Or the Lover's Resolution

Samuel Taylor Coleridge (1772–1834) · 1796–1817

iambic pentameter · 193 lines · from Poems of Coleridge

Through weeds and thorns, and matted underwoodI force my way; now climb, and now descendO'er rocks, or bare or mossy, with wild footCrushing the purple whorts; while oft unseen,Hurrying along the drifted forest-leaves,The scared snake rustles. Onward still I toil,I know not, ask not whither! A new joy,Lovely as light, sudden as summer gust,And gladsome as the first-born of the spring,Beckons me on, or follows from behind,Playmate, or guide! The master-passion quelled,I feel that I am free. With dun-red barkThe fir-trees, and the unfrequent slender oak,Forth from this tangle wild of bush and brakeSoar up, and form a melancholy vaultHigh o'er me, murmuring like a distant sea.Here Wisdom might resort, and here Remorse;Here too the love-lorn man, who, sick in soul,And of this busy human heart aweary,Worships the spirit of unconscious lifeIn tree or wild-flower.--Gentle lunatic!If so he might not wholly cease to be,He would far rather not be that he is;But would be something that he knows not of,In winds or waters, or among the rocks!

But hence, fond wretch! breathe not contagionhere!No myrtle-walks are these: these are no grovesWhere Love dare loiter! If in sullen moodHe should stray hither, the low stumps shallgoreHis dainty feet, the briar and the thornMake his plumes haggard. Like a woundedbirdEasily caught, ensnare him, O ye Nymphs,Ye Oreads chaste, ye dusky Dryades!And you, ye Earth-winds! you that make atmornThe dew-drops quiver on the spiders' webs!You, O ye wingless Airs! that creep betweenThe rigid stems of heath and bitten furze,Within whose scanty shade, at summer-noon,The mother-sheep hath worn a hollow bed--Ye, that now cool her fleece with dropless damp,Now pant and murmur with her feeding lamb.Chase, chase him, all ye Fays, and elfin Gnomes!With prickles sharper than his darts bemockHis little Godship, making him perforceCreep through a thorn-bush on yon hedgehog'sback.

This is my hour of triumph! I can nowWith my own fancies play the merry fool,And laugh away worse folly, being free.Here will I seat myself, beside this old,Hollow, and weedy oak, which ivy-twineClothes as with net-work: here will couch my limbs,Close by this river, in this silent shade,As safe and sacred from the step of manAs an invisible world--unheard, unseen,And listening only to the pebbly brookThat murmurs with a dead, yet tinkling sound;Or to the bees, that in the neighbouring trunkMake honey-hoards. The breeze, that visits me,Was never Love's accomplice, never raisedThe tendril ringlets from the maiden's brow,And the blue, delicate veins above her cheek;Ne'er played the wanton--never half disclosedThe maiden's snowy bosom, scattering thenceEye-poisons for some love-distempered youth,Who ne'er henceforth may see an aspen-groveShiver in sunshine, but his feeble heartShall flow away like a dissolving thing.

Sweet breeze! thou only, if I guess aright,Liftest the feathers of the robin's breast,That swells its little breast, so full of song,Singing above me, on the mountain-ash.And thou too, desert stream! no pool of thine,Though clear as lake in latest summer-eve,Did e'er reflect the stately virgin's robe,The face, the form divine, the downcast lookContemplative! Behold! her open palmPresses her cheek and brow! her elbow restsOn the bare branch of half-uprooted tree,That leans towards its mirror! Who erewhileHad from her countenance turned, or looked by stealth(For fear is true-love's cruel nurse), he nowWith steadfast gaze and unoffending eye,Worships the watery idol, dreaming hopesDelicious to the soul, but fleeting, vain,E'en as that phantom-world on which he gazed,But not unheeded gazed: for see, ah! see,The sportive tyrant with her left hand plucksThe heads of tall flowers that behind her grow,Lychnis, and willow-herb, and fox-glove bells:And suddenly, as one that toys with time,Scatters them on the pool! Then all the charmIs broken--all that phantom world so fairVanishes, and a thousand circlets spread,And each mis-shapes the other. Stay awhile,Poor youth, who scarcely dar'st lift up thine eyes!

The stream will soon renew its smoothness, soonThe visions will return! And lo! he stays:And soon the fragments dim of lovely formsCome trembling back, unite, and now once moreThe pool becomes a mirror; and beholdEach wildflower on the marge inverted there,And there the half-uprooted tree--but where,O where the virgin's snowy arm, that leanedOn its bare branch? He turns, and she is gone!Homeward she steals through many a woodland mazeWhich he shall seek in vain. Ill-fated youth!Go, day by day, and waste thy manly primeIn mad love-yearning by the vacant brook,Till sickly thoughts bewitch thine eyes, and thouBehold'st her shadow still abiding there,The Naiad of the mirror!

Not to thee,O wild and desert stream! belongs this tale:Gloomy and dark art thou-the crowded firsSpire from thy shores, and stretch across thy bed,Making thee doleful as a cavern-well:Save when the shy king-fishers build their nestOn thy steep banks, no loves hast thou, wild stream!

This be my chosen haunt--emancipateFrom passion's dreams, a freeman, and alone,I rise and trace its devious course. O lead,Lead me to deeper shades and lonelier glooms.Lo! stealing through the canopy of firs,How fair the sunshine spots that mossy rock,Isle of the river, whose disparted wavesDart off asunder with an angry sound,How soon to re-unite! And see! they meet,Each in the other lost and found: and seePlaceless, as spirits, one soft water-sunThrobbing within them, heart at once and eye!With its soft neighbourhood of filmy clouds,The stains and shadings of forgotten tears,Dimness o'erswum with lustre! Such the hourOf deep enjoyment, following love's brief feuds;And hark, the noise of a near waterfall!I pass forth into light--I find myselfBeneath a weeping birch (most beautifulOf forest trees, the Lady of the Woods),Hard by the brink of a tall weedy rockThat overbrows the cataract. How burst?The landscape on my sight! Two crescent hillsFold in behind each other, and so makeA circular vale, and land-locked, as might seem,With brook and bridge, and grey stone cottages,Half hid by rocks and fruit-trees. At my feet,The whortle-berries are bedewed with spray,Dashed upwards by the furious waterfall.How solemnly the pendent ivy-massSwings in its winnow: All the air is calm.The smoke from cottage-chimneys, tinged with light,Rises in columns; from this house alone,Close by the waterfall, the column slants,And feels its ceaseless breeze. But what is this?That cottage, with its slanting chimney-smoke,And close beside its porch a sleeping child,His dear head pillow'd on a sleeping dog--One arm between its fore-legs, and the handHolds loosely its small handful of wildflowers,Unfilletted, and of unequal lengths.A curious picture, with a master's hasteSketched on a strip of pinky-silver skin,Peeled from the birchen bark! Divinest maid!Yon bark her canvas, and those purple berriesHer pencil! See, the juice is scarcely driedOn the fine skin! She has been newly here;And lo! yon patch of heath has been her couch--The pressure still remains! O blessed couch!For this may'st thou flower early, and the sun,Slanting at eve, rest bright, and linger longUpon thy purple bells! O Isabel!Daughter of genius! stateliest of our maids!More beautiful than whom Alcæus wooed,The Lesbian woman of immortal song!O child of genius! stately, beautiful,And full of love to all, save only me,And not ungentle e'en to me! My heart,Why beats it thus? Through yonder coppicewoodNeeds must the pathway turn, that leads straightwayOn to her father's house. She is alone!The night draws on-such ways are hard to hit--And fit it is I should restore this sketch,Dropt unawares no doubt. Why should I yearnTo keep the relique? 'twill but idly feedThe passion that consumes me. Let me haste!The picture in my hand which she has left;She cannot blame me that I follow'd her:And I may be her guide the long wood through.

Whorts, Whortle-berries, Bilberries; and in the North of England,

Words in this poem 55
underwood n.
Small trees and bushes that grow among large trees; coppice; underbrush; -- formerly used in the plural.
unseen a.
Not seen or discovered.
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
gladsome a.
Pleased; joyful; cheerful.
playmate n.
A companion in diversions; a playfellow.
unfrequent v. t.
To cease to frequent. [1st pref. un- + frequent.]
tangle v. t.
To unite or knit together confusedly; to interweave or interlock, as threads, so as to make it difficult to unravel the knot; to entangle; to ravel. [A frequentative fr. tang seaweed; hence, to twist like seaweed. See Tang seaweed, and cf. Tangle, n.]
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
dainty n.
Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
briar n.
A plant with a slender woody stem bearing stout prickles; especially, species of Rosa, Rubus, and Smilax. [OE. brere, brer, AS. brer, brær; cf. Ir. briar prickle, thorn, brier, pin, Gael. preas bush, brier, W. prys, prysg.]
haggard a.
Wild or intractable; disposed to break away from duty; untamed; as, a haggard or refractory hawk. Shak [F. hagard; of German origin, and prop. meaning, of the hegde or woods, wild, untamed. See Hedge, 1st Haw, and -ard.]
ensnare v. t.
To catch in a snare. See Insnare.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
pant v. i.
To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
elfin a.
Relating to elves.
bemock v. t.
To mock; to ridicule.
godship n.
The rank or character of a god; deity; divinity; a god or goddess. [God, n. + -ship.]
perforce v. t.
To force; to compel.
weedy a.
Of or pertaining to weeds; consisting of weeds.
unheard a.
Not heard; not perceived by the ear; as, words unheard by those present.
pebbly a.
Full of pebbles; pebbled.
neighbouring a.
Living or being near; adjacent; as, the neighboring nations or countries.
snowy a.
White like snow.
henceforth adv.
From this time forward; henceforward.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
aright adv.
Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
erewhile adv.
Some time ago; a little while before; heretofore.
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
idol n.
An image or representation of anything. [OE. idole, F. idole, L. idolum, fr. Gr. Wit, and cf. Eidolon.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
marge n.
Border; margin; edge; verge. [F. marge. See Margin.]
homeward a.
Being in the direction of home; as, the homeward way.
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
naiad n.
A water nymph; one of the lower female divinities, fabled to preside over some body of fresh water, as a lake, river, brook, or fountain. [L. naias, -adis, naïs, -idis, a water nymph, Gr naïade. Cf. Naid.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
devious a.
Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
placeless a.
Having no place or office.
filmy a.
Composed of film or films.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
ceaseless a.
Without pause or end; incessant.
handful n.
As much as the hand will grasp or contain. [AS. handfull.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
birchen a.
Of or relating to birch.
lesbian a.
Of or pertaining to the island anciently called Lesbos, now Mitylene, in the Grecian Archipelago.
ungentle a.
Not gentle; lacking good breeding or delicacy; harsh.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
pathway n.
A footpath; a beaten track; any path or course. Also used figuratively.
straightway adv.
Immediately; without loss of time; without delay.
yearn v. t.
To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Or the Lover's Resolution is in the public domain. This text is taken from Poems of Coleridge, Project Gutenberg ebook #8208; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Taylor Coleridge, Or the Lover's Resolution, in Poems of Coleridge (1796–1817), text of Project Gutenberg ebook #8208, Laurel, https://laurelpoetry.com/poem/coleridge-poems/or-the-lover-s-resolution.html, id L00323.

Form and metre

Or the Lover's Resolution is 193 lines in 8 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 10 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ---------------A-----A--- underwood · descend · foot · unseen · leaves · toil · joy · gust · spring · behind · quelled · bark · oak · brake · vault · seaA · remorse · soul · aweary · life · lunatic · beA · is · of · rocks
  2. 2 ---A--BAA---B------------ contagion · here · groves · moodA · shall · gore · thornB · woundedA · birdA · nymphs · dryades · at · mornB · webs · between · furze · noon · bed · damp · lamb · gnomes · bemock · perforce · hedgehog's · back
  3. 3 A-B---------B-A------- nowA · fool · freeB · old · twine · limbs · shade · man · unseen · brook · sound · trunk · meB · raised · browA · cheek · disclosed · thence · youth · grove · heart · thing
  4. 4 ----------AB--A---A-------B- aright · breast · song · ash · thine · eve · robe · look · palm · rests · treeA · erewhileB · stealth · now · eyeA · hopes · vain · gazed · seeA · plucks · grow · bells · time · charm · fair · spread · awhileB · eyes
  5. 5 -A---BB--A----B- soon · staysA · forms · more · behold · thereB · whereB · leaned · gone · mazeA · youth · prime · brook · thou · thereB · mirror
  6. 7 ---------A-A----B-B-------------------------------CD--CD------------- emancipate · alone · lead · glooms · firs · rock · waves · sound · meet · seeA · sun · eyeA · clouds · tears · hour · feuds · waterfallB · myself · beautifulB · woods · rock · burst · hills · make · seem · cottages · feet · spray · waterfall · mass · calm · light · alone · slants · this · smoke · child · dog · hand · wildflowers · lengths · haste · skin · maid · berries · dried · here · couch · couch · sun · longC · isabelD · maids · wooed · songC · beautifulD · me · heart · coppicewood · straightway · alone · hit · sketch · yearn · feed · haste · left · her · through
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Through weeds and thorns, and matted underwood10·····/˘/˘·
I force my way; now climb, and now descend10········˘/
O'er rocks, or bare or mossy, with wild foot10·····/˘···
Crushing the purple whorts; while oft unseen,10/˘·/˘···˘/
Hurrying along the drifted forest-leaves,10/˘˘/·/˘/˘·
The scared snake rustles. Onward still I toil,10···/˘/˘···
I know not, ask not whither! A new joy,10·····/˘···
Lovely as light, sudden as summer gust,10/˘··/˘·/˘·
And gladsome as the first-born of the spring,10·/˘·······
Beckons me on, or follows from behind,10/˘···/˘···
Playmate, or guide! The master-passion quelled,10/····/˘/˘·
I feel that I am free. With dun-red bark10··········
The fir-trees, and the unfrequent slender oak,11·····˘/˘/˘·
Forth from this tangle wild of bush and brake10···/˘·····
Soar up, and form a melancholy vault10·····/˘·˘·
High o'er me, murmuring like a distant sea.10···/˘··/˘·
Here Wisdom might resort, and here Remorse;10·/˘·˘/··˘/
Here too the love-lorn man, who, sick in soul,10··········
And of this busy human heart aweary,11···/˘/˘·˘/˘
Worships the spirit of unconscious life10/˘·/˘··/˘·
In tree or wild-flower.--Gentle lunatic!10····//˘/˘·
If so he might not wholly cease to be,10·····/˘···
He would far rather not be that he is;10···/˘·····
But would be something that he knows not of,10···/˘·····
In winds or waters, or among the rocks!10···/˘·····
But hence, fond wretch! breathe not contagion9······˘/˘
here!1·
No myrtle-walks are these: these are no groves10·/˘·······
Where Love dare loiter! If in sullen mood10···/˘··/˘·
He should stray hither, the low stumps shall9···/˘····
gore1·
His dainty feet, the briar and the thorn10·/˘··/˘···
Make his plumes haggard. Like a wounded9···/˘··/˘
bird1·
Easily caught, ensnare him, O ye Nymphs,10/˘˘·˘/····
Ye Oreads chaste, ye dusky Dryades!8·····/˘·
And you, ye Earth-winds! you that make at9·········
morn1·
The dew-drops quiver on the spiders' webs!10···/˘··/˘·
You, O ye wingless Airs! that creep between10···/˘·····
The rigid stems of heath and bitten furze,10·/˘····/˘·
Within whose scanty shade, at summer-noon,10···/˘··/˘·
The mother-sheep hath worn a hollow bed--10·/˘····/˘·
Ye, that now cool her fleece with dropless damp,10··········
Now pant and murmur with her feeding lamb.10···/˘··/˘·
Chase, chase him, all ye Fays, and elfin Gnomes!10·······/˘·
With prickles sharper than his darts bemock9··/˘···˘/
His little Godship, making him perforce10·/˘/˘/˘·˘/
Creep through a thorn-bush on yon hedgehog's9·······/·
back.1·
This is my hour of triumph! I can now10···/·/˘···
With my own fancies play the merry fool,10···/˘··/˘·
And laugh away worse folly, being free.10··˘/·/˘/˘·
Here will I seat myself, beside this old,10·····/˘/··
Hollow, and weedy oak, which ivy-twine10/˘·/˘··/˘·
Clothes as with net-work: here will couch my limbs,10··········
Close by this river, in this silent shade,10···/˘··/˘·
As safe and sacred from the step of man10···/˘·····
As an invisible world--unheard, unseen,10··˘/˘·˘/˘/
And listening only to the pebbly brook10·/˘/˘··/˘·
That murmurs with a dead, yet tinkling sound;10·/˘····/˘·
Or to the bees, that in the neighbouring trunk10·······/˘·
Make honey-hoards. The breeze, that visits me,10·/˘····/˘·
Was never Love's accomplice, never raised10·/˘·˘/˘/˘·
The tendril ringlets from the maiden's brow,10·/˘····/˘·
And the blue, delicate veins above her cheek;10···/˘·····
Ne'er played the wanton--never half disclosed10···/˘/˘·˘/
The maiden's snowy bosom, scattering thence10·/˘/˘/˘/˘·
Eye-poisons for some love-distempered youth,10·/˘···˘/˘·
Who ne'er henceforth may see an aspen-grove10··//···/˘·
Shiver in sunshine, but his feeble heart10/˘·/···/˘·
Shall flow away like a dissolving thing.10··˘/··˘/˘·
Sweet breeze! thou only, if I guess aright,10···/˘···˘/
Liftest the feathers of the robin's breast,10/˘·/˘··/˘·
That swells its little breast, so full of song,10···/˘·····
Singing above me, on the mountain-ash.10/˘·····/˘·
And thou too, desert stream! no pool of thine,10···/˘·····
Though clear as lake in latest summer-eve,10·····/˘/˘·
Did e'er reflect the stately virgin's robe,10··˘/·/˘/˘·
The face, the form divine, the downcast look10····˘/·/··
Contemplative! Behold! her open palm10˘/˘˘˘/·/˘·
Presses her cheek and brow! her elbow rests10/˘·····/··
On the bare branch of half-uprooted tree,10······˘/˘·
That leans towards its mirror! Who erewhile11····/˘·····
Had from her countenance turned, or looked by stealth10···/˘·····
(For fear is true-love's cruel nurse), he now10·····/˘···
With steadfast gaze and unoffending eye,10·/········
Worships the watery idol, dreaming hopes10/˘·/˘/˘/˘·
Delicious to the soul, but fleeting, vain,10˘/˘····/˘·
E'en as that phantom-world on which he gazed,10···/˘·····
But not unheeded gazed: for see, ah! see,10··˘/˘·····
The sportive tyrant with her left hand plucks10·/˘/˘·····
The heads of tall flowers that behind her grow,10····/·····
Lychnis, and willow-herb, and fox-glove bells:10/˘·/······
And suddenly, as one that toys with time,10·/˘˘······
Scatters them on the pool! Then all the charm10/˘········
Is broken--all that phantom world so fair10·/˘··/˘···
Vanishes, and a thousand circlets spread,10/˘˘··/˘···
And each mis-shapes the other. Stay awhile,10·····/˘·˘/
Poor youth, who scarcely dar'st lift up thine eyes!10···/˘·····
The stream will soon renew its smoothness, soon10····˘/·/˘·
The visions will return! And lo! he stays:10·/˘·˘/····
And soon the fragments dim of lovely forms10···/˘··/˘·
Come trembling back, unite, and now once more10·/˘·/·····
The pool becomes a mirror; and behold10··˘/·/˘·˘/
Each wildflower on the marge inverted there,10·/˘···˘/˘·
And there the half-uprooted tree--but where,10····˘/˘···
O where the virgin's snowy arm, that leaned10···/˘/˘···
On its bare branch? He turns, and she is gone!10··········
Homeward she steals through many a woodland maze10/˘···/·/˘·
Which he shall seek in vain. Ill-fated youth!10·······/˘·
Go, day by day, and waste thy manly prime10·······/˘·
In mad love-yearning by the vacant brook,10···/˘··/˘·
Till sickly thoughts bewitch thine eyes, and thou10·/˘·˘/····
Behold'st her shadow still abiding there,10···/··˘/˘·
The Naiad of the mirror!7·/˘··/˘
Not to thee,3···
O wild and desert stream! belongs this tale:10···/˘·˘/··
Gloomy and dark art thou-the crowded firs10/˘·····/˘·
Spire from thy shores, and stretch across thy bed,10······˘/··
Making thee doleful as a cavern-well:10/˘·/˘··/˘·
Save when the shy king-fishers build their nest10·····/˘···
On thy steep banks, no loves hast thou, wild stream!10··········
This be my chosen haunt--emancipate10···/˘·˘/˘·
From passion's dreams, a freeman, and alone,10·/˘··/˘·˘/
I rise and trace its devious course. O lead,10·····/˘···
Lead me to deeper shades and lonelier glooms.11···/˘······
Lo! stealing through the canopy of firs,10·/˘··/˘˘··
How fair the sunshine spots that mossy rock,10···/···/˘·
Isle of the river, whose disparted waves10···/˘·····
Dart off asunder with an angry sound,10··˘/˘··/˘·
How soon to re-unite! And see! they meet,10····/·····
Each in the other lost and found: and see10···/˘·····
Placeless, as spirits, one soft water-sun10/˘·/˘··/˘·
Throbbing within them, heart at once and eye!10/˘········
With its soft neighbourhood of filmy clouds,10·······/˘·
The stains and shadings of forgotten tears,10···/˘·˘/˘·
Dimness o'erswum with lustre! Such the hour11/˘···/˘··/˘
Of deep enjoyment, following love's brief feuds;10··˘/˘/˘···
And hark, the noise of a near waterfall!10·······/˘·
I pass forth into light--I find myself10·········/
Beneath a weeping birch (most beautiful10···/˘··/˘˘
Of forest trees, the Lady of the Woods),10·/˘··/˘···
Hard by the brink of a tall weedy rock10·······/˘·
That overbrows the cataract. How burst?10·····/˘˘··
The landscape on my sight! Two crescent hills10·/·····/˘·
Fold in behind each other, and so make10·····/˘···
A circular vale, and land-locked, as might seem,10·/˘·······
With brook and bridge, and grey stone cottages,10·······/˘˘
Half hid by rocks and fruit-trees. At my feet,10··········
The whortle-berries are bedewed with spray,10·/˘/˘·····
Dashed upwards by the furious waterfall.10·/˘··/˘/˘·
How solemnly the pendent ivy-mass10·/˘˘·/˘/˘·
Swings in its winnow: All the air is calm.10···/······
The smoke from cottage-chimneys, tinged with light,10···/˘/˘···
Rises in columns; from this house alone,10/˘·/˘···˘/
Close by the waterfall, the column slants,10···/˘··/˘·
And feels its ceaseless breeze. But what is this?10···/˘·····
That cottage, with its slanting chimney-smoke,10·/˘··/˘/˘·
And close beside its porch a sleeping child,10··˘/···/˘·
His dear head pillow'd on a sleeping dog--10·······/˘·
One arm between its fore-legs, and the hand10··········
Holds loosely its small handful of wildflowers,10·/˘··/··/·
Unfilletted, and of unequal lengths.10······˘/˘·
A curious picture, with a master's haste10·/˘/˘··/˘·
Sketched on a strip of pinky-silver skin,10·····/˘/˘·
Peeled from the birchen bark! Divinest maid!10···/˘·˘/˘·
Yon bark her canvas, and those purple berries11···/˘··/˘/˘
Her pencil! See, the juice is scarcely dried10·/˘····/˘·
On the fine skin! She has been newly here;10·······/˘·
And lo! yon patch of heath has been her couch--10··········
The pressure still remains! O blessed couch!10·/˘·˘/··˘·
For this may'st thou flower early, and the sun,10····//˘···
Slanting at eve, rest bright, and linger long10/˘·····/˘·
Upon thy purple bells! O Isabel!10···/˘··/˘·
Daughter of genius! stateliest of our maids!11/˘·/˘····/·
More beautiful than whom Alcæus wooed,10·/˘˘·····˘
The Lesbian woman of immortal song!10·/˘/˘·˘/˘·
O child of genius! stately, beautiful,10···/˘/˘/˘˘
And full of love to all, save only me,10·······/˘·
And not ungentle e'en to me! My heart,10··˘/˘·····
Why beats it thus? Through yonder coppicewood11·····/˘····
Needs must the pathway turn, that leads straightway10···/····/˘
On to her father's house. She is alone!10···/˘···˘/
The night draws on-such ways are hard to hit--10··········
And fit it is I should restore this sketch,10······˘/··
Dropt unawares no doubt. Why should I yearn10··˘/······
To keep the relique? 'twill but idly feed10···˘/··/˘·
The passion that consumes me. Let me haste!10·/˘·˘/····
The picture in my hand which she has left;10·/˘·······
She cannot blame me that I follow'd her:10·/˘····/˘·
And I may be her guide the long wood through.10··········
Whorts, Whortle-berries, Bilberries; and in the North of England,14·/˘/˘·······/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Samuel Taylor Coleridge