Blueberries

Robert Frost (1874–1963) · 1914

anapaestic tetrameter · rhyming couplets · 105 lines · from North of Boston

"YOU ought to have seen what I saw on my wayTo the village, through Mortenson's pasture to-day:Blueberries as big as the end of your thumb,Real sky-blue, and heavy, and ready to drumIn the cavernous pail of the first one to come!And all ripe together, not some of them greenAnd some of them ripe! You ought to have seen!""I don't know what part of the pasture you mean.""You know where they cut off the woods--let me see--It was two years ago--or no!--can it beNo longer than that?--and the following fallThe fire ran and burned it all up but the wall.""Why, there hasn't been time for the bushes to grow.That's always the way with the blueberries, though:There may not have been the ghost of a signOf them anywhere under the shade of the pine,But get the pine out of the way, you may burnThe pasture all over until not a fernOr grass-blade is left, not to mention a stick,And presto, they're up all around you as thickAnd hard to explain as a conjuror's trick.""It must be on charcoal they fatten their fruit.I taste in them sometimes the flavour of soot.And after all really they're ebony skinned:The blue's but a mist from the breath of the wind,A tarnish that goes at a touch of the hand,And less than the tan with which pickers are tanned.""Does Mortenson know what he has, do you think?""He may and not care and so leave the chewinkTo gather them for him--you know what he is.He won't make the fact that they're rightfully hisAn excuse for keeping us other folk out.""I wonder you didn't see Loren about.""The best of it was that I did. Do you know,I was just getting through what the field had to showAnd over the wall and into the road,When who should come by, with a democrat-loadOf all the young chattering Lorens alive,But Loren, the fatherly, out for a drive.""He saw you, then? What did he do? Did he frown?""He just kept nodding his head up and down.You know how politely he always goes by.But he thought a big thought--I could tell by his eye--Which being expressed, might be this in effect:'I have left those there berries, I shrewdly suspect,To ripen too long. I am greatly to blame.'""He's a thriftier person than some I could name.""He seems to be thrifty; and hasn't he need,With the mouths of all those young Lorens to feed?He has brought them all up on wild berries, they say,Like birds. They store a great many away.They eat them the year round, and those they don't eatThey sell in the store and buy shoes for their feet.""Who cares what they say? It's a nice way to live,Just taking what Nature is willing to give,Not forcing her hand with harrow and plow.""I wish you had seen his perpetual bow--And the air of the youngsters! Not one of them turned,And they looked so solemn-absurdly concerned.""I wish I knew half what the flock of them knowOf where all the berries and other things grow,Cranberries in bogs and raspberries on topOf the boulder-strewn mountain, and when they will crop.I met them one day and each had a flowerStuck into his berries as fresh as a shower;Some strange kind--they told me it hadn't a name.""I've told you how once not long after we came,I almost provoked poor Loren to mirthBy going to him of all people on earthTo ask if he knew any fruit to be hadFor the picking. The rascal, he said he'd be gladTo tell if he knew. But the year had been bad.There had been some berries--but those were all gone.He didn't say where they had been. He went on:'I'm sure--I'm sure'--as polite as could be.He spoke to his wife in the door, 'Let me see,Mame, we don't know any good berrying place?'It was all he could do to keep a straight face."If he thinks all the fruit that grows wild is for him,He'll find he's mistaken. See here, for a whim,We'll pick in the Mortensons' pasture this year.We'll go in the morning, that is, if it's clear,And the sun shines out warm: the vines must be wet.It's so long since I picked I almost forgetHow we used to pick berries: we took one look round,Then sank out of sight like trolls underground,And saw nothing more of each other, or heard,Unless when you said I was keeping a birdAway from its nest, and I said it was you.'Well, one of us is.' For complaining it flewAround and around us. And then for a whileWe picked, till I feared you had wandered a mile,And I thought I had lost you. I lifted a shoutToo loud for the distance you were, it turned out,For when you made answer, your voice was as lowAs talking--you stood up beside me, you know.""We sha'n't have the place to ourselves to enjoy--Not likely, when all the young Lorens deploy.They'll be there to-morrow, or even to-night.They won't be too friendly--they may be polite--To people they look on as having no rightTo pick where they're picking. But we won't complain.You ought to have seen how it looked in the rain,The fruit mixed with water in layers of leaves,Like two kinds of jewels, a vision for thieves."

Words in this poem 16
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
cavernous a.
Full of caverns; resembling a cavern or large cavity; hollow. [L. cavernosus: cf. F. caverneux.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
presto adv.
Quickly; immediately; in haste; suddenly. [It. or Sp. presto quick, quickly. See Prest, a.]
flavour n.
That quality of anything which affects the smell; odor; fragrances; as, the flavor of a rose. [OF. fleur, flaur (two syllables), odor, cf. F. fleurer to emit an odor, It. flatore a bad odor, prob. fr. L. flare to bow, whence the sense of exhalation. Cf. B]
chewink n.
An american bird (Pipilo erythrophthalmus) of the Finch family, so called from its note; -- called also towhee bunting and ground robin.
rightfully adv.
According to right or justice.
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
democrat n.
One who is an adherent or advocate of democracy, or government by the people. [Cf. F. démocrate.]
chattering n.
The act or habit of talking idly or rapidly, or of making inarticulate sounds; the sounds so made; noise made by the collision of the teeth; chatter.
fatherly a.
Like a father in affection and care; paternal; tender; protecting; careful.
politely adv.
In a polished manner; so as to be smooth or glossy.
went n.
Course; way; path; journey; direction.
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
berrying n.
A seeking for or gathering of berries, esp. of such as grow wild.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Blueberries is in the public domain. This text is taken from North of Boston, Project Gutenberg ebook #3026; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, Blueberries, in North of Boston (1914), text of Project Gutenberg ebook #3026, Laurel, https://laurelpoetry.com/poem/frost-north-of-boston/blueberries.html, id L04609.

Form and metre

Blueberries is 105 lines in a single stanza. It is in rhyming couplets, 53% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 90%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 10.9 syllables. 2 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBBCCCDDEEFFGGHHIII----JJKKLLMMNNOOPPQQRRSSTTUUVVWW--XXYYZZaabbccddeee--ffgghhiijjkkllmmnnooppqqrrrsstt wayA · dayA · thumbB · drumB · comeB · greenC · seenC · meanC · seeD · beD · fallE · wallE · growF · thoughF · signG · pineG · burnH · fernH · stickI · thickI · trickI · fruit · soot · skinned · wind · handJ · tannedJ · thinkK · chewinkK · isL · hisL · outM · aboutM · knowN · showN · roadO · loadO · aliveP · driveP · frownQ · downQ · byR · eyeR · effectS · suspectS · blameT · nameT · needU · feedU · sayV · awayV · eatW · feetW · live · give · plowX · bowX · turnedY · concernedY · knowZ · growZ · topa · cropa · flowerb · showerb · namec · camec · mirthd · earthd · hade · glade · bade · gone · on · bef · seef · placeg · faceg · himh · whimh · yeari · cleari · wetj · forgetj · roundk · undergroundk · heardl · birdl · youm · flewm · whilen · milen · shouto · outo · lowp · knowp · enjoyq · deployq · nightr · politer · rightr · complains · rains · leavest · thievest
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
"YOU ought to have seen what I saw on my way11···········
To the village, through Mortenson's pasture to-day:11··/˘·/˘/˘··
Blueberries as big as the end of your thumb,11/·˘········
Real sky-blue, and heavy, and ready to drum11····/˘·/˘··
In the cavernous pail of the first one to come!11··/˘·······
And all ripe together, not some of them green11···˘/˘·····
And some of them ripe! You ought to have seen!"10··········
"I don't know what part of the pasture you mean."11·······/˘··
"You know where they cut off the woods--let me see--11···········
It was two years ago--or no!--can it be11····˘/·····
No longer than that?--and the following fall10·/˘····/˘·
The fire ran and burned it all up but the wall."11·/·········
"Why, there hasn't been time for the bushes to grow.12··/˘····/˘··
That's always the way with the blueberries, though:11·/˘····/·˘·
There may not have been the ghost of a sign10··········
Of them anywhere under the shade of the pine,12··/˘········
But get the pine out of the way, you may burn11···········
The pasture all over until not a fern10·/˘·······
Or grass-blade is left, not to mention a stick,11·······/˘··
And presto, they're up all around you as thick11·/·········
And hard to explain as a conjuror's trick."10···˘/··/˘·
"It must be on charcoal they fatten their fruit.11····/··/˘··
I taste in them sometimes the flavour of soot.11····˘/·/˘··
And after all really they're ebony skinned:10····/˘·/˘·
The blue's but a mist from the breath of the wind,11···········
A tarnish that goes at a touch of the hand,11·/˘········
And less than the tan with which pickers are tanned."11·······/˘··
"Does Mortenson know what he has, do you think?"10·/˘·······
"He may and not care and so leave the chewink11·········/˘
To gather them for him--you know what he is.11·/˘········
He won't make the fact that they're rightfully his10·······/˘·
An excuse for keeping us other folk out."11·˘/·/˘·/˘··
"I wonder you didn't see Loren about."11·/˘·/˘·/˘··
"The best of it was that I did. Do you know,11···········
I was just getting through what the field had to show12···/˘·······
And over the wall and into the road,10··········
When who should come by, with a democrat-load11·······/˘··
Of all the young chattering Lorens alive,10····/˘/˘˘/
But Loren, the fatherly, out for a drive."10·/˘·/˘····
"He saw you, then? What did he do? Did he frown?"11···········
"He just kept nodding his head up and down.10···/˘·····
You know how politely he always goes by.11···˘/˘·/···
But he thought a big thought--I could tell by his eye--12············
Which being expressed, might be this in effect:10·/˘/····˘/
'I have left those there berries, I shrewdly suspect,12·····/˘·/˘˘/
To ripen too long. I am greatly to blame.'"11·/˘····/˘··
"He's a thriftier person than some I could name."11··/˘/˘·····
"He seems to be thrifty; and hasn't he need,11····/˘·/˘··
With the mouths of all those young Lorens to feed?11·······/˘··
He has brought them all up on wild berries, they say,12········/˘··
Like birds. They store a great many away.10······/˘˘/
They eat them the year round, and those they don't eat11···········
They sell in the store and buy shoes for their feet."11···········
"Who cares what they say? It's a nice way to live,11···········
Just taking what Nature is willing to give,11·/˘·/˘·/˘··
Not forcing her hand with harrow and plow."10·/˘···/˘··
"I wish you had seen his perpetual bow--10······˘/˘·
And the air of the youngsters! Not one of them turned,12·····/˘·····
And they looked so solemn-absurdly concerned."11····/˘˘/˘˘/
"I wish I knew half what the flock of them know11···········
Of where all the berries and other things grow,11····/˘·/˘··
Cranberries in bogs and raspberries on top11/·˘···/·˘··
Of the boulder-strewn mountain, and when they will crop.12··/˘·/˘·····
I met them one day and each had a flower11·········/˘
Stuck into his berries as fresh as a shower;11····/˘····/
Some strange kind--they told me it hadn't a name."11·······/˘··
"I've told you how once not long after we came,11···········
I almost provoked poor Loren to mirth10·/·˘/·/˘··
By going to him of all people on earth10·/····/˘··
To ask if he knew any fruit to be had11·····/˘····
For the picking. The rascal, he said he'd be glad12··/˘·/˘·····
To tell if he knew. But the year had been bad.11···········
There had been some berries--but those were all gone.11····/˘·····
He didn't say where they had been. He went on:11·/˘········
'I'm sure--I'm sure'--as polite as could be.10·····˘/···
He spoke to his wife in the door, 'Let me see,11···········
Mame, we don't know any good berrying place?'10····/˘·/˘·
It was all he could do to keep a straight face.11···········
"If he thinks all the fruit that grows wild is for him,12············
He'll find he's mistaken. See here, for a whim,11···˘/˘·····
We'll pick in the Mortensons' pasture this year.11·······/˘··
We'll go in the morning, that is, if it's clear,11····/˘·····
And the sun shines out warm: the vines must be wet.11···········
It's so long since I picked I almost forget11·······/·˘/
How we used to pick berries: we took one look round,12·····/˘·····
Then sank out of sight like trolls underground,10·······/˘·
And saw nothing more of each other, or heard,11··/˘···/˘··
Unless when you said I was keeping a bird11·······/˘··
Away from its nest, and I said it was you.11˘/·········
'Well, one of us is.' For complaining it flew11······˘/˘··
Around and around us. And then for a while11···········
We picked, till I feared you had wandered a mile,11·······/˘··
And I thought I had lost you. I lifted a shout12········/˘··
Too loud for the distance you were, it turned out,11····/˘·····
For when you made answer, your voice was as low11····/˘·····
As talking--you stood up beside me, you know."11·/˘···˘/···
"We sha'n't have the place to ourselves to enjoy--11······˘/·˘/
Not likely, when all the young Lorens deploy.11·/˘····/˘˘/
They'll be there to-morrow, or even to-night.10····/˘·/··
They won't be too friendly--they may be polite--11····/˘···˘/
To people they look on as having no right11·/˘····/˘··
To pick where they're picking. But we won't complain.11····/˘···˘/
You ought to have seen how it looked in the rain,11···········
The fruit mixed with water in layers of leaves,11····/˘·/˘··
Like two kinds of jewels, a vision for thieves."11····/˘·/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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