Satyre I
Away thou fondling motley humorist,Leave mee, and in this standing woodden chest,Consorted with these few bookes, let me lyeIn prison, and here be coffin'd, when I dye;Here are Gods conduits, grave Divines; and hereNatures Secretary, the Philosopher;And jolly Statesmen, which teach how to tieThe sinewes of a cities mistique bodie;Here gathering Chroniclers, and by them standGiddie fantastique Poëts of each land.Shall I leave all this constant company,And follow headlong, wild uncertaine thee?First sweare by thy best love in earnest(If thou which lov'st all, canst love any best)Thou wilt not leave mee in the middle street,Though some more spruce companion thou dost meet,Not though a Captaine do come in thy wayBright parcell gilt, with forty dead mens pay,Not though a briske perfum'd piert CourtierDeigne with a nod, thy courtesie to answer.Nor come a velvet Justice with a longGreat traine of blew coats, twelve, or fourteen strong,Wilt thou grin or fawne on him, or prepareA speech to Court his beautious sonne and heire!For better or worse take mee, or leave mee:To take, and leave mee is adultery.Oh monstrous, superstitious puritan,Of refin'd manners, yet ceremoniall man,That when thou meet'st one, with enquiring eyesDost search, and like a needy broker prizeThe silke, and gold he weares, and to that rateSo high or low, dost raise thy formall hat:That wilt consort none, untill thou have knowneWhat lands hee hath in hope, or of his owne,As though all thy companions should make theeJointures, and marry thy deare company.Why should'st thou (that dost not onely approve,But in ranke itchie lust, desire, and loveThe nakednesse and barenesse to enjoy,Of thy plumpe muddy whore, or prostitute boy)Hate vertue, though shee be naked, and bare?At birth, and death, our bodies naked are;And till our Soules be unapparrelledOf bodies, they from blisse are banished.Mans first blest state was naked, when by sinneHee lost that, yet hee was cloath'd but in beasts skin,And in this course attire, which I now weare,With God, and with the Muses I conferre.But since thou like a contrite penitent,Charitably warn'd of thy sinnes, dost repentThese vanities, and giddinesses, loeI shut my chamber doore, and come, lets goe.But sooner may a cheape whore, who hath beeneWorne by as many severall men in sinne,As are black feathers, or musk-colour hose,Name her childs right true father, 'mongst all those:Sooner may one guesse, who shall beare awayThe Infanta of London, Heire to an India;And sooner may a gulling weather SpieBy drawing forth heavens Scheme tell certainlyWhat fashioned hats, or ruffes, or suits next yeareOur subtile-witted antique youths will weare;Then thou, when thou depart'st from mee, canst showWhither, why, when, or with whom thou wouldst go.But how shall I be pardon'd my offenceThat thus have sinn'd against my conscience?Now we are in the street; He first of allImprovidently proud, creepes to the wall,And so imprisoned, and hem'd in by meeSells for a little state his libertie;Yet though he cannot skip forth now to greetEvery fine silken painted foole we meet,He them to him with amorous smiles allures,And grins, smacks, shrugs, and such an itch endures,As prentises, or schoole-boyes which doe knowOf some gay sport abroad, yet dare not goe.And as fidlers stop lowest, at highest sound,So to the most brave, stoops hee nigh'st the ground.But to a grave man, he doth move no moreThen the wise politique horse would heretofore,Or thou O Elephant or Ape wilt doe,When any names the King of Spaine to you.Now leaps he upright, Joggs me, & cryes, Do you seeYonder well favoured youth? Which? Oh, 'tis heeThat dances so divinely; Oh, said I,Stand still, must you dance here for company?Hee droopt, wee went, till one (which did excellTh'Indians, in drinking his Tobacco well)Met us; they talk'd; I whispered, let'us goe,'T may be you smell him not, truely I doe;He heares not mee, but, on the other sideA many-coloured Peacock having spide,Leaves him and mee; I for my lost sheep stay;He followes, overtakes, goes on the way,Saying, him whom I last left, all reputeFor his device, in hansoming a sute,To judge of lace, pinke, panes, print, cut, and plight,Of all the Court, to have the best conceit;Our dull Comedians want him, let him goe;But Oh, God strengthen thee, why stoop'st thou so?Why? he hath travayld; Long? No; but to me(Which understand none,) he doth seeme to bePerfect French, and Italian; I replyed,So is the Poxe; He answered not, but spy'dMore men of fort, of parts, and qualities;At last his Love he in a windowe spies,And like light dew exhal'd, he flings from meeViolently ravish'd to his lechery.Many were there, he could command no more;Hee quarrell'd fought, bled; and turn'd out of doreDirectly came to mee hanging the head,And constantly a while must keepe his bed.
Words in this poem 30
- humorist n.
- One who attributes diseases of the state of the humors. [Cf. F. humoriste.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- parcell n.
- A portion of anything taken separately; a fragment of a whole; a part. [F. parcelle a small part, fr. (assumed) LL. particella, dim. of L. pars. See Part, n., and cf. Particle.]
- courtier n.
- One who is in attendance at the court of a prince; one who has an appointment at court. [From Court.]
- grin n.
- A snare; a gin. [AS. grin.]
- sonne n.
- A male child; the male issue, or offspring, of a parent, father or mother. [OE. sone, sune, AS. sunu; akin to D. zoon, OS., OFries., & OHG. sunu, G. sohn, Icel. sonr, Sw. son, Dan. sön, Goth. sunus, Lith. sunus, Russ. suin', Skr. sunu (]
- ceremoniall a.
- Relating to ceremony, or external rite; ritual; according to the forms of established rites. [L. caerimonialis: cf. F. cérimonial. See Ceremony.]
- formall a.
- Belonging to the form, shape, frame, external appearance, or organization of a thing. [L. formalis: cf. F. formel.]
- untill prep.
- To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
- deare
- variant of Dere, v. t. & n.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- whore n.
- A woman who practices unlawful sexual commerce with men, especially one who prostitutes her body for hire; a prostitute; a harlot. Wyclif. [OE. hore, AS. h; akin to D. hoer, hoere, G. hure, OHG. huora, huorra, Icel. h, Dan. hore, Sw. hora, Goth. h an adulterer, AS. h adultery, OHG. huor, and probabl]
- sinne adv.
- Old form of Since. [Obs. or Prov.Eng. & Scot.]
- conferre v.
- To bring together for comparison; to compare. [L. conferre to bring together, contribute, consult; con- + ferre to bear: cf. F. conférer. See 1st Bear.]
- contrite a.
- Thoroughly bruised or broken. [L. contritus bruised, p. p. of contrere to grind, bruise; con- + terere to rub, grind: cf. F. contrit See Trite.]
- charitably adv.
- In a charitable manner.
- repent a.
- Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
- severall adv.
- By itself; severally.
- infanta n.
- A title borne by every one of the daughters of the kings of Spain and Portugal, except the eldest. [Sp. & Pg., fem. of infante. See Infante.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- offence n.
- The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
- conscience n.
- Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
- improvidently adv.
- In a improvident manner.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- favoured a.
- Countenanced; aided; regarded with kidness; as, a favored friend.
- went n.
- Course; way; path; journey; direction.
- excell v. t.
- To go beyond or surpass in good qualities or laudable deeds; to outdo or outgo, in a good sense. [L. excellere, excelsum; ex out + a root found in culmen height, top; cf. F. exceller. See Culminate, Column.]
- plight v. t.
- To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
- lechery n.
- Free indulgence of lust; lewdness. [OE. lecherie, OF. lecherie. See Lecher.]
- dore v. t.
- One who does; one performs or executes; one who is wont and ready to act; an actor; an agent. [From Do, v. t. & i.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Satyre I is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Donne, Satyre I, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/satyre-i.html, id L04951.
Form and metre
Satyre I is 112 lines in a single stanza. It is in rhyming couplets, 61% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 80%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 19 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--B-CC--DDEEFF--GG----HHII--JJ--KKLL----MM--NNOO--PP----QQRR--SS--TTUUVVWWXX--YYY-ZZaa--bbcc--ddee--ff--gghh humoristA · chestA · lyeB · dyeB · here · philosopher · tieB · bodie · standC · landC · company · thee · earnestD · bestD · streetE · meetE · wayF · payF · courtier · answer · longG · strongG · prepare · heire · mee · adultery · puritanH · manH · eyesI · prizeI · rate · hat · knowneJ · owneJ · thee · company · approveK · loveK · enjoyL · boyL · bare · are · unapparrelled · banished · sinneM · skinM · weare · conferre · penitentN · repentN · loeO · goeO · beene · sinne · hoseP · thoseP · away · india · spie · certainly · yeareQ · weareQ · showR · goR · offence · conscience · allS · wallS · mee · libertie · greetT · meetT · alluresU · enduresU · knowV · goeV · soundW · groundW · moreX · heretoforeX · doe · you · seeY · heeY · iY · company · excellZ · wellZ · goea · doea · side · spide · stayb · wayb · reputec · sutec · plight · conceit · goed · sod · mee · bee · replyed · spy'd · qualitiesf · spiesf · mee · lechery · moreg · doreg · headh · bedh
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Away thou fondling motley humorist, | 11 | ˘/·/˘˘/˘/˘˘ |
| Leave mee, and in this standing woodden chest, | 10 | ·····/˘··· |
| Consorted with these few bookes, let me lye | 10 | ˘/˘······· |
| In prison, and here be coffin'd, when I dye; | 11 | ·/˘········ |
| Here are Gods conduits, grave Divines; and here | 10 | ···/˘·˘/·· |
| Natures Secretary, the Philosopher; | 11 | /˘/˘·˘·˘/˘˘ |
| And jolly Statesmen, which teach how to tie | 10 | ·/˘/˘····· |
| The sinewes of a cities mistique bodie; | 11 | ·····/˘··/˘ |
| Here gathering Chroniclers, and by them stand | 10 | ·/˘/˘˘···· |
| Giddie fantastique Poëts of each land. | 9 | ········· |
| Shall I leave all this constant company, | 10 | ·····/˘/˘˘ |
| And follow headlong, wild uncertaine thee? | 10 | ·/˘/······ |
| First sweare by thy best love in earnest | 9 | ·······/˘ |
| (If thou which lov'st all, canst love any best) | 10 | ·······/˘· |
| Thou wilt not leave mee in the middle street, | 10 | ·······/˘· |
| Though some more spruce companion thou dost meet, | 10 | ····˘/˘··· |
| Not though a Captaine do come in thy way | 10 | ·········· |
| Bright parcell gilt, with forty dead mens pay, | 10 | ·˘/··/˘··· |
| Not though a briske perfum'd piert Courtier | 10 | ····˘/·/˘˘ |
| Deigne with a nod, thy courtesie to answer. | 11 | ·········/˘ |
| Nor come a velvet Justice with a long | 10 | ···/˘/˘··· |
| Great traine of blew coats, twelve, or fourteen strong, | 10 | ········/· |
| Wilt thou grin or fawne on him, or prepare | 10 | ········˘/ |
| A speech to Court his beautious sonne and heire! | 11 | ·········/˘ |
| For better or worse take mee, or leave mee: | 10 | ·/˘······· |
| To take, and leave mee is adultery. | 10 | ······˘/˘˘ |
| Oh monstrous, superstitious puritan, | 10 | ·/˘·˘/˘/˘˘ |
| Of refin'd manners, yet ceremoniall man, | 11 | ·˘//˘··˘/˘· |
| That when thou meet'st one, with enquiring eyes | 10 | ······˘/˘· |
| Dost search, and like a needy broker prize | 10 | ·····/˘/˘· |
| The silke, and gold he weares, and to that rate | 10 | ·········· |
| So high or low, dost raise thy formall hat: | 10 | ·······/˘· |
| That wilt consort none, untill thou have knowne | 10 | ··˘/·˘/··· |
| What lands hee hath in hope, or of his owne, | 10 | ·········· |
| As though all thy companions should make thee | 10 | ····˘/˘··· |
| Jointures, and marry thy deare company. | 10 | ···/˘··/˘˘ |
| Why should'st thou (that dost not onely approve, | 10 | ······/˘˘/ |
| But in ranke itchie lust, desire, and love | 10 | ······˘/·· |
| The nakednesse and barenesse to enjoy, | 11 | ·········˘/ |
| Of thy plumpe muddy whore, or prostitute boy) | 11 | ···/˘··/˘·· |
| Hate vertue, though shee be naked, and bare? | 10 | ······/˘·· |
| At birth, and death, our bodies naked are; | 10 | ····//˘/˘· |
| And till our Soules be unapparrelled | 10 | ··/˘······ |
| Of bodies, they from blisse are banished. | 10 | ·/˘····/˘˘ |
| Mans first blest state was naked, when by sinne | 10 | ·····/˘··· |
| Hee lost that, yet hee was cloath'd but in beasts skin, | 11 | ··········· |
| And in this course attire, which I now weare, | 10 | ····˘/···· |
| With God, and with the Muses I conferre. | 10 | ·····/˘·˘/ |
| But since thou like a contrite penitent, | 10 | ·····˘//˘˘ |
| Charitably warn'd of thy sinnes, dost repent | 10 | /˘˘·····˘/ |
| These vanities, and giddinesses, loe | 10 | ·/˘˘······ |
| I shut my chamber doore, and come, lets goe. | 10 | ···/˘····· |
| But sooner may a cheape whore, who hath beene | 10 | ·/˘······· |
| Worne by as many severall men in sinne, | 10 | ···/˘/˘··· |
| As are black feathers, or musk-colour hose, | 10 | ···/˘··/˘· |
| Name her childs right true father, 'mongst all those: | 10 | ·····/˘··· |
| Sooner may one guesse, who shall beare away | 10 | /˘······˘/ |
| The Infanta of London, Heire to an India; | 12 | ·˘/˘·/˘/··/˘ |
| And sooner may a gulling weather Spie | 10 | ·/˘··/˘/˘· |
| By drawing forth heavens Scheme tell certainly | 11 | ·/˘·/˘··/˘˘ |
| What fashioned hats, or ruffes, or suits next yeare | 10 | ·/˘······· |
| Our subtile-witted antique youths will weare; | 10 | //˘/˘˘/··· |
| Then thou, when thou depart'st from mee, canst show | 10 | ·········· |
| Whither, why, when, or with whom thou wouldst go. | 10 | /˘········ |
| But how shall I be pardon'd my offence | 10 | ·····/˘·˘/ |
| That thus have sinn'd against my conscience? | 9 | ·······/˘ |
| Now we are in the street; He first of all | 10 | ·········· |
| Improvidently proud, creepes to the wall, | 10 | ˘/˘˘˘····· |
| And so imprisoned, and hem'd in by mee | 10 | ··˘/˘····· |
| Sells for a little state his libertie; | 10 | ···/˘····· |
| Yet though he cannot skip forth now to greet | 10 | ···/˘····· |
| Every fine silken painted foole we meet, | 11 | /˘·/˘/˘···· |
| He them to him with amorous smiles allures, | 10 | ·····/˘·˘/ |
| And grins, smacks, shrugs, and such an itch endures, | 10 | ········˘/ |
| As prentises, or schoole-boyes which doe know | 11 | ··········· |
| Of some gay sport abroad, yet dare not goe. | 10 | ····˘/···· |
| And as fidlers stop lowest, at highest sound, | 11 | ··/˘·/˘·/˘· |
| So to the most brave, stoops hee nigh'st the ground. | 10 | ·········· |
| But to a grave man, he doth move no more | 10 | ·········· |
| Then the wise politique horse would heretofore, | 11 | ·········˘/ |
| Or thou O Elephant or Ape wilt doe, | 10 | ···/˘˘···· |
| When any names the King of Spaine to you. | 10 | ·/˘······· |
| Now leaps he upright, Joggs me, & cryes, Do you see | 11 | ···˘/······ |
| Yonder well favoured youth? Which? Oh, 'tis hee | 10 | /˘·/˘····· |
| That dances so divinely; Oh, said I, | 10 | ·/˘·˘/˘··· |
| Stand still, must you dance here for company? | 10 | ·······/˘˘ |
| Hee droopt, wee went, till one (which did excell | 10 | ········˘/ |
| Th'Indians, in drinking his Tobacco well) | 10 | ···/˘·˘/·· |
| Met us; they talk'd; I whispered, let'us goe, | 10 | ·····/˘··· |
| 'T may be you smell him not, truely I doe; | 11 | ··········· |
| He heares not mee, but, on the other side | 10 | ·······/˘· |
| A many-coloured Peacock having spide, | 10 | ·/˘/˘/·/˘· |
| Leaves him and mee; I for my lost sheep stay; | 10 | ·········· |
| He followes, overtakes, goes on the way, | 10 | ·/˘/˘····· |
| Saying, him whom I last left, all repute | 10 | /˘······˘/ |
| For his device, in hansoming a sute, | 10 | ··˘/·/˘˘·· |
| To judge of lace, pinke, panes, print, cut, and plight, | 10 | ·········· |
| Of all the Court, to have the best conceit; | 10 | ········˘/ |
| Our dull Comedians want him, let him goe; | 10 | /·˘/˘····· |
| But Oh, God strengthen thee, why stoop'st thou so? | 10 | ···/˘····· |
| Why? he hath travayld; Long? No; but to me | 10 | ·········· |
| (Which understand none,) he doth seeme to be | 10 | ··˘/······ |
| Perfect French, and Italian; I replyed, | 10 | ˘/··˘/˘·˘/ |
| So is the Poxe; He answered not, but spy'd | 10 | ·····/˘··· |
| More men of fort, of parts, and qualities; | 10 | ·······/˘˘ |
| At last his Love he in a windowe spies, | 10 | ·········· |
| And like light dew exhal'd, he flings from mee | 10 | ····˘/···· |
| Violently ravish'd to his lechery. | 11 | /˘˘˘····/˘˘ |
| Many were there, he could command no more; | 10 | /˘····˘/·· |
| Hee quarrell'd fought, bled; and turn'd out of dore | 10 | ·········· |
| Directly came to mee hanging the head, | 10 | ˘/˘···/˘·· |
| And constantly a while must keepe his bed. | 10 | ·/˘˘······ |
Notes from the edition 38
Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).
- Line 1 fondling 1633, L74, Lec, N, S, TCD: changeling 1635-69, A25, B, Cy, D, H49, H51, JC, O'F, P, Q, S96, W
- Line 5 conduits, ... Divines; 1650-69, Q: conduits; ... Divines, 1633-39
- Line 7 jolly 1633, A25, B, Cy, D, H49, H51, JC, L74, N, Q, S, S96, TCD, W: wily 1635-69, O'F: with P
- Line 12 headlong, wild uncertaine thee? 1633: om. comma 1635-69 and Grolier
- Line 13 love in earnest 1633, A25, B, Cy, D, H49, H51, JC, L74, Lec, N, P, Q, S, S96, TCD, W: love, here, in earnest 1635-69, O'F
- Line 16 dost. meet,] doe meet. H51, Q, W
- Line 23 Wilt 1633-69, L74, Lec, N, TCD: Shalt A25, B, D, H49, H51, JC, O'F, P, Q, S, S96, W
- Line 25 or worse 1633-69, Cy, D, L74, Lec, N, O'F, Q, TCD: and worse A25, B, H49, H51, S96, W: or for worse P: and for worse JC
- Line 27 Oh monstrous,] A (i.e. Ah) or O Monster, B, D, H49, H51, JC, W
- Line 29 eyes 1635-69: eyes; 1633
- Line 33 consort none,] consort with none, Cy, O'F, P, S, S96
- Line 37 brackets 1650-69, Q: that ... boy 1633: that ... boy; 1635-39
- Line 39 barenesse A25, B, D, H49, H51, JC, O'F, Q, W: barrennesse 1633-69, L74, Lec, N, P, S, TCD
- Line 40 Of] of 1633: or 1633, 1669: om. 1635-54
- Line 45 first blest 1633-69, Cy, D, H49, L74, Lec, N, TCD, W: first best A25, B, H51, JC, O'F, P, Q, S
- Line 46 yet 1633, A25, B, D, H49, H51, JC, L74, Lec, N, Q, S, TCD: om. 1635-69, Cy, O'F, P
- Line 47 weare, 1650-69: weare 1633-39
- Line 50 warn'd] warm'd 1633
- Line 52 goe. 1635-69: goe, 1633
- Line 54 Worne by] Worne out by 1650-69
- Line 55 musk-colour 1633-35, D, H49, L74, Lec, N, TCD, W: musk-coloured 1639-69, A25, P, Q
- Line 58 The Infanta ... India; Ed: The Infanta ... India, A25, O'F, Q: The infant ... India, 1633-54 and MSS. generally: The Infantry of London, hence to India: 1669
- Line 60 Scheme 1635-69, A25, B, D, H49, H51, JC, Q: schemes L74, S: sceames N: Sceanes 1633, Cy, Lec, TCD: scene P
- Line 63 depart'st from mee] depart'st from hence Cy, D, H49, H51, O'F, S, W: departest hence A25, Q, S96
- Line 70 state] room H51
- Line 73 them] then 1633
- Line 81 om. 1633
- Line 86 here] so H51
- Line 90 'T may be] May be Cy, D, H49, JC, Lec, O'F, P, Q, S, S96, W
- Line 94 goes on the way,] goes, on the way D, H49, Q(in), W(in)
- Line 95 all repute 1635-69 and MSS. generally: s'all repute 1633, Lec
- Line 97 print, cut, and plight (pleite, 1635-39: pleit, 1650-69), 1633-69, L74, Lec, N, TCD: cut, print, or pleate (pleight &c.), A25, B, Cy, D, H49, H51, JC, O'F, P, Q, S96, W
- Line 100 stoop'st 1633, 1669, A25, B, D, H49, H51, JC, L74, Lec, N, P, Q, TCD: stop'st. 1635-54, O'F
- Line 102 understand] understood 1669: brackets from Q. See note
- Line 105 and qualities;] of qualities; Lec, P, Q, S96
- Line 106 a] om. 1669
- Line 108 lechery. 1635-69 and MSS: liberty; 1633
- Line 109 were there, 1633-39: there were, 1650-69
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.