If I were free, then I would go
If I were free, then I would goWhere the first chill spring winds blow,Wrapping a light shocked mountain's browWith shrilling tongues, and swirling now,And fiery upward flaming, leapFrom craggy teeth above each deepCold and wet with silence. HereI fly before the streaming yearAlong the fierce cold mountain topsTo which the sky runs down and stops;And with the old moon watching meLeaping and shouting joyouslyAlong each crouching dark abyssThrough which waters rush and hiss,I whirl the echoes west and eastTo hover each copse where lurks the beast,Silence, till they shatter backAcross the ravine's smoky crack.
Here Pan's sharp hoofed feet have pressedHis message on the chilly crest,Saying—Follow where I lead,For all the world springs to my reedWoven up and woven down,Thrilling all the sky and groundWith shivering heat and quivering cold;To pierce and burst the swollen mold;Shrilling in each waiting brake:Come, ye living, stir and wake!
As the tumbling sunlight fallsSpouting down the craggy wallsTo hiss upon the frozen rocksThat dot the hills in crouching flocks,So I plunge in some deep valeWhere first violets, shy and pale,Appear, and spring with tear-stained cheeksPeeps at me from the neighboring brakes,Gathering her torn draperies upFor flight if I cast my eyes up.Swallows dart and skimming flyLike arrows painted on the sky,And the twanging of the stringIs the faint high quick cryingThat they, downward shooting, spinThrough the soundless swelling din.Dogwood shines through thin trees thereLike jewels in a woman's hair;A sudden brook hurries alongSinging its reverted song,Flashing in white frothèd shocksAbout upstanding polished rocks;Slender shoots draw sharp and clearAnd white withes shake as though in fearUpon the quick stream's melted snowThat seems to dance rather than flow.
Then on every hand awakesFrom the dim and silent brakesThe breathing of the growing things,The living silence of all springsTo come and that have gone before;And upon a woodland floorI watch the sylvans dance till dawnWhile the brooding spring looks on.The spring is quick with child, and sad;And in her dampened hair sits cladWatching the immortal danceTo the world's throbbing dissonanceThat Pan's watchful shrill pipes blowOf the fiery days that goLike wine across the world; then high:His pipes weave magic on the skyShrill with joy and pain of birthOf another spring on earth.
Words in this poem
- streaming a.
- Sending forth streams.
- hover n.
- A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
- copse n.
- A wood of small growth; a thicket of brushwood. See Coppice. [Contr. from coppice.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- skimming n.
- The act of one who skims.
- soundless a.
- Not capable of being sounded or fathomed; unfathomable.
- hurries n.
- A staith or framework from which coal is discharged from cars into vessels.
- reverted a.
- Turned back; reversed. Specifically: (Her.) Bent or curved twice, in opposite directions, or in the form of an S.
- clad v.
- To clothe. Holland.
- dissonance n.
- A mingling of discordant sounds; an inharmonious combination of sounds; discord. [L. dissonantia: cf. F. dissonance.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
If I were free, then I would go is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Faulkner, If I were free, then I would go, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-1.html, id L28613.
Form and metre
If I were free, then I would go is 72 lines in 4 stanzas. The rhyme scheme is AABBCCDDEEFFGGHHII, complete in 2 of its 4 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHII goA · blowA · browB · nowB · leapC · deepC · hereD · yearD · topsE · stopsE · meF · joyouslyF · abyssG · hissG · eastH · beastH · backI · crackI
- 2 AABB--CCDD pressedA · crestA · leadB · reedB · down · ground · coldC · moldC · brakeD · wakeD
- 3 AABBCCDDEEFFGGHHIIJJKKLLMM fallsA · wallsA · rocksB · flocksB · valeC · paleC · cheeksD · brakesD · upE · upE · flyF · skyF · stringG · cryingG · spinH · dinH · thereI · hairI · alongJ · songJ · shocksK · rocksK · clearL · fearL · snowM · flowM
- 4 AABBCCDDEEFFGGHHII awakesA · brakesA · thingsB · springsB · beforeC · floorC · dawnD · onD · sadE · cladE · danceF · dissonanceF · blowG · goG · highH · skyH · birthI · earthI
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| If I were free, then I would go | 8 | ········ |
| Where the first chill spring winds blow, | 7 | ······· |
| Wrapping a light shocked mountain's brow | 8 | /˘···/˘· |
| With shrilling tongues, and swirling now, | 8 | ·/˘··/˘· |
| And fiery upward flaming, leap | 8 | ·/˘/˘/˘· |
| From craggy teeth above each deep | 8 | ·/˘····· |
| Cold and wet with silence. Here | 7 | ····/˘· |
| I fly before the streaming year | 8 | ·····/˘· |
| Along the fierce cold mountain tops | 8 | ˘/···/˘· |
| To which the sky runs down and stops; | 8 | ········ |
| And with the old moon watching me | 8 | ·····/˘· |
| Leaping and shouting joyously | 7 | /˘·/˘·· |
| Along each crouching dark abyss | 8 | ˘/·/˘·˘/ |
| Through which waters rush and hiss, | 7 | ··/˘··· |
| I whirl the echoes west and east | 8 | ···/˘··· |
| To hover each copse where lurks the beast, | 9 | ·/˘······ |
| Silence, till they shatter back | 7 | /˘··/˘· |
| Across the ravine's smoky crack. | 8 | ˘/·˘//˘· |
| Here Pan's sharp hoofed feet have pressed | 8 | ····˘··· |
| His message on the chilly crest, | 8 | ·/˘··/˘· |
| Saying—Follow where I lead, | 7 | /˘/˘··· |
| For all the world springs to my reed | 8 | ········ |
| Woven up and woven down, | 7 | /˘··/˘· |
| Thrilling all the sky and ground | 7 | /˘····· |
| With shivering heat and quivering cold; | 8 | ·/˘··/˘· |
| To pierce and burst the swollen mold; | 8 | ·····/˘· |
| Shrilling in each waiting brake: | 7 | /˘··/˘· |
| Come, ye living, stir and wake! | 7 | ··/˘··· |
| As the tumbling sunlight falls | 8 | ··/˘˘/·· |
| Spouting down the craggy walls | 7 | /˘··/˘· |
| To hiss upon the frozen rocks | 8 | ·····/˘· |
| That dot the hills in crouching flocks, | 8 | ·····/˘· |
| So I plunge in some deep vale | 7 | ······· |
| Where first violets, shy and pale, | 8 | ··/˘˘··· |
| Appear, and spring with tear-stained cheeks | 8 | ˘/······ |
| Peeps at me from the neighboring brakes, | 8 | ·····/˘· |
| Gathering her torn draperies up | 8 | /˘··/˘˘· |
| For flight if I cast my eyes up. | 8 | ········ |
| Swallows dart and skimming fly | 7 | /˘··/˘· |
| Like arrows painted on the sky, | 8 | ·/˘/˘··· |
| And the twanging of the string | 7 | ··/˘··· |
| Is the faint high quick crying | 7 | ·····/˘ |
| That they, downward shooting, spin | 7 | ··/˘/˘· |
| Through the soundless swelling din. | 7 | ··/˘/˘· |
| Dogwood shines through thin trees there | 7 | /······ |
| Like jewels in a woman's hair; | 8 | ·/˘··/˘· |
| A sudden brook hurries along | 8 | ·/˘·/˘˘/ |
| Singing its reverted song, | 7 | /˘·˘/˘· |
| Flashing in white frothèd shocks | 6 | /˘···· |
| About upstanding polished rocks; | 8 | ··/·˘/˘· |
| Slender shoots draw sharp and clear | 7 | /˘····· |
| And white withes shake as though in fear | 8 | ········ |
| Upon the quick stream's melted snow | 8 | ·····/˘· |
| That seems to dance rather than flow. | 8 | ····/˘·· |
| Then on every hand awakes | 8 | ··/˘˘·˘/ |
| From the dim and silent brakes | 7 | ····/˘· |
| The breathing of the growing things, | 8 | ·/˘··/˘· |
| The living silence of all springs | 8 | ·/˘/˘··· |
| To come and that have gone before; | 8 | ········ |
| And upon a woodland floor | 7 | ····/·· |
| I watch the sylvans dance till dawn | 8 | ···/˘··· |
| While the brooding spring looks on. | 7 | ··/˘··· |
| The spring is quick with child, and sad; | 8 | ········ |
| And in her dampened hair sits clad | 8 | ···/˘··· |
| Watching the immortal dance | 7 | /˘·˘/˘· |
| To the world's throbbing dissonance | 8 | ···/˘/˘˘ |
| That Pan's watchful shrill pipes blow | 7 | ··/˘··· |
| Of the fiery days that go | 8 | ··/˘˘··· |
| Like wine across the world; then high: | 8 | ··˘/···· |
| His pipes weave magic on the sky | 8 | ···/˘··· |
| Shrill with joy and pain of birth | 7 | ······· |
| Of another spring on earth. | 7 | ·˘/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.