Hark! a sound comes from the brake
Hark! a sound comes from the brakeAnd I glide nearer like a snakeTo peer into its leafy deepsWhere like a child the spring still sleeps.Upon a chill rock gray and oldWhere the willows' simple foldFalls, an unstirred curtain, Pan—As he sat since the world began—Stays and broods upon the sceneBeside a hushèd pool where leanHis own face and the bending skyIn shivering soundless amity.
Pan sighs, and raises to his lipsHis pipes, down which his finger-tipsWander lovingly; then lowAnd clearly simple does he blowA single thin clear melodyThat pauses, spreading liquidly,While the world stands sharp and muteWaiting for his magic flute.A sudden strain, silver and shrillAs narrow water down a hill,Splashes rippling as though drawnIn shattered quicksilver onThe willow curtain, and through whichIt wanders without halt or hitchInto silent meadows; whenIt pauses, breathing, and againClimbs as though to reach the skyLike the soaring silver cryOf some bird. A note picks out,A silver moth that whirrs aboutA single rose, then settles lowOn the sorrowful who goAlong a willowed green-stained poolTo lie and sleep within its coolVirginity.
Ah, the worldAbout which mankind's dreams are furledLike a cocoon, thin and cold,And yet that is never old!Earth's heart burns with winter snowsAs fond and tremulous Pan blowsFor other springs and cold and sadAs this; and sitting garment-cladIn sadness with dry stricken eyesBent to the unchanging skies,Pan sighs and broods upon the sceneBeside this hushèd pool where leanHis own face and the bending skyIn shivering soundless amity.
Words in this poem
- soundless a.
- Not capable of being sounded or fathomed; unfathomable.
- amity n.
- Friendship, in a general sense, between individuals, societies, or nations; friendly relations; good understanding; as, a treaty of amity and commerce; the amity of the Whigs and Tories. [F. amitié, OF. amistié, amisté, fr. an assumed LL. amisitas, fr. L. amicus friendly, from amare to love. See Amiable.]
- lovingly adv.
- With love; affectionately.
- liquidly adv.
- In a liquid manner; flowingly.
- willowed a.
- Abounding with willows; containing willows; covered or overgrown with willows.
- clad v.
- To clothe. Holland.
- sadness n.
- Heaviness; firmness.
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Hark! a sound comes from the brake is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Faulkner, Hark! a sound comes from the brake, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-2.html, id L28614.
Form and metre
Hark! a sound comes from the brake is 51 lines in 3 verse paragraphs. It is in rhyming couplets, 86% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA--BBCCDD-- brakeA · snakeA · deeps · sleeps · oldB · foldB · panC · beganC · sceneD · leanD · sky · amity
- 2 AABBCCDDEEFFGGHHIIJJKKLL- lipsA · tipsA · lowB · blowB · melodyC · liquidlyC · muteD · fluteD · shrillE · hillE · drawnF · onF · whichG · hitchG · whenH · againH · skyI · cryI · outJ · aboutJ · lowK · goK · poolL · coolL · virginity
- 3 AABBCCDDEEFF-- worldA · furledA · coldB · oldB · snowsC · blowsC · sadD · cladD · eyesE · skiesE · sceneF · leanF · sky · amity
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Hark! a sound comes from the brake | 7 | ······· |
| And I glide nearer like a snake | 8 | ···/˘··· |
| To peer into its leafy deeps | 8 | ·····/˘· |
| Where like a child the spring still sleeps. | 8 | ········ |
| Upon a chill rock gray and old | 8 | ········ |
| Where the willows' simple fold | 7 | ··/·/˘· |
| Falls, an unstirred curtain, Pan— | 8 | ····˘/˘· |
| As he sat since the world began— | 8 | ······˘/ |
| Stays and broods upon the scene | 7 | ······· |
| Beside a hushèd pool where lean | 8 | ˘/······ |
| His own face and the bending sky | 8 | ·····/˘· |
| In shivering soundless amity. | 9 | ·/˘˘/˘/˘˘ |
| Pan sighs, and raises to his lips | 8 | ···/˘··· |
| His pipes, down which his finger-tips | 8 | ·····/˘· |
| Wander lovingly; then low | 7 | /˘/˘˘·· |
| And clearly simple does he blow | 8 | ·/˘/˘··· |
| A single thin clear melody | 8 | ·/˘··/˘˘ |
| That pauses, spreading liquidly, | 8 | ·/˘/˘/˘˘ |
| While the world stands sharp and mute | 7 | ······· |
| Waiting for his magic flute. | 7 | /˘··/˘· |
| A sudden strain, silver and shrill | 8 | ·/˘·/˘·· |
| As narrow water down a hill, | 8 | ·/˘/˘··· |
| Splashes rippling as though drawn | 8 | /˘/˘˘··· |
| In shattered quicksilver on | 8 | ·/˘˘//˘· |
| The willow curtain, and through which | 8 | ·/·/˘··· |
| It wanders without halt or hitch | 8 | ·/˘····· |
| Into silent meadows; when | 7 | ··/˘/·· |
| It pauses, breathing, and again | 8 | ·/˘/˘·˘/ |
| Climbs as though to reach the sky | 7 | ······· |
| Like the soaring silver cry | 7 | ··/˘/˘· |
| Of some bird. A note picks out, | 7 | ······· |
| A silver moth that whirrs about | 8 | ·/˘····· |
| A single rose, then settles low | 8 | ·/˘··/˘· |
| On the sorrowful who go | 7 | ··/˘˘·· |
| Along a willowed green-stained pool | 8 | ˘/·/···· |
| To lie and sleep within its cool | 8 | ········ |
| Virginity. | 4 | ˘/˘˘ |
| Ah, the world | 3 | ··· |
| About which mankind's dreams are furled | 8 | ···//··· |
| Like a cocoon, thin and cold, | 7 | ··˘/··· |
| And yet that is never old! | 7 | ····/˘· |
| Earth's heart burns with winter snows | 7 | ····/˘· |
| As fond and tremulous Pan blows | 8 | ···/˘˘·· |
| For other springs and cold and sad | 8 | ·/˘····· |
| As this; and sitting garment-clad | 8 | ···/˘/˘· |
| In sadness with dry stricken eyes | 8 | ·/˘··/˘· |
| Bent to the unchanging skies, | 7 | ···˘/˘· |
| Pan sighs and broods upon the scene | 8 | ········ |
| Beside this hushèd pool where lean | 8 | ˘/······ |
| His own face and the bending sky | 8 | ·····/˘· |
| In shivering soundless amity. | 9 | ·/˘˘/˘/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.