An Elegie upon the Death of His Owne Father
Vincent Corbet, farther knowneBy Poynters name, then by his owne,Here lyes ingaged till the dayOf raising bones, and quickning clay.Nor wonder, reader, that he hathTwo surnames in his epitaph;For this one did comprehendAll that two familyes could lend:And if to know more arts then anyCould multiply one into many,Here a colony lyes, then,Both of qualityes and men.Yeares he liv’d well nigh fourscore;But count his vertues, he liv’d more;And number him by doeing good,He liv’d their age beyond the Flood.Should wee undertake his story,Truth would seeme fain’d, and plainesse glory:Beside, this tablet were too small,Add to the pillers and the wall.Yet of this volume much is found,Written in many a fertill ground;Where the printer thee affordsEarth for paper, trees for words.He was Natures factour here,And legier lay for every sheire;To supply the ingenious wantsOf some spring-fruites, and forraigne plants.Simple he was, and wise withall;His purse nor base, nor prodigall;Poorer in substance then in freinds;Future and publicke were his endes;His conscience, like his dyett, suchAs neither tooke nor left too much:Soe that made lawes were uselesse growneTo him, he needed but his owne.Did he his neighbours bid, like thoseThat feast them only to enclose?Or with their rost meate racke their rents,And cozen them with their consents?Noe; the free meetings at his boordDid but one litterall sence afforde;Noe close or aker understood,But only love and neighbourhood.His alms were such as Paul defines,Not causes to be said, but signes;Which alms, by faith, hope, love, laid down,Laid up what now he wears ... a crown.Besides his fame, his goods, his life,He left a greiv’d sonne, and a wife;Straunge sorrow, not to be beleiv’d,Whenas the sonne and heire is greiv’d.Reade then, and mourne, what ere thou artThat doost hope to have a partIn honest epitaphs; least, being dead,Thy life bee written, and not read.
Words in this poem
- fourscore a.
- Four times twenty; eighty. [Four + core, n.]
- withall adv.
- With this; with that. [With + all.]
- conscience n.
- Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
- enclose v. t.
- To inclose. See Inclose. [F. enclos, p. p. of enclore to enclose; pref. en- (L. in) + clore to close. See Close, and cf. Inclose, Include.]
- cozen v. t.
- To cheat; to defrand; to beguile; to deceive, usually by small arts, or in a pitiful way. [From cousin, hence, literally, to deceive through pretext of relationship, F. cousiner.]
- sonne n.
- A male child; the male issue, or offspring, of a parent, father or mother. [OE. sone, sune, AS. sunu; akin to D. zoon, OS., OFries., & OHG. sunu, G. sohn, Icel. sonr, Sw. son, Dan. sön, Goth. sunus, Lith. sunus, Russ. suin', Skr. sunu (]
- mourne n.
- The armed or feruled end of a staff; in a sheephook, the end of the staff to which the hook is attached. Sir P. Sidney. [See 2d Morne.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
An Elegie upon the Death of His Owne Father is in the public domain. This text is taken from The Poems of Richard Corbet, late bishop of Oxford and of Norwich 4th edition, Project Gutenberg ebook #65375; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Corbet, An Elegie upon the Death of His Owne Father, in Poems (1647), text of Project Gutenberg ebook #65375, Laurel, https://laurelpoetry.com/poem/corbet-poems/an-elegie-upon-the-death-of-his-owne-father.html, id L08898.
Form and metre
An Elegie upon the Death of His Owne Father is 56 lines in a single stanza. It is in rhyming couplets, 86% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 6 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--CCDDEEFFGGHHIIJJ--KK--LL--MMNNOOPPQQRRSSTTUUVVWWXX knowneA · owneA · dayB · clayB · hath · epitaph · comprehendC · lendC · anyD · manyD · thenE · menE · fourscoreF · moreF · goodG · floodG · storyH · gloryH · smallI · wallI · foundJ · groundJ · affords · words · hereK · sheireK · wants · plants · withallL · prodigallL · freinds · endes · suchM · muchM · growneN · owneN · thoseO · encloseO · rentsP · consentsP · boordQ · affordeQ · understoodR · neighbourhoodR · definesS · signesS · downT · crownT · lifeU · wifeU · beleiv'dV · greiv'dV · artW · partW · deadX · readX
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Vincent Corbet, farther knowne | 7 | /˘/˘/˘· |
| By Poynters name, then by his owne, | 8 | ·/˘····· |
| Here lyes ingaged till the day | 7 | ······· |
| Of raising bones, and quickning clay. | 8 | ·/˘····· |
| Nor wonder, reader, that he hath | 8 | ·/˘/˘··· |
| Two surnames in his epitaph; | 8 | ·/···/˘· |
| For this one did comprehend | 7 | ·····˘/ |
| All that two familyes could lend: | 8 | ···/˘˘·· |
| And if to know more arts then any | 9 | ·······/˘ |
| Could multiply one into many, | 9 | ·/˘····/˘ |
| Here a colony lyes, then, | 7 | ··/˘˘·· |
| Both of qualityes and men. | 7 | ··/˘˘·· |
| Yeares he liv’d well nigh fourscore; | 7 | ·····/˘ |
| But count his vertues, he liv’d more; | 7 | ······· |
| And number him by doeing good, | 7 | ·/˘···· |
| He liv’d their age beyond the Flood. | 8 | ········ |
| Should wee undertake his story, | 8 | ··/˘··/˘ |
| Truth would seeme fain’d, and plainesse glory: | 8 | ······/˘ |
| Beside, this tablet were too small, | 8 | ˘/·/˘··· |
| Add to the pillers and the wall. | 8 | ···/˘··· |
| Yet of this volume much is found, | 8 | ···/˘··· |
| Written in many a fertill ground; | 9 | /˘·/˘···· |
| Where the printer thee affords | 7 | ··/˘·˘/ |
| Earth for paper, trees for words. | 7 | ··/˘··· |
| He was Natures factour here, | 7 | ··/˘/˘· |
| And legier lay for every sheire; | 9 | ·····/˘˘· |
| To supply the ingenious wants | 8 | ·˘/·˘/˘· |
| Of some spring-fruites, and forraigne plants. | 8 | ········ |
| Simple he was, and wise withall; | 8 | /˘······ |
| His purse nor base, nor prodigall; | 8 | ·····/˘˘ |
| Poorer in substance then in freinds; | 8 | /˘·/˘··· |
| Future and publicke were his endes; | 8 | /˘······ |
| His conscience, like his dyett, such | 7 | ·/˘···· |
| As neither tooke nor left too much: | 8 | ·/˘····· |
| Soe that made lawes were uselesse growne | 9 | ········· |
| To him, he needed but his owne. | 8 | ···/˘··· |
| Did he his neighbours bid, like those | 8 | ···/˘··· |
| That feast them only to enclose? | 8 | ···/˘·˘/ |
| Or with their rost meate racke their rents, | 8 | ········ |
| And cozen them with their consents? | 8 | ·/˘···˘/ |
| Noe; the free meetings at his boord | 8 | ···/˘··· |
| Did but one litterall sence afforde; | 9 | ···/˘˘··· |
| Noe close or aker understood, | 8 | ···/˘·˘/ |
| But only love and neighbourhood. | 8 | ·/˘····· |
| His alms were such as Paul defines, | 8 | ······˘/ |
| Not causes to be said, but signes; | 8 | ·/˘····· |
| Which alms, by faith, hope, love, laid down, | 8 | ········ |
| Laid up what now he wears ... a crown. | 8 | ········ |
| Besides his fame, his goods, his life, | 8 | ˘/······ |
| He left a greiv’d sonne, and a wife; | 8 | ········ |
| Straunge sorrow, not to be beleiv’d, | 8 | ·/˘····· |
| Whenas the sonne and heire is greiv’d. | 9 | /˘···/˘·· |
| Reade then, and mourne, what ere thou art | 8 | ········ |
| That doost hope to have a part | 7 | ······· |
| In honest epitaphs; least, being dead, | 10 | ·/˘/˘··/˘· |
| Thy life bee written, and not read. | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.