Canto XVII

Lord Byron (1788–1824) · 1819–1824

iambic pentameter · ottava rima · 112 lines · from Don Juan

The world is full of orphans: firstly, thoseWho are so in the strict sense of the phrase(But many a lonely tree the loftier growsThan others crowded in the forest’s maze);The next are such as are not doomed to loseTheir tender parents in their budding days,But merely their parental tenderness,Which leaves them orphans of the heart no less.

The next are ‘only children’, as they are styled,Who grow up children only, since the old sawPronounces that an ‘only’ ’s a spoilt child.But not to go too far, I hold it lawThat where their education, harsh or mild,‘Transgresses the great bounds of love or awe,The sufferers, be’t in heart or intellect,Whate’er the cause are orphans in effect.

But to return unto the stricter rule(As far as words make rules), our common notionOf orphans paints at once a parish school,A half-starved babe, a wreck upon life’s ocean,A human (what the Italians nickname) ‘mule’,A theme for pity or some worse emotion;Yet, if examined, it might be admittedThe wealthiest orphans are to be more pitied.

Too soon they are parents to themselves; for whatAre tutors, guardians, and so forth, comparedWith Nature’s genial genitors, so thatA child of Chancery, that Star Chamber ward(I’ll take the likeness I can first come at),Is like a duckling by Dame Partlett rearedAnd frights, especially if ’tis a daughter,The old hen by running headlong to the water.

There is a commonplace book argument,Which glibly glides from every vulgar tongueWhen any dare a new light to present:‘If you are right, then everybody’s wrong.’Suppose the converse of this precedentSo often urged, so loudly and so long:‘If you are wrong, then everybody’s right.’Was ever everybody yet so quite?

Therefore I would solicit free discussionUpon all points, no matter what or whose,Because as ages upon ages push on,The last is apt the former to accuseOf pillowing its head on a pincushion,Heedless of pricks because it was obtuse.What was a paradox becomes a truth orA something like it, as bear witness Luther.

The sacraments have been reduced to twoAnd witches unto none, though somewhat lateSince burning aged women (save a few,Not witches, only bitches, who createMischief in families, as some know or knew,Should still be singed, but slightly let me state)Has been declared an act of inurbanity,Malgré Sir Matthew Hale’s great humanity.

Great Galileo was debarred the sun,Because he fixed it, and to stop his talkingHow earth could round the solar orbit run,Found his own legs embargoed from mere walking.The man was well nigh dead, ere men begunTo think his skull had not some need of caulking,But now it seems he’s right, his notion just,No doubt a consolation to his dust.

Pythagoras, Locke, Socrates—but pagesMight be filled up, as vainly as before,With the sad usage of all sorts of sages,Who in his lifetime each was deemed a bore.The loftiest minds outrun their tardy ages;This they must bear with and perhaps much more.The wise man’s sure when he no more can share it, heWill have a firm post-obit on posterity.

If such doom waits each intellectual giant,We little people in our lesser wayTo life’s small rubs should surely be more pliant,And so for one will I, as well I may.Would that I were less bilious—but oh fie on’t!Just as I make my mind up everydayTo be a totus teres stoic, sage,The wind shifts and I fly into a rage.

Temperate I am, yet never had a temper;Modest I am, yet with some slight assurance;Changeable too, yet somehow idem semper;Patient, but not enamoured of endurance;Cheerful, but sometimes rather apt to whimper;Mild, but at times a sort of Hercules furens;So that I almost think that the same skinFor one without has two or three within.

Our hero was in canto the sixteenthLeft in a tender moonlight situation,Such as enables man to show his strengthMoral or physical: on this occasionWhether his virtue triumphed, or at lengthHis vice—for he was of a kindling nation—Is more than I shall venture to describe,Unless some beauty with a kiss should bribe.

I leave the thing a problem, like all things.The morning came, and breakfast, tea and toast,Of which most men partake, but no one sings.The company, whose birth, wealth, worth have costMy trembling lyre already several strings,Assembled with our hostess and mine host.The guests dropped in, the last but one, Her Grace,The latest, Juan with his virgin face.

Which best is to encounter, ghost or none,’Twere difficult to say, but Juan lookedAs if he had combated with more than one,Being wan and worn, with eyes that hardly brookedThe light that through the Gothic windows shone.Her Grace too had a sort of air rebuked,Seemed pale and shivered, as if she had keptA vigil or dreamt rather more than slept.

Words in this poem 25
firstly adv.
In the first place; before anything else; -- sometimes improperly used for first.
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
parental a.
Of or pertaining to a parent or to parents; as, parental authority; parental obligations. [L. parentalis.]
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
duckling n.
A young or little duck. Gay.
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
partlett n.
A covering for the neck, and sometimes for the shoulders and breast; originally worn by both sexes, but laterby women alone; a ruff. Fuller. [Dim. of part.]
glibly adv.
In a glib manner; as, to speak glibly.
pincushion n.
A small cushion, in which pins may be stuck for use.
inurbanity n.
Want of urbanity or courtesy; unpolished manners or deportment; inurbaneness; rudeness. Bp. Hall. [Cf. F. inurbanité.]
lifetime n.
The time that life continues.
outrun v. t.
To exceed, or leave behind, in running; to run faster than; to outstrip; to go beyond.
bilious a.
Of or pertaining to the bile. [L. biliosus, fr. bilis bile.]
everyday a.
Used or fit for every day; common; usual; as, an everyday suit or clothes.
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
idem pron.
The same; the same as above; -- often abbreviated id. [L.]
whimper v. i.
To cry with a low, whining, broken voice; to whine; to complain; as, a child whimpers. [Cf. Scot. whimmer, G. wimmern.]
canto n.
One of the chief divisions of a long poem; a book. [It. canto, fr. L. cantus singing, song. See Chant.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
bribe n.
A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
hostess n.
A female host; a woman who hospitably entertains guests at her house. [OE. hostesse, ostesse. See Host a landlord.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
vigil n.
Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto XVII is in the public domain. This text is taken from Don Juan, Project Gutenberg ebook #21700; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Canto XVII, in Don Juan (1819–1824), text of Project Gutenberg ebook #21700, Laurel, https://laurelpoetry.com/poem/don-juan/canto-17.html, id L00018.

Form and metre

Canto XVII is 112 lines in 14 stanzas of 8 lines each. Every stanza rhymes ABABABCC, the Ottava rima. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 29 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in ottava rima, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABABCC thoseA · phraseB · growsA · mazeB · loseA · daysB · tendernessC · lessC
  2. 2 ABABABCC styledA · sawB · childA · lawB · mildA · aweB · intellectC · effectC
  3. 3 ABABABCC ruleA · notionB · schoolA · oceanB · muleA · emotionB · admittedC · pitiedC
  4. 4 ABABABCC whatA · comparedB · thatA · wardB · atA · rearedB · daughterC · waterC
  5. 5 ABABABCC argumentA · tongueB · presentA · wrongB · precedentA · longB · rightC · quiteC
  6. 6 ABABABCC discussionA · whoseB · onA · accuseB · pincushionA · obtuseB · orC · lutherC
  7. 7 ABABABCC twoA · lateB · fewA · createB · knewA · stateB · inurbanityC · humanityC
  8. 8 ABABABCC sunA · talkingB · runA · walkingB · begunA · caulkingB · justC · dustC
  9. 9 ABABABCC pagesA · beforeB · sagesA · boreB · agesA · moreB · heC · posterityC
  10. 10 ABABABCC giantA · wayB · pliantA · mayB · on'tA · everydayB · sageC · rageC
  11. 11 ABABABCC temperA · assuranceB · semperA · enduranceB · whimperA · furensB · skinC · withinC
  12. 12 ABABABCC sixteenthA · situationB · strengthA · occasionB · lengthA · nationB · describeC · bribeC
  13. 13 ABABABCC thingsA · toastB · singsA · costB · stringsA · hostB · graceC · faceC
  14. 14 ABABABCC noneA · lookedB · oneA · brookedB · shoneA · rebukedB · keptC · sleptC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The world is full of orphans: firstly, those10·····/˘/˘·
Who are so in the strict sense of the phrase10··········
(But many a lonely tree the loftier grows10·/·/˘··/˘·
Than others crowded in the forest’s maze);10·/˘/˘··/˘·
The next are such as are not doomed to lose10··········
Their tender parents in their budding days,10·/˘/˘··/˘·
But merely their parental tenderness,10·/˘·˘/˘/˘˘
Which leaves them orphans of the heart no less.10···/˘·····
The next are ‘only children’, as they are styled,11···/˘/˘····
Who grow up children only, since the old saw11···/˘/˘····
Pronounces that an ‘only’ ’s a spoilt child.11˘/˘··/˘····
But not to go too far, I hold it law10··········
That where their education, harsh or mild,10····˘/˘···
‘Transgresses the great bounds of love or awe,10˘/˘·······
The sufferers, be’t in heart or intellect,10·/˘····/˘·
Whate’er the cause are orphans in effect.11˘˘/···/˘·˘/
But to return unto the stricter rule10··˘/···/˘·
(As far as words make rules), our common notion11······//˘/˘
Of orphans paints at once a parish school,10·/˘····/˘·
A half-starved babe, a wreck upon life’s ocean,11·········/˘
A human (what the Italians nickname) ‘mule’,11·/˘··˘/˘/··
A theme for pity or some worse emotion;11···/˘···˘/˘
Yet, if examined, it might be admitted11··˘/˘···˘/˘
The wealthiest orphans are to be more pitied.11·/˘/˘····/·
Too soon they are parents to themselves; for what11····/˘·˘/··
Are tutors, guardians, and so forth, compared10·/˘/˘···˘/
With Nature’s genial genitors, so that10·/˘/˘·····
A child of Chancery, that Star Chamber ward10···/˘··/˘·
(I’ll take the likeness I can first come at),10···/˘·····
Is like a duckling by Dame Partlett reared10···/˘·····
And frights, especially if ’tis a daughter,10··˘/˘···/˘
The old hen by running headlong to the water.12····/˘/···/˘
There is a commonplace book argument,10···/˘··/˘˘
Which glibly glides from every vulgar tongue10·/˘··/˘/˘·
When any dare a new light to present:10·/˘·····˘/
‘If you are right, then everybody’s wrong.’10·····/˘·˘·
Suppose the converse of this precedent10˘/·/˘··/˘˘
So often urged, so loudly and so long:10·/˘··/˘···
‘If you are wrong, then everybody’s right.’10·····/˘·˘·
Was ever everybody yet so quite?10·/˘/˘·˘···
Therefore I would solicit free discussion11····˘/˘·˘/˘
Upon all points, no matter what or whose,10·····/˘···
Because as ages upon ages push on,11···/˘··/˘··
The last is apt the former to accuse10·····/˘·˘/
Of pillowing its head on a pincushion,10·/˘˘····/˘
Heedless of pricks because it was obtuse.10/˘······˘/
What was a paradox becomes a truth or11···/˘·˘/···
A something like it, as bear witness Luther.11·/˘····/˘/˘
The sacraments have been reduced to two10·/˘˘··˘/··
And witches unto none, though somewhat late10·/˘····//·
Since burning aged women (save a few,9·/˘·/˘···
Not witches, only bitches, who create10·/˘/˘/˘·˘/
Mischief in families, as some know or knew,10/˘·/˘·····
Should still be singed, but slightly let me state)10·····/˘···
Has been declared an act of inurbanity,12··˘/········
Malgré Sir Matthew Hale’s great humanity.10··/˘··˘/˘˘
Great Galileo was debarred the sun,10··˘/˘·˘/··
Because he fixed it, and to stop his talking11·········/˘
How earth could round the solar orbit run,10·····/˘/˘·
Found his own legs embargoed from mere walking.11····˘/˘··/˘
The man was well nigh dead, ere men begun10········˘/
To think his skull had not some need of caulking,11·········/˘
But now it seems he’s right, his notion just,10·······/˘·
No doubt a consolation to his dust.10····˘/˘···
Pythagoras, Locke, Socrates—but pages11·····/˘··/˘
Might be filled up, as vainly as before,10·····/˘···
With the sad usage of all sorts of sages,11···/˘····/˘
Who in his lifetime each was deemed a bore.10···/······
The loftiest minds outrun their tardy ages;11····˘/·/˘/˘
This they must bear with and perhaps much more.10······˘/··
The wise man’s sure when he no more can share it, he12············
Will have a firm post-obit on posterity.11·····/˘·˘/˘
If such doom waits each intellectual giant,11······˘/˘/˘
We little people in our lesser way10·/˘/˘·//˘·
To life’s small rubs should surely be more pliant,11·····/˘··/˘
And so for one will I, as well I may.10··········
Would that I were less bilious—but oh fie on’t!11·····/˘····
Just as I make my mind up everyday10·······/˘/
To be a totus teres stoic, sage,9······/˘·
The wind shifts and I fly into a rage.10··········
Temperate I am, yet never had a temper;11/˘···/˘··/˘
Modest I am, yet with some slight assurance;11/˘······˘/˘
Changeable too, yet somehow idem semper;10/˘··/·/˘··
Patient, but not enamoured of endurance;11/˘··˘/˘·/˘˘
Cheerful, but sometimes rather apt to whimper;11/˘·/·/˘··/˘
Mild, but at times a sort of Hercules furens;12·······/˘···
So that I almost think that the same skin10···/······
For one without has two or three within.10··········
Our hero was in canto the sixteenth10//˘··/˘·˘/
Left in a tender moonlight situation,11···/˘/··˘/˘
Such as enables man to show his strength10··˘/˘·····
Moral or physical: on this occasion11/˘·/˘˘··˘/˘
Whether his virtue triumphed, or at length10···/˘/˘···
His vice—for he was of a kindling nation—11·······/˘/˘
Is more than I shall venture to describe,10·····/˘·˘/
Unless some beauty with a kiss should bribe.10···/˘·····
I leave the thing a problem, like all things.10·····/˘···
The morning came, and breakfast, tea and toast,10·/˘··/˘···
Of which most men partake, but no one sings.10····˘/····
The company, whose birth, wealth, worth have cost10·/˘˘······
My trembling lyre already several strings,10·/˘·˘/˘/˘·
Assembled with our hostess and mine host.10˘/˘·//˘···
The guests dropped in, the last but one, Her Grace,10··········
The latest, Juan with his virgin face.10·/˘····/˘·
Which best is to encounter, ghost or none,10····˘/˘···
’Twere difficult to say, but Juan looked10·/˘˘······
As if he had combated with more than one,10····/˘····
Being wan and worn, with eyes that hardly brooked10/······/˘·
The light that through the Gothic windows shone.10·····/˘/˘·
Her Grace too had a sort of air rebuked,10········˘/
Seemed pale and shivered, as if she had kept10···/˘·····
A vigil or dreamt rather more than slept.10·/˘··/˘···

On this poem

[May 8, 1823.--MS. More than one "Seventeenth Canto," or so-called continuation of Don Juan, has been published. Some of these "Sequels" pretend to be genuine, while others are undisguisedly imitations or parodies. For an account of these spurious and altogether worthless continuations, see "Bibliography," vol. vii. There was, however, a foundation for the myth. Before Byron left Italy he had begun (May 8, 1823) a seventeenth canto, and when he sailed for Greece he took the new stanzas with him. Trelawny found "fifteen stanzas of the seventeenth canto of Don Juan" in Byron's room at Missolonghi (Recollections, etc., 1858, p. 237). The MS., together with other papers, was handed over to John Cam Hobhouse, and is now in the possession of his daughter, the Lady Dorchester. The copyright was purchased by the late John Murray. The fourteen (not fifteen) stanzas are now printed and published for the first time.]
Notes from the edition 1

Notes by Ernest Hartley Coleridge, The Works of Lord Byron, Poetry vol. VI (John Murray, 1903). Bracketed passages are the editor's; unbracketed are Byron's own or earlier editors'.

  1. Stanza 3 The Italians, at least in some parts of Italy, call bastards and foundlings the mules--why, I cannot see, unless they mean to infer that the offspring of matrimony are asses.

    End of Project Gutenberg's The Works of Lord Byron, Volume 6, by Lord Byron

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