · present · been · convalescent · deniedA · insideA
  4. 4 ABABCC whyA · blameB · tryA · nameB · lotC · gotC
  5. 5 ABABCC seenA · potsB · meanA · lotsB · blameC · nameC
  6. 6 ABABBB kegA · itB · eggA · itB · itB · bitB
  7. 7 ABABCC stuffA · suchB · enoughA · muchB · painC · againC
  8. 8 ABABCC anyhowA · bitsB · nowA · fitsB · horseC · courseC
  9. 9 ABABCC wayA · plightB · dayA · nightB · smallC · allC
  10. 10 ABABCC buyA · forgottenB · tryA · rottenB · additionC · commissionC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I have no knowledge of disease,8···/˘·˘/
No notion what ill-health may be,8·/˘·····
Since Housemaid's Throat and Smoker's Knees9······/˘·
Mean something different to me8·/˘/˘˘··
To what they do to other folk.8·····/˘·
(This is, I vow, no vulgar joke.)8·····/˘·
Of course, when young, I had complaints,8······˘/
And little childish accidents;8·/˘/˘/˘˘
For twice I ate a box of paints,8········
And once I swallowed eighteen pence.8···/˘//·
(N.B., I missed the paints a lot,8········
But got the coins back on the spot.)8········
But no practitioner has seen8··˘/˘˘··
My tongue since then, down to the present,9·······/˘
And I, alas! have never been8··˘/·/˘·
An interesting convalescent.8·/˘˘·˘/˘
Ah! why am I alone denied8····˘/˘/
The Humour of a weak inside?8·/˘···˘/
Why is it? I will tell you why;8········
A certain mixture is to blame.8·/˘/˘···
One day for fun I chanced to try8········
A bottle of--what is the name?8·/˘·····
That thing they advertise a lot,--8···/˘···
(Oh, what a memory I've got!)8···/˘˘··
It's stuff you must, of course, have seen,8········
Retailed in bottles, tins, or pots,8/··/˘···
In cakes or little pills, I mean--8···/˘···
(Oh goodness me! I've bought such lots,8·/˘·····
That I am really much to blame8···/˘···
For not remembering the name!)8··˘/˘˘··
Still, let me recommend a keg8····˘/··
(With maker's name, be sure, above it),9·/˘······
'Tis sweeter than a new-mown egg,8·/˘·····
And village idiots simply love it;9·/˘/˘/˘··
Old persons sit and scream for it,--8·/˘·····
I do so hope you'll try a bit!8········
So efficacious is this stuff,8··˘/˘···
Its virtue and its strength are such,8·/˘·····
One single bottle is enough,--8·/˘/˘·˘/
In fact, at times, 'tis far too much.8········
(The patient dies in frightful pain,8·/˘··/˘·
Or else survives, and tries again.)8··˘/··˘/
An aunt of mine felt anyhow,8·····/˘·
All kind-of-odd, and gone-to-bits,8········
Had freckles badly too; but now8·/˘/˘···
She doesn't have a thing but fits.8·/˘·····
She's just as strong as any horse,--8·····/˘·
Tho' still an invalid, of course.8···˘/˘··
I had an uncle, too, that way,8···/˘···
His health was in a dreadful plight;8·····/˘·
Would often spend a sleepless day,8·/˘··/˘·
And lie unconscious half the night.8···/˘···
He took two bottles, large and small,8···/˘···
And now--he has no health at all!8········
The Moral plainly bids you buy8·/˘/˘···
This stuff, whose name I have forgotten;9······˘/˘
You won't regret it, if you try--8··˘/····
(My memory is simply rotten!)9·/˘˘·/˘/˘
My funds will profit, in addition,9···/˘·˘/˘
Since I enjoy a small commission!9··˘/··˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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