If I were free, then I would go

William Faulkner (1897–1962) · 1924

iambic tetrameter · AABBCCDDEEFFGGHHII · 72 lines · from The Marble Faun

If I were free, then I would goWhere the first chill spring winds blow,Wrapping a light shocked mountain's browWith shrilling tongues, and swirling now,And fiery upward flaming, leapFrom craggy teeth above each deepCold and wet with silence. HereI fly before the streaming yearAlong the fierce cold mountain topsTo which the sky runs down and stops;And with the old moon watching meLeaping and shouting joyouslyAlong each crouching dark abyssThrough which waters rush and hiss,I whirl the echoes west and eastTo hover each copse where lurks the beast,Silence, till they shatter backAcross the ravine's smoky crack.

Here Pan's sharp hoofed feet have pressedHis message on the chilly crest,Saying—Follow where I lead,For all the world springs to my reedWoven up and woven down,Thrilling all the sky and groundWith shivering heat and quivering cold;To pierce and burst the swollen mold;Shrilling in each waiting brake:Come, ye living, stir and wake!

As the tumbling sunlight fallsSpouting down the craggy wallsTo hiss upon the frozen rocksThat dot the hills in crouching flocks,So I plunge in some deep valeWhere first violets, shy and pale,Appear, and spring with tear-stained cheeksPeeps at me from the neighboring brakes,Gathering her torn draperies upFor flight if I cast my eyes up.Swallows dart and skimming flyLike arrows painted on the sky,And the twanging of the stringIs the faint high quick cryingThat they, downward shooting, spinThrough the soundless swelling din.Dogwood shines through thin trees thereLike jewels in a woman's hair;A sudden brook hurries alongSinging its reverted song,Flashing in white frothèd shocksAbout upstanding polished rocks;Slender shoots draw sharp and clearAnd white withes shake as though in fearUpon the quick stream's melted snowThat seems to dance rather than flow.

Then on every hand awakesFrom the dim and silent brakesThe breathing of the growing things,The living silence of all springsTo come and that have gone before;And upon a woodland floorI watch the sylvans dance till dawnWhile the brooding spring looks on.The spring is quick with child, and sad;And in her dampened hair sits cladWatching the immortal danceTo the world's throbbing dissonanceThat Pan's watchful shrill pipes blowOf the fiery days that goLike wine across the world; then high:His pipes weave magic on the skyShrill with joy and pain of birthOf another spring on earth.

Words in this poem

streaming a.
Sending forth streams.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
copse n.
A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
skimming n.
The act of one who skims.
soundless a.
Not capable of being sounded or fathomed; unfathomable.
hurries n.
A staith or framework from which coal is discharged from cars into vessels.
reverted a.
Turned back; reversed. Specifically: (Her.) Bent or curved twice, in opposite directions, or in the form of an S.
clad v.
To clothe. Holland.
dissonance n.
A mingling of discordant sounds; an inharmonious combination of sounds; discord. [L. dissonantia: cf. F. dissonance.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

If I were free, then I would go is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Faulkner, If I were free, then I would go, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-1.html, id L28613.

Form and metre

If I were free, then I would go is 72 lines in 4 stanzas. The rhyme scheme is AABBCCDDEEFFGGHHII, complete in 2 of its 4 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHII goA · blowA · browB · nowB · leapC · deepC · hereD · yearD · topsE · stopsE · meF · joyouslyF · abyssG · hissG · eastH · beastH · backI · crackI
  2. 2 AABB--CCDD pressedA · crestA · leadB · reedB · down · ground · coldC · moldC · brakeD · wakeD
  3. 3 AABBCCDDEEFFGGHHIIJJKKLLMM fallsA · wallsA · rocksB · flocksB · valeC · paleC · cheeksD · brakesD · upE · upE · flyF · skyF · stringG · cryingG · spinH · dinH · thereI · hairI · alongJ · songJ · shocksK · rocksK · clearL · fearL · snowM · flowM
  4. 4 AABBCCDDEEFFGGHHII awakesA · brakesA · thingsB · springsB · beforeC · floorC · dawnD · onD · sadE · cladE · danceF · dissonanceF · blowG · goG · highH · skyH · birthI · earthI
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
If I were free, then I would go8········
Where the first chill spring winds blow,7·······
Wrapping a light shocked mountain's brow8/˘···/˘·
With shrilling tongues, and swirling now,8·/˘··/˘·
And fiery upward flaming, leap8·/˘/˘/˘·
From craggy teeth above each deep8·/˘·····
Cold and wet with silence. Here7····/˘·
I fly before the streaming year8·····/˘·
Along the fierce cold mountain tops8˘/···/˘·
To which the sky runs down and stops;8········
And with the old moon watching me8·····/˘·
Leaping and shouting joyously7/˘·/˘··
Along each crouching dark abyss8˘/·/˘·˘/
Through which waters rush and hiss,7··/˘···
I whirl the echoes west and east8···/˘···
To hover each copse where lurks the beast,9·/˘······
Silence, till they shatter back7/˘··/˘·
Across the ravine's smoky crack.8˘/·˘//˘·
Here Pan's sharp hoofed feet have pressed8····˘···
His message on the chilly crest,8·/˘··/˘·
Saying—Follow where I lead,7/˘/˘···
For all the world springs to my reed8········
Woven up and woven down,7/˘··/˘·
Thrilling all the sky and ground7/˘·····
With shivering heat and quivering cold;8·/˘··/˘·
To pierce and burst the swollen mold;8·····/˘·
Shrilling in each waiting brake:7/˘··/˘·
Come, ye living, stir and wake!7··/˘···
As the tumbling sunlight falls8··/˘˘/··
Spouting down the craggy walls7/˘··/˘·
To hiss upon the frozen rocks8·····/˘·
That dot the hills in crouching flocks,8·····/˘·
So I plunge in some deep vale7·······
Where first violets, shy and pale,8··/˘˘···
Appear, and spring with tear-stained cheeks8˘/······
Peeps at me from the neighboring brakes,8·····/˘·
Gathering her torn draperies up8/˘··/˘˘·
For flight if I cast my eyes up.8········
Swallows dart and skimming fly7/˘··/˘·
Like arrows painted on the sky,8·/˘/˘···
And the twanging of the string7··/˘···
Is the faint high quick crying7·····/˘
That they, downward shooting, spin7··/˘/˘·
Through the soundless swelling din.7··/˘/˘·
Dogwood shines through thin trees there7/······
Like jewels in a woman's hair;8·/˘··/˘·
A sudden brook hurries along8·/˘·/˘˘/
Singing its reverted song,7/˘·˘/˘·
Flashing in white frothèd shocks6/˘····
About upstanding polished rocks;8··/·˘/˘·
Slender shoots draw sharp and clear7/˘·····
And white withes shake as though in fear8········
Upon the quick stream's melted snow8·····/˘·
That seems to dance rather than flow.8····/˘··
Then on every hand awakes8··/˘˘·˘/
From the dim and silent brakes7····/˘·
The breathing of the growing things,8·/˘··/˘·
The living silence of all springs8·/˘/˘···
To come and that have gone before;8········
And upon a woodland floor7····/··
I watch the sylvans dance till dawn8···/˘···
While the brooding spring looks on.7··/˘···
The spring is quick with child, and sad;8········
And in her dampened hair sits clad8···/˘···
Watching the immortal dance7/˘·˘/˘·
To the world's throbbing dissonance8···/˘/˘˘
That Pan's watchful shrill pipes blow7··/˘···
Of the fiery days that go8··/˘˘···
Like wine across the world; then high:8··˘/····
His pipes weave magic on the sky8···/˘···
Shrill with joy and pain of birth7·······
Of another spring on earth.7·˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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