Agatha
Come with me to the mountain, not where rocksSoar harsh above the troops of hurrying pines,But where the earth spreads soft and rounded breastsTo feed her children; where the generous hillsLift a green isle betwixt the sky and plainTo keep some Old World things aloof from change.Here too 't is hill and hollow: new-born streams.With sweet enforcement, joyously compelledLike laughing children, hurry down the steeps,And make a dimpled chase athwart the stones;Pine woods are black upon the heights, the slopesAre green with pasture, and the bearded cornFringes the blue above the sudden ridge:A little world whose round horizon cutsThis isle of hills with heaven for a sea,Save in clear moments when southwestward gleamsFrance by the Rhine, melting anon to haze.The monks of old chose here their still retreat,And called it by the Blessed Virgin's name,Sancta Maria, which the peasant's tongue,Speaking from out the parent's heart that turnsAll loved things into little things, has madeSanct Märgen—Holy little Mary, dearAs all the sweet home things she smiles upon,The children and the cows, the apple-trees,The cart, the plough, all named with that caressWhich feigns them little, easy to be held,Familiar to the eyes and hand and heart.What though a Queen? She puts her crown awayAnd with her little Boy wears common clothes,Caring for common wants, rememberingThat day when good Saint Joseph left his workTo marry her with humble trust sublime.The monks are gone, their shadows fall no moreTall-frocked and cowled athwart the evening fieldsAt milking-time; their silent corridorsAre turned to homes of bare-armed, aproned men,Who toil for wife and. children. But the bells,Pealing on high from two quaint convent towers,Still ring the Catholic signals, summoningTo grave remembrance of the larger lifeThat bears our own, like perishable fruitUpon its heaven-wide branches. At their soundThe shepherd boy far off upon the hill,The workers with the saw and at the forge,The triple generation round the hearth—Grandames and mothers and the flute-voiced girls —Fall on their knees and send forth prayerful criesTo the kind Mother with the little Boy,Who pleads for helpless men against the storm,Lightning and plagues and all terrific shapesOf power supreme.Within the prettiest hollow of these hills.Just as you enter it, upon the slopeStands a low cottage neighbored cheerilyBy running water, which, at farthest endOf the same hollow, turns a heavy mill,And feeds the pasture for the miller's cows,Blanchi and Nägeli, Veilchen and the rest,Matrons with faces as Griselda mild,Coming at call. And on the farthest heightA little tower looks out above the pinesWhere mounting you will find a sanctuaryOpen and still; without, the silent crowdOf heaven-planted, incense-mingling flowers;Within, the altar where the Mother sits'Mid votive tablets hung from far-off yearsBy peasants succored in the peril of fire,Fever, or flood, who thought that Mary's love,Willing but not omnipotent, had stoodBetween their lives and that dread power which slewTheir neighbor at their side. The chapel bellWill melt to gentlest music ere it reachThat cottage on the slope, whose garden gateHas caught the rose-tree boughs and stands ajar;So does the door, to let the sunbeams in;For in the slanting sunbeams angels comeAnd visit Agatha who dwells within —Old Agatha, whose cousins Kate and NellAre housed by her in Love and Duty's name,They being feeble, with small withered wits,And she believing that the higher giftWas given to be shared. So AgathaShares her one room, all neat on afternoons,As if some memory were sacred thereAnd everything within the four low wallsAn honored relic.
One long summer's dayAn angel entered at the rose-hung gate,With skirts pale blue, a brow to quench the pearl,Hair soft and blonde as infants', plenteousAs hers who made the wavy lengths once speakThe grateful worship of a rescued soul.The angel paused before the open doorTo give good day. "Come in," said Agatha.I followed close, and watched and listened there.The angel was a lady, noble, young,Taught in all seemliness that fits a court,All lore that shapes the mind to delicate use,Yet quiet, lowly, as a meek white doveThat with its presence teaches gentleness.Men called her Countess Linda; little girlsIn Freiburg town, orphans whom she caressed,Said Mamma Linda: yet her years were few,Her outward beauties all in budding time,Her virtues the aroma of the plantThat dwells in all its being, root, stem, leaf,And waits not ripeness.
"Sit," said Agatha.Her cousins were at work in neighboring homesBut yet she was not lonely; all things roundSeemed filled with noiseless yet responsive life,As of a child at breast that gently clings:Not sunlight only or the breathing flowersOr the swift shadows of the birds and bees,But all the household goods, which, polished fairBy hands that cherished them for service done,Shone as with glad content. The wooden beamsDark and yet friendly, easy to be reached.Bore three white crosses for a speaking sign;The walls had little pictures hung a-row,Telling the stories of Saint Ursula,And Saint Elizabeth, the lowly queen;And on the bench that served for table too,Skirting the wall to save the narrow space,There lay the Catholic books, inheritedFrom those old times when printing still was youngWith stout-limbed promise, like a sturdy boy.And in the farthest corner stood the bedWhere o'er the pillow hung two pictures wreathedWith fresh-plucked ivy: one the Virgin's death,And one her flowering tomb, while high above
She smiling bends and lets her girdle downFor ladder to the soul that cannot trustIn life which outlasts burial. AgathaSat at her knitting, aged, upright, slim.And spoke her welcome with mild dignity.She kept the company of kings and queensAnd mitred saints who sat below the feetOf Francis with the ragged frock and wounds;And Rank for her meant Duty, various,Yet equal in its worth, done worthily.Command was service; humblest service doneBy willing and discerning souls was glory.Fair Countess Linda sat upon the bench,Close fronting the old knitter, and they talkedWith sweet antiphony of young and old.
Agatha. You like our valley, lady? I am gladYou thought it well to come again. But rest —The walk is long from Master Michael's inn.
Countess LINDA. Yes, but no walk is prettier.
Agatha. It is true:There lacks no blessing here, the waters allHave virtues like the garments of the Lord,And heal much sickness; then, the crops and cowsFlourish past speaking, and the garden flowers,Pink, blue, and purple, 't is a joy to seeHow they yield honey for the singing bees.I would the whole world were as good a home.
Countess LINDA. And you are well off, Agatha?—your friendsLeft you a certain bread: is it not so?
Agatha. Not so at all, dear lady. I had naught,Was a poor orphan; but I came to tendHere in this house, an old afflicted pair,Who wore out slowly; and the last who died,Full thirty years ago, left me this roofAnd all the household stuff. It was great wealth,And so I had a home for Kate and Nell.
Countess LINDA. But how, then, have you earned your daily breadThese thirty years?
Agatha. Oh, that is easy earning.We help the neighbors, and our bit and supIs never failing: they have work for usIn house and field, all sorts of odds and ends,Patching and mending, turning o'er the hay,Holding sick children—there is always work;And they are very good—the neighbors are:Weigh not our bits of work with weight and scale,But glad themselves with giving us good sharesOf meat and drink; and in the big farmhouseWhen cloth comes home from weaving, the good wifeCuts me a piece—this very gown—and says:"Here, Agatha, you old maid, you have timeTo pray for Hans who is gone soldiering:The saints might help him, and they have much to do,'Twere well they were besought to think of him."She spoke half jesting, but I pray, I prayFor poor young Hans. I take it much to heartThat other people are worse off than I—I ease my soul with praying for them all.
Countess LINDA. That is your way of singing, Agatha;Just as the nightingales pour forth sad songs,And when they reach men's ears they make men's heartsFeel the more kindly.
Agatha. Nay, I cannot sing:My voice is hoarse, and oft I think my prayersAre foolish, feeble things; for Christ is goodWhether I pray or not—the Virgin's heartIs kinder far than mine; and then I stopAnd feel I can do naught toward helping men,Till out it comes, like tears that will not hold,And I must pray again for all the world.'Tis good to me—I mean the neighbors are:To Kate and Nell too. I have money savedTo go on pilgrimage the second time.
Countess LINDA. And do you mean to go on pilgrimageWith all your years to carry, Agatha?
Agatha. The years are light, dear lady: 't is my sinsAre heavier than I would. And I shall goAll the way to Einsiedeln with that load:I need to work it off.
Countess LINDA. What sort of sins,Dear Agatha? I think they must be small.
Agatha. Nay, but they may be greater than I know;'Tis but dim light I see by. So I tryAll ways I know of to be cleansed and pure.I would not sink where evil spirits are.There's perfect goodness somewhere: so I strive.
Countess LINDA. You were the better for that pilgrimageYou made before? The shrine is beautiful;And then you saw fresh country all the way.
Agatha. Yes, that is true. And ever since that timeThe world seems greater, and the Holy ChurchMore wonderful. The blessed pictures all,The heavenly images with books and wings,Are company to me through the day and night.The time! the time! It never seemed far back,Only to father's father and his kinThat lived before him. But the time stretched outAfter that pilgrimage: I seemed to seeFar back, and yet I knew time lay behind,As there are countries lying still behindThe highest mountains, there in Switzerland.Oh, it is great to go on pilgrimage!
Countess LINDA. Perhaps some neighbors will be pilgrims too,And you can start together in a band.
Agatha. Not from these hills: people are busy here.The beasts want tendance. One who is not missedCan go and pray for others who must work.I owe it to all neighbors, young and old;For they are good past thinking—lads and girlsGiven to mischief, merry naughtiness,Quiet it, as the hedgehogs smooth their spines,For fear of hurting poor old Agatha.'Tis pretty: why, the cherubs in the skyLook young and merry, and the angels playOn citherns, lutes, and all sweet instruments.I would have young things merry. See the Lord!A little baby playing with the birds;And how the Blessed Mother smiles at him.
Countess LINDA. I think you are too happy, Agatha,To care for heaven. Earth contents you well.
Agatha. Nay, nay, I shall be called, and I shall goRight willingly. I shall get helpless, blind,Be like an old stalk to be plucked away:The garden must be cleared for young spring plants.'Tis home beyond the grave, the most are there,All those we pray to, all the Church's lights—And poor old souls are welcome in their rags:One sees it by the pictures. Good Saint Ann,The Virgin's mother, she is very old.And had her troubles with her husband too.Poor Kate and Nell are younger far than I,But they will have this roof to cover them.I shall go willingly; and willingnessMakes the yoke easy and the burden light.
Countess LINDA. When you go southward in your pilgrimage,Come to see me in Freiburg, Agatha.Where you have friends you should not go to inns.
Agatha. Yes, I will gladly come to see you, lady,And you will give me sweet hay for a bed.And in the morning I shall wake betimesAnd start when all the birds begin to sing.
Countess LINDA. You wear your smart clothes on the pilgrimage,Such pretty clothes as all the women hereKeep by them for their best: a velvet capAnd collar golden-broidered? They look wellOn old and young alike.
Agatha. Nay, I have none—Never had better clothes than these you see.Good clothes are pretty, but one sees them bestWhen others wear them, and I somehow thought'Twas not worth while. I had so many thingsMore than some neighbors, I was partly shyOf wearing better clothes than they, and nowI am so old and custom is so strong'Twould hurt me sore to put on finery.
Countess LINDA. Your gray hair is a crown, dear Agatha.Shake hands; good-by. The sun is going down,And I must see the glory from the hill.
I stayed among those hills; and oft heard moreOf Agatha. I liked to hear her name,As that of one half grandame and half saint,Uttered with reverent playfulness. The ladsAnd younger men all called her mother, aunt,Or granny, with their pet diminutives,And bade their lasses and their brides behaveRight well to one who surely made a link'Twixt faulty folk and God by loving both:Not one but counted service done by her,Asking no pay save just her daily bread.At feasts and weddings, when they passed in groupsAlong the vale, and the good country wine,Being vocal in them, made them quire alongIn quaintly mingled mirth and piety,They fain must jest and play some friendly trickOn three old maids; but when the moment cameAlways they bated breath and made their sportGentle as feather-stroke, that AgathaMight like the waking for the love it showed.Their song made happy music 'mid the hills,For nature tuned their race to harmony,And poet Hans, the tailor, wrote them songsThat grew from out their life, as crocusesFrom out the meadow's moistness. 'Twas his songThey oft sang, wending homeward from a feast—The song I give you. It brings in, you see.Their gentle jesting with the three old maids.
Midnight by the chapel bell!Homeward, homeward all, farewell!I with you, and you with me,Miles are short with company.Heart of Mary, bless the way,Keep us all by night and day!
Moon and stars at feast with nightNow have drunk their fill of light.Home they hurry, making timeTrot apace, like merry rhyme.Heart of Mary, mystic rose,Send us all a sweet repose!
Swiftly through the wood down hill,Run till you can hear the millToni's ghost is wandering now,Shaped just like a snow-white cow.Heart of Mary, morning star,Ward off danger, near or far!
Toni's wagon with its loadFell and crushed him in the road'Twixt these pine-trees. Never fear!Give a neighbor's ghost good cheer.Holy Babe, our God and Brother,Bind us fast to one another!
Hark! the mill is at its work,Now we pass beyond the murkTo the hollow, where the moonMakes her silvery afternoon.Good Saint Joseph, faithful spouse.Help us all to keep our vows!
Here the three old maidens dwell,Agatha and Kate and Nell;See, the moon shines on the thatch.We will go and shake the latch.Heart of Mary, cup of joy,Give us mirth without alloy!
Hush, 't is here, no noise, sing low,Rap with gentle knuckles—so!Like the little tapping birds,On the door; then sing good words.Meek Saint Anna, old and fair,Hallow all the snow-white hair!
Little maidens old, sweet dreams!Sleep one sleep till morning beams.Mothers ye, who help us all,Quick at hand, if ill befall.Holy Gabriel, lily-laden,Bless the aged mother-maiden!
Forward, mount the broad hillsideSwift as soldiers when they ride.See the two towers how they peep,Round-capped giants, o'er the steep.Heart of Mary, by thy sorrow,Keep us upright through the morrow!
Now they rise quite suddenlyLike a man from bended knee,Now Saint Märgen is in sight.Here the roads branch off—good-night.Heart of Mary, by thy grace,Give us with the saints a place!
Words in this poem 64
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- enforcement n.
- The act of enforcing; compulsion. [Cf. OF. enforcement.]
- southwestward adv.
- Toward the southwest.
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- cowled a.
- Wearing a cowl; hooded; as, a cowled monk.
- aproned a.
- Wearing an apron.
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- prayerful a.
- Given to prayer; praying much or often; devotional.
- cheerily adv.
- In a cheery manner.
- votive a.
- Given by vow, or in fulfillment of a vow; consecrated by a vow; devoted; as, votive offerings; a votive tablet. [L. votivus, fr. votum a vow: cf. F. votif. See Vow.]
- ajar adv.
- Slightly turned or opened; as, the door was standing ajar. [OE. on char ajar, on the turn; AS. cerr, cyrr, turn, akin to G. kehren to turn, and to D. akerre. See Char.]
- kate n.
- The brambling finch.
- blonde a.
- Of a fair color; light-colored; as, blond hair; a blond complexion. [F., fair, light, of uncertain origin; cf. AS. blonden-feax gray-haired, old, prop. blended-haired, as a mixture of white and brown or black. See Blend, v. t.]
- seemliness n.
- The quality or state of being seemly: comeliness; propriety.
- countess n.
- The wife of an earl in the British peerage, or of a count in the Continental nobility; also, a lady possessed of the same dignity in her own right. See the Note under Count. [F. comtesse. See Count a nobleman.]
- responsive a.
- That responds; ready or inclined to respond. [Cf. F. resposif.]
- ursula n.
- A beautiful North American butterfly (Basilarchia, or Limenitis, astyanax). Its wings are nearly black with red and blue spots and blotches. Called also red-spotted purple.
- skirting n.
- A skirting board.
- burial n.
- A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- worthily adv.
- In a worthy manner; excellently; deservedly; according to merit; justly; suitably; becomingly.
- knitter n.
- One who, or that which, knits, joins, or unites; a knitting machine.
- antiphony n.
- A musical response; also, antiphonal chanting or signing. [See Antiphon.]
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- earning n.
- That which is earned; wages gained by work or services; money earned; -- used commonly in the plural.
- odds n.
- Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
- farmhouse n.
- A dwelling house on a farm; a farmer's residence.
- soldiering n.
- The act of serving as a soldier; the state of being a soldier; the occupation of a soldier.
- pilgrimage n.
- The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- tendance n.
- The act of attending or waiting; attendance. [See Tend to attend, and cf. Attendance.]
- naughtiness n.
- The quality or state of being naughty; perverseness; badness; wickedness.
- willingly adv.
- In a willing manner; with free will; without reluctance; cheerfully.
- gladly adv.
- Preferably; by choice. [From Glad, a.]
- betimes adv.
- In good season or time; before it is late; seasonably; early. [Pref. be- (for by) + time; that is, by the proper time. The -s is an adverbial ending.]
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
- finery n.
- Fineness; beauty.
- stayed a.
- Staid; fixed; settled; sober; -- now written staid. See Staid.
- granny n.
- A grandmother; a grandam; familiarly, an old woman. Granny's bend, or Granny's knot (Naut.), a kind of insecure knot or hitch; a reef knot crossed the wrong way.
- bade
- A form of the pat tense of Bid.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- quire v. i.
- To sing in concert.
- quaintly adv.
- In a quaint manner.
- fain v. t.
- To be glad ; to wish or desire.
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- bated a.
- Reduced; lowered; restrained; as, to speak with bated breath.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- moistness n.
- The quality or state of being moist.
- homeward a.
- Being in the direction of home; as, the homeward way.
- apace adv.
- With a quick pace; quick; fast; speedily. [Pref. a- + pace. OE. a pas at a walk, in which a is the article. See Pace.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- murk n.
- Darkness; mirk.
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- spouse v. t.
- To wed; to espouse. [See Espouse, and Spouse, n.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- latch v. t.
- To smear; to anoint. [Cf. F. lécher to lick (of German origin). Cf. Lick.]
- anna n.
- An East Indian money of account, the sixteenth of a rupee, or about 2 [Hindi ana.]
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Agatha is in the public domain. This text is taken from The Legend of Jubal and Other Poems (ten poems from The poems of George Eliot, Crowell, 1884, on Wikisource; four from The Spanish Gypsy; The Legend of Jubal and Other Poems, Old and New, Worthington, 1890, Internet Archive spanishgypsylege00elio), Wikisource and Internet Archive; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George Eliot, Agatha, in The Legend of Jubal and Other Poems (1874), text of Wikisource and Internet Archive, Laurel, https://laurelpoetry.com/poem/eliot-poems/agatha.html, id L29767.
Form and metre
Agatha is 378 lines in 39 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---------------------------------------------------------------------------A-A--------- rocks · pines · breasts · hills · plain · change · streams · compelled · steeps · stones · slopes · corn · ridge · cuts · sea · gleams · haze · retreat · name · tongue · turns · made · dear · upon · trees · caress · held · heart · away · clothes · remembering · work · sublime · more · fields · corridors · men · bells · towers · summoning · life · fruit · sound · hill · forge · hearth · girls · cries · boy · storm · shapes · supreme · hills · slope · cheerily · end · mill · cows · rest · mild · height · pines · sanctuary · crowd · flowers · sits · years · fire · love · stood · slew · bell · reach · gate · ajar · inA · come · withinA · nell · name · wits · gift · agatha · afternoons · there · walls · relic
- 2 -----------A-A------- day · gate · pearl · plenteous · speak · soul · door · agatha · there · young · court · useA · dove · gentlenessA · girls · caressed · few · time · plant · leaf · ripeness
- 3 -----AA----------B--B--- agatha · homes · round · life · clings · flowersA · beesA · fair · done · beams · reached · sign · row · ursula · queen · too · space · inheritedB · young · boy · bedB · wreathed · death · above
- 7 ---AA-A- true · all · lord · cowsA · flowersA · see · beesA · home
- 11 ----A-----------A--- earning · sup · us · ends · hayA · work · are · scale · shares · farmhouse · wife · says · time · soldiering · do · him · prayA · heart · i · all
- 19 ---------AAA- time · church · all · wings · night · back · kin · out · see · behindA · behindA · switzerlandA · pilgrimage
- 27 -A---A--- none · seeA · best · thought · things · shyA · now · strong · finery
- 29 -A-----------B--A-------B--- more · nameA · saint · lads · aunt · diminutives · behave · link · both · her · bread · groups · wine · alongB · piety · trick · cameA · sport · agatha · showed · hills · harmony · songs · crocuses · songB · feast · see · maids
- 30 AA--BB bellA · farewellA · me · company · wayB · dayB
- 31 AABBCC nightA · lightA · timeB · rhymeB · roseC · reposeC
- 32 AABBCC hillA · millA · nowB · cowB · starC · farC
- 33 AABBCC loadA · roadA · fearB · cheerB · brotherC · anotherC
- 34 AABB-- workA · murkA · moonB · afternoonB · spouse · vows
- 35 AABBCC dwellA · nellA · thatchB · latchB · joyC · alloyC
- 36 AABBCC lowA · soA · birdsB · wordsB · fairC · hairC
- 37 AABBCC dreamsA · beamsA · allB · befallB · ladenC · maidenC
- 38 AABBCC hillsideA · rideA · peepB · steepB · sorrowC · morrowC
- 39 --AABB suddenly · knee · sightA · nightA · graceB · placeB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Come with me to the mountain, not where rocks | 10 | ·····/˘··· |
| Soar harsh above the troops of hurrying pines, | 10 | ·······/˘· |
| But where the earth spreads soft and rounded breasts | 10 | ·······/˘· |
| To feed her children; where the generous hills | 10 | ···/˘··/˘· |
| Lift a green isle betwixt the sky and plain | 10 | ····˘/···· |
| To keep some Old World things aloof from change. | 10 | ······˘/·· |
| Here too 't is hill and hollow: new-born streams. | 11 | ······/˘··· |
| With sweet enforcement, joyously compelled | 10 | ··˘/˘··˘/˘ |
| Like laughing children, hurry down the steeps, | 10 | ·/˘/˘/˘··· |
| And make a dimpled chase athwart the stones; | 10 | ···/˘·˘/·· |
| Pine woods are black upon the heights, the slopes | 10 | ·········· |
| Are green with pasture, and the bearded corn | 10 | ···/˘··/˘· |
| Fringes the blue above the sudden ridge: | 10 | /˘·····/˘· |
| A little world whose round horizon cuts | 10 | ·/˘···˘/˘· |
| This isle of hills with heaven for a sea, | 10 | ·····/˘··· |
| Save in clear moments when southwestward gleams | 10 | ···/˘····· |
| France by the Rhine, melting anon to haze. | 10 | ····/˘˘/·· |
| The monks of old chose here their still retreat, | 10 | ········˘/ |
| And called it by the Blessed Virgin's name, | 10 | ··˘····/˘· |
| Sancta Maria, which the peasant's tongue, | 10 | ··˘/˘··/˘· |
| Speaking from out the parent's heart that turns | 10 | /˘···/˘··· |
| All loved things into little things, has made | 10 | ·····/˘··· |
| Sanct Märgen—Holy little Mary, dear | 10 | ···/˘/˘/˘· |
| As all the sweet home things she smiles upon, | 10 | ·········· |
| The children and the cows, the apple-trees, | 10 | ·/˘····/˘· |
| The cart, the plough, all named with that caress | 10 | ········˘/ |
| Which feigns them little, easy to be held, | 10 | ···/˘/˘··· |
| Familiar to the eyes and hand and heart. | 10 | ˘/˘······· |
| What though a Queen? She puts her crown away | 10 | ········˘/ |
| And with her little Boy wears common clothes, | 10 | ···/˘··/˘· |
| Caring for common wants, remembering | 10 | /˘·/˘·˘/˘˘ |
| That day when good Saint Joseph left his work | 10 | ·····/˘··· |
| To marry her with humble trust sublime. | 10 | ·/˘··/˘·˘/ |
| The monks are gone, their shadows fall no more | 10 | ·····/···· |
| Tall-frocked and cowled athwart the evening fields | 10 | ····˘/·/˘· |
| At milking-time; their silent corridors | 10 | ·/˘··/˘/˘˘ |
| Are turned to homes of bare-armed, aproned men, | 10 | ·······/˘· |
| Who toil for wife and. children. But the bells, | 10 | ·····/˘··· |
| Pealing on high from two quaint convent towers, | 11 | /˘·····/˘/˘ |
| Still ring the Catholic signals, summoning | 10 | ···/˘/˘/˘˘ |
| To grave remembrance of the larger life | 10 | ··˘/˘··/˘· |
| That bears our own, like perishable fruit | 10 | ··/··/˘˘˘· |
| Upon its heaven-wide branches. At their sound | 10 | ···/·/˘··· |
| The shepherd boy far off upon the hill, | 10 | ·/˘······· |
| The workers with the saw and at the forge, | 10 | ·/˘······· |
| The triple generation round the hearth— | 10 | ·/˘·˘/˘··· |
| Grandames and mothers and the flute-voiced girls — | 10 | ···/˘····· |
| Fall on their knees and send forth prayerful cries | 10 | ·······/˘· |
| To the kind Mother with the little Boy, | 10 | ···/˘··/˘· |
| Who pleads for helpless men against the storm, | 10 | ···/˘····· |
| Lightning and plagues and all terrific shapes | 10 | /˘····˘/˘· |
| Of power supreme. | 5 | ·/˘˘/ |
| Within the prettiest hollow of these hills. | 10 | ···/˘/˘··· |
| Just as you enter it, upon the slope | 10 | ···/˘····· |
| Stands a low cottage neighbored cheerily | 10 | ···/˘/˘/˘˘ |
| By running water, which, at farthest end | 10 | ·/˘/˘··/˘· |
| Of the same hollow, turns a heavy mill, | 10 | ···/˘··/˘· |
| And feeds the pasture for the miller's cows, | 10 | ···/˘··/˘· |
| Blanchi and Nägeli, Veilchen and the rest, | 11 | ··········· |
| Matrons with faces as Griselda mild, | 10 | /˘·/˘····· |
| Coming at call. And on the farthest height | 10 | /˘·····/˘· |
| A little tower looks out above the pines | 10 | ·/˘/······ |
| Where mounting you will find a sanctuary | 11 | ·/˘····/˘·˘ |
| Open and still; without, the silent crowd | 10 | /˘·····/˘· |
| Of heaven-planted, incense-mingling flowers; | 11 | ·//˘˘//˘˘/˘ |
| Within, the altar where the Mother sits | 10 | ···/˘··/˘· |
| 'Mid votive tablets hung from far-off years | 10 | ·/˘/˘····· |
| By peasants succored in the peril of fire, | 11 | ·/˘/˘··/˘·/ |
| Fever, or flood, who thought that Mary's love, | 10 | /˘·····/˘· |
| Willing but not omnipotent, had stood | 10 | /˘··˘/˘˘·· |
| Between their lives and that dread power which slew | 10 | ·······/·· |
| Their neighbor at their side. The chapel bell | 10 | ·/˘····/˘· |
| Will melt to gentlest music ere it reach | 10 | ···/˘/˘··· |
| That cottage on the slope, whose garden gate | 10 | ·/˘····/˘· |
| Has caught the rose-tree boughs and stands ajar; | 10 | ········˘/ |
| So does the door, to let the sunbeams in; | 10 | ·······/·· |
| For in the slanting sunbeams angels come | 10 | ···/˘/·/˘· |
| And visit Agatha who dwells within — | 10 | ·/˘/˘˘···· |
| Old Agatha, whose cousins Kate and Nell | 10 | ·/˘˘·/˘··· |
| Are housed by her in Love and Duty's name, | 10 | ·······/˘· |
| They being feeble, with small withered wits, | 10 | ·/˘/˘··/˘· |
| And she believing that the higher gift | 10 | ··˘/˘··/˘· |
| Was given to be shared. So Agatha | 10 | ·/˘····/˘˘ |
| Shares her one room, all neat on afternoons, | 10 | ········˘/ |
| As if some memory were sacred there | 10 | ···/˘˘·/˘· |
| And everything within the four low walls | 10 | ·/˘······· |
| An honored relic. | 5 | ·/˘/˘ |
| One long summer's day | 5 | ··/˘· |
| An angel entered at the rose-hung gate, | 10 | ·/˘/˘····· |
| With skirts pale blue, a brow to quench the pearl, | 10 | ·········· |
| Hair soft and blonde as infants', plenteous | 10 | ·····/˘/˘˘ |
| As hers who made the wavy lengths once speak | 10 | ·····/˘··· |
| The grateful worship of a rescued soul. | 10 | ·/˘/˘··/˘· |
| The angel paused before the open door | 10 | ·/˘····/˘· |
| To give good day. "Come in," said Agatha. | 10 | ·······/˘˘ |
| I followed close, and watched and listened there. | 10 | ·/˘····/˘· |
| The angel was a lady, noble, young, | 10 | ·/˘··/˘/˘· |
| Taught in all seemliness that fits a court, | 10 | ···/˘˘···· |
| All lore that shapes the mind to delicate use, | 10 | ·······/˘· |
| Yet quiet, lowly, as a meek white dove | 10 | ·/˘/˘····· |
| That with its presence teaches gentleness. | 10 | ···/˘/˘/˘˘ |
| Men called her Countess Linda; little girls | 10 | ···/˘/˘/˘· |
| In Freiburg town, orphans whom she caressed, | 10 | ····/˘··˘/ |
| Said Mamma Linda: yet her years were few, | 10 | ·/˘/˘····· |
| Her outward beauties all in budding time, | 10 | ·/˘/˘··/˘· |
| Her virtues the aroma of the plant | 10 | ·/˘·˘/˘··· |
| That dwells in all its being, root, stem, leaf, | 10 | ·····/˘··· |
| And waits not ripeness. | 5 | ···/˘ |
| "Sit," said Agatha. | 5 | ··/˘˘ |
| Her cousins were at work in neighboring homes | 10 | ·/˘····/˘· |
| But yet she was not lonely; all things round | 10 | ·····/˘··· |
| Seemed filled with noiseless yet responsive life, | 10 | ···/˘·˘/˘· |
| As of a child at breast that gently clings: | 10 | ·······/˘· |
| Not sunlight only or the breathing flowers | 11 | ·/·/˘··/˘/˘ |
| Or the swift shadows of the birds and bees, | 10 | ···/······ |
| But all the household goods, which, polished fair | 10 | ···/···/˘· |
| By hands that cherished them for service done, | 10 | ···/˘··/˘· |
| Shone as with glad content. The wooden beams | 10 | ····˘/·/˘· |
| Dark and yet friendly, easy to be reached. | 10 | ···/˘/˘··· |
| Bore three white crosses for a speaking sign; | 10 | ···/˘··/˘· |
| The walls had little pictures hung a-row, | 10 | ···/˘/˘··· |
| Telling the stories of Saint Ursula, | 10 | /˘·/˘··/˘˘ |
| And Saint Elizabeth, the lowly queen; | 10 | ··˘/˘˘·/˘· |
| And on the bench that served for table too, | 10 | ·······/˘· |
| Skirting the wall to save the narrow space, | 10 | /˘·····/˘· |
| There lay the Catholic books, inherited | 10 | ···/˘·˘/˘˘ |
| From those old times when printing still was young | 10 | ·····/˘··· |
| With stout-limbed promise, like a sturdy boy. | 10 | ···/˘··/˘· |
| And in the farthest corner stood the bed | 10 | ···/˘/˘··· |
| Where o'er the pillow hung two pictures wreathed | 10 | ···/˘··/˘· |
| With fresh-plucked ivy: one the Virgin's death, | 10 | ···/˘··/˘· |
| And one her flowering tomb, while high above | 10 | ···/˘····· |
| She smiling bends and lets her girdle down | 10 | ·/˘····/˘· |
| For ladder to the soul that cannot trust | 10 | ·/˘····/˘· |
| In life which outlasts burial. Agatha | 11 | ···˘//˘˘/˘˘ |
| Sat at her knitting, aged, upright, slim. | 9 | ···/˘·˘/· |
| And spoke her welcome with mild dignity. | 10 | ···/˘··/˘˘ |
| She kept the company of kings and queens | 10 | ···/˘˘···· |
| And mitred saints who sat below the feet | 10 | ·/˘······· |
| Of Francis with the ragged frock and wounds; | 10 | ·/˘··/˘··· |
| And Rank for her meant Duty, various, | 10 | ·····/˘/˘˘ |
| Yet equal in its worth, done worthily. | 10 | ·/˘····/˘˘ |
| Command was service; humblest service done | 10 | ˘/·/˘/˘/˘· |
| By willing and discerning souls was glory. | 11 | ·/˘·˘/˘··/˘ |
| Fair Countess Linda sat upon the bench, | 10 | ·/˘/˘····· |
| Close fronting the old knitter, and they talked | 10 | ·/˘··/˘··· |
| With sweet antiphony of young and old. | 10 | ··˘/˘˘···· |
| Agatha. You like our valley, lady? I am glad | 12 | /˘··//˘/˘··· |
| You thought it well to come again. But rest — | 10 | ······˘/·· |
| The walk is long from Master Michael's inn. | 10 | ·····/˘/˘· |
| Countess LINDA. Yes, but no walk is prettier. | 11 | /˘/˘·····/˘ |
| Agatha. It is true: | 6 | /˘˘··· |
| There lacks no blessing here, the waters all | 10 | ···/˘··/˘· |
| Have virtues like the garments of the Lord, | 10 | ·/˘··/˘··· |
| And heal much sickness; then, the crops and cows | 10 | ···/˘····· |
| Flourish past speaking, and the garden flowers, | 11 | /˘·/˘··/˘/˘ |
| Pink, blue, and purple, 't is a joy to see | 11 | ···/˘······ |
| How they yield honey for the singing bees. | 10 | ···/˘··/˘· |
| I would the whole world were as good a home. | 10 | ·········· |
| Countess LINDA. And you are well off, Agatha?—your friends | 13 | /˘/˘·····/˘·· |
| Left you a certain bread: is it not so? | 10 | ···/˘····· |
| Agatha. Not so at all, dear lady. I had naught, | 12 | /˘·····/˘··· |
| Was a poor orphan; but I came to tend | 10 | ···/˘····· |
| Here in this house, an old afflicted pair, | 10 | ······˘/˘· |
| Who wore out slowly; and the last who died, | 10 | ···/˘····· |
| Full thirty years ago, left me this roof | 10 | ·/˘·˘/···· |
| And all the household stuff. It was great wealth, | 10 | ···/······ |
| And so I had a home for Kate and Nell. | 10 | ·········· |
| Countess LINDA. But how, then, have you earned your daily bread | 14 | /˘/˘·······/˘· |
| These thirty years? | 4 | ·/˘· |
| Agatha. Oh, that is easy earning. | 10 | /˘˘···/˘/˘ |
| We help the neighbors, and our bit and sup | 10 | ···/˘·/··· |
| Is never failing: they have work for us | 10 | ·/˘/˘····· |
| In house and field, all sorts of odds and ends, | 10 | ·········· |
| Patching and mending, turning o'er the hay, | 10 | /˘·/˘/˘··· |
| Holding sick children—there is always work; | 10 | /˘·/˘··/˘· |
| And they are very good—the neighbors are: | 10 | ···/˘··/˘· |
| Weigh not our bits of work with weight and scale, | 10 | ··/······· |
| But glad themselves with giving us good shares | 10 | ··˘/·/˘··· |
| Of meat and drink; and in the big farmhouse | 10 | ········/· |
| When cloth comes home from weaving, the good wife | 10 | ·····/˘··· |
| Cuts me a piece—this very gown—and says: | 10 | ·····/˘··· |
| "Here, Agatha, you old maid, you have time | 10 | ·/˘˘······ |
| To pray for Hans who is gone soldiering: | 10 | ·······/˘˘ |
| The saints might help him, and they have much to do, | 11 | ··········· |
| 'Twere well they were besought to think of him." | 10 | ····˘/···· |
| She spoke half jesting, but I pray, I pray | 10 | ···/˘····· |
| For poor young Hans. I take it much to heart | 10 | ·········· |
| That other people are worse off than I— | 10 | ·/˘/˘····· |
| I ease my soul with praying for them all. | 10 | ·····/˘··· |
| Countess LINDA. That is your way of singing, Agatha; | 13 | /˘/˘·····/˘/˘ |
| Just as the nightingales pour forth sad songs, | 10 | ···/˘˘···· |
| And when they reach men's ears they make men's hearts | 10 | ·········· |
| Feel the more kindly. | 5 | ···/˘ |
| Agatha. Nay, I cannot sing: | 8 | /˘˘··˘/· |
| My voice is hoarse, and oft I think my prayers | 10 | ·········· |
| Are foolish, feeble things; for Christ is good | 10 | ·/˘/˘····· |
| Whether I pray or not—the Virgin's heart | 10 | ·······/˘· |
| Is kinder far than mine; and then I stop | 10 | ·/˘······· |
| And feel I can do naught toward helping men, | 11 | ········/˘· |
| Till out it comes, like tears that will not hold, | 10 | ·········· |
| And I must pray again for all the world. | 10 | ····˘/···· |
| 'Tis good to me—I mean the neighbors are: | 10 | ·······/˘· |
| To Kate and Nell too. I have money saved | 10 | ·······/˘· |
| To go on pilgrimage the second time. | 10 | ···/˘˘·/˘· |
| Countess LINDA. And do you mean to go on pilgrimage | 13 | /˘/˘·······/˘ |
| With all your years to carry, Agatha? | 10 | ·····/˘/˘˘ |
| Agatha. The years are light, dear lady: 't is my sins | 13 | /˘·····/˘···· |
| Are heavier than I would. And I shall go | 10 | ·/˘······· |
| All the way to Einsiedeln with that load: | 10 | ·········· |
| I need to work it off. | 6 | ······ |
| Countess LINDA. What sort of sins, | 8 | /˘/˘···· |
| Dear Agatha? I think they must be small. | 10 | ·/˘˘······ |
| Agatha. Nay, but they may be greater than I know; | 12 | /˘·····/˘··· |
| 'Tis but dim light I see by. So I try | 10 | ·········· |
| All ways I know of to be cleansed and pure. | 10 | ·········· |
| I would not sink where evil spirits are. | 10 | ·····/˘/˘· |
| There's perfect goodness somewhere: so I strive. | 10 | ·/·/˘/···· |
| Countess LINDA. You were the better for that pilgrimage | 13 | /˘/˘···/˘··/˘ |
| You made before? The shrine is beautiful; | 10 | ·······/˘˘ |
| And then you saw fresh country all the way. | 10 | ·····/˘··· |
| Agatha. Yes, that is true. And ever since that time | 11 | /˘·····/··· |
| The world seems greater, and the Holy Church | 10 | ···/˘··/˘· |
| More wonderful. The blessed pictures all, | 10 | ·/˘˘··˘/˘· |
| The heavenly images with books and wings, | 10 | ·/˘/˘˘···· |
| Are company to me through the day and night. | 10 | ·/˘······· |
| The time! the time! It never seemed far back, | 10 | ·····/˘··· |
| Only to father's father and his kin | 10 | /˘·/˘/˘··· |
| That lived before him. But the time stretched out | 10 | ·········· |
| After that pilgrimage: I seemed to see | 10 | ···/˘˘···· |
| Far back, and yet I knew time lay behind, | 10 | ·········· |
| As there are countries lying still behind | 10 | ···/˘/˘··· |
| The highest mountains, there in Switzerland. | 10 | ·/˘/˘··/˘˘ |
| Oh, it is great to go on pilgrimage! | 10 | ·······/˘˘ |
| Countess LINDA. Perhaps some neighbors will be pilgrims too, | 14 | /˘/˘˘/·/˘··/˘· |
| And you can start together in a band. | 10 | ····˘/˘··· |
| Agatha. Not from these hills: people are busy here. | 12 | /˘····/˘·/˘· |
| The beasts want tendance. One who is not missed | 10 | ···/˘····· |
| Can go and pray for others who must work. | 10 | ·····/˘··· |
| I owe it to all neighbors, young and old; | 10 | ·····/˘··· |
| For they are good past thinking—lads and girls | 10 | ·····/˘··· |
| Given to mischief, merry naughtiness, | 10 | /˘·/˘/˘/˘˘ |
| Quiet it, as the hedgehogs smooth their spines, | 10 | /˘···/···· |
| For fear of hurting poor old Agatha. | 10 | ···/˘··/˘˘ |
| 'Tis pretty: why, the cherubs in the sky | 10 | ·/˘··/˘··· |
| Look young and merry, and the angels play | 10 | ···/˘··/˘· |
| On citherns, lutes, and all sweet instruments. | 10 | ·······/˘˘ |
| I would have young things merry. See the Lord! | 10 | ·····/˘··· |
| A little baby playing with the birds; | 10 | ·/˘/˘/˘··· |
| And how the Blessed Mother smiles at him. | 10 | ····˘/˘··· |
| Countess LINDA. I think you are too happy, Agatha, | 13 | /˘/˘·····/˘/˘ |
| To care for heaven. Earth contents you well. | 10 | ···/˘·˘/·· |
| Agatha. Nay, nay, I shall be called, and I shall go | 12 | /˘·········· |
| Right willingly. I shall get helpless, blind, | 10 | ·/˘˘···/˘· |
| Be like an old stalk to be plucked away: | 10 | ········˘/ |
| The garden must be cleared for young spring plants. | 10 | ·/˘······· |
| 'Tis home beyond the grave, the most are there, | 10 | ·········· |
| All those we pray to, all the Church's lights— | 10 | ·······/˘· |
| And poor old souls are welcome in their rags: | 10 | ·····/˘··· |
| One sees it by the pictures. Good Saint Ann, | 10 | ·····/˘··· |
| The Virgin's mother, she is very old. | 10 | ·/˘/˘··/˘· |
| And had her troubles with her husband too. | 10 | ···/˘··/˘· |
| Poor Kate and Nell are younger far than I, | 10 | ·····/˘··· |
| But they will have this roof to cover them. | 10 | ·······/˘· |
| I shall go willingly; and willingness | 10 | ···/˘˘·/˘˘ |
| Makes the yoke easy and the burden light. | 10 | ···/˘··/˘· |
| Countess LINDA. When you go southward in your pilgrimage, | 12 | /˘/˘···/··/˘ |
| Come to see me in Freiburg, Agatha. | 10 | ·······/˘˘ |
| Where you have friends you should not go to inns. | 10 | ·········· |
| Agatha. Yes, I will gladly come to see you, lady, | 13 | /˘···/˘····/˘ |
| And you will give me sweet hay for a bed. | 10 | ·········· |
| And in the morning I shall wake betimes | 10 | ···/˘····· |
| And start when all the birds begin to sing. | 10 | ······˘/·· |
| Countess LINDA. You wear your smart clothes on the pilgrimage, | 13 | /˘/˘·······/˘ |
| Such pretty clothes as all the women here | 10 | ·/˘····/˘· |
| Keep by them for their best: a velvet cap | 10 | ·······/˘· |
| And collar golden-broidered? They look well | 10 | ·/˘/˘····· |
| On old and young alike. | 6 | ····˘/ |
| Agatha. Nay, I have none— | 7 | /˘˘···· |
| Never had better clothes than these you see. | 10 | /˘·/˘····· |
| Good clothes are pretty, but one sees them best | 10 | ···/˘····· |
| When others wear them, and I somehow thought | 10 | ·/˘····/·· |
| 'Twas not worth while. I had so many things | 10 | ·······/˘· |
| More than some neighbors, I was partly shy | 10 | ···/˘··/˘· |
| Of wearing better clothes than they, and now | 10 | ·/˘/˘····· |
| I am so old and custom is so strong | 10 | ·····/˘··· |
| 'Twould hurt me sore to put on finery. | 10 | ·······/˘˘ |
| Countess LINDA. Your gray hair is a crown, dear Agatha. | 13 | /˘/˘·······/˘ |
| Shake hands; good-by. The sun is going down, | 10 | ·······/˘· |
| And I must see the glory from the hill. | 10 | ·····/˘··· |
| I stayed among those hills; and oft heard more | 10 | ·········· |
| Of Agatha. I liked to hear her name, | 10 | ·/˘˘······ |
| As that of one half grandame and half saint, | 10 | ·········· |
| Uttered with reverent playfulness. The lads | 10 | /˘·/˘/˘˘·· |
| And younger men all called her mother, aunt, | 10 | ·/˘····/˘· |
| Or granny, with their pet diminutives, | 10 | ·/˘···˘/˘˘ |
| And bade their lasses and their brides behave | 10 | ···/˘···˘/ |
| Right well to one who surely made a link | 10 | ·····/˘··· |
| 'Twixt faulty folk and God by loving both: | 10 | ·/˘····/˘· |
| Not one but counted service done by her, | 10 | ···/˘/˘··· |
| Asking no pay save just her daily bread. | 10 | /˘·····/˘· |
| At feasts and weddings, when they passed in groups | 10 | ···/˘····· |
| Along the vale, and the good country wine, | 10 | ˘/·····/˘· |
| Being vocal in them, made them quire along | 10 | //˘·····˘/ |
| In quaintly mingled mirth and piety, | 10 | ·/˘/˘··/˘˘ |
| They fain must jest and play some friendly trick | 10 | ·······/˘· |
| On three old maids; but when the moment came | 10 | ·······/˘· |
| Always they bated breath and made their sport | 10 | /··/˘····· |
| Gentle as feather-stroke, that Agatha | 10 | /˘·/˘··/˘˘ |
| Might like the waking for the love it showed. | 10 | ···/˘····· |
| Their song made happy music 'mid the hills, | 10 | ···/˘/˘··· |
| For nature tuned their race to harmony, | 10 | ·/˘····/˘˘ |
| And poet Hans, the tailor, wrote them songs | 10 | ·/˘··/˘··· |
| That grew from out their life, as crocuses | 10 | ·······/˘˘ |
| From out the meadow's moistness. 'Twas his song | 10 | ···/·/˘··· |
| They oft sang, wending homeward from a feast— | 10 | ···/˘/˘··· |
| The song I give you. It brings in, you see. | 10 | ·········· |
| Their gentle jesting with the three old maids. | 10 | ·/˘/˘····· |
| Midnight by the chapel bell! | 7 | /···/˘· |
| Homeward, homeward all, farewell! | 7 | /˘/˘··/ |
| I with you, and you with me, | 7 | ······· |
| Miles are short with company. | 7 | ····/˘˘ |
| Heart of Mary, bless the way, | 7 | ··/˘··· |
| Keep us all by night and day! | 7 | ······· |
| Moon and stars at feast with night | 7 | ······· |
| Now have drunk their fill of light. | 7 | ······· |
| Home they hurry, making time | 7 | ··/˘/˘· |
| Trot apace, like merry rhyme. | 7 | ·˘/·/˘· |
| Heart of Mary, mystic rose, | 7 | ··/˘/˘· |
| Send us all a sweet repose! | 7 | ·····˘/ |
| Swiftly through the wood down hill, | 7 | /˘····· |
| Run till you can hear the mill | 7 | ······· |
| Toni's ghost is wandering now, | 8 | /˘··/˘˘· |
| Shaped just like a snow-white cow. | 7 | ······· |
| Heart of Mary, morning star, | 7 | ··/˘/˘· |
| Ward off danger, near or far! | 7 | ··/˘··· |
| Toni's wagon with its load | 7 | /˘/˘··· |
| Fell and crushed him in the road | 7 | ······· |
| 'Twixt these pine-trees. Never fear! | 7 | ····/˘· |
| Give a neighbor's ghost good cheer. | 7 | ··/˘··· |
| Holy Babe, our God and Brother, | 9 | /˘·/˘··/˘ |
| Bind us fast to one another! | 8 | ·····˘/˘ |
| Hark! the mill is at its work, | 7 | ······· |
| Now we pass beyond the murk | 7 | ······· |
| To the hollow, where the moon | 7 | ··/˘··· |
| Makes her silvery afternoon. | 8 | ··/˘˘·˘/ |
| Good Saint Joseph, faithful spouse. | 7 | ··/˘/˘· |
| Help us all to keep our vows! | 8 | ·····/˘· |
| Here the three old maidens dwell, | 7 | ····/˘· |
| Agatha and Kate and Nell; | 7 | /˘˘···· |
| See, the moon shines on the thatch. | 7 | ······· |
| We will go and shake the latch. | 7 | ······· |
| Heart of Mary, cup of joy, | 7 | ··/˘··· |
| Give us mirth without alloy! | 7 | ·····/· |
| Hush, 't is here, no noise, sing low, | 8 | ········ |
| Rap with gentle knuckles—so! | 7 | ··/˘/˘· |
| Like the little tapping birds, | 7 | ··/˘/˘· |
| On the door; then sing good words. | 7 | ······· |
| Meek Saint Anna, old and fair, | 7 | ··/˘··· |
| Hallow all the snow-white hair! | 7 | /˘····· |
| Little maidens old, sweet dreams! | 7 | /˘/˘··· |
| Sleep one sleep till morning beams. | 7 | ····/˘· |
| Mothers ye, who help us all, | 7 | /˘····· |
| Quick at hand, if ill befall. | 7 | ·····˘/ |
| Holy Gabriel, lily-laden, | 9 | /˘/˘˘/˘/˘ |
| Bless the aged mother-maiden! | 7 | ···/˘/˘ |
| Forward, mount the broad hillside | 7 | /˘···/· |
| Swift as soldiers when they ride. | 7 | ··/˘··· |
| See the two towers how they peep, | 8 | ···/˘··· |
| Round-capped giants, o'er the steep. | 7 | ··/˘··· |
| Heart of Mary, by thy sorrow, | 8 | ··/˘··/˘ |
| Keep us upright through the morrow! | 8 | ··/···/˘ |
| Now they rise quite suddenly | 7 | ····/˘˘ |
| Like a man from bended knee, | 7 | ····/˘· |
| Now Saint Märgen is in sight. | 7 | ······· |
| Here the roads branch off—good-night. | 7 | ······· |
| Heart of Mary, by thy grace, | 7 | ··/˘··· |
| Give us with the saints a place! | 7 | ······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.