Composed at Clevedon, Somersetshire

Samuel Taylor Coleridge (1772–1834) · 1796–1817

iambic pentameter · unrhymed · 74 lines · from Poems of Coleridge

My pensive Sara! thy soft cheek reclinedThus on mine arm, most soothing sweet it isTo sit beside our cot, our cot o'ergrownWith white-flowered Jasmin, and the broad-leavedMyrtle,(Meet emblems they of Innocence and Love!),And watch the clouds, that late were rich withlight,Slow saddening round, and mark the star of eveSerenely brilliant (such should wisdom be)Shine opposite! How exquisite the scentsSnatched from yon bean-field! and the worldso hushed!

The stilly murmur of the distant seaTells us of silence.

And that simplest lute,Placed length-ways in the clasping casement,hark!How by the desultory breeze caressed,Like some coy maid half yielding to her lover,It pours such sweet upbraiding, as must needsTempt to repeat the wrong! And now, itsstringsBoldlier swept, the long sequacious notesOver delicious surges sink and rise,Such a soft floating witchery of soundAs twilight Elfins make, when they at eveVoyage on gentle gales from Fairy-Land,Where Melodies round honey-dropping flowers,Footless and wild, like birds of Paradise,Nor pause, nor perch, hovering on untamedwing!O! the one life within us and abroad,Which meets all motion and becomes its soul,A light in sound, a sound-like power in lightRhythm in all thought, and joyance everywhere--Methinks, it should have been impossibleNot to love all things in a world so filled;Where the breeze warbles, and the mute stillairIn Music slumbering on her instrument.

And thus, my love! as on the midway slopeOf yonder hill I stretch my limbs at noon,Whilst through my half-closed eye-lids I beholdThe sunbeams dance, like diamonds, on the main,And tranquil muse upon tranquillity;Full many a thought uncalled and undetained,And many idle flitting phantasies,Traverse my indolent and passive brain,As wild and various as the random galesThat swell and flutter on this subject lute!

And what if all of animated natureBe but organic harps diversely framed,That tremble into thought, as o'er them sweepsPlastic and vast, one intellectual breeze,At once the Soul of each, and God of all?

But thy more serious eye a mild reproofDarts, O beloved woman! nor such thoughtsDim and unhallowed dost thou not reject,And biddest me walk humbly with my God.Meek daughter in the family of Christ!Well hast thou said and holily dispraisedThese shapings of the unregenerate mind;Bubbles that glitter as they rise and breakOn vain Philosophy's aye-babbling spring.For never guiltless may I speak of him,The Incomprehensible! save when with aweI praise him, and with Faith that inly feels;Who with his saving mercies healed me,A sinful and most miserable man,Wildered and dark, and gave me to possessPeace, and this cot, and thee, dear honouredMaid!

Words in this poem 23
reclined a.
Falling or turned downward; reclinate.
serenely adv.
In a serene manner; clearly.
stilly a.
Still; quiet; calm.
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
desultory a.
Leaping or skipping about. [L. desultorius, fr. desultor a leaper, fr. desilire, desultum, to leap down; de + salire to leap. See Saltation.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
sequacious a.
Inclined to follow a leader; following; attendant. [L. sequax, -acis, fr. suquit to follow. See Sue to follow.]
witchery
Sorcery; enchantment; witchcraft.
joyance n.
Enjoyment; gayety; festivity; joyfulness. [OF. joiance.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
midway n.
The middle of the way or distance; a middle way or course.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
flitting n.
A flying with lightness and celerity; a fluttering.
indolent a.
Free from toil, pain, or trouble. [Pref. in- not + L. dolens, -entis, p. pr. of dolere to feel pain: cf. F. indolent. See Dolorous.]
diversely adv.
In different ways; differently; variously.
reproof n.
Refutation; confutation; contradiction. [OE. reproef. See Proof, Reprove.]
unhallowed a.
Not consecrated; hence, profane; unholy; impious; wicked. [Pref. un- not + hallowed.]
humbly adv.
With humility; lowly.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
holily adv.
Piously; with sanctity; in a holy manner. [From Holy.]
unregenerate a.
Not regenerated; not renewed in heart; remaining or being at enmity with God.
guiltless a.
Free from guilt; innocent.
inly a.
Internal; interior; secret. [OE. inlich, AS. inlic. See In.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Composed at Clevedon, Somersetshire is in the public domain. This text is taken from Poems of Coleridge, Project Gutenberg ebook #8208; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Taylor Coleridge, Composed at Clevedon, Somersetshire, in Poems of Coleridge (1796–1817), text of Project Gutenberg ebook #8208, Laurel, https://laurelpoetry.com/poem/coleridge-poems/composed-at-clevedon-somersetshire.html, id L00322.

Form and metre

Composed at Clevedon, Somersetshire is 74 lines in 6 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 10 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 ---------A---A----B--CB-BC- lute · casement · hark · caressed · lover · needs · its · strings · notes · riseA · sound · eve · land · flowersA · paradise · untamed · wing · abroad · soulB · light · every · whereC · impossibleB · filled · stillB · airC · instrument
  2. 4 ---A---A-- slope · noon · behold · mainA · tranquillity · undetained · phantasies · brainA · gales · lute
  3. 6 ---------------AA reproof · thoughts · reject · god · christ · dispraised · mind · break · spring · him · awe · feels · me · man · possess · honouredA · maidA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
My pensive Sara! thy soft cheek reclined10·/˘/˘···˘/
Thus on mine arm, most soothing sweet it is10·····/˘···
To sit beside our cot, our cot o'ergrown10···//·/···
With white-flowered Jasmin, and the broad-leaved10··/˘/˘····
Myrtle,2/˘
(Meet emblems they of Innocence and Love!),10·/˘··/˘˘··
And watch the clouds, that late were rich with9·········
light,1·
Slow saddening round, and mark the star of eve10·/˘·······
Serenely brilliant (such should wisdom be)10˘/˘/˘··/˘·
Shine opposite! How exquisite the scents10·/˘˘·/˘˘··
Snatched from yon bean-field! and the world9·˘·······
so hushed!2··
The stilly murmur of the distant sea10·/˘/˘··/˘·
Tells us of silence.5···/˘
And that simplest lute,5··/˘·
Placed length-ways in the clasping casement,10·˘····/˘/˘
hark!1·
How by the desultory breeze caressed,10···/˘·˘·˘/
Like some coy maid half yielding to her lover,11·····/˘··/˘
It pours such sweet upbraiding, as must needs10····/·˘···
Tempt to repeat the wrong! And now, its9··˘/·····
strings1·
Boldlier swept, the long sequacious notes9·····˘/˘·
Over delicious surges sink and rise,10··˘/˘/˘···
Such a soft floating witchery of sound10···/˘/˘˘··
As twilight Elfins make, when they at eve10·/·/˘·····
Voyage on gentle gales from Fairy-Land,10/˘·/˘··/˘·
Where Melodies round honey-dropping flowers,11·/˘˘·/˘/˘/˘
Footless and wild, like birds of Paradise,10/˘·····/˘·
Nor pause, nor perch, hovering on untamed10····/˘˘···
wing!1·
O! the one life within us and abroad,10········˘/
Which meets all motion and becomes its soul,10···/˘·˘/··
A light in sound, a sound-like power in light10·······/··
Rhythm in all thought, and joyance every11/˘····/˘/˘˘
where--1·
Methinks, it should have been impossible10˘/····˘/˘˘
Not to love all things in a world so filled;10··········
Where the breeze warbles, and the mute still9···/˘····
air1·
In Music slumbering on her instrument.11·/˘/˘˘··/˘˘
And thus, my love! as on the midway slope10·······/··
Of yonder hill I stretch my limbs at noon,10·/˘·······
Whilst through my half-closed eye-lids I behold10········˘/
The sunbeams dance, like diamonds, on the main,10·/···/˘···
And tranquil muse upon tranquillity;10·/˘···˘/˘˘
Full many a thought uncalled and undetained,10·/··˘/····
And many idle flitting phantasies,9·/˘/˘/˘··
Traverse my indolent and passive brain,10˘/·/˘˘·/˘·
As wild and various as the random gales10···/˘··/˘·
That swell and flutter on this subject lute!10···/˘··/˘·
And what if all of animated nature11·····/˘·˘/˘
Be but organic harps diversely framed,10··˘/˘·/˘˘·
That tremble into thought, as o'er them sweeps10·/˘·······
Plastic and vast, one intellectual breeze,10/˘····˘/˘·
At once the Soul of each, and God of all?10··········
But thy more serious eye a mild reproof10···/˘···˘/
Darts, O beloved woman! nor such thoughts10··˘/˘/˘···
Dim and unhallowed dost thou not reject,10··˘/˘···˘/
And biddest me walk humbly with my God.10·/˘··/˘···
Meek daughter in the family of Christ!10·/˘··/˘˘··
Well hast thou said and holily dispraised10·····/˘˘··
These shapings of the unregenerate mind;11·/˘········
Bubbles that glitter as they rise and break10/˘·/˘·····
On vain Philosophy's aye-babbling spring.10··˘/˘·/˘˘·
For never guiltless may I speak of him,10·/˘/˘·····
The Incomprehensible! save when with awe10·˘·˘/˘····
I praise him, and with Faith that inly feels;10·······/˘·
Who with his saving mercies healed me,10···/˘/˘·˘·
A sinful and most miserable man,10·/˘··/˘˘˘·
Wildered and dark, and gave me to possess10/˘······˘/
Peace, and this cot, and thee, dear honoured10·······/˘˘
Maid!1·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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