All day I run before a wind

William Faulkner (1897–1962) · 1924

iambic tetrameter · octosyllabic couplets · 38 lines · from The Marble Faun

All day I run before a wind,Keen and blue and without end,Like a fox before the houndsAcross the mellow sun-shot downsThat smell like crispened warm fresh bread;And the sky stretched overheadHas drawn across its face a veilOf gold and purple. My limbs failAnd I plunge panting down to restUpon earth's sharp and burning breast.I lie flat, and feel its coldBeating heart that's never old,And yet has felt the ages passAbove its heather, trees, and grass.The azure veils fall from the skyAnd on the world's rim shimmering lie,While the bluely flashing seaPulses through infinitely.

Up! Away! Now I will goTo some orchard's golden rowOf bursting mellow pears and sweetBerries and dusky grapes to eat.I singing crush them to my lips,Staining cheek and fingertips,Then fill my hands, I know not why,And off again along the skyDown through the trees, beside the streamVeiled too, and golden as a dream,To lie once more in some warm gladeDeep walled by the purple shadeMy fruits beside, and so I lieIn thin sun sifting from the skyLike a cloak to cover me:I sink in sleep resistlesslyWhile the sun slides smoothly downThe west, and green dusk closes roundMy glade that the sun filled upAs gold wine stands within a cup.

Words in this poem

shimmering n.
A gleam or glimmering.
bluely adv.
With a blue color.
veiled a.
Covered by, or as by, a veil; hidden.
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

All day I run before a wind is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Faulkner, All day I run before a wind, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-12.html, id L28624.

Form and metre

All day I run before a wind is 38 lines in 2 verse paragraphs. It is in rhyming couplets, 74% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ----AABBCCDDEEFFF- wind · end · hounds · downs · breadA · overheadA · veilB · failB · restC · breastC · coldD · oldD · passE · grassE · skyF · lieF · seaF · infinitely
  2. 2 AABBCCDDEEFFDDD---GG goA · rowA · sweetB · eatB · lipsC · fingertipsC · whyD · skyD · streamE · dreamE · gladeF · shadeF · lieD · skyD · meD · resistlessly · down · round · upG · cupG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
All day I run before a wind,8········
Keen and blue and without end,7·······
Like a fox before the hounds7·······
Across the mellow sun-shot downs8˘/·/˘···
That smell like crispened warm fresh bread;8···/˘···
And the sky stretched overhead8····˘/˘/
Has drawn across its face a veil8··˘/····
Of gold and purple. My limbs fail8···/˘···
And I plunge panting down to rest8···/˘···
Upon earth's sharp and burning breast.8·····/˘·
I lie flat, and feel its cold7·······
Beating heart that's never old,7/˘··/˘·
And yet has felt the ages pass8·····/˘·
Above its heather, trees, and grass.8···/˘···
The azure veils fall from the sky8·/˘·····
And on the world's rim shimmering lie,8·····/˘·
While the bluely flashing sea7··/˘/˘·
Pulses through infinitely.7/˘·/˘˘˘
Up! Away! Now I will go7·˘/····
To some orchard's golden row7··/˘/˘·
Of bursting mellow pears and sweet8·/˘/˘···
Berries and dusky grapes to eat.8/˘·/˘···
I singing crush them to my lips,8·/˘·····
Staining cheek and fingertips,7/˘··/˘·
Then fill my hands, I know not why,8········
And off again along the sky8··˘/˘/··
Down through the trees, beside the stream8····˘/··
Veiled too, and golden as a dream,8···/˘···
To lie once more in some warm glade8········
Deep walled by the purple shade8··˘··/˘·
My fruits beside, and so I lie8··˘/····
In thin sun sifting from the sky8···/˘···
Like a cloak to cover me:7····/˘·
I sink in sleep resistlessly8········
While the sun slides smoothly down7····/˘·
The west, and green dusk closes round8·····/˘·
My glade that the sun filled up8······˘·
As gold wine stands within a cup.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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