Canto XIII

Lord Byron (1788–1824) · 1819–1824

iambic pentameter · ABABABCC · 887 lines · from Don Juan

I now mean to be serious;—it is time,Since laughter now-a-days is deem’d too serious.A jest at Vice by Virtue ’s call’d a crime,And critically held as deleterious:Besides, the sad ’s a source of the sublime,Although when long a little apt to weary us;And therefore shall my lay soar high and solemn,As an old temple dwindled to a column.

The Lady Adeline Amundeville(’Tis an old Norman name, and to be foundIn pedigrees, by those who wander stillAlong the last fields of that Gothic ground)Was high-born, wealthy by her father’s will,And beauteous, even where beauties most abound,In Britain—which of course true patriots findThe goodliest soil of body and of mind.

I’ll not gainsay them; it is not my cue;I’ll leave them to their taste, no doubt the best:An eye ’s an eye, and whether black or blue,Is no great matter, so ’tis in request,’Tis nonsense to dispute about a hue—The kindest may be taken as a test.The fair sex should be always fair; and no man,Till thirty, should perceive there’s a plain woman.

And after that serene and somewhat dullEpoch, that awkward corner turn’d for daysMore quiet, when our moon ’s no more at full,We may presume to criticise or praise;Because indifference begins to lullOur passions, and we walk in wisdom’s ways;Also because the figure and the faceHint, that ’tis time to give the younger place.

I know that some would fain postpone this era,Reluctant as all placemen to resignTheir post; but theirs is merely a chimera,For they have pass’d life’s equinoctial line:But then they have their claret and MadeiraTo irrigate the dryness of decline;And county meetings, and the parliament,And debt, and what not, for their solace sent.

And is there not religion, and reform,Peace, war, the taxes, and what ’s call’d the ‘Nation’?The struggle to be pilots in a storm?The landed and the monied speculation?The joys of mutual hate to keep them warm,Instead of love, that mere hallucination?Now hatred is by far the longest pleasure;Men love in haste, but they detest at leisure.

Rough Johnson, the great moralist, profess’d,Right honestly, ‘he liked an honest hater!’—The only truth that yet has been confestWithin these latest thousand years or later.Perhaps the fine old fellow spoke in jest:—For my part, I am but a mere spectator,And gaze where’er the palace or the hovel is,Much in the mode of Goethe’s Mephistopheles;

But neither love nor hate in much excess;Though ’twas not once so. If I sneer sometimes,It is because I cannot well do less,And now and then it also suits my rhymes.I should be very willing to redressMen’s wrongs, and rather check than punish crimes,Had not Cervantes, in that too true taleOf Quixote, shown how all such efforts fail.

Of all tales ’tis the saddest—and more sad,Because it makes us smile: his hero ’s right,And still pursues the right;—to curb the badHis only object, and ’gainst odds to fightHis guerdon: ’tis his virtue makes him mad!But his adventures form a sorry sight;A sorrier still is the great moral taughtBy that real epic unto all who have thought.

Redressing injury, revenging wrong,To aid the damsel and destroy the caitiff;Opposing singly the united strong,From foreign yoke to free the helpless native:—Alas! must noblest views, like an old song,Be for mere fancy’s sport a theme creative,A jest, a riddle, Fame through thin and thick sought!And Socrates himself but Wisdom’s Quixote?

Cervantes smiled Spain’s chivalry away;A single laugh demolish’d the right armOf his own country;—seldom since that dayHas Spain had heroes. While Romance could charm,The world gave ground before her bright array;And therefore have his volumes done such harm,That all their glory, as a composition,Was dearly purchased by his land’s perdition.

I’m ‘at my old lunes’—digression, and forgetThe Lady Adeline Amundeville;The fair most fatal Juan ever met,Although she was not evil nor meant ill;But Destiny and Passion spread the net(Fate is a good excuse for our own will),And caught them;—what do they not catch, methinks?But I’m not OEdipus, and life ’s a Sphinx.

I tell the tale as it is told, nor dareTo venture a solution: ‘Davus sum!’And now I will proceed upon the pair.Sweet Adeline, amidst the gay world’s hum,Was the Queen-Bee, the glass of all that ’s fair;Whose charms made all men speak, and women dumb.The last ’s a miracle, and such was reckon’d,And since that time there has not been a second.

Chaste was she, to detraction’s desperation,And wedded unto one she had loved well—A man known in the councils of the nation,Cool, and quite English, imperturbable,Though apt to act with fire upon occasion,Proud of himself and her: the world could tellNought against either, and both seem’d secure—She in her virtue, he in his hauteur.

It chanced some diplomatical relations,Arising out of business, often broughtHimself and Juan in their mutual stationsInto close contact. Though reserved, nor caughtBy specious seeming, Juan’s youth, and patience,And talent, on his haughty spirit wrought,And form’d a basis of esteem, which endsIn making men what courtesy calls friends.

And thus Lord Henry, who was cautious asReserve and pride could make him, and full slowIn judging men—when once his judgment wasDetermined, right or wrong, on friend or foe,Had all the pertinacity pride has,Which knows no ebb to its imperious flow,And loves or hates, disdaining to be guided,Because its own good pleasure hath decided.

His friendships, therefore, and no less aversions,Though oft well founded, which confirm’d but moreHis prepossessions, like the laws of PersiansAnd Medes, would ne’er revoke what went before.His feelings had not those strange fits, like tertians,Of common likings, which make some deploreWhat they should laugh at—the mere ague stillOf men’s regard, the fever or the chill.

‘’Tis not in mortals to command success:But do you more, Sempronius—don’t deserve it,’And take my word, you won’t have any less.Be wary, watch the time, and always serve it;Give gently way, when there’s too great a press;And for your conscience, only learn to nerve it,For, like a racer, or a boxer training,’Twill make, if proved, vast efforts without paining.

Lord Henry also liked to be superior,As most men do, the little or the great;The very lowest find out an inferior,At least they think so, to exert their stateUpon: for there are very few things wearierThan solitary Pride’s oppressive weight,Which mortals generously would divide,By bidding others carry while they ride.

In birth, in rank, in fortune likewise equal,O’er Juan he could no distinction claim;In years he had the advantage of time’s sequel;And, as he thought, in country much the same—Because bold Britons have a tongue and free quill,At which all modern nations vainly aim;And the Lord Henry was a great debater,So that few members kept the house up later.

These were advantages: and then he thought—It was his foible, but by no means sinister—That few or none more than himself had caughtCourt mysteries, having been himself a minister:He liked to teach that which he had been taught,And greatly shone whenever there had been a stir;And reconciled all qualities which grace man,Always a patriot, and sometimes a placeman.

He liked the gentle Spaniard for his gravity;He almost honour’d him for his docility;Because, though young, he acquiesced with suavity,Or contradicted but with proud humility.He knew the world, and would not see depravityIn faults which sometimes show the soil’s fertility,If that the weeds o’erlive not the first crop—For then they are very difficult to stop.

And then he talk’d with him about Madrid,Constantinople, and such distant places;Where people always did as they were bid,Or did what they should not with foreign graces.Of coursers also spake they: Henry ridWell, like most Englishmen, and loved the races;And Juan, like a true-born Andalusian,Could back a horse, as despots ride a Russian.

And thus acquaintance grew, at noble routs,And diplomatic dinners, or at other—For Juan stood well both with Ins and Outs,As in freemasonry a higher brother.Upon his talent Henry had no doubts;His manner show’d him sprung from a high mother;And all men like to show their hospitalityTo him whose breeding matches with his quality.

At Blank-Blank Square;—for we will break no squaresBy naming streets: since men are so censorious,And apt to sow an author’s wheat with tares,Reaping allusions private and inglorious,Where none were dreamt of, unto love’s affairs,Which were, or are, or are to be notorious,That therefore do I previously declare,Lord Henry’s mansion was in Blank-Blank Square.

Also there bin another pious reasonFor making squares and streets anonymous;Which is, that there is scarce a single seasonWhich doth not shake some very splendid houseWith some slight heart-quake of domestic treason—A topic scandal doth delight to rouse:Such I might stumble over unawares,Unless I knew the very chastest squares.

’Tis true, I might have chosen Piccadilly,A place where peccadillos are unknown;But I have motives, whether wise or silly,For letting that pure sanctuary alone.Therefore I name not square, street, place, until IFind one where nothing naughty can be shown,A vestal shrine of innocence of heart:Such are—but I have lost the London Chart.

At Henry’s mansion then, in Blank-Blank Square,Was Juan a recherche, welcome guest,As many other noble scions were;And some who had but talent for their crest;Or wealth, which is a passport every where;Or even mere fashion, which indeed ’s the bestRecommendation; and to be well drestWill very often supersede the rest.

And since ‘there’s safety in a multitudeOf counsellors,’ as Solomon has said,Or some one for him, in some sage, grave mood;—Indeed we see the daily proof display’dIn senates, at the bar, in wordy feud,Where’er collective wisdom can parade,Which is the only cause that we can guessOf Britain’s present wealth and happiness;—

But as ‘there’s safety’ grafted in the number‘Of counsellors’ for men, thus for the sexA large acquaintance lets not Virtue slumber;Or should it shake, the choice will more perplex—Variety itself will more encumber.’Midst many rocks we guard more against wrecks;And thus with women: howsoe’er it shocks some’sSelf-love, there’s safety in a crowd of coxcombs.

But Adeline had not the least occasionFor such a shield, which leaves but little meritTo virtue proper, or good education.Her chief resource was in her own high spirit,Which judged mankind at their due estimation;And for coquetry, she disdain’d to wear it:Secure of admiration, its impressionWas faint, as of an every-day possession.

To all she was polite without parade;To some she show’d attention of that kindWhich flatters, but is flattery convey’dIn such a sort as cannot leave behindA trace unworthy either wife or maid;—A gentle, genial courtesy of mind,To those who were, or pass’d for meritorious,Just to console sad glory for being glorious;

Which is in all respects, save now and then,A dull and desolate appendage. GazeUpon the shades of those distinguish’d menWho were or are the puppet-shows of praise,The praise of persecution; gaze againOn the most favour’d; and amidst the blazeOf sunset halos o’er the laurel-brow’d,What can ye recognise?—a gilded cloud.

There also was of course in AdelineThat calm patrician polish in the address,Which ne’er can pass the equinoctial lineOf any thing which nature would express;Just as a mandarin finds nothing fine,—At least his manner suffers not to guessThat any thing he views can greatly please.Perhaps we have borrow’d this from the Chinese—

Perhaps from Horace: his ‘Nil admirari’Was what he call’d the ‘Art of Happiness;’An art on which the artists greatly vary,And have not yet attain’d to much success.However, ’tis expedient to be wary:Indifference certes don’t produce distress;And rash enthusiasm in good societyWere nothing but a moral inebriety.

But Adeline was not indifferent: for(Now for a common-place!) beneath the snow,As a volcano holds the lava moreWithin—et caetera. Shall I go on?—No!I hate to hunt down a tired metaphor,So let the often-used volcano go.Poor thing! How frequently, by me and others,It hath been stirr’d up till its smoke quite smothers!

I’ll have another figure in a trice:—What say you to a bottle of champagne?Frozen into a very vinous ice,Which leaves few drops of that immortal rain,Yet in the very centre, past all price,About a liquid glassful will remain;And this is stronger than the strongest grapeCould e’er express in its expanded shape:

’Tis the whole spirit brought to a quintessence;And thus the chilliest aspects may concentreA hidden nectar under a cold presence.And such are many—though I only meant herFrom whom I now deduce these moral lessons,On which the Muse has always sought to enter.And your cold people are beyond all price,When once you have broken their confounded ice.

But after all they are a North-West PassageUnto the glowing India of the soul;And as the good ships sent upon that messageHave not exactly ascertain’d the Pole(Though Parry’s efforts look a lucky presage),Thus gentlemen may run upon a shoal;For if the Pole ’s not open, but all frost(A chance still), ’tis a voyage or vessel lost.

And young beginners may as well commenceWith quiet cruising o’er the ocean woman;While those who are not beginners should have senseEnough to make for port, ere time shall summonWith his grey signal-flag; and the past tense,The dreary ‘Fuimus’ of all things human,Must be declined, while life’s thin thread ’s spun outBetween the gaping heir and gnawing gout.

But heaven must be diverted; its diversionIs sometimes truculent—but never mind:The world upon the whole is worth the assertion(If but for comfort) that all things are kind:And that same devilish doctrine of the Persian,Of the two principles, but leaves behindAs many doubts as any other doctrineHas ever puzzled Faith withal, or yoked her in.

The English winter—ending in July,To recommence in August—now was done.’Tis the postilion’s paradise: wheels fly;On roads, east, south, north, west, there is a run.But for post-horses who finds sympathy?Man’s pity ’s for himself, or for his son,Always premising that said son at collegeHas not contracted much more debt than knowledge.

The London winter ’s ended in July—Sometimes a little later. I don’t errIn this: whatever other blunders lieUpon my shoulders, here I must averMy Muse a glass of weatherology;For parliament is our barometer:Let radicals its other acts attack,Its sessions form our only almanack.

When its quicksilver ’s down at zero,—loCoach, chariot, luggage, baggage, equipage!Wheels whirl from Carlton palace to Soho,And happiest they who horses can engage;The turnpikes glow with dust; and Rotten RowSleeps from the chivalry of this bright age;And tradesmen, with long bills and longer faces,Sigh—as the postboys fasten on the traces.

They and their bills, ‘Arcadians both,’ are leftTo the Greek kalends of another session.Alas! to them of ready cash bereft,What hope remains? Of hope the full possession,Or generous draft, conceded as a gift,At a long date—till they can get a fresh one—Hawk’d about at a discount, small or large;Also the solace of an overcharge.

But these are trifles. Downward flies my lord,Nodding beside my lady in his carriage.Away! away! ‘Fresh horses!’ are the word,And changed as quickly as hearts after marriage;The obsequious landlord hath the change restored;The postboys have no reason to disparageTheir fee; but ere the water’d wheels may hiss hence,The ostler pleads too for a reminiscence.

’Tis granted; and the valet mounts the dickey—That gentleman of lords and gentlemen;Also my lady’s gentlewoman, tricky,Trick’d out, but modest more than poet’s penCan paint,—‘Cosi viaggino i Ricchi!’(Excuse a foreign slipslop now and then,If but to show I’ve travell’d; and what ’s travel,Unless it teaches one to quote and cavil?)

The London winter and the country summerWere well nigh over. ’Tis perhaps a pity,When nature wears the gown that doth become her,To lose those best months in a sweaty city,And wait until the nightingale grows dumber,Listening debates not very wise or witty,Ere patriots their true country can remember;—But there’s no shooting (save grouse) till September.

I’ve done with my tirade. The world was gone;The twice two thousand, for whom earth was made,Were vanish’d to be what they call alone—That is, with thirty servants for parade,As many guests, or more; before whom groanAs many covers, duly, daily, laid.Let none accuse Old England’s hospitality—Its quantity is but condensed to quality.

Lord Henry and the Lady AdelineDeparted like the rest of their compeers,The peerage, to a mansion very fine;The Gothic Babel of a thousand years.None than themselves could boast a longer line,Where time through heroes and through beauties steers;And oaks as olden as their pedigreeTold of their sires, a tomb in every tree.

A paragraph in every paper toldOf their departure: such is modern fame:’Tis pity that it takes no farther holdThan an advertisement, or much the same;When, ere the ink be dry, the sound grows cold.The Morning Post was foremost to proclaim—‘Departure, for his country seat, to-day,Lord H. Amundeville and Lady A.

‘We understand the splendid host intendsTo entertain, this autumn, a selectAnd numerous party of his noble friends;’Midst whom we have heard, from sources quite correct,With many more by rank and fashion deck’d;Also a foreigner of high condition,The envoy of the secret Russian mission.’

And thus we see—who doubts the Morning Post?(Whose articles are like the ‘Thirty-nine,’Which those most swear to who believe them most)—Our gay Russ Spaniard was ordain’d to shine,Deck’d by the rays reflected from his host,With those who, Pope says, ‘greatly daring dine.’’Tis odd, but true,—last war the News aboundedMore with these dinners than the kill’d or wounded;—

As thus: ‘On Thursday there was a grand dinner;Present, Lords A. B. C.’—Earls, dukes, by nameAnnounced with no less pomp than victory’s winner:Then underneath, and in the very sameColumn; date, ‘Falmouth. There has lately been hereThe Slap-dash regiment, so well known to fame,Whose loss in the late action we regret:The vacancies are fill’d up—see Gazette.’

To Norman Abbey whirl’d the noble pair,—An old, old monastery once, and nowStill older mansion; of a rich and rareMix’d Gothic, such as artists all allowFew specimens yet left us can compareWithal: it lies perhaps a little low,Because the monks preferr’d a hill behind,To shelter their devotion from the wind.

It stood embosom’d in a happy valley,Crown’d by high woodlands, where the Druid oakStood like Caractacus in act to rallyHis host, with broad arms ’gainst the thunderstroke;And from beneath his boughs were seen to sallyThe dappled foresters—as day awoke,The branching stag swept down with all his herd,To quaff a brook which murmur’d like a bird.

Before the mansion lay a lucid lake,Broad as transparent, deep, and freshly fedBy a river, which its soften’d way did takeIn currents through the calmer water spreadAround: the wildfowl nestled in the brakeAnd sedges, brooding in their liquid bed:The woods sloped downwards to its brink, and stoodWith their green faces fix’d upon the flood.

Its outlet dash’d into a deep cascade,Sparkling with foam, until again subsiding,Its shriller echoes—like an infant madeQuiet—sank into softer ripples, glidingInto a rivulet; and thus allay’d,Pursued its course, now gleaming, and now hidingIts windings through the woods; now clear, now blue,According as the skies their shadows threw.

A glorious remnant of the Gothic pile(While yet the church was Rome’s) stood half apartIn a grand arch, which once screen’d many an aisle.These last had disappear’d—a loss to art:The first yet frown’d superbly o’er the soil,And kindled feelings in the roughest heart,Which mourn’d the power of time’s or tempest’s march,In gazing on that venerable arch.

Within a niche, nigh to its pinnacle,Twelve saints had once stood sanctified in stone;But these had fallen, not when the friars fell,But in the war which struck Charles from his throne,When each house was a fortalice, as tellThe annals of full many a line undone,—The gallant cavaliers, who fought in vainFor those who knew not to resign or reign.

But in a higher niche, alone, but crowned,The Virgin Mother of the God-born Child,With her Son in her blessed arms, look’d round,Spared by some chance when all beside was spoil’d;She made the earth below seem holy ground.This may be superstition, weak or wild,But even the faintest relics of a shrineOf any worship wake some thoughts divine.

A mighty window, hollow in the centre,Shorn of its glass of thousand colourings,Through which the deepen’d glories once could enter,Streaming from off the sun like seraph’s wings,Now yawns all desolate: now loud, now fainter,The gale sweeps through its fretwork, and oft singsThe owl his anthem, where the silenced quireLie with their hallelujahs quench’d like fire.

But in the noontide of the moon, and whenThe wind is winged from one point of heaven,There moans a strange unearthly sound, which thenIs musical—a dying accent drivenThrough the huge arch, which soars and sinks again.Some deem it but the distant echo givenBack to the night wind by the waterfall,And harmonised by the old choral wall:

Others, that some original shape, or formShaped by decay perchance, hath given the power(Though less than that of Memnon’s statue, warmIn Egypt’s rays, to harp at a fix’d hour)To this grey ruin, with a voice to charm.Sad, but serene, it sweeps o’er tree or tower;The cause I know not, nor can solve; but suchThe fact:—I’ve heard it—once perhaps too much.

Amidst the court a Gothic fountain play’d,Symmetrical, but deck’d with carvings quaint—Strange faces, like to men in masquerade,And here perhaps a monster, there a saint:The spring gush’d through grim mouths of granite made,And sparkled into basins, where it spentIts little torrent in a thousand bubbles,Like man’s vain glory, and his vainer troubles.

The mansion’s self was vast and venerable,With more of the monastic than has beenElsewhere preserved: the cloisters still were stable,The cells, too, and refectory, I ween:An exquisite small chapel had been able,Still unimpair’d, to decorate the scene;The rest had been reform’d, replaced, or sunk,And spoke more of the baron than the monk.

Huge halls, long galleries, spacious chambers, join’dBy no quite lawful marriage of the arts,Might shock a connoisseur; but when combined,Form’d a whole which, irregular in parts,Yet left a grand impression on the mind,At least of those whose eyes are in their hearts:We gaze upon a giant for his stature,Nor judge at first if all be true to nature.

Steel barons, molten the next generationTo silken rows of gay and garter’d earls,Glanced from the walls in goodly preservation;And Lady Marys blooming into girls,With fair long locks, had also kept their station;And countesses mature in robes and pearls:Also some beauties of Sir Peter Lely,Whose drapery hints we may admire them freely.

Judges in very formidable ermineWere there, with brows that did not much inviteThe accused to think their lordships would determineHis cause by leaning much from might to right:Bishops, who had not left a single sermon:Attorneys-general, awful to the sight,As hinting more (unless our judgments warp us)Of the ‘Star Chamber’ than of ‘Habeas Corpus.’

Generals, some all in armour, of the oldAnd iron time, ere lead had ta’en the lead;Others in wigs of Marlborough’s martial fold,Huger than twelve of our degenerate breed:Lordlings, with staves of white or keys of gold:Nimrods, whose canvass scarce contain’d the steed;And here and there some stern high patriot stood,Who could not get the place for which he sued.

But ever and anon, to soothe your vision,Fatigued with these hereditary glories,There rose a Carlo Dolce or a Titian,Or wilder group of savage Salvatore’s;Here danced Albano’s boys, and here the sea shoneIn Vernet’s ocean lights; and there the storiesOf martyrs awed, as Spagnoletto taintedHis brush with all the blood of all the sainted.

Here sweetly spread a landscape of Lorraine;There Rembrandt made his darkness equal light,Or gloomy Caravaggio’s gloomier stainBronzed o’er some lean and stoic anchorite:—But, lo! a Teniers woos, and not in vain,Your eyes to revel in a livelier sight:His bell-mouth’d goblet makes me feel quite DanishOr Dutch with thirst—What, ho! a flask of Rhenish.

O reader! if that thou canst read,—and know,’Tis not enough to spell, or even to read,To constitute a reader; there must goVirtues of which both you and I have need;—Firstly, begin with the beginning (thoughThat clause is hard); and secondly, proceed;Thirdly, commence not with the end—or, sinningIn this sort, end at least with the beginning.

But, reader, thou hast patient been of late,While I, without remorse of rhyme, or fear,Have built and laid out ground at such a rate,Dan Phoebus takes me for an auctioneer.That poets were so from their earliest date,By Homer’s ‘Catalogue of ships’ is clear;But a mere modern must be moderate—I spare you then the furniture and plate.

The mellow autumn came, and with it cameThe promised party, to enjoy its sweets.The corn is cut, the manor full of game;The pointer ranges, and the sportsman beatsIn russet jacket:—lynx-like is his aim;Full grows his bag, and wonderful his feats.Ah, nut-brown partridges! Ah, brilliant pheasants!And ah, ye poachers!—’Tis no sport for peasants.

An English autumn, though it hath no vines,Blushing with Bacchant coronals alongThe paths, o’er which the far festoon entwinesThe red grape in the sunny lands of song,Hath yet a purchased choice of choicest wines;The claret light, and the Madeira strong.If Britain mourn her bleakness, we can tell her,The very best of vineyards is the cellar.

Then, if she hath not that serene declineWhich makes the southern autumn’s day appearAs if ’twould to a second spring resignThe season, rather than to winter drear,Of in-door comforts still she hath a mine,—The sea-coal fires the ‘earliest of the year;’Without doors, too, she may compete in mellow,As what is lost in green is gain’d in yellow.

And for the effeminate villeggiatura—Rife with more horns than hounds—she hath the chase,So animated that it might allureSaint from his beads to join the jocund race;Even Nimrod’s self might leave the plains of Dura,And wear the Melton jacket for a space:If she hath no wild boars, she hath a tamePreserve of bores, who ought to be made game.

The noble guests, assembled at the Abbey,Consisted of—we give the sex the pas—The Duchess of Fitz-Fulke; the Countess Crabby;The Ladies Scilly, Busey;—Miss Eclat,Miss Bombazeen, Miss Mackstay, Miss O’Tabby,And Mrs. Rabbi, the rich banker’s squaw;Also the honourable Mrs. Sleep,Who look’d a white lamb, yet was a black sheep:

With other Countesses of Blank—but rank;At once the ‘lie’ and the ‘elite’ of crowds;Who pass like water filter’d in a tank,All purged and pious from their native clouds;Or paper turn’d to money by the Bank:No matter how or why, the passport shroudsThe ‘passee’ and the past; for good societyIs no less famed for tolerance than piety,—

That is, up to a certain point; which pointForms the most difficult in punctuation.Appearances appear to form the jointOn which it hinges in a higher station;And so that no explosion cry ‘ArointThee, witch!’ or each Medea has her Jason;Or (to the point with Horace and with Pulci)‘Omne tulit punctum, quae miscuit utile dulci.’

I can’t exactly trace their rule of right,Which hath a little leaning to a lottery.I’ve seen a virtuous woman put down quiteBy the mere combination of a coterie;Also a so-so matron boldly fightHer way back to the world by dint of plottery,And shine the very Siria of the spheres,Escaping with a few slight, scarless sneers.

I have seen more than I’ll say:—but we will seeHow our villeggiatura will get on.The party might consist of thirty-threeOf highest caste—the Brahmins of the ton.I have named a few, not foremost in degree,But ta’en at hazard as the rhyme may run.By way of sprinkling, scatter’d amongst these,There also were some Irish absentees.

There was Parolles, too, the legal bully,Who limits all his battles to the barAnd senate: when invited elsewhere, truly,He shows more appetite for words than war.There was the young bard Rackrhyme, who had newlyCome out and glimmer’d as a six weeks’ star.There was Lord Pyrrho, too, the great freethinker;And Sir John Pottledeep, the mighty drinker.

There was the Duke of Dash, who was a—duke,‘Ay, every inch a’ duke; there were twelve peersLike Charlemagne’s—and all such peers in lookAnd intellect, that neither eyes nor earsFor commoners had ever them mistook.There were the six Miss Rawbolds—pretty dears!All song and sentiment; whose hearts were setLess on a convent than a coronet.

There were four Honourable Misters, whoseHonour was more before their names than after;There was the preux Chevalier de la Ruse,Whom France and Fortune lately deign’d to waft here,Whose chiefly harmless talent was to amuse;But the clubs found it rather serious laughter,Because—such was his magic power to please—The dice seem’d charm’d, too, with his repartees.

There was Dick Dubious, the metaphysician,Who loved philosophy and a good dinner;Angle, the soi-disant mathematician;Sir Henry Silvercup, the great race-winner.There was the Reverend Rodomont Precisian,Who did not hate so much the sin as sinner;And Lord Augustus Fitz-Plantagenet,Good at all things, but better at a bet.

There was Jack Jargon, the gigantic guardsman;And General Fireface, famous in the field,A great tactician, and no less a swordsman,Who ate, last war, more Yankees than he kill’d.There was the waggish Welsh Judge, Jefferies Hardsman,In his grave office so completely skill’d,That when a culprit came far condemnation,He had his judge’s joke for consolation.

Good company ’s a chess-board—there are kings,Queens, bishops, knights, rooks, pawns; the world ’s a game;Save that the puppets pull at their own strings,Methinks gay Punch hath something of the same.My Muse, the butterfly hath but her wings,Not stings, and flits through ether without aim,Alighting rarely:—were she but a hornet,Perhaps there might be vices which would mourn it.

I had forgotten—but must not forget—An orator, the latest of the session,Who had deliver’d well a very setSmooth speech, his first and maidenly transgressionUpon debate: the papers echoed yetWith his debut, which made a strong impression,And rank’d with what is every day display’d—‘The best first speech that ever yet was made.’

Proud of his ‘Hear hims!’ proud, too, of his voteAnd lost virginity of oratory,Proud of his learning (just enough to quote),He revell’d in his Ciceronian glory:With memory excellent to get by rote,With wit to hatch a pun or tell a story,Graced with some merit, and with more effrontery,‘His country’s pride,’ he came down to the country.

There also were two wits by acclamation,Longbow from Ireland, Strongbow from the Tweed,Both lawyers and both men of education;But Strongbow’s wit was of more polish’d breed:Longbow was rich in an imaginationAs beautiful and bounding as a steed,But sometimes stumbling over a potato,—While Strongbow’s best things might have come from Cato.

Strongbow was like a new-tuned harpsichord;But Longbow wild as an Æolian harp,With which the winds of heaven can claim accord,And make a music, whether flat or sharp.Of Strongbow’s talk you would not change a word:At Longbow’s phrases you might sometimes carp:Both wits—one born so, and the other bred—This by his heart, his rival by his head.

If all these seem a heterogeneous masTo be assembled at a country seat,Yet think, a specimen of every classIs better than a humdrum tête-à-tête.The days of Comedy are gone, alas!When Congreve’s fool could vie with Molière’s bête:Society is smooth’d to that excess,That manners hardly differ more than dress.

Our ridicules are kept in the back-ground—Ridiculous enough, but also dull;Professions, too, are no more to be foundProfessional; and there is nought to cullOf folly’s fruit; for though your fools abound,They’re barren, and not worth the pains to pull.Society is now one polish’d horde,Form’d of two mighty tribes, the Bores and Bored.

But from being farmers, we turn gleaners, gleaningThe scanty but right-well thresh’d ears of truth;And, gentle reader! when you gather meaning,You may be Boaz, and I—modest Ruth.Farther I’d quote, but Scripture interveningForbids. Its great impression in my youthWas made by Mrs. Adams, where she cries,‘That Scriptures out of church are blasphemies.’

But what we can we glean in this vile ageOf chaff, although our gleanings be not grist.I must not quite omit the talking sage,Kit-Cat, the famous Conversationist,Who, in his common-place book, had a pagePrepared each morn for evenings. ‘List, oh, list!’—‘Alas, poor ghost!’—What unexpected woesAwait those who have studied their bon-mots!

Firstly, they must allure the conversationBy many windings to their clever clinch;And secondly, must let slip no occasion,Nor bate (abate) their hearers of an inch,But take an ell—and make a great sensation,If possible; and thirdly, never flinchWhen some smart talker puts them to the test,But seize the last word, which no doubt ’s the best.

Lord Henry and his lady were the hosts;The party we have touch’d on were the guests:Their table was a board to tempt even ghostsTo pass the Styx for more substantial feasts.I will not dwell upon ragouts or roasts,Albeit all human history attestsThat happiness for man—the hungry sinner!—Since Eve ate apples, much depends on dinner.

Witness the lands which ‘flow’d with milk and honey,’Held out unto the hungry Israelites;To this we have added since, the love of money,The only sort of pleasure which requites.Youth fades, and leaves our days no longer sunny;We tire of mistresses and parasites;But oh, ambrosial cash! Ah! who would lose thee?When we no more can use, or even abuse thee!

The gentlemen got up betimes to shoot,Or hunt: the young, because they liked the sport—The first thing boys like after play and fruit;The middle-aged to make the day more short;For ennui is a growth of English root,Though nameless in our language:—we retortThe fact for words, and let the French translateThat awful yawn which sleep can not abate.

The elderly walk’d through the library,And tumbled books, or criticised the pictures,Or saunter’d through the gardens piteously,And made upon the hot-house several strictures,Or rode a nag which trotted not too high,Or on the morning papers read their lectures,Or on the watch their longing eyes would fix,Longing at sixty for the hour of six.

But none were ‘gêné:’ the great hour of unionWas rung by dinner’s knell; till then all wereMasters of their own time—or in communion,Or solitary, as they chose to bearThe hours, which how to pass is but to few known.Each rose up at his own, and had to spareWhat time he chose for dress, and broke his fastWhen, where, and how he chose for that repast.

The ladies—some rouged, some a little pale—Met the morn as they might. If fine, they rode,Or walk’d; if foul, they read, or told a tale,Sung, or rehearsed the last dance from abroad;Discuss’d the fashion which might next prevail,And settled bonnets by the newest code,Or cramm’d twelve sheets into one little letter,To make each correspondent a new debtor.

For some had absent lovers, all had friends.The earth has nothing like a she epistle,And hardly heaven—because it never ends.I love the mystery of a female missal,Which, like a creed, ne’er says all it intends,But full of cunning as Ulysses’ whistle,When he allured poor Dolon:—you had betterTake care what you reply to such a letter.

Then there were billiards; cards, too, but no dice;—Save in the clubs no man of honour plays;—Boats when ’twas water, skating when ’twas ice,And the hard frost destroy’d the scenting days:And angling, too, that solitary vice,Whatever Izaak Walton sings or says;The quaint, old, cruel coxcomb, in his gulletShould have a hook, and a small trout to pull it.

With evening came the banquet and the wine;The conversazione; the duet,Attuned by voices more or less divine(My heart or head aches with the memory yet).The four Miss Rawbolds in a glee would shine;But the two youngest loved more to be setDown to the harp—because to music’s charmsThey added graceful necks, white hands and arms.

Sometimes a dance (though rarely on field days,For then the gentlemen were rather tired)Display’d some sylph-like figures in its maze;Then there was small-talk ready when required;Flirtation—but decorous; the mere praiseOf charms that should or should not be admired.The hunters fought their fox-hunt o’er again,And then retreated soberly—at ten.

The politicians, in a nook apart,Discuss’d the world, and settled all the spheres;The wits watch’d every loophole for their art,To introduce a bon-mot head and ears;Small is the rest of those who would be smart,A moment’s good thing may have cost them yearsBefore they find an hour to introduce it;And then, even then, some bore may make them lose it.

But all was gentle and aristocraticIn this our party; polish’d, smooth, and cold,As Phidian forms cut out of marble Attic.There now are no Squire Westerns as of old;And our Sophias are not so emphatic,But fair as then, or fairer to behold.We have no accomplish’d blackguards, like Tom Jones,But gentlemen in stays, as stiff as stones.

They separated at an early hour;That is, ere midnight—which is London’s noon:But in the country ladies seek their bowerA little earlier than the waning moon.Peace to the slumbers of each folded flower—May the rose call back its true colour soon!Good hours of fair cheeks are the fairest tinters,And lower the price of rouge—at least some winters.

Words in this poem 240
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
deleterious a.
Hurtful; noxious; destructive; pernicious; as, a deleterious plant or quality; a deleterious example. [LL. deleterius noxious, Gr. delere to destroy.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
presume v. t.
To assume or take beforehand; esp., to do or undertake without leave or authority previously obtained. [F. présumer, L. praesumere, praesumptum; prae before + sumere to take. See Assume, Redeem.]
lull v. t.
To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
fain v. t.
To be glad ; to wish or desire.
chimera n.
A monster represented as vomiting flames, and as having the head of a lion, the body of a goat, and the tail of a dragon. [L. chimaera a chimera (in sense 1), Gr. qymbr a yearling ewe.]
claret n.
The name firat given in England to the red wines of M [OE. claret, clare, clarry, OF. claret, clar, fr. cler, F. clair, clear, fr. L. clarus clear. See Clear.]
irrigate v. t.
To water; to wet; to moisten with running or dropping water; to bedew. [L. irrigatus, p. p. of irrigare to irrigate: ir- in + rigare to water; prob. akin to E. rain. See Rain.]
county n.
An earldom; the domain of a count or earl. [F. comt, fr. LL. comitatus. See Count.]
parliament n.
A parleying; a discussion; a conference. [OE. parlement, F. parlement, fr. parler to speak; cf. LL. parlamentum, parliamentum. See Parley.]
solace n.
Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]
speculation n.
The act of speculating. Specifically: -- (a) Examination by the eye; view. [L. speculatio a spying out, observation: cf. F. spéculation.]
hallucination n.
The act of hallucinating; a wandering of the mind; error; mistake; a blunder. [L. hallucinatio cf. F. hallucination.]
detest v. t.
To witness against; to denounce; to condemn. [L. detestare, detestatum, and detestari, to curse while calling a deity to witness, to execrate, detest; de + testari to be a witness, testify, testis a witness]
moralist n.
One who moralizes; one who teaches or animadverts upon the duties of life; a writer of essays intended to correct vice and inculcate moral duties. [Cf. F. moraliste.]
honestly adv.
Honorably; becomingly; decently.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
hovel n.
An open shed for sheltering cattle, or protecting produce, etc., from the weather. Brande & C. [OE. hovel, hovil, prob. a dim. fr. AS. hof house; akin to D. & G. hof court, yard, Icel. hof temple; cf. Prov. E. hove to take shelter, heuf shelter, home.]
odds n.
Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
guerdon n.
A reward; requital; recompense; -- used in both a good and a bad sense. [OF. guerdon, guerredon, LL. widerdonum (influenced by L. donum gift, cf. Donation ), fr. OHG. widarl; widar again, against (G. wider wieder) + lon reward, G. lo]
revenging a.
Executing revenge; revengeful.
damsel n.
A young person, either male or female, of noble or gentle extraction; as, Damsel Pepin; Damsel Richard, Prince of Wales. [OE. damosel, damesel, damisel, damsel, fr. OF. damoisele, damisele, gentlewoman, F. demoiselle young lady; cf. OF. damoisel young nobleman, F. damoiseau; fr. LL]
caitiff a.
Captive; wretched; unfortunate. [OE. caitif, cheitif, captive, miserable, OF. caitif, chaitif, captive, mean, wretched, F. chétif, fr. L. captivus captive, fr. capere to take, akin to E. heave.]
perdition n.
Entire loss; utter destruction; ruin; esp., the utter loss of the soul, or of final happiness in a future state; future misery or eternal death. [F., fr. L. perditio, fr. perdere, perditum, to ruin, to lose; per (cf. Skr. para away) + -dere (only in comp.) to put; akin to Gr. do. See Do.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
desperation n.
The act of despairing or becoming desperate; a giving up of hope. [L. desperatio: cf. OF. desperation.]
wedded a.
Joined in wedlock; married.
imperturbable a.
Incapable of being disturbed or disconcerted; as, imperturbable gravity. [L. imperturbabilis; pref. im- not + perturbare to disturb: cf. F. imperturbable. See Perture.]
hauteur n.
Haughty manner or spirit; haughtiness; pride; arrogance. [F., fr. haut high. See Haughty.]
diplomatical a.
Pertaining to diplomacy; relating to the foreign ministers at a court, who are called the diplomatic body. [Cf. diplomatique.]
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
pertinacity n.
The quality or state of being pertinacious; obstinacy; perseverance; persistency. [Cf. F. pertinacité.]
imperious a.
Commanding; ascendant; imperial; lordly; majestic. [L. imperiosus: cf. F. impérieux. See Imperial.]
went n.
Course; way; path; journey; direction.
deplore v. t.
To feel or to express deep and poignant grief for; to bewail; to lament; to mourn; to sorrow over. [L. deplorare; de- + plorare to cry out, wail, lament; prob. akin to pluere to rain, and to E. flow: cf. F. déplorer. Cf. Flow.]
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
racer n.
One who, or that which, races, or contends in a race; esp., a race horse.
boxer n.
One who packs boxes.
twill v. i.
To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
exert v. t.
To thrust forth; to emit; to push out. [L. exertus, exsertus, p.p. of exerere, exserere, to thrust out; ex out + serere to join or bind together. See Series, and cf. Exsert.]
sequel n.
That which follows; a succeeding part; continuation; as, the sequel of a man's advantures or history. [L. sequela, fr. sequit to follow: cf. F. séquelle a following. See Sue to follow.]
debater n.
One who debates; one given to argument; a disputant; a controvertist.
foible a.
Weak; feeble. Lord Herbert. [OF. foible. See Feeble.]
placeman n.
One who holds or occupies a place; one who has office under government.
spaniard n.
A native or inhabitant of Spain.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
docility n.
teachableness; aptness for being taught; docibleness. [L. docilitas, fr. docilis: cf. F. docilité.]
suavity n.
Sweetness to the taste. Sir T. Browne. [L. suavitas: cf. F. suavité.]
freemasonry n.
The institutions or the practices of freemasons.
inglorious a.
Not glorious; not bringing honor or glory; not accompanied with fame, honor, or celebrity; obscure; humble; as, an inglorious life of ease. [L. inglorious; pref. in- not + gloria glory, fame: cf. F. inglorieux. See Glory.]
mansion n.
A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
piccadilly n.
A high, stiff collar for the neck; also, a hem or band about the skirt of a garment, -- worn by men in the 17th century. [OF. piccagilles the several divisions of pieces fastened together about the brim of the collar of a doublet, a dim. fr. Sp. picado, p.p. of picar to prick. See ]
naughty a.
Having little or nothing.
vestal a.
Of or pertaining to Vesta, the virgin goddess of the hearth; hence, pure; chaste. [L. Vestalis belonging to Vesta, vestal. See Vesta.]
recherche a.
Sought out with care; choice. Hence: of rare quality, elegance, or attractiveness; peculiar and refined in kind. [F.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
passport n.
Permission to pass; a document given by the competent officer of a state, permitting the person therein named to pass or travel from place to place, without molestation, by land or by water. [F. passeport, orig., a permission to leave a port or to sail into it; passer to pass + port a port, harbor. See Pass, and Port a harbor.]
recommendation n.
The act of recommending. [Cf. F. recommandation.]
supersede v. t.
To come, or be placed, in the room of; to replace. [L. supersedere, supersessum, to sit above, be superior to, forbear, omit; super above + sedere to sit: cf. F. superséder. See Sit, and cf. Surcease.]
solomon n.
One of the kings of Israel, noted for his superior wisdom and magnificent reign; hence, a very wise man.
resource n.
That to which one resorts orr on which one depends for supply or support; means of overcoming a difficulty; resort; expedient. [F. ressource, fr. OF. ressourdre, resourdre, to spring forth or up again; pref. re- re- + sourdre to spring forth. See Source.]
coquetry n.
Attempts to attract admoration, notice, or love, for the mere gratification of vanity; trifling in love. [F. coquetterie.]
admiration n.
Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
favour n.
Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
recognise v. t.
To know again; to perceive the identity of, with a person or thing previously known; to recover or recall knowledge of. [From Recognizance; see Cognition, and cf. Reconnoiter.]
patrician a.
Of or pertaining to the Roman patres (fathers) or senators, or patricians. [L. patricius, fr. patres fathers or senators, pl. of pater: cf. F. patricien. See Paternal.]
borrow v. t.
To receive from another as a loan, with the implied or expressed intention of returning the identical article or its equivalent in kind; -- the opposite of lend. [OE. borwen, AS. borgian, fr. borg, borh, pledge; akin to D. borg, G. borg; prob. fr. root of AS. beorgan to protect. Borough.]
certes adv.
Certainly; in truth; verily. [F. certes, for à certes, fr. L. certus. See Certain.]
inebriety n.
Drunkenness; inebriation. E. Darwin. [See Inebriate, Ebriety.]
trice v. t.
To pull; to haul; to drag; to pull away. [OE. trisen; of Scand. or Low German origin; cf. Sw. trissa a sheave, pulley, triss a spritsail brace, Dan. tridse a pulley, tridse to haul by means of a pulley,]
champagne n.
A light wine, of several kinds, originally made in the province of Champagne, in France. [F. See Champaign.]
vinous a.
Of or pertaining to wine; having the qualities of wine; as, a vinous taste. [L. vinosus, fr. vinum wine: cf. F. vineux. See Wine.]
centre v. i.
To be placed in a center; to be central.
glassful a.
Glassy; shining like glass.
quintessence n.
The fifth or last and highest essence or power in a natural body. [F., fr. L. quinta essentia fifth essence. See Quint, and Essence.]
concentre v. i.
To come to one point; to meet in, or converge toward, a common center; to have a common center. [F. concentrer, fr. L. con- + centrum center. See Center, and cf. Concentrate]
ascertain v. t.
To render (a person) certain; to cause to feel certain; to make confident; to assure; to apprise. [OF. acertener; a (L. ad) + certain. See Certain.]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
truculent a.
Fierce; savage; ferocious; barbarous; as, the truculent inhabitants of Scythia. Ray. [L.truculentus, fr. trux, gen. trucis, wild, fierce: cf. F. truculent.]
withal adv.
With this; with that. [With + all.]
recommence v. i.
To commence or begin again. Howell.
aver n.
A work horse, or working ox. [OF. aver domestic animal, whence LL. averia, pl. cattle. See Habit, and cf. Average.]
zero
A cipher; nothing; naught. [F. zéro, from Ar. çafrun, çifrun, empty, a cipher. Cf. Cipher.]
luggage n.
That which is lugged; anything cumbrous and heavy to be carried; especially, a traveler's trunks, baggage, etc., or their contents. [From 4th Lug.]
soho interj.
Ho; -- a word used in calling from a distant place; a sportsman's halloo.
session n.
The act of sitting, or the state of being seated. [L. sessio, fr. sedere, sessum, to sit: cf. F. session. See Sit.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
overcharge v. t.
To charge or load too heavily; to burden; to oppress; to cloy. Sir W. Raleigh. [Cf. Supercharge, Surcharge.]
obsequious a.
Promptly obedient, or submissive, to the will of another; compliant; yielding to the desires of another; devoted. [L.obsequiosus, fr. obsequium compliance, fr. obsequi, fr. obsequi: cf. F. obséquieux, See Obsequent, and cf. Obsequy.]
disparage n.
Inequality in marriage; marriage with an inferior.
reminiscence n.
The act or power of recalling past experience; the state of being reminiscent; remembrance; memory. [F. réminiscence, L. reminiscentia.]
valet n.
A male waiting servant; a servant who attends on gentleman's person; a body servant. [F. valet, OF. vallet, varlet, vaslet. See Varlet, and Vassal.]
dickey n.
A seat behind a carriage, for a servant.
gentlewoman n.
A woman of good family or of good breeding; a woman above the vulgar.
slipslop n.
Weak, poor, or flat liquor; weak, profitless discourse or writing. [A reduplication of slop.]
sweaty a.
Moist with sweat; as, a sweaty skin; a sweaty garment.
witty a.
Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
tirade n.
A declamatory strain or flight of censure or abuse; a rambling invective; an oration or harangue abounding in censorious and bitter language. [F., fr. It. tirada, properly, a pulling; hence, a lengthening out, a long speech, a tirade, fr. tirare to draw; of Teutonic origin, and akin to E. tear to redn.]
peerage n.
The rank or dignity of a peer. Blackstone. [See Peer an equal, and cf. Parage.]
babel n.
The city and tower in the land of Shinar, where the confusion of languages took place. [Heb. Babel, the name of the capital of Babylonia; in Genesis associated with the idea of "confusion"]
olden a.
Old; ancient; as, the olden time.
pedigree n.
A line of ancestors; descent; lineage; genealogy; a register or record of a line of ancestors. [Of unknown origin; possibly fr. F. par degrés by degrees, -- for a pedigree is properly a genealogical table which records the relationship of families by degre]
departure n.
Division; separation; putting away. [From Depart.]
advertisement n.
The act of informing or notifying; notification. [F.avertisement, formerly also spelled advertissement, a warning, giving notice, fr. avertir.]
russ n.
A Russian, or the Russians.
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
winner n.
One who wins, or gains by success in competition, contest, or gaming.
gazette n.
A newspaper; a printed sheet published periodically; esp., the official journal published by the British government, and containing legal and state notices. [F. gazette, It. gazzetta, perh. from gazetta a Venetian coin (see Gazet), said to have been the price of the first newspaper published at Venice; or perh. dim. ]
druid n.
One of an order of priests which in ancient times existed among certain branches of the Celtic race, especially among the Gauls and Britons. [L. Druides; of Celtic origin; cf. Ir. & Gael. draoi, druidh, magician, Druid, W. derwydd Druid.]
rally v. t.
To collect, and reduce to order, as troops dispersed or thrown into confusion; to gather again; to reunite. [OF. ralier, F. rallier, fr. L. pref. re- + ad + ligare to bind. See Ra-, and 1st Ally.]
dappled a.
Marked with spots of different shades of color; spotted; variegated; as, a dapple horse.
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
calmer n.
One who, or that which, makes calm.
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
cascade n.
A fall of water over a precipice, as in a river or brook; a waterfall less than a cataract. [F. cascade, fr. It. cascata, fr. cascare to ball.]
pinnacle n.
An architectural member, upright, and generally ending in a small spire, -- used to finish a buttress, to constitute a part in a proportion, as where pinnacles flank a gable or spire, and the like. [OE. pinacle, F. pinacle, L. pinnaculum, fr. pinna pinnacle, feather. See Pin a peg.]
sanctified a.
Made holy; also, made to have the air of sanctity; sanctimonious.
fortalice n.
A small outwork of a fortification; a fortilage; -- called also fortelace. [LL. fortalitia, or OF. fortelesce. See Fortress.]
annals n.
A relation of events in chronological order, each event being recorded under the year in which it happened. [L. annalis (sc. liber), and more frequently in the pl. annales (sc. libri), chronicles, fr. annus year. Cf. Annual.]
undone a.
Not done or performed; neglected. [Pref. un- not + done.]
streaming a.
Sending forth streams.
fretwork n.
Work adorned with frets; ornamental openwork or work in relief, esp. when elaborate and minute in its parts. Heuce, any minute play of light andshade, dark and light, or the like. [6th fret + work.]
anthem v. t.
To celebrate with anthems.
quire v. i.
To sing in concert.
noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
unearthly a.
Not terrestrial; supernatural; preternatural; hence, weird; appalling; terrific; as, an unearthly sight or sound.
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
quaint a.
Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
refectory n.
A room for refreshment; originally, a dining hall in monasteries or convents. [LL. refectorium: cf. F. réfectoire. See Refection.]
ween v. i.
To think; to imagine; to fancy. [OE. wenen, AS. w, fr. w hope, expectation, opinion; akin to D. waan, OFries. w, OS. & OHG. wan, G. wahn delusion, Icel. van hope, expectation, Goth. w, and D. w]
connoisseur n.
One well versed in any subject; a skillful or knowing person; a critical judge of any art, particulary of one of the fine arts. [F. connaisseur, formerly connoisseur, fr. connaître to know, fr. L. cognoscere to become acquainted with; co- + noscere, gnoscere, to learn to know. See Know, a]
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
sermon n.
A discourse or address; a talk; a writing; as, the sermens of Chaucer. [OE. sermoun, sermun, F. sermon, fr. L. sermo, - onis, a speaking, discourse, probably fr. serer, sertum, to join, connect; hence, a connected speech. See Series]
armour n.
Defensive arms for the body; any clothing or covering worn to protect one's person in battle. [OE. armure, fr. F. armure, OF. armeure, fr. L. armatura. See Armature.]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
dolce adv.
Softly; sweetly; with soft, smooth, and delicate execution. [It., fr. L. dulcis sweet, soft.]
sainted a.
Consecrated; sacred; holy; pious.
anchorite n.
One who renounces the world and secludes himself, usually for religious reasons; a hermit; a recluse. [Written by some authors anachoret.] [F. anachorète, L. anachoreta, fr. Gr. ha to leave. Cf. Anchor a hermit.]
rhenish a.
Of or pertaining to the river Rhine; as, Rhenish wine. [L. Rhenus the Rhine.]
firstly adv.
In the first place; before anything else; -- sometimes improperly used for first.
secondly adv.
In the second place.
thirdly adv.
In the third place.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
phoebus n.
Apollo; the sun god.
auctioneer n.
A person who sells by auction; a person whose business it is to dispose of goods or lands by public sale to the highest or best bidder.
pointer n.
One who, or that which, points. Specifically: (a) The hand of a timepiece.
bacchant n.
A priest of Bacchus. [L. bacchans, - antis, p. pr. of bacchari to celebrate the festival of Bacchus.]
festoon n.
A garland or wreath hanging in a depending curve, used in decoration for festivals, etc.; anything arranged in this way. [F. feston (cf. Sp. feston, It. festone), prob. fr. L. festum festival. See Feast.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913; the first 160 of 240 words.

About this text

Canto XIII is in the public domain. This text is taken from Don Juan, Project Gutenberg ebook #21700; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Canto XIII, in Don Juan (1819–1824), text of Project Gutenberg ebook #21700, Laurel, https://laurelpoetry.com/poem/don-juan/canto-13.html, id L00014.

Form and metre

Canto XIII is 887 lines in 111 stanzas. The rhyme scheme is ABABABCC, complete in 110 of its 111 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.4 syllables. 264 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABABCC timeA · seriousB · crimeA · deleteriousB · sublimeA · usB · solemnC · columnC
  2. 2 ABABABCC amundevilleA · foundB · stillA · groundB · willA · aboundB · findC · mindC
  3. 3 ABABABCC cueA · bestB · blueA · requestB · hueA · testB · manC · womanC
  4. 4 ABABABCC dullA · daysB · fullA · praiseB · lullA · waysB · faceC · placeC
  5. 5 ABABABCC eraA · resignB · chimeraA · lineB · madeiraA · declineB · parliamentC · sentC
  6. 6 ABABABCC reformA · nationB · stormA · speculationB · warmA · hallucinationB · pleasureC · leisureC
  7. 7 ABABABCC profess'dA · haterB · confestA · laterB · jestA · spectatorB · isC · mephistophelesC
  8. 8 ABABABCC excessA · sometimesB · lessA · rhymesB · redressA · crimesB · taleC · failC
  9. 9 ABABABCC sadA · rightB · badA · fightB · madA · sightB · taughtC · thoughtC
  10. 10 ABABABCC wrongA · caitiffB · strongA · nativeB · songA · creativeB · soughtC · quixoteC
  11. 11 ABABABCC awayA · armB · dayA · charmB · arrayA · harmB · compositionC · perditionC
  12. 12 ABABABCC forgetA · amundevilleB · metA · illB · netA · willB · methinksC · sphinxC
  13. 13 ABABABCC dareA · sumB · pairA · humB · fairA · dumbB · reckon'dC · secondC
  14. 14 ABABABCC desperationA · wellB · nationA · imperturbableB · occasionA · tellB · secureC · hauteurC
  15. 15 ABABABCC relationsA · broughtB · stationsA · caughtB · patienceA · wroughtB · endsC · friendsC
  16. 16 ABABABCC asA · slowB · wasA · foeB · hasA · flowB · guidedC · decidedC
  17. 17 ABABABCC aversionsA · moreB · persiansA · beforeB · tertiansA · deploreB · stillC · chillC
  18. 18 ABABABCC successA · itB · lessA · itB · pressA · itB · trainingC · painingC
  19. 19 ABABABCC superiorA · greatB · inferiorA · stateB · wearierA · weightB · divideC · rideC
  20. 20 ABABABCC equalA · claimB · sequelA · sameB · quillA · aimB · debaterC · laterC
  21. 21 ABABABCC thoughtA · sinisterB · caughtA · ministerB · taughtA · stirB · manC · placemanC
  22. 22 ABABABCC gravityA · docilityB · suavityA · humilityB · depravityA · fertilityB · cropC · stopC
  23. 23 ABABABCC madridA · placesB · bidA · gracesB · ridA · racesB · andalusianC · russianC
  24. 24 ABABABCC routsA · otherB · outsA · brotherB · doubtsA · motherB · hospitalityC · qualityC
  25. 25 ABABABCC squaresA · censoriousB · taresA · ingloriousB · affairsA · notoriousB · declareC · squareC
  26. 26 ABABABCC reasonA · anonymousB · seasonA · houseB · treasonA · rouseB · unawaresC · squaresC
  27. 27 ABABABCC piccadillyA · unknownB · sillyA · aloneB · iA · shownB · heartC · chartC
  28. 28 ABABABCC squareA · guestB · wereA · crestB · whereA · bestB · drestC · restC
  29. 29 ABABABCC multitudeA · saidB · moodA · display'dB · feudA · paradeB · guessC · happinessC
  30. 30 ABABABCC numberA · sexB · slumberA · perplexB · encumberA · wrecksB · some'sC · coxcombsC
  31. 31 ABABABCC occasionA · meritB · educationA · spiritB · estimationA · itB · impressionC · possessionC
  32. 32 ABABABCC paradeA · kindB · convey'dA · behindB · maidA · mindB · meritoriousC · gloriousC
  33. 33 ABABABCC thenA · gazeB · menA · praiseB · againA · blazeB · brow'dC · cloudC
  34. 34 ABABABCC adelineA · addressB · lineA · expressB · fineA · guessB · pleaseC · chineseC
  35. 35 ABABABCC admirariA · happinessB · varyA · successB · waryA · distressB · societyC · inebrietyC
  36. 36 ABABABCC forA · snowB · moreA · noB · metaphorA · goB · othersC · smothersC
  37. 37 ABABABCC triceA · champagneB · iceA · rainB · priceA · remainB · grapeC · shapeC
  38. 38 ABABABCC quintessenceA · concentreB · presenceA · herB · lessonsA · enterB · priceC · iceC
  39. 39 ABABABCC passageA · soulB · messageA · poleB · presageA · shoalB · frostC · lostC
  40. 40 ABABABCC commenceA · womanB · senseA · summonB · tenseA · humanB · outC · goutC
  41. 41 ABABABCC diversionA · mindB · assertionA · kindB · persianA · behindB · doctrineC · inC
  42. 42 ABABABCC julyA · doneB · flyA · runB · sympathyA · sonB · collegeC · knowledgeC
  43. 43 ABABABCC julyA · errB · lieA · averB · weatherologyA · barometerB · attackC · almanackC
  44. 44 ABABABCC loA · equipageB · sohoA · engageB · rowA · ageB · facesC · tracesC
  45. 45 ABABABCC leftA · sessionB · bereftA · possessionB · giftA · oneB · largeC · overchargeC
  46. 46 ABABABCC lordA · carriageB · wordA · marriageB · restoredA · disparageB · henceC · reminiscenceC
  47. 47 ABABABCC dickeyA · gentlemenB · trickyA · penB · ricchiA · thenB · travelC · cavilC
  48. 48 ABABABCC summerA · pityB · herA · cityB · dumberA · wittyB · rememberC · septemberC
  49. 49 ABABABCC goneA · madeB · aloneA · paradeB · groanA · laidB · hospitalityC · qualityC
  50. 50 ABABABCC adelineA · compeersB · fineA · yearsB · lineA · steersB · pedigreeC · treeC
  51. 51 ABABABCC toldA · fameB · holdA · sameB · coldA · proclaimB · dayC · aC
  52. 52 ABABBCC intendsA · selectB · friendsA · correctB · deck'dB · conditionC · missionC
  53. 53 ABABABCC postA · nineB · mostA · shineB · hostA · dineB · aboundedC · woundedC
  54. 54 ABABABCC dinnerA · nameB · winnerA · sameB · hereA · fameB · regretC · gazetteC
  55. 55 ABABABCC pairA · nowB · rareA · allowB · compareA · lowB · behindC · windC
  56. 56 ABABABCC valleyA · oakB · rallyA · thunderstrokeB · sallyA · awokeB · herdC · birdC
  57. 57 ABABABCC lakeA · fedB · takeA · spreadB · brakeA · bedB · stoodC · floodC
  58. 58 ABABABCC cascadeA · subsidingB · madeA · glidingB · allay'dA · hidingB · blueC · threwC
  59. 59 ABABABCC pileA · apartB · aisleA · artB · soilA · heartB · marchC · archC
  60. 60 ABABABCC pinnacleA · stoneB · fellA · throneB · tellA · undoneB · vainC · reignC
  61. 61 ABABABCC crownedA · childB · roundA · spoil'dB · groundA · wildB · shrineC · divineC
  62. 62 ABABABCC centreA · colouringsB · enterA · wingsB · fainterA · singsB · quireC · fireC
  63. 63 ABABABCC whenA · heavenB · thenA · drivenB · againA · givenB · waterfallC · wallC
  64. 64 ABABABCC formA · powerB · warmA · hourB · charmA · towerB · suchC · muchC
  65. 65 ABABABCC play'dA · quaintB · masqueradeA · saintB · madeA · spentB · bubblesC · troublesC
  66. 66 ABABABCC venerableA · beenB · stableA · weenB · ableA · sceneB · sunkC · monkC
  67. 67 ABABABCC join'dA · artsB · combinedA · partsB · mindA · heartsB · statureC · natureC
  68. 68 ABABABCC generationA · earlsB · preservationA · girlsB · stationA · pearlsB · lelyC · freelyC
  69. 69 ABABABCC ermineA · inviteB · determineA · rightB · sermonA · sightB · usC · corpusC
  70. 70 ABABABCC oldA · leadB · foldA · breedB · goldA · steedB · stoodC · suedC
  71. 71 ABABABCC visionA · gloriesB · titianA · salvatore'sB · shoneA · storiesB · taintedC · saintedC
  72. 72 ABABABCC lorraineA · lightB · stainA · anchoriteB · vainA · sightB · danishC · rhenishC
  73. 73 ABABABCC knowA · readB · goA · needB · thoughA · proceedB · sinningC · beginningC
  74. 74 ABABABCC lateA · fearB · rateA · auctioneerB · dateA · clearB · moderateC · plateC
  75. 75 ABABABCC cameA · sweetsB · gameA · beatsB · aimA · featsB · pheasantsC · peasantsC
  76. 76 ABABABCC vinesA · alongB · entwinesA · songB · winesA · strongB · herC · cellarC
  77. 77 ABABABCC declineA · appearB · resignA · drearB · mineA · yearB · mellowC · yellowC
  78. 78 ABABABCC villeggiaturaA · chaseB · allureA · raceB · duraA · spaceB · tameC · gameC
  79. 79 ABABABCC abbeyA · pasB · crabbyA · eclatB · o'tabbyA · squawB · sleepC · sheepC
  80. 80 ABABABCC rankA · crowdsB · tankA · cloudsB · bankA · shroudsB · societyC · pietyC
  81. 81 ABABABCC pointA · punctuationB · jointA · stationB · arointA · jasonB · pulciC · dulciC
  82. 82 ABABABCC rightA · lotteryB · quiteA · coterieB · fightA · plotteryB · spheresC · sneersC
  83. 83 ABABABCC seeA · onB · threeA · tonB · degreeA · runB · theseC · absenteesC
  84. 84 ABABABCC bullyA · barB · trulyA · warB · newlyA · starB · freethinkerC · drinkerC
  85. 85 ABABABCC dukeA · peersB · lookA · earsB · mistookA · dearsB · setC · coronetC
  86. 86 ABABABCC whoseA · afterB · ruseA · hereB · amuseA · laughterB · pleaseC · reparteesC
  87. 87 ABABABCC metaphysicianA · dinnerB · mathematicianA · winnerB · precisianA · sinnerB · plantagenetC · betC
  88. 88 ABABABCC guardsmanA · fieldB · swordsmanA · kill'dB · hardsmanA · skill'dB · condemnationC · consolationC
  89. 89 ABABABCC kingsA · gameB · stringsA · sameB · wingsA · aimB · hornetC · itC
  90. 90 ABABABCC forgetA · sessionB · setA · transgressionB · yetA · impressionB · display'dC · madeC
  91. 91 ABABABCC voteA · oratoryB · quoteA · gloryB · roteA · storyB · effronteryC · countryC
  92. 92 ABABABCC acclamationA · tweedB · educationA · breedB · imaginationA · steedB · potatoC · catoC
  93. 93 ABABABCC harpsichordA · harpB · accordA · sharpB · wordA · carpB · bredC · headC
  94. 94 ABABABCC masA · seatB · classA · têteB · alasA · bêteB · excessC · dressC
  95. 95 ABABABCC groundA · dullB · foundA · cullB · aboundA · pullB · hordeC · boredC
  96. 96 ABABABCC gleaningA · truthB · meaningA · ruthB · interveningA · youthB · criesC · blasphemiesC
  97. 97 ABABABCC ageA · gristB · sageA · conversationistB · pageA · listB · woesC · motsC
  98. 98 ABABABCC conversationA · clinchB · occasionA · inchB · sensationA · flinchB · testC · bestC
  99. 99 ABABABCC hostsA · guestsB · ghostsA · feastsB · roastsA · attestsB · sinnerC · dinnerC
  100. 100 ABABABCC honeyA · israelitesB · moneyA · requitesB · sunnyA · parasitesB · theeC · theeC
  101. 101 ABABABCC shootA · sportB · fruitA · shortB · rootA · retortB · translateC · abateC
  102. 102 ABABABCC libraryA · picturesB · piteouslyA · stricturesB · highA · lecturesB · fixC · sixC
  103. 103 ABABABCC unionA · wereB · communionA · bearB · knownA · spareB · fastC · repastC
  104. 104 ABABABCC paleA · rodeB · taleA · abroadB · prevailA · codeB · letterC · debtorC
  105. 105 ABABABCC friendsA · epistleB · endsA · missalB · intendsA · whistleB · betterC · letterC
  106. 106 ABABABCC diceA · playsB · iceA · daysB · viceA · saysB · gulletC · itC
  107. 107 ABABABCC wineA · duetB · divineA · yetB · shineA · setB · charmsC · armsC
  108. 108 ABABABCC daysA · tiredB · mazeA · requiredB · praiseA · admiredB · againC · tenC
  109. 109 ABABABCC apartA · spheresB · artA · earsB · smartA · yearsB · itC · itC
  110. 110 ABABABCC aristocraticA · coldB · atticA · oldB · emphaticA · beholdB · jonesC · stonesC
  111. 111 ABABABCC hourA · noonB · bowerA · moonB · flowerA · soonB · tintersC · wintersC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I now mean to be serious;—it is time,10·····/˘···
Since laughter now-a-days is deem’d too serious.11·/˘······/˘
A jest at Vice by Virtue ’s call’d a crime,11·····/˘····
And critically held as deleterious:11·/˘˘···˘/˘˘
Besides, the sad ’s a source of the sublime,11·/·······˘/
Although when long a little apt to weary us;12·····/˘··/˘·
And therefore shall my lay soar high and solemn,11·········/˘
As an old temple dwindled to a column.11···/˘/˘··/˘
The Lady Adeline Amundeville10·/˘·······
(’Tis an old Norman name, and to be found10···/˘·····
In pedigrees, by those who wander still10·/˘˘···/˘·
Along the last fields of that Gothic ground)10˘/·····/˘·
Was high-born, wealthy by her father’s will,10···/˘··/˘·
And beauteous, even where beauties most abound,11·/˘˘/·/˘·˘/
In Britain—which of course true patriots find10·/˘····/˘·
The goodliest soil of body and of mind.10·····/˘···
I’ll not gainsay them; it is not my cue;10··/·······
I’ll leave them to their taste, no doubt the best:10··········
An eye ’s an eye, and whether black or blue,11···········
Is no great matter, so ’tis in request,10···/˘···˘/
’Tis nonsense to dispute about a hue—10·/˘·˘/····
The kindest may be taken as a test.10·/˘··/˘···
The fair sex should be always fair; and no man,11·····/·····
Till thirty, should perceive there’s a plain woman.11·/˘·˘/···/˘
And after that serene and somewhat dull10····˘/·//·
Epoch, that awkward corner turn’d for days10/˘·/˘/˘···
More quiet, when our moon ’s no more at full,10·/·/······
We may presume to criticise or praise;10··˘/·/˘···
Because indifference begins to lull10··˘/˘˘˘/··
Our passions, and we walk in wisdom’s ways;10//˘····/˘·
Also because the figure and the face10/˘···/˘···
Hint, that ’tis time to give the younger place.10·······/˘·
I know that some would fain postpone this era,11······˘/·/˘
Reluctant as all placemen to resign11˘/˘······˘/
Their post; but theirs is merely a chimera,11·····/˘·˘/˘
For they have pass’d life’s equinoctial line:10··········
But then they have their claret and Madeira11·····/˘·˘/˘
To irrigate the dryness of decline;10·/˘··/˘·˘/
And county meetings, and the parliament,10·/˘/˘··/˘˘
And debt, and what not, for their solace sent.10·······/˘·
And is there not religion, and reform,10····˘/˘·˘/
Peace, war, the taxes, and what ’s call’d the ‘Nation’?12···/˘·····/˘
The struggle to be pilots in a storm?10·/˘··/˘···
The landed and the monied speculation?11·/˘··/˘·˘/˘
The joys of mutual hate to keep them warm,10···/˘·····
Instead of love, that mere hallucination?11˘/····˘·˘/˘
Now hatred is by far the longest pleasure;11·/˘····/˘/˘
Men love in haste, but they detest at leisure.11······˘/·/˘
Rough Johnson, the great moralist, profess’d,10·/˘··/˘˘˘/
Right honestly, ‘he liked an honest hater!’—11·/˘˘···/˘/˘
The only truth that yet has been confest10·/˘·······
Within these latest thousand years or later.11···/˘/˘··/˘
Perhaps the fine old fellow spoke in jest:—10˘/···/˘···
For my part, I am but a mere spectator,11········/˘˘
And gaze where’er the palace or the hovel is,13··˘˘/·/˘··/˘·
Much in the mode of Goethe’s Mephistopheles;10··········
But neither love nor hate in much excess;10·/˘·····˘/
Though ’twas not once so. If I sneer sometimes,10········˘/
It is because I cannot well do less,10·····/˘···
And now and then it also suits my rhymes.10·····/˘···
I should be very willing to redress10···/˘/˘·˘/
Men’s wrongs, and rather check than punish crimes,10···/˘··/˘·
Had not Cervantes, in that too true tale10··˘/˘·····
Of Quixote, shown how all such efforts fail.11·˘/˘····/˘·
Of all tales ’tis the saddest—and more sad,10·····/˘···
Because it makes us smile: his hero ’s right,11·······/˘··
And still pursues the right;—to curb the bad10··˘/······
His only object, and ’gainst odds to fight10·/˘/˘·····
His guerdon: ’tis his virtue makes him mad!10·/˘··/˘···
But his adventures form a sorry sight;10··˘/˘··/˘·
A sorrier still is the great moral taught10·······/˘·
By that real epic unto all who have thought.11···/˘······
Redressing injury, revenging wrong,10˘/˘/˘˘˘/˘·
To aid the damsel and destroy the caitiff;11···/˘·˘/·/˘
Opposing singly the united strong,10˘/˘/˘·˘/˘·
From foreign yoke to free the helpless native:—11·/˘····/˘/˘
Alas! must noblest views, like an old song,10˘/·/˘·····
Be for mere fancy’s sport a theme creative,11···/˘···˘/˘
A jest, a riddle, Fame through thin and thick sought!11···/˘······
And Socrates himself but Wisdom’s Quixote?12·/˘·˘/·/˘˘/˘
Cervantes smiled Spain’s chivalry away;10˘/˘··/˘˘˘/
A single laugh demolish’d the right arm10·/˘·˘/˘···
Of his own country;—seldom since that day10···/˘/˘···
Has Spain had heroes. While Romance could charm,10···/˘·˘/··
The world gave ground before her bright array;10········˘/
And therefore have his volumes done such harm,10·····/˘···
That all their glory, as a composition,11···/˘···˘/˘
Was dearly purchased by his land’s perdition.11·/˘/˘···˘/˘
I’m ‘at my old lunes’—digression, and forget11·····˘/˘·˘/
The Lady Adeline Amundeville;10·/˘·······
The fair most fatal Juan ever met,10···/˘··/˘·
Although she was not evil nor meant ill;10·····/˘···
But Destiny and Passion spread the net10·/˘˘·/˘···
(Fate is a good excuse for our own will),10····˘/·/··
And caught them;—what do they not catch, methinks?10········˘/
But I’m not OEdipus, and life ’s a Sphinx.10···/˘·····
I tell the tale as it is told, nor dare10··········
To venture a solution: ‘Davus sum!’10·/˘·˘/˘···
And now I will proceed upon the pair.10····˘/····
Sweet Adeline, amidst the gay world’s hum,10····˘/····
Was the Queen-Bee, the glass of all that ’s fair;11···········
Whose charms made all men speak, and women dumb.10·······/˘·
The last ’s a miracle, and such was reckon’d,11····/˘···/˘
And since that time there has not been a second.11·········/˘
Chaste was she, to detraction’s desperation,11········˘/˘
And wedded unto one she had loved well—10·/˘·······
A man known in the councils of the nation,11·····/˘··/˘
Cool, and quite English, imperturbable,10···/˘·····
Though apt to act with fire upon occasion,11·····/··˘/˘
Proud of himself and her: the world could tell10··˘/······
Nought against either, and both seem’d secure—10···/˘···˘/
She in her virtue, he in his hauteur.10···/˘·····
It chanced some diplomatical relations,11········˘/˘
Arising out of business, often brought10˘/˘··/˘/˘·
Himself and Juan in their mutual stations11˘/·····/˘/˘
Into close contact. Though reserved, nor caught10···/··˘/··
By specious seeming, Juan’s youth, and patience,10·/˘/˘···/˘
And talent, on his haughty spirit wrought,10·/˘··/˘/˘·
And form’d a basis of esteem, which ends10···/˘·˘/··
In making men what courtesy calls friends.10·/˘··/˘˘··
And thus Lord Henry, who was cautious as10···/˘··/˘·
Reserve and pride could make him, and full slow10˘/········
In judging men—when once his judgment was10·/˘····/˘·
Determined, right or wrong, on friend or foe,10˘/˘·······
Had all the pertinacity pride has,10··········
Which knows no ebb to its imperious flow,10······˘/˘·
And loves or hates, disdaining to be guided,11····˘/˘··/˘
Because its own good pleasure hath decided.11·····/˘·˘/˘
His friendships, therefore, and no less aversions,11·/˘·····˘/˘
Though oft well founded, which confirm’d but more10···/˘·˘/··
His prepossessions, like the laws of Persians11·········/˘
And Medes, would ne’er revoke what went before.10····˘/····
His feelings had not those strange fits, like tertians,11·/˘········
Of common likings, which make some deplore10·/˘/˘···˘/
What they should laugh at—the mere ague still10·······/˘·
Of men’s regard, the fever or the chill.10··˘/·/˘···
‘’Tis not in mortals to command success:10···/˘·˘/˘/
But do you more, Sempronius—don’t deserve it,’11········˘/·
And take my word, you won’t have any less.10·······/˘·
Be wary, watch the time, and always serve it;11·/˘····/···
Give gently way, when there’s too great a press;10·/˘·······
And for your conscience, only learn to nerve it,11···/˘/˘····
For, like a racer, or a boxer training,11···/˘··/˘/˘
’Twill make, if proved, vast efforts without paining.11·····/˘··/˘
Lord Henry also liked to be superior,11·/˘/˘···˘/˘
As most men do, the little or the great;10·····/˘···
The very lowest find out an inferior,11·/˘/˘···˘/˘
At least they think so, to exert their state10······˘/··
Upon: for there are very few things wearier11·····/˘····
Than solitary Pride’s oppressive weight,10·/˘·˘·˘/˘·
Which mortals generously would divide,10·/˘/˘˘˘·˘/
By bidding others carry while they ride.10·/˘/˘/˘···
In birth, in rank, in fortune likewise equal,11·····/˘/·/˘
O’er Juan he could no distinction claim;10······˘/˘·
In years he had the advantage of time’s sequel;12·····˘/˘··/˘
And, as he thought, in country much the same—10·····/˘···
Because bold Britons have a tongue and free quill,11···/˘······
At which all modern nations vainly aim;10···/˘/˘/˘·
And the Lord Henry was a great debater,11···/˘···˘/˘
So that few members kept the house up later.11···/˘····/˘
These were advantages: and then he thought—10··˘/˘˘····
It was his foible, but by no means sinister—11···/˘····/˘
That few or none more than himself had caught10······˘/··
Court mysteries, having been himself a minister:11·/˘/˘·˘/·/˘
He liked to teach that which he had been taught,10··········
And greatly shone whenever there had been a stir;12·/˘·˘/˘·····
And reconciled all qualities which grace man,10·/˘··/˘···
Always a patriot, and sometimes a placeman.11/··/˘·˘/·/˘
He liked the gentle Spaniard for his gravity;11···/˘/˘··/˘
He almost honour’d him for his docility;11·/······˘/˘
Because, though young, he acquiesced with suavity,12······˘/·/˘˘
Or contradicted but with proud humility.11··˘/˘···˘/˘
He knew the world, and would not see depravity11········˘/˘
In faults which sometimes show the soil’s fertility,11···/····˘/˘
If that the weeds o’erlive not the first crop—10··········
For then they are very difficult to stop.10····/˘/˘··
And then he talk’d with him about Madrid,10········˘/
Constantinople, and such distant places;11·˘˘/˘··/˘/˘
Where people always did as they were bid,10·/˘/······
Or did what they should not with foreign graces.11·······/˘/˘
Of coursers also spake they: Henry rid10·/˘/˘··/˘·
Well, like most Englishmen, and loved the races;11····/˘···/˘
And Juan, like a true-born Andalusian,11········˘/˘
Could back a horse, as despots ride a Russian.11·····/˘··/˘
And thus acquaintance grew, at noble routs,10··˘/˘··/˘·
And diplomatic dinners, or at other—11··˘/˘/˘··/˘
For Juan stood well both with Ins and Outs,10··········
As in freemasonry a higher brother.11··//˘˘·/˘/˘
Upon his talent Henry had no doubts;10···/˘/˘···
His manner show’d him sprung from a high mother;11·/˘······/˘
And all men like to show their hospitality11········˘/˘
To him whose breeding matches with his quality.11···/˘/˘··/˘
At Blank-Blank Square;—for we will break no squares10··········
By naming streets: since men are so censorious,12·/˘·····˘/˘˘
And apt to sow an author’s wheat with tares,10·····/˘···
Reaping allusions private and inglorious,11/˘˘/˘/˘·˘/˘
Where none were dreamt of, unto love’s affairs,10········˘/
Which were, or are, or are to be notorious,11········˘/˘
That therefore do I previously declare,10·····/˘˘˘/
Lord Henry’s mansion was in Blank-Blank Square.10·/˘/˘·····
Also there bin another pious reason11/˘··˘/˘/˘/˘
For making squares and streets anonymous;10·/˘···˘/˘˘
Which is, that there is scarce a single season11·······/˘/˘
Which doth not shake some very splendid house10·····/˘/˘·
With some slight heart-quake of domestic treason—11······˘/˘/˘
A topic scandal doth delight to rouse:10·/˘/˘·˘/··
Such I might stumble over unawares,10···/˘···˘/
Unless I knew the very chastest squares.10·····/˘/˘·
’Tis true, I might have chosen Piccadilly,11·····/˘/˘·˘
A place where peccadillos are unknown;10········˘/
But I have motives, whether wise or silly,11···/˘····/˘
For letting that pure sanctuary alone.11·/˘··/˘·˘˘/
Therefore I name not square, street, place, until I11···········
Find one where nothing naughty can be shown,10···/˘/˘···
A vestal shrine of innocence of heart:10·/˘··/˘˘··
Such are—but I have lost the London Chart.10·······/˘·
At Henry’s mansion then, in Blank-Blank Square,10·/˘/˘·····
Was Juan a recherche, welcome guest,9······/˘·
As many other noble scions were;10·/˘/˘/˘/˘·
And some who had but talent for their crest;10·····/˘···
Or wealth, which is a passport every where;10·····/·/˘·
Or even mere fashion, which indeed ’s the best11·/·/˘·˘/···
Recommendation; and to be well drest10·˘˘/˘·····
Will very often supersede the rest.10·/˘/˘·˘/··
And since ‘there’s safety in a multitude10···/˘··/˘·
Of counsellors,’ as Solomon has said,10·/˘˘·/˘˘··
Or some one for him, in some sage, grave mood;—10··········
Indeed we see the daily proof display’d10˘/···/˘·˘/
In senates, at the bar, in wordy feud,10·/˘····/˘·
Where’er collective wisdom can parade,11˘˘/˘/˘/˘·˘/
Which is the only cause that we can guess10···/˘·····
Of Britain’s present wealth and happiness;—10·/˘/˘··/˘˘
But as ‘there’s safety’ grafted in the number11···/˘/˘··/˘
‘Of counsellors’ for men, thus for the sex10·/˘˘······
A large acquaintance lets not Virtue slumber;11··˘/˘··/˘/˘
Or should it shake, the choice will more perplex—10········˘/
Variety itself will more encumber.11˘/˘˘˘/··˘/˘
’Midst many rocks we guard more against wrecks;10·/˘·······
And thus with women: howsoe’er it shocks some’s10···/˘·····
Self-love, there’s safety in a crowd of coxcombs.11···/˘······
But Adeline had not the least occasion11········˘/˘
For such a shield, which leaves but little merit11·······/˘/˘
To virtue proper, or good education.11·/˘/˘···˘/˘
Her chief resource was in her own high spirit,11··/˘·····/˘
Which judged mankind at their due estimation;11··//····˘/˘
And for coquetry, she disdain’d to wear it:11··˘/˘·˘/···
Secure of admiration, its impression11˘/··˘/˘·˘/˘
Was faint, as of an every-day possession.11·····/˘·˘/˘
To all she was polite without parade;10····˘/··˘/
To some she show’d attention of that kind10····˘/˘···
Which flatters, but is flattery convey’d10·/˘··/˘˘˘/
In such a sort as cannot leave behind10·····/˘···
A trace unworthy either wife or maid;—10··˘/˘/˘···
A gentle, genial courtesy of mind,10·/˘/˘/˘˘··
To those who were, or pass’d for meritorious,11········˘/˘
Just to console sad glory for being glorious;11··˘/·/˘·//˘
Which is in all respects, save now and then,10····˘/····
A dull and desolate appendage. Gaze10···/˘·˘/˘·
Upon the shades of those distinguish’d men10······˘/˘·
Who were or are the puppet-shows of praise,10·····/˘···
The praise of persecution; gaze again10····˘/˘·˘/
On the most favour’d; and amidst the blaze10······˘/··
Of sunset halos o’er the laurel-brow’d,10·/·/˘··/˘·
What can ye recognise?—a gilded cloud.10···/˘··/˘·
There also was of course in Adeline10·/˘·······
That calm patrician polish in the address,11··˘/˘/˘··/·
Which ne’er can pass the equinoctial line10··········
Of any thing which nature would express;10·/˘··/˘·˘/
Just as a mandarin finds nothing fine,—10···/˘˘·/˘·
At least his manner suffers not to guess10···/˘/˘···
That any thing he views can greatly please.10·/˘····/˘·
Perhaps we have borrow’d this from the Chinese—11˘/··/····˘/
Perhaps from Horace: his ‘Nil admirari’11˘/·/˘······
Was what he call’d the ‘Art of Happiness;’10·······/˘˘
An art on which the artists greatly vary,11·····/˘/˘/˘
And have not yet attain’d to much success.10····˘/··˘/
However, ’tis expedient to be wary:11·/˘·˘/˘··/˘
Indifference certes don’t produce distress;10˘/˘/˘·˘/˘/
And rash enthusiasm in good society12··˘/˘·˘··˘/˘
Were nothing but a moral inebriety.11·/˘··/˘····
But Adeline was not indifferent: for10······˘/˘·
(Now for a common-place!) beneath the snow,10···/˘·····
As a volcano holds the lava more10··˘/˘··/˘·
Within—et caetera. Shall I go on?—No!11···········
I hate to hunt down a tired metaphor,11······/˘/˘˘
So let the often-used volcano go.10···/˘·˘/˘·
Poor thing! How frequently, by me and others,11···/˘˘···/˘
It hath been stirr’d up till its smoke quite smothers!11·········/˘
I’ll have another figure in a trice:—10··˘/˘/˘···
What say you to a bottle of champagne?10·····/˘·˘/
Frozen into a very vinous ice,10/˘···/˘/˘·
Which leaves few drops of that immortal rain,10······˘/˘·
Yet in the very centre, past all price,10···/˘/˘···
About a liquid glassful will remain;10···/˘/˘·˘/
And this is stronger than the strongest grape10···/˘··/˘·
Could e’er express in its expanded shape:10··˘/··˘/˘·
’Tis the whole spirit brought to a quintessence;11···/˘···˘/˘
And thus the chilliest aspects may concentre10···/˘/····
A hidden nectar under a cold presence.11·/˘/˘····/˘
And such are many—though I only meant her10···/··/˘··
From whom I now deduce these moral lessons,11····˘/·/˘/˘
On which the Muse has always sought to enter.11·····/···/˘
And your cold people are beyond all price,10···/˘·····
When once you have broken their confounded ice.11····/˘·˘/˘·
But after all they are a North-West Passage11·········/˘
Unto the glowing India of the soul;10···/˘/˘···
And as the good ships sent upon that message11·········/˘
Have not exactly ascertain’d the Pole10··˘/˘·˘/··
(Though Parry’s efforts look a lucky presage),11·/˘/˘··/˘/˘
Thus gentlemen may run upon a shoal;10·/˘˘······
For if the Pole ’s not open, but all frost11······/˘···
(A chance still), ’tis a voyage or vessel lost.11·····/˘·/˘·
And young beginners may as well commence10··˘/˘···˘/
With quiet cruising o’er the ocean woman;11·/˘/˘··/˘/˘
While those who are not beginners should have sense11·····˘/˘···
Enough to make for port, ere time shall summon11˘/·······/˘
With his grey signal-flag; and the past tense,10···/˘·····
The dreary ‘Fuimus’ of all things human,10·/˘·····/˘
Must be declined, while life’s thin thread ’s spun out11··˘/·······
Between the gaping heir and gnawing gout.10···/˘··/˘·
But heaven must be diverted; its diversion11·/··˘/˘·˘/˘
Is sometimes truculent—but never mind:10·/·/˘˘·/˘·
The world upon the whole is worth the assertion12·········˘/˘
(If but for comfort) that all things are kind:10···/˘·····
And that same devilish doctrine of the Persian,11···/˘/˘··/˘
Of the two principles, but leaves behind10···/˘˘····
As many doubts as any other doctrine11·/˘··/˘/˘/˘
Has ever puzzled Faith withal, or yoked her in.11·//˘·˘/····
The English winter—ending in July,10·/˘/˘/˘··/
To recommence in August—now was done.10·····/˘···
’Tis the postilion’s paradise: wheels fly;10·····/˘···
On roads, east, south, north, west, there is a run.10··········
But for post-horses who finds sympathy?10···/˘··/˘˘
Man’s pity ’s for himself, or for his son,11·/˘··˘/····
Always premising that said son at college11/˘/˘˘····/˘
Has not contracted much more debt than knowledge.11··/˘˘····/˘
The London winter ’s ended in July—11·/˘/˘·/˘··/
Sometimes a little later. I don’t err10˘/·/˘/˘···
In this: whatever other blunders lie10···/˘/˘/˘·
Upon my shoulders, here I must aver10···/˘···/˘
My Muse a glass of weatherology;10··········
For parliament is our barometer:11·/˘˘·/˘˘/˘˘
Let radicals its other acts attack,10·/˘˘·/˘·˘/
Its sessions form our only almanack.10·/˘·//˘···
When its quicksilver ’s down at zero,—lo11··//˘···/˘·
Coach, chariot, luggage, baggage, equipage!11·/˘˘/˘/˘/˘˘
Wheels whirl from Carlton palace to Soho,10···/˘/˘·/˘
And happiest they who horses can engage;10·/˘··/˘·˘/
The turnpikes glow with dust; and Rotten Row10·/·····/˘·
Sleeps from the chivalry of this bright age;10···/˘˘····
And tradesmen, with long bills and longer faces,11·/˘····/˘/˘
Sigh—as the postboys fasten on the traces.11·····/˘··/˘
They and their bills, ‘Arcadians both,’ are left10·····/˘···
To the Greek kalends of another session.11···/˘·˘/˘/˘
Alas! to them of ready cash bereft,10˘/···/˘·˘/
What hope remains? Of hope the full possession,11··˘/····˘/˘
Or generous draft, conceded as a gift,10·/˘·˘/˘···
At a long date—till they can get a fresh one—11···········
Hawk’d about at a discount, small or large;10·····˘/···
Also the solace of an overcharge.10/˘·/˘··/˘·
But these are trifles. Downward flies my lord,10···/˘/˘···
Nodding beside my lady in his carriage.11/˘˘/·/˘··/˘
Away! away! ‘Fresh horses!’ are the word,10˘/˘/·/˘···
And changed as quickly as hearts after marriage;11···/˘····/˘
The obsequious landlord hath the change restored;11·˘/˘/····˘/
The postboys have no reason to disparage11·····/˘·˘/˘
Their fee; but ere the water’d wheels may hiss hence,11·····/˘····
The ostler pleads too for a reminiscence.11·/˘·····˘/˘
’Tis granted; and the valet mounts the dickey—11·/˘··˘/··/˘
That gentleman of lords and gentlemen;10·/˘˘···/˘˘
Also my lady’s gentlewoman, tricky,11/˘·/˘/˘·˘/˘
Trick’d out, but modest more than poet’s pen10···/˘··/˘·
Can paint,—‘Cosi viaggino i Ricchi!’10··/˘······
(Excuse a foreign slipslop now and then,10˘/·/˘/˘···
If but to show I’ve travell’d; and what ’s travel,12·····/˘···/˘
Unless it teaches one to quote and cavil?)11···/˘····/˘
The London winter and the country summer11·/˘/˘··/˘/˘
Were well nigh over. ’Tis perhaps a pity,11······˘/·/˘
When nature wears the gown that doth become her,11·/˘·····˘/·
To lose those best months in a sweaty city,11·······/˘/˘
And wait until the nightingale grows dumber,11·····/˘˘·/˘
Listening debates not very wise or witty,11/˘˘/·/˘··/˘
Ere patriots their true country can remember;—11·/˘··/˘·˘/˘
But there’s no shooting (save grouse) till September.11···/˘···˘/˘
I’ve done with my tirade. The world was gone;10····˘/····
The twice two thousand, for whom earth was made,10···/˘·····
Were vanish’d to be what they call alone—10·/˘·····˘/
That is, with thirty servants for parade,10···/˘/˘·˘/
As many guests, or more; before whom groan10·/˘·······
As many covers, duly, daily, laid.10·/˘/˘/˘/˘·
Let none accuse Old England’s hospitality—11··˘/·/˘·˘/˘
Its quantity is but condensed to quality.11·/˘··˘/·/˘˘
Lord Henry and the Lady Adeline10·/˘··/˘···
Departed like the rest of their compeers,10˘/˘·······
The peerage, to a mansion very fine;10·/˘··/˘/˘·
The Gothic Babel of a thousand years.10·/˘/˘··/˘·
None than themselves could boast a longer line,10··˘/···/˘·
Where time through heroes and through beauties steers;10···/˘··/˘·
And oaks as olden as their pedigree10···/˘··/˘˘
Told of their sires, a tomb in every tree.10·······/˘·

The first 400 of 887 lines; the reader marks them all.

On this poem

Fy. 12^th^ 1823.
Notes from the edition 49

Notes by Ernest Hartley Coleridge, The Works of Lord Byron, Poetry vol. VI (John Murray, 1903). Bracketed passages are the editor's; unbracketed are Byron's own or earlier editors'.

  1. Stanza 6 [The allusion is to the refrain of Canning's verses on Pitt, "The Pilot that weathered the storm." Compare, too, "The daring pilot in extremity" (i.e. the Earl of Shaftesbury), who "sought the storms" (Dryden's Absalom and Achitophel, lines 159-161).]
  2. Stanza 7 [Johnson loved "dear, dear Bathurst," because he was "a very good hater."--See Boswell's Johnson, 1876, p. 78 (Croker's footnote).]
  3. Stanza 8 [So, too, Charles Kingsley, in Westward Ho! ii. 299, 300, calls Don Quixote "the saddest of books in spite of all its wit."--Notes and Queries, Second Series, iii. 124.]
  4. Stanza 12 ["Your husband is in his old lunes again." Merry Wives of Windsor, act iv. sc. 2, lines 16, 17.]
  5. Stanza 13 ["Davus sum, non Oedipus." Terence, Andria, act i. sc. 2, line 23.]
  6. Stanza 18 ["'T is not in mortals to command success, But we'll do more, Sempronius--we'll deserve it."

    Addison's Cato, act i. sc. 2, ed. 1777, ii. 77.]
  7. Stanza 23 [Compare--"The colt that's backed and burthened being young." Venus and Adonis, lxx. line 5.]
  8. Stanza 25 [To "break square," or "squares," is to interrupt the regular order, as in the proverbial phrase, "It breaks no squares," i.e. does no harm--does not matter. Compare Sterne, Tristram Shandy (1802), ii. v. 152, "This fault in Trim broke no squares with them" (N. Engl. Dict., art. "Break," No. 46). The origin of the phrase is uncertain, but it may, perhaps, refer to military tactics. Shakespeare (Henry V., act iv. sc. 2, line 28) speaks of "squares of battle."]
  9. Stanza 26 "With every thing that pretty bin, My lady sweet, arise." Cymbeline, act ii. sc. 3, lines, 25, 26.

    [So Warburton and Hanmer. The folio reads "that pretty is." See Knight's Shakespeare, Pictorial Edition, Tragedies, i. 203.]
  10. Stanza 27 [The house which Byron occupied, 1815-1816, No. 13, Piccadilly Terrace, was the property of Elizabeth, Duchess of Devonshire.]
  11. Stanza 41 ["For the creed of Zoroaster," see Sir Walter Scott, Letters on Demonology and Witchcraft, 1830, pp. 87, 88. (See, too, Cain, act ii. sc. 2, line 404, Poetical Works, 1901, v. 254, note 2.)]
  12. Stanza 45 "Arcades ambo." [Virgil, Bucol., Ecl. vii. 4.]
  13. Stanza 47 [So travel the rich.]
  14. Stanza 53 ["Judicious drank, and greatly-daring dined." Pope, Dunciad, iv. 318.]
  15. Stanza 55 [Byron's description of the place of his inheritance, which was to know him no more, is sketched from memory, but it unites the charm of a picture with the accuracy of a ground-plan. Eight years had gone by since he had looked his last on "venerable arch" and "lucid lake" (see "Epistle to Augusta," stanza viii. lines 7, 8), but he had not forgotten, he could not forget, that enchanted and enchanting scene.

    Newstead Abbey or Priory was founded by Henry II., by way of deodand or expiation for the murder of Thomas Becket. Lands which bordered the valley of the Leen, and which had formed part of Sherwood Forest, were assigned for the use and endowment of a chapter of "black canons regular of the order of St. Augustine," and on a site, by the river-side to the south of the forest uplands (stanza lv. lines 5-8) the new stede, or place, or station, arose. It was a "Norman Abbey" (stanza lv. line 1) which the Black Canons dedicated to Our Lady, and, here and there, in the cloisters, traces of Norman architecture remain, but the enlargement and completion of the monastery was carried out in successive stages and "transition periods," in a style or styles which, perhaps, more by hap than by cunning, Byron rightly named "mixed Gothic" (stanza lv. line 4). To work their mills, and perhaps to drain the marshy valley, the monks dammed the Leen and excavated a chain of lakes--the largest to the north-west, Byron's "lucid lake;" a second to the south of the Abbey; and a third, now surrounded with woods, and overlooked by the "wicked lord's" "ragged rock" below the Abbey, half a mile to the south-east. The "cascade," which flows over and through a stone-work sluice, and forms a rocky water-fall, issues from the upper lake, and is in full view of the west front of the Abbey. Almost at right angles to these lakes are three ponds: the Forest Pond to the north of the stone wall, which divides the garden from the forest; the square "Eagle" Pond in the Monks' Garden; and the narrow stew-pond, bordered on either side with overhanging yews, which drains into the second or Garden Lake. Byron does not enlarge on this double chain of lakes and ponds, and, perhaps for the sake of pictorial unity, converts the second (if a second then existed) and third lakes into a river.

    The Abbey, which, at the dissolution of monasteries in 1539, was handed over by Henry VIII. to Sir John Byron, "steward and warden of the forest of Shirewood," was converted, here and there, more or less, into a baronial "mansion" (stanza lxvi.). It is, roughly speaking, a square block of buildings, flanking the sides of a grassy quadrangle. Surrounding the quadrangle are two-storied cloisters, and in the centre a "Gothic fountain" (stanza lxv. line 1) of composite workmanship. The upper portion of the stonework is hexagonal, and is ornamented with a double row of gargoyles (all "monsters" and no "saints," recalling, perhaps identical with, the "seven deadly sins" gargoyles, still in situ in the quadrangle of Magdalen College, Oxford); the lower half, which belongs to the seventeenth or eighteenth century, is hollowed into niches of a Roman or classical design. (In Byron's time the fountain stood in a courtyard in front of the Abbey, but before he composed this canto it had been restored by Colonel Wildman to its original place within the quadrangle. Byron was acquainted with the change, and writes accordingly.) When the Byrons took possession of the Abbey the upper stories of the cloisters were converted, on three sides of the quadrangle, into galleries, and on the fourth, the north side, into a library. Abutting on the cloisters are the monastic buildings proper, in part transformed, but with "much of the monastic" preserved. On the west, the front of the Abbey, the ground floor consists of the entrance hall and Monks' Parlour, and, above, the Guests' Refectory or Banqueting-hall, and the Prior's Parlour. On the south, the Xenodochium or Guesten Hall, and, above, the Monks' Refectory, or Grand Drawing-room; on the south and east, on the ground floor, the Prior's Lodgings, the Chapter House ("the exquisite small chapel," stanza lxvi. line 5), the "slype" or passage between church and Chapter House; and in the upper story, the state bedrooms, named after the kings, Edward III., Henry VII., etc., who, by the terms of the grant of land to the Prior and Canons, were entitled to free quarters in the Abbey. During Byron's brief tenure of Newstead, and for long years before, these "huge halls, long galleries, and spacious chambers" (stanza lxxvii. line 1) were half dismantled, and in a more or less ruinous condition. A few pictures remained on the walls of the Great Drawing-room, of the Prior's Parlour, and in the apartments of the south-east wing or annexe, which dates from the seventeenth century (see the account of a visit to Newstead in 1812, in Beauties of England and Wales, 1813, xii. 401-405). There are and were portraits, by Lely (stanza lxviii. line 7), of a Lady Byron, of Fanny Jennings, Duchess of Tyrconnel, "loveliness personified," of Mrs. Hughes, and of Nell Gwynne; by Sir Godfrey Kneller, of William and Mary; by unnamed artists, of George I. and George II.; and by Ramsay, of George III. There are portraits of a fat Prior, William Sandall, with a jewelled reliquary; of "Sir John the Little with the Great Beard," who ruled in the Prior's stead; and there is the portrait, a votive tablet of penitence and remorse, "of that Lord Arundel Who struck in heat the child he loved so well" (see "A Picture at Newstead," by Matthew Arnold, Poetical Works, 1890, p. 177); but of portraits of judges or bishops, or of pictures by old masters, there is neither trace nor record.

    But the characteristic feature of Newstead Abbey, so familiar that description seems unnecessary, and, yet, never quite accurately described, is the west front of the Priory Church, which is in line with the west front of the Abbey. "Half apart," the southern portion of this front, which abuts on the windows of the Prior's Parlour, and the room above, where Byron slept, flanks and conceals the west end of the north cloisters and library; but, with this exception, it is a screen, and nothing more. In the centre is the "mighty window" (stanza lxii. line 1), shorn of glass and tracery; above are six lancet windows (which Byron seems to have regarded as niches), and, above again, in a "higher niche" (stanza lxi. line 1), is the crowned Virgin with the Babe in her arms, which escaped, as by a miracle, the "fiery darts"--the shot and cannon-balls of the Cromwellian troopers. On either side of the central window are "two blank windows containing tracery ['geometrical decorated'] ... carved [in relief] on the solid ashlar;" on either side of the window, and at the northern and southern extremities of the front, are buttresses with canopied niches, in each of which a saint or apostle must once have stood. Over the west door there is the mutilated figure of (?) the Saviour, but of twelve saints or twelve niches there is no trace. The "grand arch" is an ivy-clad screen, and nothing more. Behind and beyond, in place of vanished nave, of aisle and transept, is the smooth green turf; and at the east end, on the site of the high altar, stands the urn-crowned masonry of Boatswain's tomb.

    Newstead Abbey was sold by Lord Byron to his old schoolfellow, Colonel Thomas Wildman, in November, 1817. The house and property were resold in 1861, by his widow, to William Frederick Webb, Esq., a traveller in many lands, the friend and host of David Livingstone. At his death the estate was inherited by his daughter, Miss Geraldine Webb, who was married to General Sir Herbert Charles Chermside, G.C.M.G., etc., Governor of Queensland, in 1899.

    For Newstead Abbey, see Beauties of England and Wales, 1813, xii. Part I. 401-405 (often reprinted without acknowledgment); Abbotsford and Newstead Abbey, by Washington Irving, 1835; Journal of the Archaeological Association (papers by T.J. Pettigrew, F.R.S., and Arthur Ashpitel, F.S.A.), 1854, vol. ix. pp. 14-39; and A Souvenir of Newstead Abbey (illustrated by a series of admirable photographs), by Richard Allen, Nottingham, 1874, etc., etc.]
  16. Stanza 56 [The woodlands were sacrificed to the needs or fancies of Byron's great-uncle, the "wicked Lord." One splendid oak, known as the "Pilgrim's Oak," which stood and stands near the north lodge of the park, near the "Hut," was bought in by the neighbouring gentry, and made over to the estate. Perhaps by the Druid oak Byron meant to celebrate this "last of the clan," which, in his day, before the woods were replanted, must have stood out in solitary grandeur.]
  17. Stanza 57 [Compare "Epistle to Augusta," stanza x. line 1, Poetical Works, 1901, iv. 68.]
  18. Stanza 57 [The little wood which Byron planted at the south-east corner of the upper or "Stable" Lake, known as "Poet's Corner," still slopes to the water's brink. Nor have the wild-fowl diminished. The lower of the three lakes is specially reserved as a breeding-place.]
  19. Stanza 60 [See lines "On Leaving Newstead Abbey," stanza 5, Poetical Works, 1898, i. 3, note 1.]
  20. Stanza 64 [Vide ante, The Deformed Transformed, Part I. line 532, Poetical Works, 1901, v. 497.]
  21. Stanza 64 This is not a frolic invention: it is useless to specify the spot, or in what county, but I have heard it both alone and in company with those who will never hear it more. It can, of course, be accounted for by some natural or accidental cause, but it was a strange sound, and unlike any other I have ever heard (and I have heard many above and below the surface of the earth produced in ruins, etc., etc., or caverns).--[MS.]

    ["The unearthly sound" may still be heard at rare intervals, but it is difficult to believe that the "huge arch" can act as an Æolian harp. Perhaps the smaller lancet windows may vocalize the wind.]
  22. Stanza 71 Salvator Rosa. The wicked necessity of rhyming obliges me to adapt the name to the verse.--[MS.]

    [Compare--

    "Whate'er Lorraine light touch'd with softening hue, Or savage Rosa dash'd, or learned Poussin drew." Thomson's Castle of Indolence, Canto I. stanza xxxviii. lines 8, 9.]
  23. Stanza 72 If I err not, "your Dane" is one of Iago's catalogue of nations "exquisite in their drinking."

    ["Your Dane, your German, and your swag-bellied Hollander--drink hoa! are nothing to your English." "Is your Englishman so exquisite in his drinking?" (So Collier and Knight. The Quarto reads "expert").--Othello, act ii. sc. 3, lines 71-74.]
  24. Stanza 77 ["Sea-coal" (i.e. Newcastle coal), as distinguished from "charcoal" and "earth-coal." But the qualification must have been unusual and old-fashioned in 1822. "Earth-coal" is found in large quantities on the Newstead estate, and the Abbey, far below its foundations, is tunnelled by a coal-drift.]
  25. Stanza 77 [See Gray's omitted stanza--

    "'Here scatter'd oft, the earliest of the year, By hands unseen, are showers of violets found; The red-breast loves to build and warble here, And little footsteps lightly print the ground.'

    As fine ... as any in his Elegy. I wonder that he could have the heart to omit it."--"Extracts from a Diary," February 27, 1821, Letters, 1901, v. 210. The stanza originally preceded the Epitaph.]
  26. Stanza 78 In Assyria. [See Daniel iii. 1.]
  27. Stanza 79 [It is difficult, if not impossible, to furnish a clue to the names of all the guests at Norman Abbey. Some who are included in this ghostly "house-party" seem to be, and, perhaps, were meant to be, nomina umbrarum; and others are, undoubtedly, contemporary celebrities, under a more or less transparent disguise. A few of these shadows have been substantiated (vide infra, et post), but the greater part decline to be materialized or verified.]
  28. Stanza 79 [Perhaps Mary, widow of the eighth Earl of Cork and Orrery: "Dowager Cork," "Old Corky," of Joseph Jekyll's Correspondence, 1894, pp. 83, 275.]
  29. Stanza 79 [Mrs. Rabbi may be Mrs. Coutts, the Mrs. Million of Vivian Grey (1826, i. 183), who arrived at "Château Desir in a crimson silk pelisse, hat and feathers, with diamond ear-rings, and a rope of gold round her neck."]
  30. Stanza 80 [Lie, lye, or ley, is a solution of potassium salts obtained by bleaching wood-ashes. Byron seems to have confused "lie" with "lee," i.e. dregs, sediment.]
  31. Stanza 81 ["Aroint thee, witch! the rump-fed ronyon cries." Macbeth, act ii. sc. 3, line 6.]
  32. Stanza 81 [Hor., Epist. Ad Pisones, line 343.]
  33. Stanza 82 Siria, i.e. bitch-star.
  34. Stanza 84 [Parolles [see All's Well that Ends Well, passim] is Brougham (vide ante, the suppressed stanzas, Canto I. pp. 67-69). It is possible that this stanza was written after the Canto as a whole was finished. But, if not, an incident which took place in the House of Commons, April 17, 1823, during a debate on Catholic Emancipation, may be quoted in corroboration of Brougham's unreadiness with regard to the point of honour. In the course of his speech he accused Canning of "monstrous truckling for the purpose of obtaining office," and Canning, without waiting for Brougham to finish, gave him the lie: "I rise to say that that is false" (Parl. Deb., N.S. vol. 8, p. 1091).

    There was a "scene," which ended in an exchange of explanations and quasi-apologies, and henceforth, as a rule, parliamentary insults were given and received without recourse to duelling. Byron was not aware that the "old order" had passed or was passing. Compare Hazlitt, in The Spirit of the Age, 1825, pp. 302, 303: "He [Brougham] is adventurous, but easily panic-struck, and sacrifices the vanity of self-opinion to the necessity of self-preservation ... himself the first to get out of harm's way and escape from the danger;" and Mr. Parthenopex Puff (W. Stewart Rose), in Vivian Grey (1826, i. 186, 187), "Oh! he's a prodigious fellow! What do you think Booby says? he says, that Foaming Fudge [Brougham] can do more than any man in Great Britain; that he had one day to plead in the King's Bench, spout at a tavern, speak in the House, and fight a duel--and that he found time for everything but the last."]
  35. Stanza 85 [In his Journal for December 5, 1813, Byron writes: "The Duke of ---- called.... His Grace is a good, noble, ducal person" (Letters, 1898, ii. 361). Possibly the earlier "Duke of Dash" was William Spencer, sixth Duke of Devonshire, an old schoolfellow of Byron's, who was eager to renew the acquaintance (Letters, 1899, iii. 98, note 2); and, if so, he may be reckoned as one of the guests of "Norman Abbey."]
  36. Stanza 86 [Gronow (Reminiscences, 1889, i. 234-240) identifies the Chevalier de la Ruse with Casimir Comte de Montrond (1768-1843), back-stairs diplomatist, wit, gambler, and man of fashion. He was the lifelong companion, if not friend, of Talleyrand, who pleaded for him: "Qui est-ce qui ne l'aimerait pas, il est si vicieux!" At one time in the pay of Napoleon, he fell under his displeasure, and, to avoid arrest, spent two years of exile (1812-14) in England. "He was not," says Gronow, "a great talker, nor did he swagger ... or laugh at his own bons-mots. He was demure, sleek, sly, and dangerous.... In the London clubs he went by the name of Old French." He was a constant guest of the Duke of York's at Oatlands, "and won much at his whist-table" (English Whist, by W.P. Courtney, 1894, p. 181). For his second residence in England, and for a sketch by D'Orsay, see A Portion of the Journal, etc., by Thomas Raikes, 1857, frontispiece to vol. iv., et vols. i.-iv. passim. See, for biographical notice, L'Ami de M. de Talleyrand, par Henri Welschinger, La Revue de Paris, 1895, Fev., tom. i. pp. 640-654.]
  37. Stanza 87 [Perhaps Sir James Mackintosh--a frequent guest at Holland House.]
  38. Stanza 88 [Possibly Colonel (afterwards Sir James) Macdonell [d. 1857], "a man of colossal stature," who occupied and defended the Château of Hougoumont on the night before the battle of Waterloo. (See Gronow, Reminiscences, 1889, i. 76, 77.)]
  39. Stanza 88 [Sir George Prevost (1767-1816), the Governor-General of British North America, and nominally Commander-in-chief of the Army in the second American War, contributed, by his excess of caution, supineness, and delay, to the humiliation of the British forces. The particular allusion is to his alleged inaction at a critical moment in the engagement of September 11, 1814, between Commodore Macdonough and Captain Downie in Plattsburg Bay. "A letter was sent to Capt. Downie, strongly urging him to come on, as the army had long been waiting for his co-operation.... The brave Downie replied that he required no urging to do his duty.... He was as good as his word. The guns were scaled when he got under way, upon hearing which Sir George issued an order for the troops to cook, instead of that of instant co-operation."--To Editor of the Montreal Herald, May 23, 1815, Letters of Veritas, 1815, pp. 116, 117. See, too, The Quarterly Review, July, 1822, vol. xxvii. p. 446.]
  40. Stanza 88 [George Hardinge (1744-1816), who was returned M.P. for Old Sarum in 1784, was appointed, in 1787, Senior Justice of the Counties of Brecon, Glamorgan, and Radnor. According to the Gentleman's Magazine, 1816 (vol. lxxxvi. p. 563), "In conversation he had few equals.... He delighted in pleasantries, and always afforded to his auditors abundance of mirth and entertainment as well as information." Byron seems to have supposed that these "pleasantries" found their way into his addresses to condemned prisoners, but if the charges printed in his Miscellaneous Works, edited by John Nichols in 1818, are reported in full, he was entirely mistaken. They are tedious, but the "waggery" is conspicuous by its absence.]
  41. Stanza 92 [John Philpot Curran (1750-1817). "Did you know Curran?" asked Byron of Lady Blessington (Conversations, 1834, p. 176); "he was the most wonderful person I ever saw. In him was combined an imagination the most brilliant and profound, with a flexibility and wit that would have justified the observation applied to----that his heart was in his head." (See, too, Detached Thoughts, No. 24, Letters, 1901, v. 421.)]
  42. Stanza 92 [For Thomas Lord Erskine (1750-1823), see Letters, 1898, ii. 390, note 5. See, too, Detached Thoughts, No. 93, Letters, 1901, v. 455, 456. In his Spirit of the Age, 1825, pp. 297, 298, Hazlitt contrasts "the impassioned appeals and flashes of wit of a Curran ... the golden tide of wisdom, eloquence, and fancy of a Burke," with the "dashing and graceful manner" which concealed the poverty and "deadness" of the matter of Erskine's speeches.]
  43. Stanza 96 ["Mrs. Adams answered Mr. Adams, that it was blasphemous to talk of Scripture out of church." This dogma was broached to her husband--the best Christian in any book.--See The History of the Adventures of Joseph Andrews, Bk. IV. chap. xi. ed. 1876, p. 324.]
  44. Stanza 97 [Probably Richard Sharp (1759-1835), known as "Conversation Sharp." Byron frequently met him in society in 1813-14, and in "Extracts from a Diary," January 9, 1821, Letters, 1901, v. 161, describes him as "the Conversationist." He visited Byron at the Villa Diodati in the autumn of 1816 (Life, p. 323).]
  45. Stanza 97 [Hamlet, act i. sc. 5, line 22.]
  46. Stanza 101 [See letters to the Earl of Blessington, April 5, 1823, Letters, 1891, vi. 187.]
  47. Stanza 105 [Iliad, x. 341, sq.]
  48. Stanza 106 It would have taught him humanity at least. This sentimental savage, whom it is a mode to quote (amongst the novelists) to show their sympathy for innocent sports and old songs, teaches how to sew up frogs, and break their legs by way of experiment, in addition to the art of angling,--the cruelest, the coldest, and the stupidest of pretended sports. They may talk about the beauties of nature, but the angler merely thinks of his dish of fish; he has no leisure to take his eyes from off the streams, and a single bite is worth to him more than all the scenery around. Besides, some fish bite best on a rainy day. The whale, the shark, and the tunny fishery have somewhat of noble and perilous in them; even net fishing, trawling, etc., are more humane and useful. But angling!--no angler can be a good man.

    "One of the best men I ever knew,--as humane, delicate-minded, generous, and excellent a creature as any in the world,--was an angler: true, he angled with painted flies, and would have been incapable of the extravagancies of I. Walton."

    The above addition was made by a friend in reading over the MS.--"Audi alteram partem."--I leave it to counter-balance my own observation.
  49. Stanza 111 B. Fy. 19^th^ 1823.--[MS.]

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