A Conversation Poem, Written in April 1798

Samuel Taylor Coleridge (1772–1834) · 1796–1817

iambic pentameter · unrhymed · 114 lines · from Poems of Coleridge

No cloud, no relique of the sunken dayDistinguishes the West, no long thin slipOf sullen light, no obscure trembling hues.Come, we will rest on this old mossy bridge!You see the glimmer of the stream beneath,Bur hear no murmuring: it flows silently,O'er its soft bed of verdure. All is still,A balmy night! and though the stars be dim,Yet let us think upon the vernal showersThat gladden the green earth, and we shall findA pleasure in the dimness of the stars.And hark! the Nightingale begins its song,"Most musical, most melancholy" bird!A melancholy bird? Oh! idle thought!In Nature there is nothing melancholy.But some night-wandering man whose heart was piercedWith the remembrance of a grievous wrong,Or slow distemper, or neglected love,(And so, poor wretch! fill'd all things with himself,And made all gentle sounds tell back the taleOf his own sorrow) he, and such as he,First named these notes a melancholy strain.And many a poet echoes the conceit;Poet who hath been building up the rhymeWhen he had better far have stretched his limbsBeside a brook in mossy forest-dell,By sun or moon-light, to the influxesOf shapes and sounds and shifting elementsSurrendering his whole spirit, of his songAnd of his fame forgetful! so his fameShould share in Nature's immortality,A venerable thing! and so his songShould make all Nature lovelier, and itselfBe loved like Nature! But 'twill not be so;And youths and maidens most poetical,Who lose the deepening twilights of the springIn ball-rooms and hot theatres, they stillFull of meek sympathy must heave their sighsO'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister! we have learntA different lore: we may not thus profaneNature's sweet voices, always full of loveAnd joyance! 'Tis the merry NightingaleThat crowds, and hurries, and precipitatesWith fast thick warble his delicious notes,As he were fearful that an April nightWould be too short for him to utter forthHis love-chant, and disburthen his full soulOf all its music!

And I know a groveOf large extent, hard by a castle huge,Which the great lord inhabits not; and soThis grove is wild with tangling underwood,And the trim walks are broken up, and grass,Thin grass and king-cups grow within the paths.But never elsewhere in one place I knewSo many nightingales; and far and near,In wood and thicket, over the wide grove,They answer and provoke each other's songs,With skirmish and capricious passagings,And murmurs musical and swift jug jug,And one low piping sound more sweet than all--Stirring the air with such an harmony,That should you close your eyes, you might almostForget it was not day! On moonlight bushes,Whose dewy leaflets are but half-disclosed,You may perchance behold them on the twigs,Their bright, bright eyes, their eyes both bright and full,Glistening, while many a glow-worm in the shadeLights up her love-torch.

A most gentle Maid,Who dwelleth in her hospitable homeHard by the castle, and at latest eve(Even like a Lady vowed and dedicateTo something more than Nature in the grove)Glides through the pathways; she knows all their notes,That gentle Maid! and oft, a moment's space,What time the moon was lost behind a cloud,Hath heard a pause of silence; till the moonEmerging, hath awakened earth and skyWith one sensation, and those wakeful birdsHave all burst forth in choral minstrelsy,As if some sudden gale had swept at onceA hundred airy harps! And she hath watchedMany a nightingale perch giddilyOn blossomy twig still swinging from the breeze,And to that motion tune his wanton songLike tipsy joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve,And you, my friends! farewell, a short farewell!We have been loitering long and pleasantly,And now for our dear homes.--That strain again!Full fain it would delay me! My dear babe,Who, capable of no articulate sound,Mars all things with his imitative lisp,How he would place his hand beside his ear,His little hand, the small forefinger up,And bid us listen! And I deem it wiseTo make him Nature's play-mate. He knows wellThe evening-star; and once, when he awokeIn most distressful mood (some inward painHad made up that strange thing, an infant's dream),I hurried with him to our orchard-plot,And he beheld the moon, and, hushed at once,Suspends his sobs, and laughs most silently,While his fair eyes, that swam with undroppedtears,Did glitter in the yellow moon-beam! Well!--It is a father's tale: But if that HeavenShould give me life, his childhood shall grow upFamiliar with these songs, that with the nightHe may associate joy.--Once more, farewell,Sweet Nightingale! once more, my friends!farewell.

Words in this poem 25
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
balmy a.
Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
gladden v. t.
To make glad; to cheer; to please; to gratify; to rejoice; to exhilarate. [See Glad, v. t.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
dell n.
A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
forgetful a.
Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
joyance n.
Enjoyment; gayety; festivity; joyfulness. [OF. joiance.]
hurries n.
A staith or framework from which coal is discharged from cars into vessels.
warble v. t.
To sing in a trilling, quavering, or vibratory manner; to modulate with turns or variations; to trill; as, certain birds are remarkable for warbling their songs. [OE. werbelen, OF. werbler; of Teutonic origin; cf. G. wirbeln to turn, to warble, D. wervelen, akin to E. whirl. See Whirl.]
disburthen v. t.
To disburden; to relieve of a load. [Cf. Disburden.]
underwood n.
Small trees and bushes that grow among large trees; coppice; underbrush; -- formerly used in the plural.
piping a.
Playing on a musical pipe. [From Pipe, v.]
wakeful a.
Not sleeping; indisposed to sleep; watchful; vigilant.
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
minstrelsy n.
The arts and occupation of minstrels; the singing and playing of a minstrel.
giddily adv.
In a giddy manner.
blossomy a.
Full of blossoms; flowery.
pleasantly adv.
In a pleasant manner.
fain v. t.
To be glad ; to wish or desire.
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
lisp v. i.
To pronounce the sibilant letter s imperfectly; to give s and z the sound of th; -- a defect common among children. [OE. lispen, lipsen, AS. wlisp stammering, lisping; akin to D. & OHG. lispen to lisp, G. lispeln, Sw. läspa, Dan. lespe.]
forefinger n.
The finger next to the thumb; the index.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
distressful a.
Full of distress; causing, indicating, or attended with, distress; as, a distressful situation.
childhood n.
The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Conversation Poem, Written in April 1798 is in the public domain. This text is taken from Poems of Coleridge, Project Gutenberg ebook #8208; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Taylor Coleridge, A Conversation Poem, Written in April 1798, in Poems of Coleridge (1796–1817), text of Project Gutenberg ebook #8208, Laurel, https://laurelpoetry.com/poem/coleridge-poems/a-conversation-poem-written-in-april-1798.html, id L00321.

Form and metre

A Conversation Poem, Written in April 1798 is 114 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 13 lines end on an unstressed syllable, a feminine ending. 42% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 A-------ABB---------- groveA · huge · so · underwood · grass · paths · knew · near · groveA · songsB · passagingsB · jug · all · harmony · almost · bushes · disclosed · twigs · full · shade · torch
  2. 5 -A-B----C-A-B------A-C-A-A eve · farewellA · pleasantly · againB · babe · sound · lisp · ear · upC · wise · wellA · awoke · painB · dream · plot · once · silently · undropped · tears · wellA · heaven · upC · night · farewellA · friends · farewellA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
No cloud, no relique of the sunken day10···˘/··/˘·
Distinguishes the West, no long thin slip10˘/˘˘······
Of sullen light, no obscure trembling hues.10·/˘··˘//˘·
Come, we will rest on this old mossy bridge!10·······/˘·
You see the glimmer of the stream beneath,10···/˘·····
Bur hear no murmuring: it flows silently,11···/˘˘··/˘˘
O'er its soft bed of verdure. All is still,10·····/˘···
A balmy night! and though the stars be dim,10·/˘·······
Yet let us think upon the vernal showers11·······/˘/˘
That gladden the green earth, and we shall find10·/˘·······
A pleasure in the dimness of the stars.10·/˘··/˘···
And hark! the Nightingale begins its song,10···/˘˘˘/··
"Most musical, most melancholy" bird!10·/˘˘·/˘·˘·
A melancholy bird? Oh! idle thought!10·/˘·˘··/˘·
In Nature there is nothing melancholy.11·/˘··/˘/˘·˘
But some night-wandering man whose heart was pierced10···/˘·····
With the remembrance of a grievous wrong,10··˘/˘··/˘·
Or slow distemper, or neglected love,10··˘/˘·˘/˘·
(And so, poor wretch! fill'd all things with himself,10········˘/
And made all gentle sounds tell back the tale10···/˘·····
Of his own sorrow) he, and such as he,10···/˘·····
First named these notes a melancholy strain.10·····/˘·˘·
And many a poet echoes the conceit;10·/·/˘/˘·˘/
Poet who hath been building up the rhyme10/˘···/˘···
When he had better far have stretched his limbs10···/˘·····
Beside a brook in mossy forest-dell,10˘/···/˘/˘·
By sun or moon-light, to the influxes10·······/·˘
Of shapes and sounds and shifting elements10·····/˘/˘˘
Surrendering his whole spirit, of his song10˘/˘˘··/···
And of his fame forgetful! so his fame10····˘/˘···
Should share in Nature's immortality,10···/˘·˘/˘˘
A venerable thing! and so his song10·/˘˘˘·····
Should make all Nature lovelier, and itself11···/˘····˘/
Be loved like Nature! But 'twill not be so;10···/˘·····
And youths and maidens most poetical,9···/˘····
Who lose the deepening twilights of the spring10···/˘/····
In ball-rooms and hot theatres, they still10·····/˘˘··
Full of meek sympathy must heave their sighs10···/˘˘····
O'er Philomela's pity-pleading strains.10··˘/˘/˘/˘·
My Friend, and thou, our Sister! we have learnt10····//˘···
A different lore: we may not thus profane10·/˘·····˘/
Nature's sweet voices, always full of love10/˘·/˘/˘···
And joyance! 'Tis the merry Nightingale10·/˘··/˘/˘˘
That crowds, and hurries, and precipitates10···/˘·˘/˘·
With fast thick warble his delicious notes,10···/˘·˘/˘·
As he were fearful that an April night10···/˘··/˘·
Would be too short for him to utter forth10·······/˘·
His love-chant, and disburthen his full soul10····˘/˘···
Of all its music!5···/˘
And I know a grove5·····
Of large extent, hard by a castle huge,10··˘/···/˘·
Which the great lord inhabits not; and so10····˘/˘···
This grove is wild with tangling underwood,10·····/˘/˘·
And the trim walks are broken up, and grass,10·····/˘···
Thin grass and king-cups grow within the paths.10··········
But never elsewhere in one place I knew10·/˘/······
So many nightingales; and far and near,10·/˘/˘˘····
In wood and thicket, over the wide grove,10···/˘·····
They answer and provoke each other's songs,10·/˘·˘/·/˘·
With skirmish and capricious passagings,10·/˘·˘/˘···
And murmurs musical and swift jug jug,10·/˘/˘˘····
And one low piping sound more sweet than all--10···/˘·····
Stirring the air with such an harmony,10/˘·····/˘˘
That should you close your eyes, you might almost10········/·
Forget it was not day! On moonlight bushes,11˘/·····/·/˘
Whose dewy leaflets are but half-disclosed,10·/˘/˘···˘/
You may perchance behold them on the twigs,10··˘/˘/····
Their bright, bright eyes, their eyes both bright and full,10··········
Glistening, while many a glow-worm in the shade10/˘·/······
Lights up her love-torch.5·····
A most gentle Maid,5··/˘·
Who dwelleth in her hospitable home10·/˘··//˘˘·
Hard by the castle, and at latest eve10···/˘··/˘·
(Even like a Lady vowed and dedicate10/··/˘··/˘·
To something more than Nature in the grove)10·/˘··/˘···
Glides through the pathways; she knows all their notes,10···/······
That gentle Maid! and oft, a moment's space,10·/˘····/˘·
What time the moon was lost behind a cloud,10··········
Hath heard a pause of silence; till the moon10·····/˘···
Emerging, hath awakened earth and sky10˘/˘·˘/˘···
With one sensation, and those wakeful birds10··˘/˘··/˘·
Have all burst forth in choral minstrelsy,10·····/˘/˘˘
As if some sudden gale had swept at once10···/˘·····
A hundred airy harps! And she hath watched10·/˘/˘·····
Many a nightingale perch giddily10/˘·/˘˘·/˘˘
On blossomy twig still swinging from the breeze,11·/˘˘··/˘···
And to that motion tune his wanton song10···/˘··/˘·
Like tipsy joy that reels with tossing head.10·/˘····/˘·
Farewell, O Warbler! till to-morrow eve,10·/·/˘··/˘·
And you, my friends! farewell, a short farewell!10·····/···/
We have been loitering long and pleasantly,11···/˘˘··/˘˘
And now for our dear homes.--That strain again!10···/····˘/
Full fain it would delay me! My dear babe,10····˘/····
Who, capable of no articulate sound,10·/˘··˘/˘··
Mars all things with his imitative lisp,10·····/˘·˘·
How he would place his hand beside his ear,10······˘/··
His little hand, the small forefinger up,10·/˘···/·˘·
And bid us listen! And I deem it wise10···/˘·····
To make him Nature's play-mate. He knows well10···/˘·····
The evening-star; and once, when he awoke10·/˘·····˘/
In most distressful mood (some inward pain10··˘/˘··/˘·
Had made up that strange thing, an infant's dream),10·······/˘·
I hurried with him to our orchard-plot,10·/˘···//˘·
And he beheld the moon, and, hushed at once,10··˘/······
Suspends his sobs, and laughs most silently,10˘/·····/˘˘
While his fair eyes, that swam with undropped10·········˘
tears,1·
Did glitter in the yellow moon-beam! Well!--10·/˘··/˘···
It is a father's tale: But if that Heaven11···/˘····/˘
Should give me life, his childhood shall grow up10·····/····
Familiar with these songs, that with the night10˘/˘·······
He may associate joy.--Once more, farewell,10··˘/˘····/
Sweet Nightingale! once more, my friends!8·/˘˘····
farewell.2·/

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