Canto XII

Lord Byron (1788–1824) · 1819–1824

iambic pentameter · ottava rima · 712 lines · from Don Juan

Of all the barbarous middle ages, thatWhich is most barbarous is the middle ageOf man; it is—I really scarce know what;But when we hover between fool and sage,And don’t know justly what we would be at—A period something like a printed page,Black letter upon foolscap, while our hairGrows grizzled, and we are not what we were;—

Too old for youth,—too young, at thirty-five,To herd with boys, or hoard with good threescore,—I wonder people should be left alive;But since they are, that epoch is a bore:Love lingers still, although ’twere late to wive;And as for other love, the illusion ’s o’er;And money, that most pure imagination,Gleams only through the dawn of its creation.

O Gold! Why call we misers miserable?Theirs is the pleasure that can never pall;Theirs is the best bower anchor, the chain cableWhich holds fast other pleasures great and small.Ye who but see the saving man at table,And scorn his temperate board, as none at all,And wonder how the wealthy can be sparing,Know not what visions spring from each cheese-paring.

Love or lust makes man sick, and wine much sicker;Ambition rends, and gaming gains a loss;But making money, slowly first, then quicker,And adding still a little through each cross(Which will come over things), beats love or liquor,The gamester’s counter, or the statesman’s dross.O Gold! I still prefer thee unto paper,Which makes bank credit like a bank of vapour.

Who hold the balance of the world? Who reignO’er congress, whether royalist or liberal?Who rouse the shirtless patriots of Spain?(That make old Europe’s journals squeak and gibber all.)Who keep the world, both old and new, in painOr pleasure? Who make politics run glibber all?The shade of Buonaparte’s noble daring?—Jew Rothschild, and his fellow-Christian, Baring.

Those, and the truly liberal Lafitte,Are the true lords of Europe. Every loanIs not a merely speculative hit,But seats a nation or upsets a throne.Republics also get involved a bit;Columbia’s stock hath holders not unknownOn ’Change; and even thy silver soil, Peru,Must get itself discounted by a Jew.

Why call the miser miserable? asI said before: the frugal life is his,Which in a saint or cynic ever wasThe theme of praise: a hermit would not missCanonization for the self-same cause,And wherefore blame gaunt wealth’s austerities?Because, you’ll say, nought calls for such a trial;—Then there’s more merit in his self-denial.

He is your only poet;—passion, pureAnd sparkling on from heap to heap, displays,Possess’d, the ore, of which mere hopes allureNations athwart the deep: the golden raysFlash up in ingots from the mine obscure;On him the diamond pours its brilliant blaze,While the mild emerald’s beam shades down the diesOf other stones, to soothe the miser’s eyes.

The lands on either side are his; the shipFrom Ceylon, Inde, or far Cathay, unloadsFor him the fragrant produce of each trip;Beneath his cars of Ceres groan the roads,And the vine blushes like Aurora’s lip;His very cellars might be kings’ abodes;While he, despising every sensual call,Commands—the intellectual lord of all.

Perhaps he hath great projects in his mind,To build a college, or to found a race,A hospital, a church,—and leave behindSome dome surmounted by his meagre face:Perhaps he fain would liberate mankindEven with the very ore which makes them base;Perhaps he would be wealthiest of his nation,Or revel in the joys of calculation.

But whether all, or each, or none of theseMay be the hoarder’s principle of action,The fool will call such mania a disease:—What is his own? Go—look at each transaction,Wars, revels, loves—do these bring men more easeThan the mere plodding through each ‘vulgar fraction’?Or do they benefit mankind? Lean miser!Let spendthrifts’ heirs enquire of yours—who ’s wiser?

How beauteous are rouleaus! how charming chestsContaining ingots, bags of dollars, coins(Not of old victors, all whose heads and crestsWeigh not the thin ore where their visage shines,But) of fine unclipt gold, where dully restsSome likeness, which the glittering cirque confines,Of modern, reigning, sterling, stupid stamp:—Yes! ready money is Aladdin’s lamp.

‘Love rules the camp, the court, the grove,’—‘for loveIs heaven, and heaven is love:’—so sings the bard;Which it were rather difficult to prove(A thing with poetry in general hard).Perhaps there may be something in ‘the grove,’At least it rhymes to ‘love;’ but I’m preparedTo doubt (no less than landlords of their rental)If ‘courts’ and ‘camps’ be quite so sentimental.

But if Love don’t, Cash does, and Cash alone:Cash rules the grove, and fells it too besides;Without cash, camps were thin, and courts were none;Without cash, Malthus tells you—‘take no brides.’So Cash rules Love the ruler, on his ownHigh ground, as virgin Cynthia sways the tides:And as for ‘Heaven being Love,’ why not say honeyIs wax? Heaven is not Love, ’tis Matrimony.

Is not all love prohibited whatever,Excepting marriage? which is love, no doubt,After a sort; but somehow people neverWith the same thought the two words have help’d out:Love may exist with marriage, and should ever,And marriage also may exist without;But love sans bans is both a sin and shame,And ought to go by quite another name.

Now if the ‘court,’ and ‘camp,’ and ‘grove,’ be notRecruited all with constant married men,Who never coveted their neighbour’s lot,I say that line ’s a lapsus of the pen;—Strange too in my ‘buon camerado’ Scott,So celebrated for his morals, whenMy Jeffrey held him up as an exampleTo me;—of whom these morals are a sample.

Well, if I don’t succeed, I have succeeded,And that ’s enough; succeeded in my youth,The only time when much success is needed:And my success produced what I, in sooth,Cared most about; it need not now be pleaded—Whate’er it was, ’twas mine; I’ve paid, in truth,Of late the penalty of such success,But have not learn’d to wish it any less.

That suit in Chancery,—which some persons pleadIn an appeal to the unborn, whom they,In the faith of their procreative creed,Baptize posterity, or future clay,—To me seems but a dubious kind of reedTo lean on for support in any way;Since odds are that posterity will knowNo more of them, than they of her, I trow.

Why, I’m posterity—and so are you;And whom do we remember? Not a hundred.Were every memory written down all true,The tenth or twentieth name would be but blunder’d;Even Plutarch’s Lives have but pick’d out a few,And ’gainst those few your annalists have thunder’d;And Mitford in the nineteenth centuryGives, with Greek truth, the good old Greek the lie.

Good people all, of every degree,Ye gentle readers and ungentle writers,In this twelfth Canto ’tis my wish to beAs serious as if I had for inditersMalthus and Wilberforce:—the last set freeThe Negroes and is worth a million fighters;While Wellington has but enslaved the Whites,And Malthus does the thing ’gainst which he writes.

I’m serious—so are all men upon paper;And why should I not form my speculation,And hold up to the sun my little taper?Mankind just now seem wrapt in mediationOn constitutions and steam-boats of vapour;While sages write against all procreation,Unless a man can calculate his meansOf feeding brats the moment his wife weans.

That ’s noble! That ’s romantic! For my part,I think that ‘Philo-genitiveness’ is(Now here’s a word quite after my own heart,Though there’s a shorter a good deal than this,If that politeness set it not apart;But I’m resolved to say nought that ’s amiss)—I say, methinks that ‘Philo-genitiveness’Might meet from men a little more forgiveness.

And now to business.—O my gentle Juan,Thou art in London—in that pleasant place,Where every kind of mischief ’s daily brewing,Which can await warm youth in its wild race.’Tis true, that thy career is not a new one;Thou art no novice in the headlong chaseOf early life; but this is a new land,Which foreigners can never understand.

What with a small diversity of climate,Of hot or cold, mercurial or sedate,I could send forth my mandate like a primateUpon the rest of Europe’s social state;But thou art the most difficult to rhyme at,Great Britain, which the Muse may penetrate.All countries have their ‘Lions,’ but in theeThere is but one superb menagerie.

But I am sick of politics. Begin,‘Paulo Majora.’ Juan, undecidedAmongst the paths of being ‘taken in,’Above the ice had like a skater glided:When tired of play, he flirted without sinWith some of those fair creatures who have pridedThemselves on innocent tantalisation,And hate all vice except its reputation.

But these are few, and in the end they makeSome devilish escapade or stir, which showsThat even the purest people may mistakeTheir way through virtue’s primrose paths of snows;And then men stare, as if a new ass spakeTo Balaam, and from tongue to ear o’erflowsQuicksilver small talk, ending (if you note it)With the kind world’s amen—‘Who would have thought it?’

The little Leila, with her orient eyes,And taciturn Asiatic disposition(Which saw all western things with small surprise,To the surprise of people of condition,Who think that novelties are butterfliesTo be pursued as food for inanition),Her charming figure and romantic historyBecame a kind of fashionable mystery.

The women much divided—as is usualAmongst the sex in little things or great.Think not, fair creatures, that I mean to abuse you all—I have always liked you better than I state:Since I’ve grown moral, still I must accuse you allOf being apt to talk at a great rate;And now there was a general sensationAmongst you, about Leila’s education.

In one point only were you settled—andYou had reason; ’twas that a young child of grace,As beautiful as her own native land,And far away, the last bud of her race,Howe’er our friend Don Juan might commandHimself for five, four, three, or two years’ space,Would be much better taught beneath the eyeOf peeresses whose follies had run dry.

So first there was a generous emulation,And then there was a general competition,To undertake the orphan’s education.As Juan was a person of condition,It had been an affront on this occasionTo talk of a subscription or petition;But sixteen dowagers, ten unwed she sages,Whose tale belongs to ‘Hallam’s Middle Ages,’

And one or two sad, separate wives, withoutA fruit to bloom upon their withering bough—Begg’d to bring up the little girl and ‘out,’—For that ’s the phrase that settles all things now,Meaning a virgin’s first blush at a rout,And all her points as thorough-bred to show:And I assure you, that like virgin honeyTastes their first season (mostly if they have money).

How all the needy honourable misters,Each out-at-elbow peer, or desperate dandy,The watchful mothers, and the careful sisters(Who, by the by, when clever, are more handyAt making matches, where ‘’tis gold that glisters,’Than their he relatives), like flies o’er candyBuzz round ‘the Fortune’ with their busy battery,To turn her head with waltzing and with flattery!

Each aunt, each cousin, hath her speculation;Nay, married dames will now and then discoverSuch pure disinterestedness of passion,I’ve known them court an heiress for their lover.‘Tantaene!’ Such the virtues of high station,Even in the hopeful Isle, whose outlet ’s ‘Dover!’While the poor rich wretch, object of these cares,Has cause to wish her sire had had male heirs.

Some are soon bagg’d, and some reject three dozen.’Tis fine to see them scattering refusalsAnd wild dismay o’er every angry cousin(Friends of the party), who begin accusals,Such as—‘Unless Miss (Blank) meant to have chosenPoor Frederick, why did she accord perusalsTo his billets? Why waltz with him? Why, I pray,Look yes last night, and yet say no to-day?

‘Why?—Why?—Besides, Fred really was attach’d;’Twas not her fortune—he has enough without:The time will come she’ll wish that she had snatch’dSo good an opportunity, no doubt:—But the old marchioness some plan had hatch’d,As I’ll tell Aurea at to-morrow’s rout:And after all poor Frederick may do better—Pray did you see her answer to his letter?’

Smart uniforms and sparkling coronetsAre spurn’d in turn, until her turn arrives,After male loss of time, and hearts, and betsUpon the sweepstakes for substantial wives;And when at last the pretty creature getsSome gentleman, who fights, or writes, or drives,It soothes the awkward squad of the rejectedTo find how very badly she selected.

For sometimes they accept some long pursuer,Worn out with importunity; or fall(But here perhaps the instances are fewer)To the lot of him who scarce pursued at all.A hazy widower turn’d of forty ’s sure(If ’tis not vain examples to recall)To draw a high prize: now, howe’er he got her, ISee nought more strange in this than t’ other lottery.

I, for my part (one ‘modern instance’ more,‘True, ’tis a pity—pity ’tis, ’tis true’),Was chosen from out an amatory score,Albeit my years were less discreet than few;But though I also had reform’d beforeThose became one who soon were to be two,I’ll not gainsay the generous public’s voice,That the young lady made a monstrous choice.

O, pardon my digression—or at leastPeruse! ’Tis always with a moral endThat I dissert, like grace before a feast:For like an aged aunt, or tiresome friend,A rigid guardian, or a zealous priest,My Muse by exhortation means to mendAll people, at all times, and in most places,Which puts my Pegasus to these grave paces.

But now I’m going to be immoral; nowI mean to show things really as they are,Not as they ought to be: for I avow,That till we see what ’s what in fact, we’re farFrom much improvement with that virtuous ploughWhich skims the surface, leaving scarce a scarUpon the black loam long manured by Vice,Only to keep its corn at the old price.

But first of little Leila we’ll dispose;For like a day-dawn she was young and pure,Or like the old comparison of snows,Which are more pure than pleasant to be sure.Like many people everybody knows,Don Juan was delighted to secureA goodly guardian for his infant charge,Who might not profit much by being at large.

Besides, he had found out he was no tutor(I wish that others would find out the same);And rather wish’d in such things to stand neuter,For silly wards will bring their guardians blame:So when he saw each ancient dame a suitorTo make his little wild Asiatic tame,Consulting ‘the Society for ViceSuppression,’ Lady Pinchbeck was his choice.

Olden she was—but had been very young;Virtuous she was—and had been, I believe;Although the world has such an evil tongueThat—but my chaster ear will not receiveAn echo of a syllable that ’s wrong:In fact, there’s nothing makes me so much grieve,As that abominable tittle-tattle,Which is the cud eschew’d by human cattle.

Moreover I’ve remark’d (and I was onceA slight observer in a modest way),And so may every one except a dunce,That ladies in their youth a little gay,Besides their knowledge of the world, and senseOf the sad consequence of going astray,Are wiser in their warnings ’gainst the woeWhich the mere passionless can never know.

While the harsh prude indemnifies her virtueBy railing at the unknown and envied passion,Seeking far less to save you than to hurt you,Or, what ’s still worse, to put you out of fashion,—The kinder veteran with calm words will court you,Entreating you to pause before you dash on;Expounding and illustrating the riddleOf epic Love’s beginning, end, and middle.

Now whether it be thus, or that they are stricter,As better knowing why they should be so,I think you’ll find from many a family picture,That daughters of such mothers as may knowThe world by experience rather than by lecture,Turn out much better for the Smithfield ShowOf vestals brought into the marriage mart,Than those bred up by prudes without a heart.

I said that Lady Pinchbeck had been talk’d about—As who has not, if female, young, and pretty?But now no more the ghost of Scandal stalk’d about;She merely was deem’d amiable and witty,And several of her best bon-mots were hawk’d about:Then she was given to charity and pity,And pass’d (at least the latter years of life)For being a most exemplary wife.

High in high circles, gentle in her own,She was the mild reprover of the young,Whenever—which means every day—they’d shownAn awkward inclination to go wrong.The quantity of good she did ’s unknown,Or at the least would lengthen out my song:In brief, the little orphan of the EastHad raised an interest in her, which increased.

Juan, too, was a sort of favourite with her,Because she thought him a good heart at bottom,A little spoil’d, but not so altogether;Which was a wonder, if you think who got him,And how he had been toss’d, he scarce knew whither:Though this might ruin others, it did not him,At least entirely—for he had seen too manyChanges in youth, to be surprised at any.

And these vicissitudes tell best in youth;For when they happen at a riper age,People are apt to blame the Fates, forsooth,And wonder Providence is not more sage.Adversity is the first path to truth:He who hath proved war, storm, or woman’s rage,Whether his winters be eighteen or eighty,Hath won the experience which is deem’d so weighty.

How far it profits is another matter.—Our hero gladly saw his little chargeSafe with a lady, whose last grown-up daughterBeing long married, and thus set at large,Had left all the accomplishments she taught herTo be transmitted, like the Lord Mayor’s barge,To the next comer; or—as it will tellMore Muse-like—like to Cytherea’s shell.

I call such things transmission; for there isA floating balance of accomplishmentWhich forms a pedigree from Miss to Miss,According as their minds or backs are bent.Some waltz; some draw; some fathom the abyssOf metaphysics; others are contentWith music; the most moderate shine as wits;While others have a genius turn’d for fits.

But whether fits, or wits, or harpsichords,Theology, fine arts, or finer stays,May be the baits for gentlemen or lordsWith regular descent, in these our days,The last year to the new transfers its hoards;New vestals claim men’s eyes with the same praiseOf ‘elegant’ et caetera, in fresh batches—All matchless creatures, and yet bent on matches.

But now I will begin my poem. ’TisPerhaps a little strange, if not quite new,That from the first of Cantos up to thisI’ve not begun what we have to go through.These first twelve books are merely flourishes,Preludios, trying just a string or twoUpon my lyre, or making the pegs sure;And when so, you shall have the overture.

My Muses do not care a pinch of rosinAbout what ’s call’d success, or not succeeding:Such thoughts are quite below the strain they have chosen;’Tis a ‘great moral lesson’ they are reading.I thought, at setting off, about two dozenCantos would do; but at Apollo’s pleading,If that my Pegasus should not be founder’d,I think to canter gently through a hundred.

Don Juan saw that microcosm on stilts,Yclept the Great World; for it is the least,Although the highest: but as swords have hiltsBy which their power of mischief is increased,When man in battle or in quarrel tilts,Thus the low world, north, south, or west, or east,Must still obey the high—which is their handle,Their moon, their sun, their gas, their farthing candle.

He had many friends who had many wives, and wasWell look’d upon by both, to that extentOf friendship which you may accept or pass,It does nor good nor harm being merely meantTo keep the wheels going of the higher class,And draw them nightly when a ticket ’s sent:And what with masquerades, and fetes, and balls,For the first season such a life scarce palls.

A young unmarried man, with a good nameAnd fortune, has an awkward part to play;For good society is but a game,‘The royal game of Goose,’ as I may say,Where every body has some separate aim,An end to answer, or a plan to lay—The single ladies wishing to be double,The married ones to save the virgins trouble.

I don’t mean this as general, but particularExamples may be found of such pursuits:Though several also keep their perpendicularLike poplars, with good principles for roots;Yet many have a method more reticular—‘Fishers for men,’ like sirens with soft lutes:For talk six times with the same single lady,And you may get the wedding dresses ready.

Perhaps you’ll have a letter from the mother,To say her daughter’s feelings are trepann’d;Perhaps you’ll have a visit from the brother,All strut, and stays, and whiskers, to demandWhat ‘your intentions are?’—One way or otherIt seems the virgin’s heart expects your hand:And between pity for her case and yours,You’ll add to Matrimony’s list of cures.

I’ve known a dozen weddings made even thus,And some of them high names: I have also knownYoung men who—though they hated to discussPretensions which they never dream’d to have shown—Yet neither frighten’d by a female fuss,Nor by mustachios moved, were let alone,And lived, as did the broken-hearted fair,In happier plight than if they form’d a pair.

There’s also nightly, to the uninitiated,A peril—not indeed like love or marriage,But not the less for this to be depreciated:It is—I meant and mean not to disparageThe show of virtue even in the vitiated—It adds an outward grace unto their carriage—But to denounce the amphibious sort of harlot,‘Couleur de rose,’ who ’s neither white nor scarlet.

Such is your cold coquette, who can’t say ‘No,’And won’t say ‘Yes,’ and keeps you on and off-ingOn a lee-shore, till it begins to blow—Then sees your heart wreck’d, with an inward scoffing.This works a world of sentimental woe,And sends new Werters yearly to their coffin;But yet is merely innocent flirtation,Not quite adultery, but adulteration.

‘Ye gods, I grow a talker!’ Let us prate.The next of perils, though I place it sternest,Is when, without regard to ‘church or state,’A wife makes or takes love in upright earnest.Abroad, such things decide few women’s fate—(Such, early traveller! is the truth thou learnest)—But in old England, when a young bride errs,Poor thing! Eve’s was a trifling case to hers.

For ’tis a low, newspaper, humdrum, lawsuitCountry, where a young couple of the same agesCan’t form a friendship, but the world o’erawes it.Then there’s the vulgar trick of those d—d damages! !A verdict—grievous foe to those who cause it!—Forms a sad climax to romantic homages;Besides those soothing speeches of the pleaders,And evidences which regale all readers.

But they who blunder thus are raw beginners;A little genial sprinkling of hypocrisyHas saved the fame of thousand splendid sinners,The loveliest oligarchs of our gynocracy;You may see such at all the balls and dinners,Among the proudest of our aristocracy,So gentle, charming, charitable, chaste—And all by having tact as well as taste.

Juan, who did not stand in the predicamentOf a mere novice, had one safeguard more;For he was sick—no, ’twas not the word sick I meant—But he had seen so much love before,That he was not in heart so very weak;—I meantBut thus much, and no sneer against the shoreOf white cliffs, white necks, blue eyes, bluer stockings,Tithes, taxes, duns, and doors with double knockings.

But coming young from lands and scenes romantic,Where lives, not lawsuits, must be risk’d for Passion,And Passion’s self must have a spice of frantic,Into a country where ’tis half a fashion,Seem’d to him half commercial, half pedantic,Howe’er he might esteem this moral nation:Besides (alas! his taste—forgive and pity!)At first he did not think the women pretty.

I say at first—for he found out at last,But by degrees, that they were fairer farThan the more glowing dames whose lot is castBeneath the influence of the eastern star.A further proof we should not judge in haste;Yet inexperience could not be his barTo taste:—the truth is, if men would confess,That novelties please less than they impress.

Though travell’d, I have never had the luck toTrace up those shuffling negroes, Nile or Niger,To that impracticable place, Timbuctoo,Where Geography finds no one to oblige herWith such a chart as may be safely stuck to—For Europe ploughs in Afric like ‘bos piger:’But if I had been at Timbuctoo, thereNo doubt I should be told that black is fair.

It is. I will not swear that black is white;But I suspect in fact that white is black,And the whole matter rests upon eyesight.Ask a blind man, the best judge. You’ll attackPerhaps this new position—but I’m right;Or if I’m wrong, I’ll not be ta’en aback:—He hath no morn nor night, but all is darkWithin; and what seest thou? A dubious spark.

But I’m relapsing into metaphysics,That labyrinth, whose clue is of the sameConstruction as your cures for hectic phthisics,Those bright moths fluttering round a dying flame;And this reflection brings me to plain physics,And to the beauties of a foreign dame,Compared with those of our pure pearls of price,Those polar summers, all sun, and some ice.

Or say they are like virtuous mermaids, whoseBeginnings are fair faces, ends mere fishes;—Not that there’s not a quantity of thoseWho have a due respect for their own wishes.Like Russians rushing from hot baths to snowsAre they, at bottom virtuous even when vicious:They warm into a scrape, but keep of course,As a reserve, a plunge into remorse.

But this has nought to do with their outsides.I said that Juan did not think them prettyAt the first blush; for a fair Briton hidesHalf her attractions—probably from pity—And rather calmly into the heart glides,Than storms it as a foe would take a city;But once there (if you doubt this, prithee try)She keeps it for you like a true ally.

She cannot step as does an Arab barb,Or Andalusian girl from mass returning,Nor wear as gracefully as Gauls her garb,Nor in her eye Ausonia’s glance is burning;Her voice, though sweet, is not so fit to warb—le those bravuras (which I still am learningTo like, though I have been seven years in Italy,And have, or had, an ear that served me prettily);—

She cannot do these things, nor one or twoOthers, in that off-hand and dashing styleWhich takes so much—to give the devil his due;Nor is she quite so ready with her smile,Nor settles all things in one interview(A thing approved as saving time and toil);—But though the soil may give you time and trouble,Well cultivated, it will render double.

And if in fact she takes to a ‘grande passion,’It is a very serious thing indeed:Nine times in ten ’tis but caprice or fashion,Coquetry, or a wish to take the lead,The pride of a mere child with a new sash on,Or wish to make a rival’s bosom bleed:But the tenth instance will be a tornado,For there’s no saying what they will or may do.

The reason ’s obvious; if there’s an eclat,They lose their caste at once, as do the Parias;And when the delicacies of the lawHave fill’d their papers with their comments various,Society, that china without flaw(The hypocrite!), will banish them like Marius,To sit amidst the ruins of their guilt:For Fame ’s a Carthage not so soon rebuilt.

Perhaps this is as it should be;—it isA comment on the Gospel’s ‘Sin no more,And be thy sins forgiven:’—but upon thisI leave the saints to settle their own score.Abroad, though doubtless they do much amiss,An erring woman finds an opener doorFor her return to Virtue—as they callThat lady, who should be at home to all.

For me, I leave the matter where I find it,Knowing that such uneasy virtue leadsPeople some ten times less in fact to mind it,And care but for discoveries and not deeds.And as for chastity, you’ll never bind itBy all the laws the strictest lawyer pleads,But aggravate the crime you have not prevented,By rendering desperate those who had else repented.

But Juan was no casuist, nor had ponder’dUpon the moral lessons of mankind:Besides, he had not seen of several hundredA lady altogether to his mind.A little ‘blase’—’tis not to be wonder’dAt, that his heart had got a tougher rind:And though not vainer from his past success,No doubt his sensibilities were less.

He also had been busy seeing sights—The Parliament and all the other houses;Had sat beneath the gallery at nights,To hear debates whose thunder roused (not rouses)The world to gaze upon those northern lightsWhich flash’d as far as where the musk-bull browses;He had also stood at times behind the throne—But Grey was not arrived, and Chatham gone.

He saw, however, at the closing session,That noble sight, when really free the nation,A king in constitutional possessionOf such a throne as is the proudest station,Though despots know it not—till the progressionOf freedom shall complete their education.’Tis not mere splendour makes the show augustTo eye or heart—it is the people’s trust.

There, too, he saw (whate’er he may be now)A Prince, the prince of princes at the time,With fascination in his very bow,And full of promise, as the spring of prime.Though royalty was written on his brow,He had then the grace, too, rare in every clime,Of being, without alloy of fop or beau,A finish’d gentleman from top to toe.

And Juan was received, as hath been said,Into the best society: and thereOccurr’d what often happens, I’m afraid,However disciplined and debonnaire:—The talent and good humour he display’d,Besides the mark’d distinction of his air,Exposed him, as was natural, to temptation,Even though himself avoided the occasion.

But what, and where, with whom, and when, and why,Is not to be put hastily together;And as my object is morality(Whatever people say), I don’t know whetherI’ll leave a single reader’s eyelid dry,But harrow up his feelings till they wither,And hew out a huge monument of pathos,As Philip’s son proposed to do with Athos.

Here the twelfth Canto of our introductionEnds. When the body of the book ’s begun,You’ll find it of a different constructionFrom what some people say ’twill be when done:The plan at present ’s simply in concoction,I can’t oblige you, reader, to read on;That ’s your affair, not mine: a real spiritShould neither court neglect, nor dread to bear it.

And if my thunderbolt not always rattles,Remember, reader! you have had beforeThe worst of tempests and the best of battlesThat e’er were brew’d from elements or gore,Besides the most sublime of—Heaven knows what else:An usurer could scarce expect much more—But my best canto, save one on astronomy,Will turn upon ‘political economy.’

That is your present theme for popularity:Now that the public hedge hath scarce a stake,It grows an act of patriotic charity,To show the people the best way to break.My plan (but I, if but for singularity,Reserve it) will be very sure to take.Meantime, read all the national debt-sinkers,And tell me what you think of your great thinkers.

Words in this poem 159
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
foolscap n.
A writing paper made in sheets, ordinarily 16 x 13 inches, and folded so as to make a page 13 x 8 inches. See Paper. [So called from the watermark of a fool's cap and bells used by old paper makers. See Fool's cap, under Fool.]
wive v. i.
To marry, as a man; to take a wife. [AS. wifian, gewifian. See Wite.]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
vapour n.
Any substance in the gaseous, or aëriform, state, the condition of which is ordinarily that of a liquid or solid. [OE. vapour, OF. vapour, vapor, vapeur, F. vapeur, L. vapor; probably for cvapor, and akin to Gr. kvepti to breathe, smell, Russ. kopote fine soot. Cf. Vapid.]
congress n.
A meeting of individuals, whether friendly or hostile; an encounter. [L. congressus, fr. congredi, p.p. -gressus, to go or come together; con- + grati to go or step, gradus step: cf. F. congr. See Grade.]
royalist n.
An adherent of a king (as of Charles I. in England, or of the Bourbons in france); one attached to monarchical government. [Cf. F. royaliste.]
shirtless a.
Not having or wearing a shirt.
squeak v. i.
To utter a sharp, shrill cry, usually of short duration; to cry with an acute tone, as an animal; or, to make a sharp, disagreeable noise, as a pipe or quill, a wagon wheel, a door; to creak. [Probably of imitative origin; cf. Sw. sqväka to croak, Icel. skvakka to give a sound as of water shaken in a bottle.]
gibber n.
A balky horse. Youatt. [From Gib to balk.]
cynic a.
Having the qualities of a surly dog; snarling; captious; currish. [L. cynicus of the sect of Cynics, fr. Gr. Hound.]
canonization n.
The final process or decree (following beatifacation) by which the name of a deceased person is placed in the catalogue (canon) of saints and commended to perpetual veneration and invocation. [F. canonisation.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
gaunt a.
Attenuated, as with fasting or suffering; lean; meager; pinched and grim. [Cf. Norw. gand a thin pointed stick, a tall and thin man, and W. gwan weak.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
inde a.
Azure-colored; of a bright blue color. Rom. of R.
ceres n.
The daughter of Saturn and Ops or Rhea, the goddess of corn and tillage. [L., Ceres, also corn, grain, akin to E. create.]
aurora n.
The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
hospital n.
A place for shelter or entertainment; an inn. [OF. hospital, ospital, F. hôpital, LL. hospitale (or perh. E. hospital is directly from the Late Latin), from L. hospitalis relating to a guest, hospitalia apar]
meagre a.
Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
fain v. t.
To be glad ; to wish or desire.
plodding a.
Progressing in a slow, toilsome manner; characterized by laborious diligence; as, a plodding peddler; a plodding student; a man of plodding habits. --Plod"ding*ly, adv.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
dully adv.
In a dull manner; stupidly; slowly; sluggishly; without life or spirit.
cirque n.
A circle; a circus; a circular erection or arrangement of objects. [F., fr. L. circus.]
rental n.
A schedule, account, or list of rents, with the names of the tenants, etc.; a rent roll. [LL. rentale, fr. renta. See Rent income.]
sentimental a.
Having, expressing, or containing a sentiment or sentiments; abounding with moral reflections; containing a moral reflection; didactic. [Cf. F. sentimental.]
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
sans prep.
Without; deprived or destitute of. Rarely used as an English word. [F., from L. sine without.]
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
neighbour v. i.
To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
sooth a.
True; faithful; trustworthy. [OE. soth, AS. s, for san; akin to OS. s, OHG. sand, Icel. sannr, Sw. sann, Dan. sand, Skr. sat, sant, real, genuine, present, being; properly p. pr. from a root]
unborn a.
Not born; no yet brought into life; being still to appear; future.
procreative a.
Having the power to beget; generative. Sir M. Hale.
baptize v. t.
To administer the sacrament of baptism to. [F. baptiser, L. baptizare, fr.Gr. . See Baptism.]
dubious a.
Doubtful or not settled in opinion; being in doubt; wavering or fluctuating; undetermined. [L. dubius, dubiosus, fr. duo two. See Two, and cf. Doubt.]
odds n.
Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
trow v. i.
To believe; to trust; to think or suppose. [OE. trowen, AS.treówan to trust, believe, fr. treów trust, treówe true, faithful. See True.]
nineteenth a.
Following the eighteenth and preceding the twentieth; coming after eighteen others. [Cf. AS. nigonteó.]
ungentle a.
Not gentle; lacking good breeding or delicacy; harsh.
canto n.
One of the chief divisions of a long poem; a book. [It. canto, fr. L. cantus singing, song. See Chant.]
speculation n.
The act of speculating. Specifically: -- (a) Examination by the eye; view. [L. speculatio a spying out, observation: cf. F. spéculation.]
politeness n.
High finish; smoothness; burnished elegance. Evelyn.
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
superb a.
Grand; magnificent; august; stately; as, a superb edifice; a superb colonnade. [F. superbe, L. superbus, fr. super over. See Super-.]
menagerie n.
A piace where animals are kept and trained. [F. ménagerie, fr. ménager to keep house, ménage household. See Menial, Mansion.]
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
skater n.
One who skates.
escapade n.
The fling of a horse, or ordinary kicking back of his heels; a gambol. [F., fr. Sp. escapada escape, fr. escapar to escape; or F., fr. It. scappata escape, escapade, fr. scappare to escape. see Escape.]
amen interj.
An expression used at the end of prayers, and meaning, So be it. At the end of a creed, it is a solemn asseveration of belief. [L. amen, Gr. am certainly, truly.]
taciturn a.
Habitually silent; not given to converse; not apt to talk or speak. [L. taciturnus: cf. F. taciturne. See Tacit.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
subscription n.
The act of subscribing. [L. subscriptio: cf. F. souscription.]
withering a.
Tending to wither; causing to shrink or fade.
desperate a.
Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
handy a.
Performed by the hand. [OE. hendi, AS. hendig (in comp.), fr. hand hand; akin to D. handig, Goth. handugs clever, wise.]
discover v. i.
To discover or show one's self.
disinterestedness n.
The state or quality of being disinterested; impartiality.
heiress
, A female heir.
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
sire n.
A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
waltz n.
A dance performed by two persons in circular figures with a whirling motion; also, a piece of music composed in triple measure for this kind of dance. [G. walzer, from walzen to roll, revolve, dance, OHG. walzan to roll; akin to AS. wealtan. See Welter.]
fred n.
Peace; -- a word used in composition, especially in proper names; as, Alfred; Frederic. [AS. fri peace. See Frith inclosure.]
marchioness n.
The wife or the widow of a marquis; a woman who has the rank and dignity of a marquis. Spelman. [LL. marchionissa, fr. marchio a marquis. See Marquis.]
spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
sweepstakes n.
A winning of all the stakes or prizes; a sweepstake.
squad n.
A small party of men assembled for drill, inspection, or other purposes. [F. escouade, fr. Sp. escuadra, or It. squadra, (assumed) LL. exquadrare to square; L. ex + quadra a square. See Square.]
hazy a.
Thick with haze; somewhat obscured with haze; not clear or transparent. [From Haze, n.]
widower n.
A man who has lost his wife by death, and has not married again.
albeit conj.
Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
discreet a.
Possessed of discernment, especially in avoiding error or evil, and in the adaptation of means to ends; prudent; sagacious; judicious; not rash or heedless; cautious. [F. discret, L. discretus separated (whence the meaning reserved, prudent), p. p. of discernere. See Discern, and cf. Discrete.]
peruse v. t.
To observe; to examine with care. [Pref. per- + use.]
dissert v. i.
To discourse or dispute; to discuss. [L. dissertus, p. p. of disserere; dis- + serere to join, connect: cf. F. disserter. See Series.]
avow v. t.
To bind, or to devote, by a vow. Wyclif. [OF. avouer, fr. LL. votare to vow, fr. L. votun. See Vote, n.]
virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
delighted a.
Endowed with delight.
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
suitor n.
One who sues, petitions, or entreats; a petitioner; an applicant.
consulting a.
That consults. Consulting physician (Med.), a physician who consults with the attending practitioner regarding any case of disease.
pinchbeck n.
An alloy of copper and zinc, resembling gold; a yellow metal, composed of about three ounces of zinc to a pound of copper. It is much used as an imitation of gold in the manufacture of cheap jewelry. [Said to be from the name of the inventor; cf. It. prencisbecco.]
olden a.
Old; ancient; as, the olden time.
tittle n.
A particle; a minute part; a jot; an iota. [OE. titel, titil, apparently a dim. of tit, in the sense of small; cf. G. tüttel a tittle, dim. of OHG. tutta teat. Perhaps, however, the same word as title, n.]
passionless a.
Void of passion; without anger or emotion; not easily excited; calm.
prude n.
A woman of affected modesty, reserve, or coyness; one who is overscrupulous or sensitive; one who affects extraordinary prudence in conduct and speech. [F., prudish, originally, discreet, modest; shortened from OF. prudefeme, preudefeme, a discreet or excellent woman; OF. preu, prou, excellent, brave + de of + f]
mart v. t.
To buy or sell in, or as in, a mart.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
amiable a.
Lovable; lovely; pleasing. [F. amiable, L. amicabilis friendly, fr. amicus friend, fr. amare to love. The meaning has been influenced by F. aimable, L. amabilis lovable, fr. amare to love.]
witty a.
Possessed of wit; knowing; wise; skillful; judicious; clever; cunning. [AS. witig, wittig. See Wit, n.]
reprover n.
One who, or that which, reproves.
altogether adv.
All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
forsooth v. t.
To address respectfully with the term forsooth.
adversity n.
Opposition; contrariety. Wyclif. [OE. adversite, F. adversité, fr. L. adversitas.]
gladly adv.
Preferably; by choice. [From Glad, a.]
comer n.
One who comes, or who has come; one who has arrived, and is present. All comers, all who come, or offer, to take part in a matter, especially in a contest or controversy.
pedigree n.
A line of ancestors; descent; lineage; genealogy; a register or record of a line of ancestors. [Of unknown origin; possibly fr. F. par degrés by degrees, -- for a pedigree is properly a genealogical table which records the relationship of families by degre]
backs n.
Among leather dealers, the thickest and stoutest tanned hides.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
overture
An opening or aperture; a recess; a recess; a chamber. [OF. overture, F. ouverture, fr. OF. ovrir, F. ouvrir. See Overt.]
canter n.
A moderate and easy gallop adapted to pleasure riding. [An abbreviation of Caner bury. See Canterbury gallop, under Canterbury.]
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
discuss v. t.
To break to pieces; to shatter. Sir T. Browne. [L. discussus, p. p. of discutere to strike asunder (hence came the sense to separate mentally, distinguish); dis- + quatere to shake, strike. See Quash.]
fuss n.
A tumult; a bustle; unnecessary or annoying ado about trifles. [Cf. Fusome.]
plight v. t.
To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
disparage n.
Inequality in marriage; marriage with an inferior.
denounce v. t.
To make known in a solemn or official manner; to declare; to proclaim (especially an evil). [F. dénoncer, OF. denoncier, fr. L. denuntiare, denunciare; de- + nunciare, nuntiare, to announce, report, nuntius a messenger, message. See Nuncio, and cf. Denu]
couleur n.
Color; -- chiefly used in a few French phrases, as couler de rose, color of rose; and hence, adjectively, rose-colored; roseate.
coquette n.
A vain, trifling woman, who endeavors to attract admiration from a desire to grafity vanity; a flirt; -- formerly sometimes applied also to men. [F., fr. coquet, coquette, coquettish, orig., cocklike, strutting like a cock, fr. coq a cock. Cf. Cock, Cocket, Cocky, Cockade.]
flirtation n.
Playing at courtship; coquerty.
adulteration n.
The act of adulterating; corruption, or debasement (esp. of food or drink) by foreign mixture. [L. adulteratio.]
humdrum a.
Monotonous; dull; commonplace.
lawsuit n.
An action at law; a suit in equity or admiralty; any legal proceeding before a court for the enforcement of a claim.
regale n.
A prerogative of royalty. Johnson. [LL. regale, pl. regalia, fr. L. regalis: cf. F. régale. See Regal.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
gynocracy n.
Female government; gynecocracy. [See Gynecocracy.]
tact n.
The sense of touch; feeling. [L. tactus a touching, touch, fr. tangere, tactum, to touch: cf. F. tact. See Tangent.]
safeguard n.
One who, or that which, defends or protects; defense; protection. [Safe = guard: cf. F. sauvegarde.]
knockings n.
Large lumps picked out of the sieve, in dressing ore.
inexperience n.
Absence or want of experience; lack of personal and experimental knowledge; as, the inexperience of youth. [L. inexperientia, cf. F. inexpérience. See In- not, and Experience.]
oblige v. t.
To attach, as by a bond. [OF. obligier, F.obliger, L. obligare; ob (see Ob-) + ligare to bind. See Ligament, and cf. Obligate.]
eyesight n.
Sight of the eye; the sense of seeing; view; observation.
aback n.
An abacus. B. Jonson.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
clue n.
A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
hectic a.
Habitual; constitutional; pertaining especially to slow waste of animal tissue, as in consumption; as, a hectic type in disease; a hectic flush. [F. hectique, Gr. sah to overpower, endure; cf. AS. sige, sigor, victory, G. sieg, Goth. sigis. Cf. Scheme.]
prithee interj.
A corruption of pray thee; as, I prithee; generally used without I.
garb n.
External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
prettily adv.
In a pretty manner.
coquetry n.
Attempts to attract admoration, notice, or love, for the mere gratification of vanity; trifling in love. [F. coquetterie.]
obvious a.
Opposing; fronting. [L. obvius; ob (see Ob-) + via way. See Voyage.]
eclat n.
Brilliancy of success or effort; splendor; brilliant show; striking effect; glory; renown. [F. éclat a fragment, splinter, explosion, brilliancy, splendor, fr. éclater to splinter, burst, explode, shine brilliantly, prob. of German origin; cf. OHG. sle]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
doubtless a.
Free from fear or suspicion.
opener n.
One who, or that which, opens.
aggravate v. t.
To make heavy or heavier; to add to; to increase. [L. aggravatus, p. p. of aggravare. See Aggrieve.]
casuist n.
One who is skilled in, or given to, casuistry. [L. casus fall, case; cf. F. casuiste. See Casual.]
parliament n.
A parleying; a discussion; a conference. [OE. parlement, F. parlement, fr. parler to speak; cf. LL. parlamentum, parliamentum. See Parley.]
session n.
The act of sitting, or the state of being seated. [L. sessio, fr. sedere, sessum, to sit: cf. F. session. See Sit.]
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
fascination n.
The act of fascinating, bewhiching, or enchanting; enchantment; witchcraft; the exercise of a powerful or irresistible influence on the affections or passions; unseen, inexplicable influence. [L. fascinatio; cf. F. fascination.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
twill v. i.
To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
concoction n.
A change in food produced by the organs of nutrition; digestion. [L. concoctio.]
thunderbolt n.
A shaft of lightning; a brilliant stream of electricity passing from one part of the heavens to another, or from the clouds to the earth.
brew v. t.
To boil or seethe; to cook. [OE. brewen, AS. breówan; akin to D. brouwen, OHG. priuwan, MHG. briuwen, br, G. brauen, Icel. brugga, Sw. brygga, Dan. brygge, and perh. to L. defrutum must boi]
usurer n.
One who lends money and takes interest for it; a money lender. [F. usurier, LL. usurarius. See Usury, and cf. Usurarious.]
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
singularity n.
The quality or state of being singular; some character or quality of a thing by which it is distinguished from all, or from most, others; peculiarity. [L. singularitas: cf. F. singularité.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto XII is in the public domain. This text is taken from Don Juan, Project Gutenberg ebook #21700; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Canto XII, in Don Juan (1819–1824), text of Project Gutenberg ebook #21700, Laurel, https://laurelpoetry.com/poem/don-juan/canto-12.html, id L00013.

Form and metre

Canto XII is 712 lines in 89 stanzas of 8 lines each. Every stanza rhymes ABABABCC, the Ottava rima. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.5 syllables. 240 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in ottava rima, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABABCC thatA · ageB · whatA · sageB · atA · pageB · hairC · wereC
  2. 2 ABABABCC fiveA · threescoreB · aliveA · boreB · wiveA · o'erB · imaginationC · creationC
  3. 3 ABABABCC miserableA · pallB · cableA · smallB · tableA · allB · sparingC · paringC
  4. 4 ABABABCC sickerA · lossB · quickerA · crossB · liquorA · drossB · paperC · vapourC
  5. 5 ABABABCC reignA · liberalB · spainA · allB · painA · allB · daringC · baringC
  6. 6 ABABABCC lafitteA · loanB · hitA · throneB · bitA · unknownB · peruC · jewC
  7. 7 ABABABCC asA · hisB · wasA · missB · causeA · austeritiesB · trialC · denialC
  8. 8 ABABABCC pureA · displaysB · allureA · raysB · obscureA · blazeB · diesC · eyesC
  9. 9 ABABABCC shipA · unloadsB · tripA · roadsB · lipA · abodesB · callC · allC
  10. 10 ABABABCC mindA · raceB · behindA · faceB · mankindA · baseB · nationC · calculationC
  11. 11 ABABABCC theseA · actionB · diseaseA · transactionB · easeA · fractionB · miserC · wiserC
  12. 12 ABABABCC chestsA · coinsB · crestsA · shinesB · restsA · confinesB · stampC · lampC
  13. 13 ABABABCC loveA · bardB · proveA · hardB · groveA · preparedB · rentalC · sentimentalC
  14. 14 ABABABCC aloneA · besidesB · noneA · bridesB · ownA · tidesB · honeyC · matrimonyC
  15. 15 ABABABCC whateverA · doubtB · neverA · outB · everA · withoutB · shameC · nameC
  16. 16 ABABABCC notA · menB · lotA · penB · scottA · whenB · exampleC · sampleC
  17. 17 ABABABCC succeededA · youthB · neededA · soothB · pleadedA · truthB · successC · lessC
  18. 18 ABABABCC pleadA · theyB · creedA · clayB · reedA · wayB · knowC · trowC
  19. 19 ABABABCC youA · hundredB · trueA · blunder'dB · fewA · thunder'dB · centuryC · lieC
  20. 20 ABABABCC degreeA · writersB · beA · inditersB · freeA · fightersB · whitesC · writesC
  21. 21 ABABABCC paperA · speculationB · taperA · mediationB · vapourA · procreationB · meansC · weansC
  22. 22 ABABABCC partA · isB · heartA · thisB · apartA · amissB · genitivenessC · forgivenessC
  23. 23 ABABABCC juanA · placeB · brewingA · raceB · oneA · chaseB · landC · understandC
  24. 24 ABABABCC climateA · sedateB · primateA · stateB · atA · penetrateB · theeC · menagerieC
  25. 25 ABABABCC beginA · undecidedB · inA · glidedB · sinA · pridedB · tantalisationC · reputationC
  26. 26 ABABABCC makeA · showsB · mistakeA · snowsB · spakeA · o'erflowsB · itC · itC
  27. 27 ABABABCC eyesA · dispositionB · surpriseA · conditionB · butterfliesA · inanitionB · historyC · mysteryC
  28. 28 ABABABCC usualA · greatB · allA · stateB · allA · rateB · sensationC · educationC
  29. 29 ABABABCC andA · graceB · landA · raceB · commandA · spaceB · eyeC · dryC
  30. 30 ABABABCC emulationA · competitionB · educationA · conditionB · occasionA · petitionB · sagesC · agesC
  31. 31 ABABABCC withoutA · boughB · outA · nowB · routA · showB · honeyC · moneyC
  32. 32 ABABABCC mistersA · dandyB · sistersA · handyB · glistersA · candyB · batteryC · flatteryC
  33. 33 ABABABCC speculationA · discoverB · passionA · loverB · stationA · doverB · caresC · heirsC
  34. 34 ABABABCC dozenA · refusalsB · cousinA · accusalsB · chosenA · perusalsB · prayC · dayC
  35. 35 ABABABCC attach'dA · withoutB · snatch'dA · doubtB · hatch'dA · routB · betterC · letterC
  36. 36 ABABABCC coronetsA · arrivesB · betsA · wivesB · getsA · drivesB · rejectedC · selectedC
  37. 37 ABABABCC pursuerA · fallB · fewerA · allB · sureA · recallB · iC · lotteryC
  38. 38 ABABABCC moreA · trueB · scoreA · fewB · beforeA · twoB · voiceC · choiceC
  39. 39 ABABABCC leastA · endB · feastA · friendB · priestA · mendB · placesC · pacesC
  40. 40 ABABABCC nowA · areB · avowA · farB · ploughA · scarB · viceC · priceC
  41. 41 ABABABCC disposeA · pureB · snowsA · sureB · knowsA · secureB · chargeC · largeC
  42. 42 ABABABCC tutorA · sameB · neuterA · blameB · suitorA · tameB · viceC · choiceC
  43. 43 ABABABCC youngA · believeB · tongueA · receiveB · wrongA · grieveB · tattleC · cattleC
  44. 44 ABABABCC onceA · wayB · dunceA · gayB · senseA · astrayB · woeC · knowC
  45. 45 ABABABCC virtueA · passionB · youA · fashionB · youA · onB · riddleC · middleC
  46. 46 ABABABCC stricterA · soB · pictureA · knowB · lectureA · showB · martC · heartC
  47. 47 ABABABCC aboutA · prettyB · aboutA · wittyB · aboutA · pityB · lifeC · wifeC
  48. 48 ABABABCC ownA · youngB · shownA · wrongB · unknownA · songB · eastC · increasedC
  49. 49 ABABABCC herA · bottomB · altogetherA · himB · whitherA · himB · manyC · anyC
  50. 50 ABABABCC youthA · ageB · forsoothA · sageB · truthA · rageB · eightyC · weightyC
  51. 51 ABABABCC matterA · chargeB · daughterA · largeB · herA · bargeB · tellC · shellC
  52. 52 ABABABCC isA · accomplishmentB · missA · bentB · abyssA · contentB · witsC · fitsC
  53. 53 ABABABCC harpsichordsA · staysB · lordsA · daysB · hoardsA · praiseB · batchesC · matchesC
  54. 54 ABABABCC tisA · newB · thisA · throughB · flourishesA · twoB · sureC · overtureC
  55. 55 ABABABCC rosinA · succeedingB · chosenA · readingB · dozenA · pleadingB · founder'dC · hundredC
  56. 56 ABABABCC stiltsA · leastB · hiltsA · increasedB · tiltsA · eastB · handleC · candleC
  57. 57 ABABABCC wasA · extentB · passA · meantB · classA · sentB · ballsC · pallsC
  58. 58 ABABABCC nameA · playB · gameA · sayB · aimA · layB · doubleC · troubleC
  59. 59 ABABABCC particularA · pursuitsB · perpendicularA · rootsB · reticularA · lutesB · ladyC · readyC
  60. 60 ABABABCC motherA · trepann'dB · brotherA · demandB · otherA · handB · yoursC · curesC
  61. 61 ABABABCC thusA · knownB · discussA · shownB · fussA · aloneB · fairC · pairC
  62. 62 ABABABCC uninitiatedA · marriageB · depreciatedA · disparageB · vitiatedA · carriageB · harlotC · scarletC
  63. 63 ABABABCC noA · ingB · blowA · scoffingB · woeA · coffinB · flirtationC · adulterationC
  64. 64 ABABABCC prateA · sternestB · stateA · earnestB · fateA · learnestB · errsC · hersC
  65. 65 ABABABCC lawsuitA · agesB · itA · damagesB · itA · homagesB · pleadersC · readersC
  66. 66 ABABABCC beginnersA · hypocrisyB · sinnersA · gynocracyB · dinnersA · aristocracyB · chasteC · tasteC
  67. 67 ABABABCC predicamentA · moreB · meantA · beforeB · meantA · shoreB · stockingsC · knockingsC
  68. 68 ABABABCC romanticA · passionB · franticA · fashionB · pedanticA · nationB · pityC · prettyC
  69. 69 ABABABCC lastA · farB · castA · starB · hasteA · barB · confessC · impressC
  70. 70 ABABABCC toA · nigerB · timbuctooA · herB · toA · pigerB · thereC · fairC
  71. 71 ABABABCC whiteA · blackB · eyesightA · attackB · rightA · abackB · darkC · sparkC
  72. 72 ABABABCC metaphysicsA · sameB · phthisicsA · flameB · physicsA · dameB · priceC · iceC
  73. 73 ABABABCC whoseA · fishesB · thoseA · wishesB · snowsA · viciousB · courseC · remorseC
  74. 74 ABABABCC outsidesA · prettyB · hidesA · pityB · glidesA · cityB · tryC · allyC
  75. 75 ABABABCC barbA · returningB · garbA · burningB · warbA · learningB · italyC · prettilyC
  76. 76 ABABABCC twoA · styleB · dueA · smileB · interviewA · toilB · troubleC · doubleC
  77. 77 ABABABCC passionA · indeedB · fashionA · leadB · onA · bleedB · tornadoC · doC
  78. 78 ABABABCC eclatA · pariasB · lawA · variousB · flawA · mariusB · guiltC · rebuiltC
  79. 79 ABABABCC isA · moreB · thisA · scoreB · amissA · doorB · callC · allC
  80. 80 ABABABCC itA · leadsB · itA · deedsB · itA · pleadsB · preventedC · repentedC
  81. 81 ABABABCC ponder'dA · mankindB · hundredA · mindB · wonder'dA · rindB · successC · lessC
  82. 82 ABABABCC sightsA · housesB · nightsA · rousesB · lightsA · browsesB · throneC · goneC
  83. 83 ABABABCC sessionA · nationB · possessionA · stationB · progressionA · educationB · augustC · trustC
  84. 84 ABABABCC nowA · timeB · bowA · primeB · browA · climeB · beauC · toeC
  85. 85 ABABABCC saidA · thereB · afraidA · debonnaireB · display'dA · airB · temptationC · occasionC
  86. 86 ABABABCC whyA · togetherB · moralityA · whetherB · dryA · witherB · pathosC · athosC
  87. 87 ABABABCC introductionA · begunB · constructionA · doneB · concoctionA · onB · spiritC · itC
  88. 88 ABABABCC rattlesA · beforeB · battlesA · goreB · elseA · moreB · astronomyC · economyC
  89. 89 ABABABCC popularityA · stakeB · charityA · breakB · singularityA · takeB · sinkersC · thinkersC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Of all the barbarous middle ages, that10···/˘/˘/˘·
Which is most barbarous is the middle age10···/˘··/˘·
Of man; it is—I really scarce know what;10·····/˘···
But when we hover between fool and sage,10···/˘·····
And don’t know justly what we would be at—10···/˘·····
A period something like a printed page,10·/˘/˘··/˘·
Black letter upon foolscap, while our hair10·/˘··/˘·/·
Grows grizzled, and we are not what we were;—10·/˘·······
Too old for youth,—too young, at thirty-five,10·······/˘·
To herd with boys, or hoard with good threescore,—10········/˘
I wonder people should be left alive;10·/˘/˘···˘/
But since they are, that epoch is a bore:10·····/˘···
Love lingers still, although ’twere late to wive;10·/˘·······
And as for other love, the illusion ’s o’er;12···/˘··˘/˘··
And money, that most pure imagination,11·/˘···˘·˘/˘
Gleams only through the dawn of its creation.11·/˘·····˘/˘
O Gold! Why call we misers miserable?11·····/˘/˘˘˘
Theirs is the pleasure that can never pall;10···/˘··/˘·
Theirs is the best bower anchor, the chain cable11····//˘··/˘
Which holds fast other pleasures great and small.10···/˘/˘···
Ye who but see the saving man at table,11·····/˘··/˘
And scorn his temperate board, as none at all,10···/˘·····
And wonder how the wealthy can be sparing,11·/˘··/˘··/˘
Know not what visions spring from each cheese-paring.11···/˘····/˘
Love or lust makes man sick, and wine much sicker;11·········/˘
Ambition rends, and gaming gains a loss;10˘/˘··/˘···
But making money, slowly first, then quicker,11·/˘/˘/˘··/˘
And adding still a little through each cross10·/˘··/˘···
(Which will come over things), beats love or liquor,11·········/˘
The gamester’s counter, or the statesman’s dross.10····/··/˘·
O Gold! I still prefer thee unto paper,11····˘/···/˘
Which makes bank credit like a bank of vapour.11···/˘····/˘
Who hold the balance of the world? Who reign10···/˘·····
O’er congress, whether royalist or liberal?11·/˘··/˘·/˘˘
Who rouse the shirtless patriots of Spain?10···/˘/˘˘··
(That make old Europe’s journals squeak and gibber all.)12···/˘/˘··/˘·
Who keep the world, both old and new, in pain10··········
Or pleasure? Who make politics run glibber all?12·/˘··/˘·····
The shade of Buonaparte’s noble daring?—10······/˘/˘
Jew Rothschild, and his fellow-Christian, Baring.11·/···/˘/˘/˘
Those, and the truly liberal Lafitte,10···/˘/˘˘˘/
Are the true lords of Europe. Every loan10·····/˘/˘·
Is not a merely speculative hit,10···/˘/˘˘˘·
But seats a nation or upsets a throne.10···/˘·˘/··
Republics also get involved a bit;10˘/˘/˘·˘/··
Columbia’s stock hath holders not unknown10˘/˘··/˘·˘/
On ’Change; and even thy silver soil, Peru,10···/·/˘·˘/
Must get itself discounted by a Jew.10··˘//·˘···
Why call the miser miserable? as10···/˘/˘˘˘·
I said before: the frugal life is his,10·····/˘···
Which in a saint or cynic ever was10·····/˘/˘·
The theme of praise: a hermit would not miss10·····/˘···
Canonization for the self-same cause,10·˘˘/˘·····
And wherefore blame gaunt wealth’s austerities?10·/˘····/˘˘
Because, you’ll say, nought calls for such a trial;—11·········/˘
Then there’s more merit in his self-denial.11···/˘···˘/˘
He is your only poet;—passion, pure10···/˘/˘/˘·
And sparkling on from heap to heap, displays,10·/˘·····˘/
Possess’d, the ore, of which mere hopes allure10˘/······˘/
Nations athwart the deep: the golden rays10/˘˘/···/˘·
Flash up in ingots from the mine obscure;10···/˘···˘/
On him the diamond pours its brilliant blaze,10···/˘··/˘·
While the mild emerald’s beam shades down the dies10···/˘·····
Of other stones, to soothe the miser’s eyes.10·/˘····/˘·
The lands on either side are his; the ship10···/˘·····
From Ceylon, Inde, or far Cathay, unloads10·˘/···˘/˘/
For him the fragrant produce of each trip;10···/˘/˘···
Beneath his cars of Ceres groan the roads,10·····/˘···
And the vine blushes like Aurora’s lip;10···/˘·˘/˘·
His very cellars might be kings’ abodes;10·/˘/˘···˘/
While he, despising every sensual call,10··˘/˘/˘/˘·
Commands—the intellectual lord of all.10˘/··˘/˘···
Perhaps he hath great projects in his mind,10˘/···/˘···
To build a college, or to found a race,10···/˘·····
A hospital, a church,—and leave behind10·/·˘······
Some dome surmounted by his meagre face:10··˘/˘··/˘·
Perhaps he fain would liberate mankind10˘/···/˘·//
Even with the very ore which makes them base;10/··/˘·····
Perhaps he would be wealthiest of his nation,11˘/···/˘··/˘
Or revel in the joys of calculation.11·/˘·····˘/˘
But whether all, or each, or none of these10··········
May be the hoarder’s principle of action,11·····/˘˘·/˘
The fool will call such mania a disease:—10·····/˘·˘/
What is his own? Go—look at each transaction,11········˘/˘
Wars, revels, loves—do these bring men more ease10·/˘·······
Than the mere plodding through each ‘vulgar fraction’?11···/˘··/˘/˘
Or do they benefit mankind? Lean miser!11···/˘˘//·/˘
Let spendthrifts’ heirs enquire of yours—who ’s wiser?11····˘/····/
How beauteous are rouleaus! how charming chests11·/˘˘·˘/·/˘·
Containing ingots, bags of dollars, coins10˘/˘/˘··/˘·
(Not of old victors, all whose heads and crests10···/˘·····
Weigh not the thin ore where their visage shines,10·······/˘·
But) of fine unclipt gold, where dully rests10·······/˘·
Some likeness, which the glittering cirque confines,10·/˘··/˘·˘/
Of modern, reigning, sterling, stupid stamp:—10·/˘/˘/˘/˘·
Yes! ready money is Aladdin’s lamp.10·/˘/˘·˘/˘·
‘Love rules the camp, the court, the grove,’—‘for love10··········
Is heaven, and heaven is love:’—so sings the bard;10·/·/······
Which it were rather difficult to prove10···/˘/˘˘··
(A thing with poetry in general hard).10···/˘·/˘˘·
Perhaps there may be something in ‘the grove,’10˘/···/˘···
At least it rhymes to ‘love;’ but I’m prepared10········˘/
To doubt (no less than landlords of their rental)11·····/···/˘
If ‘courts’ and ‘camps’ be quite so sentimental.11········˘/˘
But if Love don’t, Cash does, and Cash alone:10········˘/
Cash rules the grove, and fells it too besides;10········˘/
Without cash, camps were thin, and courts were none;10··········
Without cash, Malthus tells you—‘take no brides.’10··········
So Cash rules Love the ruler, on his own10·····/˘···
High ground, as virgin Cynthia sways the tides:10···/˘/˘···
And as for ‘Heaven being Love,’ why not say honey11···//····/˘
Is wax? Heaven is not Love, ’tis Matrimony.11··/····/˘·˘
Is not all love prohibited whatever,11····˘/˘˘·/˘
Excepting marriage? which is love, no doubt,10·/˘/˘·····
After a sort; but somehow people never11·····/·/˘/˘
With the same thought the two words have help’d out:10··········
Love may exist with marriage, and should ever,11··˘/·/˘··/˘
And marriage also may exist without;10·/˘/˘·˘/··
But love sans bans is both a sin and shame,10··········
And ought to go by quite another name.10······˘/˘·
Now if the ‘court,’ and ‘camp,’ and ‘grove,’ be not10··········
Recruited all with constant married men,10˘/˘··/˘/˘·
Who never coveted their neighbour’s lot,10·/˘/˘˘·/˘·
I say that line ’s a lapsus of the pen;—11···········
Strange too in my ‘buon camerado’ Scott,10··········
So celebrated for his morals, when10·/˘·˘··/˘·
My Jeffrey held him up as an example11·/˘·····˘/˘
To me;—of whom these morals are a sample.11·····/˘··/˘
Well, if I don’t succeed, I have succeeded,11····˘/··˘/˘
And that ’s enough; succeeded in my youth,11···˘/˘/˘···
The only time when much success is needed:11·/˘···˘/·/˘
And my success produced what I, in sooth,10··˘/˘/····
Cared most about; it need not now be pleaded—11·········/˘
Whate’er it was, ’twas mine; I’ve paid, in truth,11˘˘/········
Of late the penalty of such success,10···/˘˘··˘/
But have not learn’d to wish it any less.10·······/˘·
That suit in Chancery,—which some persons plead10···/˘··/˘·
In an appeal to the unborn, whom they,10··˘/··//··
In the faith of their procreative creed,9·····/˘˘·
Baptize posterity, or future clay,—10˘/˘/˘˘·/˘·
To me seems but a dubious kind of reed10·····/˘···
To lean on for support in any way;10····˘/·/˘·
Since odds are that posterity will know10····˘/˘˘··
No more of them, than they of her, I trow.10··········
Why, I’m posterity—and so are you;10··˘/˘˘····
And whom do we remember? Not a hundred.11····˘/˘··/˘
Were every memory written down all true,10·/˘/˘/˘···
The tenth or twentieth name would be but blunder’d;11···/˘····/˘
Even Plutarch’s Lives have but pick’d out a few,10/·········
And ’gainst those few your annalists have thunder’d;11·········/˘
And Mitford in the nineteenth century10·····///˘˘
Gives, with Greek truth, the good old Greek the lie.10··········
Good people all, of every degree,10·/˘··/˘˘˘/
Ye gentle readers and ungentle writers,11·/˘/˘·˘/˘/˘
In this twelfth Canto ’tis my wish to be10···/˘·····
As serious as if I had for inditers11·/˘········
Malthus and Wilberforce:—the last set free10···/˘·····
The Negroes and is worth a million fighters;11·/˘····/˘/˘
While Wellington has but enslaved the Whites,10·/˘˘··˘/··
And Malthus does the thing ’gainst which he writes.10··········
I’m serious—so are all men upon paper;11·/˘······/˘
And why should I not form my speculation,11········˘/˘
And hold up to the sun my little taper?11·······/˘/˘
Mankind just now seem wrapt in mediation11//······˘/˘
On constitutions and steam-boats of vapour;11··˘/˘····/˘
While sages write against all procreation,11·/˘····/˘/˘
Unless a man can calculate his means10·····/˘···
Of feeding brats the moment his wife weans.10·/˘··/˘···
That ’s noble! That ’s romantic! For my part,12··/˘··˘/˘···
I think that ‘Philo-genitiveness’ is11···/˘······
(Now here’s a word quite after my own heart,10··········
Though there’s a shorter a good deal than this,10···/˘·····
If that politeness set it not apart;10··˘/˘···˘/
But I’m resolved to say nought that ’s amiss)—11··˘/·····˘/
I say, methinks that ‘Philo-genitiveness’12··˘/·/˘·····
Might meet from men a little more forgiveness.11·····/˘·˘/˘
And now to business.—O my gentle Juan,11···/˘··/˘··
Thou art in London—in that pleasant place,10···/˘··/˘·
Where every kind of mischief ’s daily brewing,12·/˘··/˘·/˘/˘
Which can await warm youth in its wild race.10··˘/······
’Tis true, that thy career is not a new one;11····˘/·····
Thou art no novice in the headlong chase10···/˘··/··
Of early life; but this is a new land,10·/˘·······
Which foreigners can never understand.10·/˘˘·/˘·˘/
What with a small diversity of climate,11····˘/˘˘·/˘
Of hot or cold, mercurial or sedate,10····˘/˘·˘/
I could send forth my mandate like a primate11·····/···/·
Upon the rest of Europe’s social state;10·····/˘/˘·
But thou art the most difficult to rhyme at,10·····/˘···
Great Britain, which the Muse may penetrate.10·/˘····/˘·
All countries have their ‘Lions,’ but in thee10·/˘··/˘···
There is but one superb menagerie.10····˘/˘/˘˘
But I am sick of politics. Begin,10·····/˘·˘/
‘Paulo Majora.’ Juan, undecided11/˘······˘/˘
Amongst the paths of being ‘taken in,’10·····/˘/˘·
Above the ice had like a skater glided:11·······/˘/˘
When tired of play, he flirted without sin10·/···/˘···
With some of those fair creatures who have prided11·····/˘··/˘
Themselves on innocent tantalisation,10˘/·/˘·····
And hate all vice except its reputation.11········˘/˘
But these are few, and in the end they make10··········
Some devilish escapade or stir, which shows10·/˘/˘·····
That even the purest people may mistake10·/·/˘/˘·˘/
Their way through virtue’s primrose paths of snows;10···/˘/····
And then men stare, as if a new ass spake10··········
To Balaam, and from tongue to ear o’erflows10·/˘·······
Quicksilver small talk, ending (if you note it)11//˘··/˘····
With the kind world’s amen—‘Who would have thought it?’11····˘/·····
The little Leila, with her orient eyes,11·/˘/˘··/˘··
And taciturn Asiatic disposition12·/˘··˘/˘·˘/˘
(Which saw all western things with small surprise,10···/˘···˘/
To the surprise of people of condition,11··˘/·/˘·˘/˘
Who think that novelties are butterflies10···/˘˘·/˘·
To be pursued as food for inanition),11··˘/·······
Her charming figure and romantic history11·/˘/˘·˘/˘/˘
Became a kind of fashionable mystery.11˘/···/˘˘/˘˘
The women much divided—as is usual11·/˘·˘/˘··/˘
Amongst the sex in little things or great.10·····/˘···
Think not, fair creatures, that I mean to abuse you all—13···/˘····˘/··
I have always liked you better than I state:11··/···/˘···
Since I’ve grown moral, still I must accuse you all12···/˘···˘/··
Of being apt to talk at a great rate;10·/˘·······
And now there was a general sensation11·····/˘˘˘/˘
Amongst you, about Leila’s education.11·····/˘·˘/˘
In one point only were you settled—and10···/˘··/˘·
You had reason; ’twas that a young child of grace,11··/˘·······
As beautiful as her own native land,10·/˘˘···/˘·
And far away, the last bud of her race,10··˘/······
Howe’er our friend Don Juan might command10··/·····˘/
Himself for five, four, three, or two years’ space,10˘/········
Would be much better taught beneath the eye10···/˘·····
Of peeresses whose follies had run dry.10·····/˘···
So first there was a generous emulation,11·····/˘·˘/˘
And then there was a general competition,11·····/˘·˘/˘
To undertake the orphan’s education.11·/˘··/˘·˘/˘
As Juan was a person of condition,11·····/˘·˘/˘
It had been an affront on this occasion11····˘/··˘/˘
To talk of a subscription or petition;11····˘/˘·˘/˘
But sixteen dowagers, ten unwed she sages,11·///˘·˘/·/˘
Whose tale belongs to ‘Hallam’s Middle Ages,’11··˘/·/˘/˘/˘
And one or two sad, separate wives, without11·····/˘····
A fruit to bloom upon their withering bough—10·······/˘·
Begg’d to bring up the little girl and ‘out,’—10·····/˘···
For that ’s the phrase that settles all things now,11······/˘···
Meaning a virgin’s first blush at a rout,10/˘·/˘·····
And all her points as thorough-bred to show:10·····/˘···
And I assure you, that like virgin honey11··˘/···/˘/˘
Tastes their first season (mostly if they have money).12···/˘/˘···/˘
How all the needy honourable misters,11···/˘····/˘
Each out-at-elbow peer, or desperate dandy,11···/···/˘/˘
The watchful mothers, and the careful sisters11·/˘/˘··/˘/˘
(Who, by the by, when clever, are more handy11·····/˘··/˘
At making matches, where ‘’tis gold that glisters,’11·/˘/˘······
Than their he relatives), like flies o’er candy11···/˘˘···/˘
Buzz round ‘the Fortune’ with their busy battery,11···/˘··/˘/˘
To turn her head with waltzing and with flattery!11·····/˘··/˘
Each aunt, each cousin, hath her speculation;11···/˘···˘/˘
Nay, married dames will now and then discover11·/˘·····˘/˘
Such pure disinterestedness of passion,11··˘/˘˘˘˘·/˘
I’ve known them court an heiress for their lover.11·····/˘··/˘
‘Tantaene!’ Such the virtues of high station,10····/˘··/˘
Even in the hopeful Isle, whose outlet ’s ‘Dover!’12/··/˘··/··/˘
While the poor rich wretch, object of these cares,10·····/˘···
Has cause to wish her sire had had male heirs.10·····/····
Some are soon bagg’d, and some reject three dozen.11······˘/·/˘
’Tis fine to see them scattering refusals11·····/˘˘˘/˘
And wild dismay o’er every angry cousin11··˘/·/˘/˘/˘
(Friends of the party), who begin accusals,11···/˘·˘/···
Such as—‘Unless Miss (Blank) meant to have chosen11·········/˘
Poor Frederick, why did she accord perusals11·/˘···˘/˘/˘
To his billets? Why waltz with him? Why, I pray,11··/˘·······
Look yes last night, and yet say no to-day?10··········
‘Why?—Why?—Besides, Fred really was attach’d;10··˘/·/˘·˘/
’Twas not her fortune—he has enough without:11···/˘··˘/··
The time will come she’ll wish that she had snatch’d10··········
So good an opportunity, no doubt:—10····˘/˘˘··
But the old marchioness some plan had hatch’d,10···/˘˘····
As I’ll tell Aurea at to-morrow’s rout:11···˘/˘··/˘·
And after all poor Frederick may do better—11·····/˘··/˘
Pray did you see her answer to his letter?’11·····/˘··/˘
Smart uniforms and sparkling coronets10·/˘··/˘/˘/
Are spurn’d in turn, until her turn arrives,10········˘/
After male loss of time, and hearts, and bets10··········
Upon the sweepstakes for substantial wives;10···/··˘/˘·
And when at last the pretty creature gets10·····/˘/˘·
Some gentleman, who fights, or writes, or drives,10·/˘˘······
It soothes the awkward squad of the rejected11···/˘···˘/˘
To find how very badly she selected.11···/˘/˘·˘/˘
For sometimes they accept some long pursuer,11·/··˘/··˘/˘
Worn out with importunity; or fall10··········
(But here perhaps the instances are fewer)11··˘/·/˘˘·/˘
To the lot of him who scarce pursued at all.11·······˘/··
A hazy widower turn’d of forty ’s sure11·/˘/˘··/˘··
(If ’tis not vain examples to recall)10····˘/˘·˘/
To draw a high prize: now, howe’er he got her, I12············
See nought more strange in this than t’ other lottery.12········/˘/˘
I, for my part (one ‘modern instance’ more,10·····/˘/˘·
‘True, ’tis a pity—pity ’tis, ’tis true’),10···/˘/˘···
Was chosen from out an amatory score,11·/˘···/˘˘˘·
Albeit my years were less discreet than few;11˘/˘····˘/··
But though I also had reform’d before10···/˘·˘/··
Those became one who soon were to be two,10·˘/·······
I’ll not gainsay the generous public’s voice,10··/··/˘/˘·
That the young lady made a monstrous choice.10···/˘··/˘·
O, pardon my digression—or at least10·/˘·˘/˘···
Peruse! ’Tis always with a moral end10˘/·/···/˘·
That I dissert, like grace before a feast:10··˘/······
For like an aged aunt, or tiresome friend,10······/˘˘·
A rigid guardian, or a zealous priest,10·/˘/˘··/˘·
My Muse by exhortation means to mend10·····/˘···
All people, at all times, and in most places,11·/˘······/˘
Which puts my Pegasus to these grave paces.11···/˘˘···/˘
But now I’m going to be immoral; now10···/··˘/˘·
I mean to show things really as they are,10·····/˘···
Not as they ought to be: for I avow,10········˘/
That till we see what ’s what in fact, we’re far11···········
From much improvement with that virtuous plough10··˘/˘··/˘·
Which skims the surface, leaving scarce a scar10···/˘/˘···
Upon the black loam long manured by Vice,10······˘/··
Only to keep its corn at the old price.10/˘········
But first of little Leila we’ll dispose;10···/˘/˘·˘/
For like a day-dawn she was young and pure,10··········
Or like the old comparison of snows,10····˘/˘˘··
Which are more pure than pleasant to be sure.10·····/˘···
Like many people everybody knows,10·/˘/˘/˘·˘·
Don Juan was delighted to secure10····˘/˘·˘/
A goodly guardian for his infant charge,10·/˘/˘··/˘·
Who might not profit much by being at large.10···/˘··/··
Besides, he had found out he was no tutor11˘/·······/˘
(I wish that others would find out the same);10···/˘·····
And rather wish’d in such things to stand neuter,11·/˘······/˘
For silly wards will bring their guardians blame:10·/˘····/˘·
So when he saw each ancient dame a suitor11·····/˘··/˘
To make his little wild Asiatic tame,11···/˘··˘/˘·
Consulting ‘the Society for Vice10˘/˘·˘/˘˘··
Suppression,’ Lady Pinchbeck was his choice.10˘/˘/˘/˘···
Olden she was—but had been very young;10/˘·····/˘·
Virtuous she was—and had been, I believe;10/˘······˘/
Although the world has such an evil tongue10·······/˘·
That—but my chaster ear will not receive10········˘/
An echo of a syllable that ’s wrong:10·/˘··/˘···
In fact, there’s nothing makes me so much grieve,10···/˘·····
As that abominable tittle-tattle,11··˘/˘˘˘/˘/˘
Which is the cud eschew’d by human cattle.11·····/·/˘/˘
Moreover I’ve remark’d (and I was once10˘/˘·˘/····
A slight observer in a modest way),10··˘/˘··/˘·
And so may every one except a dunce,10···/˘·····
That ladies in their youth a little gay,10·/˘····/˘·
Besides their knowledge of the world, and sense10˘/·/˘·····
Of the sad consequence of going astray,10···/˘˘·/˘/
Are wiser in their warnings ’gainst the woe10·/˘··/˘···
Which the mere passionless can never know.10···/˘˘·/˘·
While the harsh prude indemnifies her virtue11····˘/˘··/˘
By railing at the unknown and envied passion,12·/˘··˘/·/˘/˘
Seeking far less to save you than to hurt you,11/˘·········
Or, what ’s still worse, to put you out of fashion,—12··········/˘
The kinder veteran with calm words will court you,10·//˘······
Entreating you to pause before you dash on;11···········
Expounding and illustrating the riddle11˘/˘·/˘·˘·/˘
Of epic Love’s beginning, end, and middle.11·/˘·˘/˘··/˘
Now whether it be thus, or that they are stricter,12··········/˘
As better knowing why they should be so,10·/˘/˘·····
I think you’ll find from many a family picture,11·····/·/˘/˘
That daughters of such mothers as may know10·/˘··/˘···
The world by experience rather than by lecture,12···˘/˘/˘··/˘
Turn out much better for the Smithfield Show10···/˘··/˘·
Of vestals brought into the marriage mart,10·/˘····/˘·
Than those bred up by prudes without a heart.10··········
I said that Lady Pinchbeck had been talk’d about—12···/˘/˘·····
As who has not, if female, young, and pretty?11·····/···/˘
But now no more the ghost of Scandal stalk’d about;12·······/˘···
She merely was deem’d amiable and witty,11·/˘··/˘˘·/˘
And several of her best bon-mots were hawk’d about:12·/˘·········
Then she was given to charity and pity,11···/·/˘˘·/˘
And pass’d (at least the latter years of life)10·····/˘···
For being a most exemplary wife.10·/˘··˘/˘˘·
High in high circles, gentle in her own,10···/˘/˘···
She was the mild reprover of the young,10····˘/˘···
Whenever—which means every day—they’d shown10˘/˘··/˘···
An awkward inclination to go wrong.10·/˘·˘/˘···
The quantity of good she did ’s unknown,10·/˘·····˘/
Or at the least would lengthen out my song:10·····/˘···
In brief, the little orphan of the East10···/˘/˘···
Had raised an interest in her, which increased.10···/˘···˘/
Juan, too, was a sort of favourite with her,12············
Because she thought him a good heart at bottom,11·········/˘
A little spoil’d, but not so altogether;11·/˘·····˘/˘
Which was a wonder, if you think who got him,11···/˘······
And how he had been toss’d, he scarce knew whither:11·········/˘
Though this might ruin others, it did not him,10···//˘····
At least entirely—for he had seen too many11··˘/˘·····/
Changes in youth, to be surprised at any.11/˘····˘/·/˘
And these vicissitudes tell best in youth;10··˘/˘˘····
For when they happen at a riper age,10···/˘·····
People are apt to blame the Fates, forsooth,10/˘······˘/
And wonder Providence is not more sage.10·/˘/˘˘····
Adversity is the first path to truth:10˘/˘˘······
He who hath proved war, storm, or woman’s rage,10·······/˘·
Whether his winters be eighteen or eighty,11···/˘·˘/·/˘
Hath won the experience which is deem’d so weighty.12···˘/˘····/˘

The first 400 of 712 lines; the reader marks them all.

Notes from the edition 40

Notes by Ernest Hartley Coleridge, The Works of Lord Byron, Poetry vol. VI (John Murray, 1903). Bracketed passages are the editor's; unbracketed are Byron's own or earlier editors'.

  1. Stanza 2 [See letter to Douglas Kinnaird, dated Genoa, January 18, 1823.]
  2. Stanza 3 [Johnson would not believe that "a complete miser is a happy man." "That," he said, "is flying in the face of all the world, who have called an avaricious man a miser, because he is miserable. No, sir; a man who both spends and saves money is the happiest man, because he has both enjoyments."--Boswell's Life of Johnson, 1876, p. 605.]
  3. Stanza 5 [The Descamisados, or Sansculottes of the Spanish Revolution of 1820-1823. For Spanish "Liberals," see Quarterly Review, April, 1823, vol. xxix. pp. 270-276.]
  4. Stanza 5 [Hamlet, act i. sc. 1, line 116.]
  5. Stanza 5 [See The Age of Bronze, line 678, sq., Poetical Works, 1901, v. 573, note 3.]
  6. Stanza 6 [Jacques Laffitte (1767-1844), as Governor of the Bank of France, advanced sums to Parisians to meet their enforced contributions to the allies, and, in 1817, advocated liberal measures as a Deputy.]
  7. Stanza 12 ["They say that 'Knowledge is Power';--I used to think so; but I now know that they meant Money ... every guinea is a philosopher's stone, or at least his touch-stone. You will doubt me the less, when I pronounce my pious belief--that Cash is Virtue."--Letter to Kinnaird, February 6, 1822, Letters, 1901, vi. 11.]
  8. Stanza 13 [Lay of the Last Minstrel, Canto III. stanza ii. lines 4-6.]
  9. Stanza 14 [See Godwin's Essay Of Population, 1820 (pp. 18, 19, et passim), in which he renews his attack on Malthus's Essay on the Principles of Population.]
  10. Stanza 16 ["We have no notion that Lord B[yron] had any mischievous intention in these publications--and readily acquit him of any wish to corrupt the morals, or impair the happiness of his readers ... but it is our duty ... to say, that much of what he has published appears to us to have this tendency.... How opposite to this is the system, or the temper, of the great author of Waverley!"--Edinburgh Review, February, 1822, vol. 36, p. 451.]
  11. Stanza 18 [In the case of Murray v. Benbow (February 9, 1822), the Lord Chancellor (Lord Eldon) refused the motion for an injunction to restrain the defendant from publishing a pirated edition of Lord Byron's poem of Cain (Jacob's Reports, p. 474, note). Hence (see var. i.) the allusion to "Law" and "Equity." The "suit" and the "appeal" (vide ibid.) refer to legal proceedings taken, or intended to be taken, with regard to certain questions arising out of the disposition of property under Lady Noel's will. (See letters to Charles Hanson, September 21, November 30, 1822, Letters, 1901, vi. 115, 146.)]
  12. Stanza 18 See [William] Mitford's Greece (1829, v. 314, 315), "Græcia Verax." His great pleasure consists in praising tyrants, abusing Plutarch, spelling oddly, and writing quaintly; and what is strange, after all, his is the best modern history of Greece in any language, and he is perhaps the best of all modern historians whatsoever. Having named his sins, it is but fair to state his virtues--learning, labour, research, wrath, and partiality. I call the latter virtues in a writer, because they make him write in earnest.

    [Byron consulted Mitford when he was at work on Sardanapalus. (See Extracts from a Diary, January 5, 1821, Letters, 1901, v. 152, note 1.)]
  13. Stanza 20 [Thomas Robert Malthus (1766-1834) married, in 1804, Harriet, daughter of John Eckersall of Claverton House, near Bath. There were three children of the marriage, of whom two survived him. Byron may be alluding to the apocryphal story of "his eleven daughters," related by J.L.A. Cherbuliez, in the Journal des Économistes (1850, vol. xxv. p. 135): "Un soir ... il y avait cercle chez M. de Sismondi, à sa maison de campagne près de Genève.... Enfin, on annonce le révérend Malthus et sa famille. Sa famille!... Alors on voit entrer une charmante jeune fille, puis une seconde, puis une troisième, puis une quatrième, puis ... Il n'y en avait, ma fois, pas moins de onze!" See Malthus and his Work, by James Bonar, 1885, pp. 412, 413. See, too, Nouveau Dictionnaire de L'Économie Politique, 1892, art. "Malthus."]
  14. Stanza 21 [Compare--

    "How commentators each dark passage shun, And hold their farthing candle to the sun."

    Love of Fame, the Universal Passion, by Edward Young, Sat. vii. lines 97, 98.]
  15. Stanza 22 [Philo-progenitiveness. Spurzheim and Gall discover the organ of this name in a bump behind the ears, and say it is remarkably developed in the bull.]
  16. Stanza 30 [Henry Hallam (1778-1859) published his View of the State of Europe in the Middle Ages in 1818.]
  17. Stanza 37 This line may puzzle the commentators more than the present generation.
  18. Stanza 38 [As You Like It, act ii. sc. 7, line 156; and Hamlet, act ii. sc. 2, lines, 97, 98.]
  19. Stanza 41 [For the allusion to "unsunned snows," vide ante, p. 275, note 1.]
  20. Stanza 42 [The reference may be to Hobhouse and the "Zoili of Albemarle Street," who did their best to "tutor" him with regard to "blazing indiscretions" in Don Juan.]
  21. Stanza 43 [For another instance of this curious mistake, see letter to Hodgson, December 8, 1811, Letters, 1898, ii. 85; et ibid., p. 31, note 1.]
  22. Stanza 55 [Vide ante, Preface to Cantos VI., VII., and VIII., p. 266.]
  23. Stanza 56 ["Enfin partout la bonne société régle tout."--Voltaire.]
  24. Stanza 58 ["This game originated, I believe, in Germany.... It is called the game of the goose, because at every fourth and fifth compartment of the table in succession a goose is depicted; and if the cast thrown by the player falls upon a goose, he moves forward double the number of his throw" (Sports and Pastimes, etc., by Joseph Strutt, 1801, p. 250).

    Goldsmith, in his Deserted Village, among other "parlour splendours," mentions "the twelve good rules, the royal game of goose."]
  25. Stanza 64 ["I'll grow a talker for this gear."

    Merchant of Venice, act i. sc. 1, line 110.]
  26. Stanza 66 [Pope and Scott use the quasi-contracted "gynocracy" for "gynæcocracy." (See N. Engl. Dict.)]
  27. Stanza 70 [Hor., Epist., lib. 1, ep. xiv. line 43. The meaning is that Europe makes but little progress in the discovery and settlement of Africa, and, as it were, "ploughs the sands."]
  28. Stanza 70 ["Though many degrees nearer our own fair and blue-eyed beauties in complexion ... yet no people ever lost more by comparison than did the white ladies of Moorzuk [capital of Fezzan] with the black ones of Bornou and Soudan."--Narrative of Travels ... in Northern and Central Africa, 1822-24, by Denham, Clapperton, and Oudney, 1828, ii. 133.]
  29. Stanza 72 [Compare Prisoner of Chillon, lines 82-85, Poetical Works, 1901, iv. 17.]
  30. Stanza 73 The Russians, as is well known, run out from their hot baths to plunge into the Neva; a pleasant practical antithesis, which it seems does them no harm.
  31. Stanza 75 [Compare Childe Harold, Canto II. stanza lviii. line 9, Poetical Works, 1899, ii. 59, note 1.]
  32. Stanza 78 [See Plutarch's Caius Marius, Langhorne's translation, 1838, pp. 304, 305.]
  33. Stanza 82 For a description and print of this inhabitant of the polar region and native country of the Aurorae Boreales, see Sir E. Parry's Voyage In Search of a North-West Passage, [1821, p. 257. The print of the Musk-Bull is drawn and engraved by W. Westall, A.R.A., from a sketch by Lieut. Beechy. He is a "fearful wild-fowl!"]
  34. Stanza 82 [Charles, second Earl Grey, born March 13, 1764, succeeded to the peerage in 1807, died July 17, 1847.]
  35. Stanza 82 [William Pitt, first Earl of Chatham, born November 15, 1708, died May 11, 1778.]
  36. Stanza 84 ["His person was undoubtedly cast by Nature in an elegant and pleasing mould, of a just height, well-proportioned, and with due regard to symmetry.... His countenance was handsome and prepossessing.... His manners were captivating, noble, and dignified, yet unaffectedly condescending.... Homer, as well as Virgil, was familiar to the Prince of Wales; and his memory, which was very tenacious, enabled him to cite with graceful readiness the favourite passages of either poet."--The Historical ... Memoirs of Sir N.W. Wraxall, 1884, v. 353, 354.]
  37. Stanza 84 ["Waving myself, let me talk to you of the Prince Regent. He ordered me to be presented to him at a ball; and after some sayings peculiarly pleasing from royal lips, as to my own attempts, he talked to me of you and your immortalities; he preferred you to every other bard past and present.... He spoke alternately of Homer and yourself, and seemed well acquainted with both.... [All] this was conveyed in language which would only suffer by my attempting to transcribe it, and with a tone and taste which gave me a very high idea of his abilities and accomplishments, which I had hitherto considered as confined to manners certainly superior to those of any living gentleman."--Letter to Sir Walter Scott, July 6, 1812, Letters, 1898, ii. 134.]
  38. Stanza 86 B. 10^bre^ 7^th^ 1822.--[MS.]

    A sculptor projected to hew Mount Athos into a statue of Alexander, with a city in one hand, and, I believe, a river in his pocket, with various other similar devices. But Alexander's gone, and Athos remains, I trust ere long to look over a nation of freemen.

    [It was an architect named Stasicrates who proposed to execute this imperial monument. But Alexander bade him leave Mount Athos alone. As it was, it might be christened "Xerxes, his Folly," and, for his part, he preferred to regard Mount Caucasus, and the Himalayas, and the river Don as the symbolic memorials of his acts and deeds.--Plutarch's Moralia. "De Alexandri Fortuna et Virtute," Orat. II. cap. ii.]
  39. Stanza 88 [The "Political Economy" Club was founded in April, 1821. James Mill, Thomas Tooke, and David Ricardo were among the original members, See Political Economy Club, Revised Report, 1876, p. 60.]
  40. Stanza 89 [Stanzas lxxxviii. and lxxxix. are not in the MS.]

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