June

John Clare (1793–1864) · 1820–1835

iambic pentameter · heroic couplets · 116 lines · from Poems

Now Summer is in flower, and Nature’s humIs never silent round her bounteous bloom;Insects, as small as dust, have never doneWith glitt’ring dance, and reeling in the sun;And green wood-fly, and blossom-haunting bee,Are never weary of their melody.Round field and hedge, flowers in full glory twine,Large bind-weed bells, wild hop, and streak’d woodbine,That lift athirst their slender throated flowers,Agape for dew-fall, and for honey showers;These o’er each bush in sweet disorder run,And spread their wild hues to the sultry sun.The mottled spider, at eve’s leisure, weavesHis webs of silken lace on twigs and leaves,Which ev’ry morning meet the poet’s eye,Like fairies’ dew-wet dresses hung to dry.The wheat swells into ear, and hides belowThe May-month wild flowers and their gaudy show,Leaving, a school-boy’s height, in snugger rest,The leveret’s seat, and lark, and partridge nest.The mowers now bend o’er the beaded grass,Where oft the gipsy’s hungry journeying assWill turn his wishes from the meadow paths,List’ning the rustle of the falling swaths.The ploughman sweats along the fallow valesAnd down the sun-crack’d furrow slowly trails;Oft seeking, when athirst, the brook’s supply,Where, brushing eagerly the bushes byFor coolest water, he disturbs the restOf ring-dove, brooding o’er its idle nest.The shepherd’s leisure hours are over now;No more he loiters ’neath the hedge-row bough,On shadow-pillowed banks and lolling stile;The wilds must lose their summer friend awhile.With whistle, barking dogs, and chiding scold,He drives the bleating sheep from fallow foldTo wash-pools, where the willow shadows lean,Dashing them in, their stained coats to clean,Then, on the sunny sward, when dry again,He brings them homeward to the clipping pen,Of hurdles, form’d where elm or sycamoreShut out the sun--or to some threshing-floor.There with the scraps of songs, and laugh, and tale,He lightens annual toil, while merry aleGoes round, and glads some old man’s heart to praiseThe threadbare customs of his early days:How the high bowl was in the middle setAt breakfast time, when clippers yearly met,Fill’d full of furmety, where dainty swumThe streaking sugar and the spotting plum.The maids could never to the table bringThe bowl, without one rising from the ringTo lend a hand; who, if ’twere ta’en amiss,Would sell his kindness for a stolen kiss.The large stone pitcher in its homely trimAnd clouded pint-horn with its copper rim,Were there; from which were drunk, with spirits highHealths of the best the cellar could supply;While sung the ancient swains, in uncouth rhymes,Songs that were pictures of the good old times.Thus will the old man ancient ways bewail,Till toiling shears gain ground upon the tale,And break it off,--for now the timid sheep,His fleece shorn off, starts with a fearful leap,Shaking his naked skin with wond’ring joys,While others are brought in by sturdy boys.Though fashion’s haughty frown hath thrown asideHalf the old forms simplicity supplied,Yet there are some pride’s winter deigns to spare,Left like green ivy when the trees are bare.And now, when shearing of the flocks is doneSome ancient customs, mix’d with harmless fun,Crown the swain’s merry toils. The timid maid,Pleased to be praised, and yet of praise afraid,Seeks the best flowers; not those of woods and fields,But such as every farmer’s garden yields--Fine cabbage-roses, painted like her face;The shining pansy, trimm’d with golden lace;The tall topp’d larkheels, feather’d thick with flowers;The woodbine, climbing o’er the door in bowers;The London tufts, of many a mottled hue;The pale pink pea, and monkshood darkly blue;The white and purple gilliflowers, that stayLing’ring, in blossom, summer half away;The single blood-walls, of a luscious smell,Old-fashion’d flowers which housewives love so well;The columbine, stone-blue, or deep night-brown,Their honeycomb-like blossoms hanging down,Each cottage-garden’s fond adopted child,Though heaths still claim them, where they yet grow wild;With marjoram knots, sweet-brier, and ribbon-grass,And lavender, the choice of ev’ry lass,And sprigs of lad’s-love--all familiar names,Which every garden through the village claims.These the maid gathers with a coy delight,And ties them up, in readiness for night;Then gives to ev’ry swain, ’tween love and shame,Her “clipping-posies” as his yearly claim.He rises, to obtain the custom’d kiss:--With stifled smiles, half hankering after bliss,She shrinks away, and blushing, calls it rude;Yet turns to smile, and hopes to be pursued;While one, to whom the hint may be applied,Follows to gain it, and is not denied.The rest the loud laugh raise, to make it known,--She blushes silent, and will not disown!Thus ale, and song, and healths, and merry ways,Keep up a shadow still of former days;But the old beechen bowl, that once suppliedThe feast of furmety, is thrown aside;And the old freedom that was living then,When masters made them merry with their men;When all their coats alike were russet brown,And his rude speech was vulgar as their own--All this is past, and soon will pass awayThe time-torn remnant of the holiday.

Words in this poem 23
bounteous a.
Liberal in charity; disposed to give freely; generously liberal; munificent; beneficent; free in bestowing gifts; as, bounteous production. [OE. bountevous, fr. bounte bounty.]
athirst a.
Wanting drink; thirsty. [OE. ofthurst, AS. ofpyrsted, p. p. of ofpyrstan; pref. of-, intensive + pyrstan to thirst. See Thirst.]
agape adv.
Gaping, as with wonder, expectation, or eager attention. [Pref. a- + gape.]
rustle v. i.
To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
ploughman n.
One who plows, or who holds and guides a plow; hence, a husbandman. Chaucer.
brushing a.
Constructed or used to brush with; as a brushing machine.
pillowed a.
Provided with a pillow or pillows; having the head resting on, or as on, a pillow.
stile n.
A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
bleating a.
Crying as a sheep does.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
homeward a.
Being in the direction of home; as, the homeward way.
clipping n.
The act of embracing.
threadbare a.
Worn to the naked thread; having the nap worn off; threadbare clothes.
dainty n.
Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
homely a.
Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
shearing n.
The act or operation of clipping with shears or a shearing machine, as the wool from sheep, or the nap from cloth.
monkshood n.
A plant of the genus Aconitum; aconite. See Aconite.
luscious a.
Sweet; delicious; very grateful to the taste; toothsome; excessively sweet or rich. [Prob. for lustious, fr. lusty, or perh. a corruption of luxurious. Cf. Lush, Lusty.]
columbine a.
Of or pertaining to a dove; dovelike; dove-colored. [L. columbinus, fr. columba dove.]
lass n.
A youth woman; a girl; a sweetheart. [OE. lasse; prob. of Celtic origin; cf. W. llodes girl, fem. of llawd lad. (Lad a youth.]
beechen a.
Consisting, or made, of the wood or bark of the beech; belonging to the beech. [AS. b.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

June is in the public domain. This text is taken from Poems, Project Gutenberg ebook #52601; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Clare, June, in Poems (1820–1835), text of Project Gutenberg ebook #52601, Laurel, https://laurelpoetry.com/poem/clare-poems/june.html, id L06673.

Form and metre

June is 116 lines in a single stanza. It is in rhyming couplets, 93% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 6 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AA--BBCCDDEEFFGGHHII--JJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccddeeffgghhiijjkkllmmnnooppqqrrssttuuvvwwxxyyzzAA--BB hum · bloom · doneA · sunA · bee · melody · twineB · woodbineB · flowersC · showersC · runD · sunD · weavesE · leavesE · eyeF · dryF · belowG · showG · restH · nestH · grassI · assI · paths · swaths · valesJ · trailsJ · supplyK · byK · restL · nestL · nowM · boughM · stileN · awhileN · scoldO · foldO · leanP · cleanP · againQ · penQ · sycamoreR · floorR · taleS · aleS · praiseT · daysT · setU · metU · swumV · plumV · bringW · ringW · amissX · kissX · trimY · rimY · highZ · supplyZ · rhymesa · timesa · bewailb · taleb · sheepc · leapc · joysd · boysd · asidee · suppliede · sparef · baref · doneg · fung · maidh · afraidh · fieldsi · yieldsi · facej · lacej · flowersk · bowersk · huel · bluel · staym · awaym · smelln · welln · browno · downo · childp · wildp · grassq · lassq · namesr · claimsr · delights · nights · shamet · claimt · kissu · blissu · rudev · pursuedv · appliedw · deniedw · knownx · disownx · waysy · daysy · suppliedz · asidez · thenA · menA · brown · own · awayB · holidayB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Now Summer is in flower, and Nature’s hum10·/˘··/·/˘·
Is never silent round her bounteous bloom;10·//˘··/˘˘·
Insects, as small as dust, have never done10/······/˘·
With glitt’ring dance, and reeling in the sun;10·····/˘···
And green wood-fly, and blossom-haunting bee,10·····/˘/˘·
Are never weary of their melody.10·/˘/˘··/˘˘
Round field and hedge, flowers in full glory twine,10····/··/˘·
Large bind-weed bells, wild hop, and streak’d woodbine,10········/˘
That lift athirst their slender throated flowers,11··˘/·/˘/˘/˘
Agape for dew-fall, and for honey showers;11˘/·····/˘/˘
These o’er each bush in sweet disorder run,10······˘/˘·
And spread their wild hues to the sultry sun.10·······/˘·
The mottled spider, at eve’s leisure, weaves10·/˘/˘··/˘·
His webs of silken lace on twigs and leaves,10···/˘·····
Which ev’ry morning meet the poet’s eye,10···/˘··/˘·
Like fairies’ dew-wet dresses hung to dry.10·/˘··/˘···
The wheat swells into ear, and hides below10··········
The May-month wild flowers and their gaudy show,10····/··/˘·
Leaving, a school-boy’s height, in snugger rest,10/˘········
The leveret’s seat, and lark, and partridge nest.11········/˘·
The mowers now bend o’er the beaded grass,10·/˘····/˘·
Where oft the gipsy’s hungry journeying ass10·····/˘/˘·
Will turn his wishes from the meadow paths,10···/˘··/··
List’ning the rustle of the falling swaths.10···/˘··/˘·
The ploughman sweats along the fallow vales10····˘/·/··
And down the sun-crack’d furrow slowly trails;10·····/˘/˘·
Oft seeking, when athirst, the brook’s supply,10·/˘·˘/··˘/
Where, brushing eagerly the bushes by10·/˘/˘˘·/˘·
For coolest water, he disturbs the rest10·/˘/˘·˘/··
Of ring-dove, brooding o’er its idle nest.10···/˘··/˘·
The shepherd’s leisure hours are over now;10·/˘/˘/····
No more he loiters ’neath the hedge-row bough,10···/˘·····
On shadow-pillowed banks and lolling stile;10·/·/˘··/˘·
The wilds must lose their summer friend awhile.10·····/˘·˘/
With whistle, barking dogs, and chiding scold,10·/˘/˘··/˘·
He drives the bleating sheep from fallow fold10···/˘··/··
To wash-pools, where the willow shadows lean,10·····/·/··
Dashing them in, their stained coats to clean,10/˘····˘···
Then, on the sunny sward, when dry again,10···/˘···˘/
He brings them homeward to the clipping pen,10···/˘··/˘·
Of hurdles, form’d where elm or sycamore10·/˘····/˘·
Shut out the sun--or to some threshing-floor.10·······/˘·
There with the scraps of songs, and laugh, and tale,10··········
He lightens annual toil, while merry ale10·/˘/˘··/˘·
Goes round, and glads some old man’s heart to praise10··········
The threadbare customs of his early days:10·/·/˘··/˘·
How the high bowl was in the middle set10·······/˘·
At breakfast time, when clippers yearly met,10·/˘··/˘/˘·
Fill’d full of furmety, where dainty swum10·······/˘·
The streaking sugar and the spotting plum.10·/˘/˘··/˘·
The maids could never to the table bring10···/˘··/˘·
The bowl, without one rising from the ring10·····/˘···
To lend a hand; who, if ’twere ta’en amiss,10········˘/
Would sell his kindness for a stolen kiss.10···/˘··/˘·
The large stone pitcher in its homely trim10···/˘··/˘·
And clouded pint-horn with its copper rim,10·/˘····/˘·
Were there; from which were drunk, with spirits high10·······/˘·
Healths of the best the cellar could supply;10·····/˘·˘/
While sung the ancient swains, in uncouth rhymes,10···/˘··//·
Songs that were pictures of the good old times.10···/˘·····
Thus will the old man ancient ways bewail,10·····/˘·˘/
Till toiling shears gain ground upon the tale,10·/˘·······
And break it off,--for now the timid sheep,10·······/˘·
His fleece shorn off, starts with a fearful leap,10·······/˘·
Shaking his naked skin with wond’ring joys,10/˘·/˘·····
While others are brought in by sturdy boys.10·/˘····/˘·
Though fashion’s haughty frown hath thrown aside10·/˘/˘···˘/
Half the old forms simplicity supplied,10····˘/˘˘˘/
Yet there are some pride’s winter deigns to spare,10·····/˘···
Left like green ivy when the trees are bare.10···/˘·····
And now, when shearing of the flocks is done10···/˘·····
Some ancient customs, mix’d with harmless fun,10·/˘/˘··/˘·
Crown the swain’s merry toils. The timid maid,10···/˘··/˘·
Pleased to be praised, and yet of praise afraid,10········˘/
Seeks the best flowers; not those of woods and fields,10···/······
But such as every farmer’s garden yields--10···/˘/˘/˘·
Fine cabbage-roses, painted like her face;10·/˘/˘/˘···
The shining pansy, trimm’d with golden lace;10·/˘/˘··/˘·
The tall topp’d larkheels, feather’d thick with flowers;11·····/˘··/˘
The woodbine, climbing o’er the door in bowers;11·/˘/˘····/˘
The London tufts, of many a mottled hue;10·/˘··/·/˘·
The pale pink pea, and monkshood darkly blue;10·····/˘/˘·
The white and purple gilliflowers, that stay11···/˘······
Ling’ring, in blossom, summer half away;10···/˘/˘·˘/
The single blood-walls, of a luscious smell,10·/˘····/˘·
Old-fashion’d flowers which housewives love so well;10·/˘/·/····
The columbine, stone-blue, or deep night-brown,10·/˘·······
Their honeycomb-like blossoms hanging down,10·/˘··/˘/˘·
Each cottage-garden’s fond adopted child,10·/˘/˘·˘/˘·
Though heaths still claim them, where they yet grow wild;10··········
With marjoram knots, sweet-brier, and ribbon-grass,10·/˘··/·/˘·
And lavender, the choice of ev’ry lass,10·/˘˘······
And sprigs of lad’s-love--all familiar names,10······˘/˘·
Which every garden through the village claims.10·/˘/˘··/˘·
These the maid gathers with a coy delight,10···/˘···˘/
And ties them up, in readiness for night;10·····/˘˘··
Then gives to ev’ry swain, ’tween love and shame,10··········
Her “clipping-posies” as his yearly claim.9·/˘···/˘·
He rises, to obtain the custom’d kiss:--10·/˘·˘/····
With stifled smiles, half hankering after bliss,10·/˘··/˘···
She shrinks away, and blushing, calls it rude;10··˘/·/˘···
Yet turns to smile, and hopes to be pursued;10········˘/
While one, to whom the hint may be applied,10········˘/
Follows to gain it, and is not denied.10/˘······˘/
The rest the loud laugh raise, to make it known,--10··········
She blushes silent, and will not disown!10·/˘/˘···˘/
Thus ale, and song, and healths, and merry ways,10·······/˘·
Keep up a shadow still of former days;10···/···/˘·
But the old beechen bowl, that once supplied10···/˘···˘/
The feast of furmety, is thrown aside;10········˘/
And the old freedom that was living then,10···/˘··/˘·
When masters made them merry with their men;10·/˘··/˘···
When all their coats alike were russet brown,10····˘/·/˘·
And his rude speech was vulgar as their own--10·····/˘···
All this is past, and soon will pass away10········˘/
The time-torn remnant of the holiday.10···/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by John Clare