Intimations of the Beautiful
The hills are full of propheciesAnd ancient voices of the dead;Of hidden shapes that no man sees,Pale, visionary presences,That speak the things no tongue hath said,No mind hath thought, no eye hath read.
The streams are full of oracles,And momentary whisperings;An immaterial beauty swellsIts breezy silver o'er the shellsWith wordless speech that sings and singsThe message of diviner things.
No indeterminable thought is theirs,The stars', the sunsets' and the flowers';Whose inexpressible speech declaresTh' immortal Beautiful, who sharesThis mortal riddle which is ours,Beyond the forward-flying hours.
It holds and beckons in the streams;It lures and touches us in allThe flowers of the golden fall--The mystic essence of our dreams:A nymph blows bubbling music whereFaint water ripples down the rocks;A faun goes dancing hoiden locks,And piping a Pandean air,Through trees the instant wind shakes bare.
Our dreams are never otherwiseThan real when they hold us so;We in some future life shall knowThem parts of it and recognizeThem as ideal substance, whenceThe actual is--(as flowers and trees,From color sources no one sees,Draw dyes, the substance of a sense)--Material with intelligence.
What intimations made them wise,The mournful pine, the pleasant beech?What strange and esoteric speech?--(Communicated from the skiesIn runic whispers)--that invokesThe boles that sleep within the seeds,And out of narrow darkness leadsThe vast assemblies of the oaks.
Within his knowledge, what one readsThe poems written by the flowers?The sermons, past all speech of ours,Preached by the gospel of the weeds?--O eloquence of coloring!O thoughts of syllabled perfume!O beauty uttered into bloom!Teach me your language! let me sing!
Along my mind flies suddenlyA wildwood thought that will not die;That makes me brother to the bee,And cousin to the butterfly:A thought, such as gives perfume toThe blushes of the bramble-rose,And, fixed in quivering crystal, glowsA captive in the prismed dew.
It leads the feet no certain way;No frequent path of human feet:Its wild eyes follow me all day;All day I hear its wild heart beat:And in the night it sings and sighsThe songs the winds and waters love;Its wild heart lying tranced above,And tranced the wildness of its eyes.
Oh, joy, to walk the way that goesThrough woods of sweet-gum and of beech!Where, like a ruby left in reach,The berry of the dogwood glows:Or where the bristling hillsides mass,'Twixt belts of tawny sassafras,Brown shocks of corn in wigwam rows!
Where, in the hazy morning, runsThe stony branch that pools and drips,The red-haws and the wild-rose hipsAre strewn like pebbles; and the sun'sOwn gold seems captured by the weeds;To see, through scintillating seeds,The hunters steal with glimmering guns!
Oh, joy, to go the path which liesThrough woodlands where the trees are tall!Beneath the misty moon of fall,Whose ghostly girdle prophesiesA morn wind-swept and gray with rain;When, o'er the lonely, leaf-blown lane,The night-hawk like a dead leaf flies!
To stand within the dewy ringWhere pale death smites the boneset blooms,And everlasting's flowers, and plumesOf mint, with aromatic wing!And hear the creek,--whose sobbing seemsA wild-man murmuring in his dreams,--And insect violins that sing.
Or where the dim persimmon treeRains on the path its frosty fruit,And in the oak the owl doth hoot,Beneath the moon and mist, to seeThe outcast Year go,--Hagar-wise,--With far-off, melancholy eyes,And lips that sigh for sympathy.
Towards evening, where the sweet-gum flungIts thorny balls among the weeds,And where the milkweed's sleepy seeds,--A faery Feast of Lanterns,--swung;The cricket tuned a plaintive lyre,And o'er the hills the sunset hungA purple parchment scrawled with fire.
From silver-blue to amethystThe shadows deepened in the vale;And belt by belt the pearly-paleAladdin fabric of the mistBuilt up its exhalation far;A jewel on an Afrit's wrist,One star gemmed sunset's cinnabar.
Then night drew near, as when, alone,The heart and soul grow intimate;And on the hills the twilight sateWith shadows, whose wild robes were sownWith dreams and whispers;--dreams, that ledThe heart once with love's monotone,And memories of the living-dead.
All night the rain-gusts shook the leavesAround my window; and the blastRumbled the flickering flue, and fastThe storm streamed from the dripping eaves.As if--'neath skies gone mad with fear--The witches' Sabboth galloped past,The forests leapt like startled deer.
All night I heard the sweeping sleet;And when the morning came, as slowAs wan affliction, with the woeOf all the world dragged at her feet,No spear of purple shattered throughThe dark gray of the east; no bowOf gold shot arrows swift and blue.
But rain, that whipped the windows; filledThe spouts with rushings; and aroundThe garden stamped, and sowed the groundWith limbs and leaves; the wood-pool filledWith overgurgling.--Bleak and coldThe fields looked, where the footpath woundThrough teasel and bur-marigold.
Yet there's a kindness in such daysOf gloom, that doth console regretWith sympathy of tears, which wetOld eyes that watch the back-log blaze.--A kindness, alien to the deepGlad blue of sunny days that letNo thought in of the lives that weep.
This dawn, through which the Autumn glowers,--As might a face within our sleep,With stone-gray eyes that weep and weep,And wet brows bound with sodden flowers,--Is sunset to some sister land;A land of ruins and of palms;Rich sunset, crimson with long calms,--Whose burning belt low mountains bar,--That sees some brown Rebecca standBeside a well the camel-bandWinds down to 'neath the evening star.
O sunset, sister to this dawn!O dawn, whose face is turned away!Who gazest not upon this day,But back upon the day that's gone!Enamored so of loveliness,The retrospect of what thou wast,Oh, to thyself the present trust!And as thy past be beautifulWith hues, that never can grow less!Waiting thy pleasure to expressNew beauty lest the world grow dull.
Down in the woods a sorcerer,Out of rank rain and death, distills,--Through chill alembics of the air,--Aromas that brood everywhereAmong the whisper-haunted hills:The bitter myrrh of dead leaves fillsWet valleys (where the gaunt weeds bleach)With rainy scents of wood-decay;--As if a spirit all the daySat breathing softly 'neath the beech.
With other eyes I see her flit,The wood-witch of the wild perfumes,Among her elfin owls,--that sit,A drowsy white, in crescent-litDim glens of opalescent glooms:--Where, for her magic, buds and bloomsMysterious perfumes, while she stands,A thornlike shadow, summoningThe sleepy odors, that take wingLike bubbles from her dewy hands.
Among the woods they call to me--The lights that haunt the wood and stream;Voices of such white ecstasyAs moves with hushed lips through a dream:They stand in auraed radiances,Or flash with nimbused limbs acrossTheir golden shadows on the moss,Or slip in silver through the trees.
What love can give the heart in meMore hope and exaltation thanThe hand of light that tips the treeAnd beckons far from marts of man?That reaches foamy fingers throughThe broken ripple, and repliesWith sparkling speech of lips and eyesTo souls who seek and still pursue.
Give me the streams, that counterfeitThe twilight of autumnal skies;The shadowy, silent waters, litWith fire like a woman's eyes!Slow waters that, in autumn, glassThe scarlet-strewn and golden grass,And drink the sunset's tawny dyes.
Give me the pools, that lie amongThe centuried forests! give me those,Deep, dim, and sad as darkness hungBeneath the sunset's somber rose:Still pools, in whose vague mirrors look--Like ragged gypsies round a bookOf magic--trees in wild repose.
No quiet thing, or innocent,Of water, earth, or air shall pleaseMy soul now: but the violentBetween the sunset and the trees:The fierce, the splendid, and intense,That love matures in innocence,Like mighty music, give me these!
When thorn-tree copses still were bareAnd black along the turbid brook;When catkined willows blurred and shookGreat tawny tangles in the air;In bottomlands, the first thaw makesAn oozy bog, beneath the trees,Prophetic of the spring that wakes,Sang the sonorous hylodes.
Now that wild winds have stripped the thorn,And clogged with leaves the forest-creek;Now that the woods look blown and bleak,And webs are frosty white at morn;At night beneath the spectral sky,A far foreboding cry I hear--The wild fowl calling as they fly?Or wild voice of the dying Year?
And still my soul holds phantom tryst,When chestnuts hiss among the coals,Upon the Evening of All Souls,When all the night is moon and mist,And all the world is mystery;I kiss dear lips that death hath kissed,And gaze in eyes no man may see,Filled with a love long lost to me.
I hear the night-wind's ghostly gloveFlutter the window: then the knobOf some dark door turn, with a sobAs when love comes to gaze on loveWho lies pale-coffined in a room:And then the iron gallop ofThe storm, who rides outside; his plumeSweeping the night with dread and gloom.
So fancy takes the mind, and paintsThe darkness with eidolon light,And writes the dead's romance in nightOn the dim Evening of All Saints:Unheard the hissing nuts; the clinkAnd fall of coals, whose shadow faintsAround the hearts that sit and think,Borne far beyond the actual's brink.
I heard the wind, before the mornStretched gaunt, gray fingers 'thwart my pane,Drive clouds down, a dark dragon-train;Its iron visor closed, a hornOf steel from out the north it wound.--No morn like yesterday's! whose mouth,A cool carnation, from the southBreathed through a golden reed the soundOf days that drop clear gold uponCerulean silver floors of dawn.
And all of yesterday is lostAnd swallowed in to-day's wild light--The birth deformed of day and night,The illegitimate, who costIts mother secret tears and sighs;Unlovely since unloved; and chilledWith sorrows and the shame that filledIts parents' love; which was not wiseIn passion as the day and nightThat married yestermorn with light.
Down through the dark, indignant trees,On indistinguishable wingsOf storm, the wind of evening swings;Before its insane anger fleesDistracted leaf and shattered bough:There is a rushing as when seasOf thunder beat an iron prowOn reefs of wrath and roaring wreck:'Mid stormy leaves, a hurrying speckOf flickering blackness, driven by,A mad bat whirls along the sky.
Like some sad shadow, in the eve'sDeep melancholy--visibleAs by some strange and twilight spell--A gaunt girl stands among the leaves,The night-wind in her dolorous dress:Symbolic of the life that grieves,Of toil that patience makes not less,Her load of fagots fallen there.--A wilder shadow sweeps the air,And she is gone.... Was it the dumbEidolon of the month to come?
The song birds--are they flown away?The song birds of the summer time,That sang their souls into the day,And set the laughing hours to rhyme.No catbird scatters through the bushThe sparkling crystals of its song;Within the woods no hermit-thrushThridding with vocal gold the hush.
All day the crows fly cawing past:The acorns drop: the forests scowl:At night I hear the bitter blastHoot with the hooting of the owl.The wild creeks freeze: the ways are strewnWith leaves that clog: beneath the treeThe bird, that set its toil to tune,And made a home for melody,Lies dead beneath the snow-white moon.
Words in this poem 50
- breezy a.
- Characterized by, or having, breezes; airy.
- wordless a.
- Not using words; not speaking; silent; speechless.
- indeterminable a.
- Not determinable; impossible to be determined; not to be definitely known, ascertained, defined, or limited. [L. indeterminabilis: cf. F. indéterminable. See In- not, and Determine.]
- faun n.
- A god of fields and shipherds, diddering little from the satyr. [L. Faunus, fr. favere to be favorable. See Favor.]
- piping a.
- Playing on a musical pipe. [From Pipe, v.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- wildwood n.
- A wild or unfrequented wood. Also used adjectively; as, wildwood flowers; wildwood echoes. Burns.
- bramble n.
- Any plant of the genus Rubus, including the raspberry and blackberry. Hence: Any rough, prickly shrub. [OE. brembil, AS.brbramal), fr. the same root as E. broom, As. br. See Broom.]
- wigwam n.
- An Indian cabin or hut, usually of a conical form, and made of a framework of poles covered with hides, bark, or mats; -- called also tepee. [Sometimes written also weekwam.] [From the Algonquin or Massachusetts Indian word wek, "his house," or "dwelling place;" with possessive and locative affixes, we-kou-om-ut, "in his (or their) ho]
- hazy a.
- Thick with haze; somewhat obscured with haze; not clear or transparent. [From Haze, n.]
- ghostly a.
- Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- boneset n.
- A medicinal plant, the thoroughwort (Eupatorium perfoliatum).
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
- hoot v. i.
- To cry out or shout in contempt. [OE. hoten, houten, huten; cf. OSw. huta, Sw. huta ut to take one up sharply, fr. Sw. hut interj., begone! cf. also W. hwt off! off with it! away! hoot!]
- outcast a.
- Cast out; degraded. [Cf. Sw. utkasta to cast out.]
- amethyst
- A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- monotone n.
- A single unvaried tone or sound. [See Monotonous, Monotony.]
- shook v. t.
- To pack, as staves, in a shook.
- dripping n.
- A falling in drops, or the sound so made.
- sleet n.
- The part of a mortar extending from the chamber to the trunnions.
- footpath n.
- A narrow path or way for pedestrains only; a footway.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- retrospect v. i.
- To look backward; hence, to affect or concern what is past. [L. retrospicere; retro back + specere, spectum, to look. See Spy, and cf. Expect.]
- wast
- The second person singular of the verb be, in the indicative mood, imperfect tense; -- now used only in solemn or poetical style.
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- gaunt a.
- Attenuated, as with fasting or suffering; lean; meager; pinched and grim. [Cf. Norw. gand a thin pointed stick, a tall and thin man, and W. gwan weak.]
- flit a.
- Nimble; quick; swift. See Fleet.
- elfin a.
- Relating to elves.
- thaw v. i.
- To melt, dissolve, or become fluid; to soften; -- said of that which is frozen; as, the ice thaws.
- hylodes n.
- The piping frog (Hyla Pickeringii), a small American tree frog, which in early spring, while breeding in swamps and ditches, sings with high, shrill, but musical, notes.
- tryst v. i.
- To mutually agree to meet at a certain place.
- eidolon n.
- An image or representation; a form; a phantom; an apparition. [NL., fr. Gr. Idol.]
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- clink v. t.
- To cause to give out a slight, sharp, tinkling, sound, as by striking metallic or other sonorous bodies together. [OE. clinken; akin to G. klingen, D. klinken, SW. klinga, Dan. klinge; prob. of imitative origin. Cf. Clank, Clench, Click, v. i.]
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- carnation n.
- The natural color of flesh; rosy pink. [F. carnation the flesh tints in a painting, It carnagione, fr. L. carnatio fleshiness, fr. caro, carnis, flesh. See Carnal.]
- cerulean a.
- Sky-colored; blue; azure. [L. caeruleus.]
- unlovely a.
- Not lovely; not amiable; possessing qualities that excite dislike; disagreeable; displeasing; unpleasant.
- chilled a.
- Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
- yestermorn n.
- The morning of yesterday. Coleridge.
- indignant a.
- Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
- dolorous a.
- Full of grief; sad; sorrowful; doleful; dismal; as, a dolorous object; dolorous discourses. [L. dolorosus, from dolor: cf. F. douloureux. See Dolor.]
- flown a.
- Flushed, inflated.
- scowl v. i.
- To wrinkle the brows, as in frowning or displeasure; to put on a frowning look; to look sour, sullen, severe, or angry. [Akin to Dan. skule; cf. Icel. skolla to skulk, LG. schulen to hide one's self, D. schuilen, G. schielen to squint, Dan. skele, Sw. skela, AS. sceolh squinting. ]
- creeks n.
- A tribe or confederacy of North American Indians, including the Muskogees, Seminoles, Uchees, and other subordinate tribes. They formerly inhabited Georgia, Florida, and Alabama.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Intimations of the Beautiful is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, Intimations of the Beautiful, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/intimations-of-the-beautiful.html, id L10911.
Form and metre
Intimations of the Beautiful is 330 lines in 41 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 31 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAABB propheciesA · deadB · seesA · presencesA · saidB · readB
- 2 ABAABB oraclesA · whisperingsB · swellsA · shellsA · singsB · thingsB
- 3 ABAABB theirsA · flowersB · declaresA · sharesA · oursB · hoursB
- 4 ABBACDDCC streamsA · allB · fallB · dreamsA · whereC · rocksD · locksD · airC · bareC
- 5 ABBACDDCC otherwiseA · soB · knowB · recognizeA · whenceC · treesD · seesD · senseC · intelligenceC
- 6 ABBACDDC wiseA · beechB · speechB · skiesA · invokesC · seedsD · leadsD · oaksC
- 7 ABBACDDC readsA · flowersB · oursB · weedsA · coloringC · perfumeD · bloomD · singC
- 8 -AAABCCB suddenly · dieA · beeA · butterflyA · toB · roseC · glowsC · dewB
- 9 ABABCDDC wayA · feetB · dayA · beatB · sighsC · loveD · aboveD · eyesC
- 10 ABBACCA goesA · beechB · reachB · glowsA · massC · sassafrasC · rowsA
- 11 ABBACCA runsA · dripsB · hipsB · sun'sA · weedsC · seedsC · gunsA
- 12 ABBACCA liesA · tallB · fallB · prophesiesA · rainC · laneC · fliesA
- 13 ABBACCA ringA · bloomsB · plumesB · wingA · seemsC · dreamsC · singA
- 14 ABBACC- treeA · fruitB · hootB · seeA · wiseC · eyesC · sympathy
- 15 ABBACAC flungA · weedsB · seedsB · swungA · lyreC · hungA · fireC
- 16 ABBACAC amethystA · valeB · paleB · mistA · farC · wristA · cinnabarC
- 17 ABBACAC aloneA · intimateB · sateB · sownA · ledC · monotoneA · deadC
- 18 ABBACBC leavesA · blastB · fastB · eavesA · fearC · pastB · deerC
- 19 ABBACBC sleetA · slowB · woeB · feetA · throughC · bowB · blueC
- 20 ABBACBC filledA · aroundB · groundB · filledA · coldC · woundB · marigoldC
- 21 ABBACBC daysA · regretB · wetB · blazeA · deepC · letB · weepC
- 22 ABBACDDECCE glowersA · sleepB · weepB · flowersA · landC · palmsD · calmsD · barE · standC · bandC · starE
- 23 ABBACDDECCE dawnA · awayB · dayB · goneA · lovelinessC · wastD · trustD · beautifulE · lessC · expressC · dullE
- 24 -ABBAACDDC sorcerer · distillsA · airB · everywhereB · hillsA · fillsA · bleachC · decayD · dayD · beechC
- 25 ABAABBCDDC flitA · perfumesB · sitA · litA · gloomsB · bloomsB · standsC · summoningD · wingD · handsC
- 26 -A-ABCCB me · streamA · ecstasy · dreamA · radiancesB · acrossC · mossC · treesB
- 27 ABABCDDC meA · thanB · treeA · manB · throughC · repliesD · eyesD · pursueC
- 28 ABABCCB counterfeitA · skiesB · litA · eyesB · glassC · grassC · dyesB
- 29 ABABCCB amongA · thoseB · hungA · roseB · lookC · bookC · reposeB
- 30 -A-ABBA innocent · pleaseA · violent · treesA · intenseB · innocenceB · theseA
- 31 ABBAC-C- bareA · brookB · shookB · airA · makesC · trees · wakesC · hylodes
- 32 ABBACDCD thornA · creekB · bleakB · mornA · skyC · hearD · flyC · yearD
- 33 ABBA-ACC trystA · coalsB · soulsB · mistA · mystery · kissedA · seeC · meC
- 34 ABBACACC gloveA · knobB · sobB · loveA · roomC · ofA · plumeC · gloomC
- 35 ABBAC-CC paintsA · lightB · nightB · saintsA · clinkC · faints · thinkC · brinkC
- 36 ABBACDDC-- mornA · paneB · trainB · hornA · woundC · mouthD · southD · soundC · upon · dawn
- 37 ABBACDDCBB lostA · lightB · nightB · costA · sighsC · chilledD · filledD · wiseC · nightB · lightB
- 38 ABBACACDDEE treesA · wingsB · swingsB · fleesA · boughC · seasA · prowC · wreckD · speckD · byE · skyE
- 39 ABBACACDDEE eve'sA · visibleB · spellB · leavesA · dressC · grievesA · lessC · thereD · airD · dumbE · comeE
- 40 ABAB--CC awayA · timeB · dayA · rhymeB · bush · song · thrushC · hushC
- 41 ABABC-C-C pastA · scowlB · blastA · owlB · strewnC · tree · tuneC · melody · moonC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The hills are full of prophecies | 8 | ·····/˘˘ |
| And ancient voices of the dead; | 8 | ·/˘/˘··· |
| Of hidden shapes that no man sees, | 8 | ·/˘····· |
| Pale, visionary presences, | 8 | ·/˘·˘/˘˘ |
| That speak the things no tongue hath said, | 8 | ········ |
| No mind hath thought, no eye hath read. | 8 | ········ |
| The streams are full of oracles, | 8 | ·····/˘˘ |
| And momentary whisperings; | 8 | ·/˘·˘/˘˘ |
| An immaterial beauty swells | 8 | ··˘/˘/˘· |
| Its breezy silver o'er the shells | 8 | ·/˘/˘··· |
| With wordless speech that sings and sings | 8 | ·/˘····· |
| The message of diviner things. | 8 | ·/˘·˘/˘· |
| No indeterminable thought is theirs, | 10 | ·········· |
| The stars', the sunsets' and the flowers'; | 9 | ···/···/˘ |
| Whose inexpressible speech declares | 9 | ·······˘/ |
| Th' immortal Beautiful, who shares | 8 | ˘/˘/˘˘·· |
| This mortal riddle which is ours, | 9 | ·/˘/˘··/˘ |
| Beyond the forward-flying hours. | 9 | ···/˘/˘/˘ |
| It holds and beckons in the streams; | 8 | ···/˘··· |
| It lures and touches us in all | 8 | ···/˘··· |
| The flowers of the golden fall-- | 8 | ·/˘··/˘· |
| The mystic essence of our dreams: | 8 | ·/˘/˘·/· |
| A nymph blows bubbling music where | 8 | ···/˘/˘· |
| Faint water ripples down the rocks; | 8 | ·/˘/˘··· |
| A faun goes dancing hoiden locks, | 8 | ···/˘/˘· |
| And piping a Pandean air, | 8 | ·/˘·˘/˘· |
| Through trees the instant wind shakes bare. | 8 | ···/˘··· |
| Our dreams are never otherwise | 8 | /··/˘/˘· |
| Than real when they hold us so; | 7 | ······· |
| We in some future life shall know | 8 | ···/˘··· |
| Them parts of it and recognize | 8 | ·····/˘· |
| Them as ideal substance, whence | 7 | ··˘//˘· |
| The actual is--(as flowers and trees, | 8 | ·/˘··/·· |
| From color sources no one sees, | 8 | ·/˘/˘··· |
| Draw dyes, the substance of a sense)-- | 8 | ···/˘··· |
| Material with intelligence. | 9 | ˘/˘˘·˘/˘˘ |
| What intimations made them wise, | 8 | ··˘/˘··· |
| The mournful pine, the pleasant beech? | 8 | ·/˘··/˘· |
| What strange and esoteric speech?-- | 8 | ····˘/˘· |
| (Communicated from the skies | 8 | ˘/˘·˘··· |
| In runic whispers)--that invokes | 8 | ·/˘/˘·˘/ |
| The boles that sleep within the seeds, | 8 | ········ |
| And out of narrow darkness leads | 8 | ···/˘/˘· |
| The vast assemblies of the oaks. | 8 | ··˘/˘··· |
| Within his knowledge, what one reads | 8 | ···/˘··· |
| The poems written by the flowers? | 9 | ·/˘/˘··/˘ |
| The sermons, past all speech of ours, | 9 | ·/˘····/˘ |
| Preached by the gospel of the weeds?-- | 8 | ···/˘··· |
| O eloquence of coloring! | 8 | ·/˘˘·/˘˘ |
| O thoughts of syllabled perfume! | 8 | ···/˘˘˘/ |
| O beauty uttered into bloom! | 8 | ·/˘/˘··· |
| Teach me your language! let me sing! | 8 | ···/˘··· |
| Along my mind flies suddenly | 8 | ˘/···/˘˘ |
| A wildwood thought that will not die; | 8 | ·/······ |
| That makes me brother to the bee, | 8 | ···/˘··· |
| And cousin to the butterfly: | 8 | ·/˘··/˘· |
| A thought, such as gives perfume to | 8 | ·····˘/· |
| The blushes of the bramble-rose, | 8 | ·/˘··/˘· |
| And, fixed in quivering crystal, glows | 8 | ···/˘/˘· |
| A captive in the prismed dew. | 8 | ·/˘··/˘· |
| It leads the feet no certain way; | 8 | ·····/˘· |
| No frequent path of human feet: | 8 | ·/˘··/˘· |
| Its wild eyes follow me all day; | 8 | ···/˘··· |
| All day I hear its wild heart beat: | 8 | ········ |
| And in the night it sings and sighs | 8 | ········ |
| The songs the winds and waters love; | 8 | ·····/˘· |
| Its wild heart lying tranced above, | 8 | ···/˘··· |
| And tranced the wildness of its eyes. | 8 | ···/˘··· |
| Oh, joy, to walk the way that goes | 8 | ········ |
| Through woods of sweet-gum and of beech! | 8 | ········ |
| Where, like a ruby left in reach, | 8 | ···/˘··· |
| The berry of the dogwood glows: | 8 | ·/˘··/·· |
| Or where the bristling hillsides mass, | 8 | ···/˘/·· |
| 'Twixt belts of tawny sassafras, | 8 | ···/˘/˘· |
| Brown shocks of corn in wigwam rows! | 8 | ·····/˘· |
| Where, in the hazy morning, runs | 8 | ···/˘/˘· |
| The stony branch that pools and drips, | 8 | ·/˘····· |
| The red-haws and the wild-rose hips | 8 | ········ |
| Are strewn like pebbles; and the sun's | 8 | ···/˘··· |
| Own gold seems captured by the weeds; | 8 | ···/˘··· |
| To see, through scintillating seeds, | 8 | ········ |
| The hunters steal with glimmering guns! | 8 | ·/˘··/˘· |
| Oh, joy, to go the path which lies | 8 | ········ |
| Through woodlands where the trees are tall! | 8 | ·/······ |
| Beneath the misty moon of fall, | 8 | ···/˘··· |
| Whose ghostly girdle prophesies | 8 | ·/˘/˘/˘˘ |
| A morn wind-swept and gray with rain; | 8 | ········ |
| When, o'er the lonely, leaf-blown lane, | 8 | ···/˘··· |
| The night-hawk like a dead leaf flies! | 8 | ········ |
| To stand within the dewy ring | 8 | ·····/˘· |
| Where pale death smites the boneset blooms, | 8 | ·····/˘· |
| And everlasting's flowers, and plumes | 8 | ··˘/˘/·· |
| Of mint, with aromatic wing! | 8 | ····˘/˘· |
| And hear the creek,--whose sobbing seems | 8 | ·····/˘· |
| A wild-man murmuring in his dreams,-- | 8 | ···/˘··· |
| And insect violins that sing. | 8 | ·/·˘˘/·· |
| Or where the dim persimmon tree | 8 | ····˘/˘· |
| Rains on the path its frosty fruit, | 8 | ·····/˘· |
| And in the oak the owl doth hoot, | 8 | ········ |
| Beneath the moon and mist, to see | 8 | ········ |
| The outcast Year go,--Hagar-wise,-- | 8 | ·/···/˘· |
| With far-off, melancholy eyes, | 8 | ···/˘·˘· |
| And lips that sigh for sympathy. | 8 | ·····/˘˘ |
| Towards evening, where the sweet-gum flung | 8 | ·/˘····· |
| Its thorny balls among the weeds, | 8 | ·/˘····· |
| And where the milkweed's sleepy seeds,-- | 8 | ···/·/˘· |
| A faery Feast of Lanterns,--swung; | 8 | ·····/˘· |
| The cricket tuned a plaintive lyre, | 8 | ·/˘··/˘· |
| And o'er the hills the sunset hung | 8 | ·····/·· |
| A purple parchment scrawled with fire. | 9 | ·/˘/˘··/˘ |
| From silver-blue to amethyst | 8 | ·/˘··/˘˘ |
| The shadows deepened in the vale; | 8 | ·/·/˘··· |
| And belt by belt the pearly-pale | 8 | ·····/˘· |
| Aladdin fabric of the mist | 8 | ˘/˘/˘··· |
| Built up its exhalation far; | 8 | ····˘/˘· |
| A jewel on an Afrit's wrist, | 8 | ·/˘····· |
| One star gemmed sunset's cinnabar. | 8 | ···/·/˘· |
| Then night drew near, as when, alone, | 8 | ······˘/ |
| The heart and soul grow intimate; | 8 | ·····/˘· |
| And on the hills the twilight sate | 8 | ·····/·· |
| With shadows, whose wild robes were sown | 8 | ·/······ |
| With dreams and whispers;--dreams, that led | 8 | ···/˘··· |
| The heart once with love's monotone, | 8 | ·····/˘· |
| And memories of the living-dead. | 8 | ·/˘··/˘· |
| All night the rain-gusts shook the leaves | 8 | ········ |
| Around my window; and the blast | 8 | ···/˘··· |
| Rumbled the flickering flue, and fast | 8 | /˘·/˘··· |
| The storm streamed from the dripping eaves. | 8 | ·····/˘· |
| As if--'neath skies gone mad with fear-- | 8 | ········ |
| The witches' Sabboth galloped past, | 8 | ·/˘··/˘· |
| The forests leapt like startled deer. | 8 | ·/˘··/˘· |
| All night I heard the sweeping sleet; | 8 | ·····/˘· |
| And when the morning came, as slow | 8 | ···/˘··· |
| As wan affliction, with the woe | 8 | ··˘/˘··· |
| Of all the world dragged at her feet, | 8 | ········ |
| No spear of purple shattered through | 8 | ···/˘/˘· |
| The dark gray of the east; no bow | 8 | ········ |
| Of gold shot arrows swift and blue. | 8 | ···/˘··· |
| But rain, that whipped the windows; filled | 8 | ·····/˘· |
| The spouts with rushings; and around | 8 | ···/˘··· |
| The garden stamped, and sowed the ground | 8 | ·/˘····· |
| With limbs and leaves; the wood-pool filled | 8 | ········ |
| With overgurgling.--Bleak and cold | 8 | ········ |
| The fields looked, where the footpath wound | 8 | ·····/·· |
| Through teasel and bur-marigold. | 8 | ·/˘··/˘· |
| Yet there's a kindness in such days | 8 | ···/˘··· |
| Of gloom, that doth console regret | 8 | ····˘/˘/ |
| With sympathy of tears, which wet | 8 | ·/˘˘···· |
| Old eyes that watch the back-log blaze.-- | 8 | ········ |
| A kindness, alien to the deep | 8 | ·/˘/˘··· |
| Glad blue of sunny days that let | 8 | ···/˘··· |
| No thought in of the lives that weep. | 8 | ········ |
| This dawn, through which the Autumn glowers,-- | 9 | ·····/˘/˘ |
| As might a face within our sleep, | 8 | ······/· |
| With stone-gray eyes that weep and weep, | 8 | ········ |
| And wet brows bound with sodden flowers,-- | 9 | ·····/˘/˘ |
| Is sunset to some sister land; | 8 | ·/···/˘· |
| A land of ruins and of palms; | 8 | ···/˘··· |
| Rich sunset, crimson with long calms,-- | 8 | ·/·/˘··· |
| Whose burning belt low mountains bar,-- | 8 | ·/˘··/˘· |
| That sees some brown Rebecca stand | 8 | ····˘/˘· |
| Beside a well the camel-band | 8 | ˘/···/˘· |
| Winds down to 'neath the evening star. | 8 | ·····/˘· |
| O sunset, sister to this dawn! | 8 | ·/·/˘··· |
| O dawn, whose face is turned away! | 8 | ······˘/ |
| Who gazest not upon this day, | 8 | ········ |
| But back upon the day that's gone! | 8 | ········ |
| Enamored so of loveliness, | 8 | ˘/˘··/˘˘ |
| The retrospect of what thou wast, | 8 | ·/˘····· |
| Oh, to thyself the present trust! | 8 | ··˘/·/˘· |
| And as thy past be beautiful | 8 | ·····/˘˘ |
| With hues, that never can grow less! | 8 | ···/˘··· |
| Waiting thy pleasure to express | 8 | /˘·/˘·˘/ |
| New beauty lest the world grow dull. | 8 | ·/˘····· |
| Down in the woods a sorcerer, | 8 | ·····/˘˘ |
| Out of rank rain and death, distills,-- | 8 | ······˘/ |
| Through chill alembics of the air,-- | 8 | ········ |
| Aromas that brood everywhere | 8 | ˘/˘··/˘· |
| Among the whisper-haunted hills: | 8 | ···/˘/˘· |
| The bitter myrrh of dead leaves fills | 8 | ·/˘····· |
| Wet valleys (where the gaunt weeds bleach) | 8 | ·/˘····· |
| With rainy scents of wood-decay;-- | 8 | ·/˘···˘/ |
| As if a spirit all the day | 8 | ···/˘··· |
| Sat breathing softly 'neath the beech. | 8 | ·/˘/˘··· |
| With other eyes I see her flit, | 8 | ·/˘····· |
| The wood-witch of the wild perfumes, | 8 | ······˘/ |
| Among her elfin owls,--that sit, | 8 | ···/˘··· |
| A drowsy white, in crescent-lit | 8 | ·/˘··/˘· |
| Dim glens of opalescent glooms:-- | 8 | ········ |
| Where, for her magic, buds and blooms | 8 | ···/˘··· |
| Mysterious perfumes, while she stands, | 8 | ˘/˘˘/··· |
| A thornlike shadow, summoning | 8 | ···/·/˘˘ |
| The sleepy odors, that take wing | 8 | ·/˘/˘··· |
| Like bubbles from her dewy hands. | 8 | ·/˘··/˘· |
| Among the woods they call to me-- | 8 | ········ |
| The lights that haunt the wood and stream; | 8 | ········ |
| Voices of such white ecstasy | 8 | /˘···/˘˘ |
| As moves with hushed lips through a dream: | 8 | ········ |
| They stand in auraed radiances, | 9 | ···/˘/˘˘˘ |
| Or flash with nimbused limbs across | 8 | ···/˘·˘/ |
| Their golden shadows on the moss, | 8 | ·/˘/···· |
| Or slip in silver through the trees. | 8 | ···/˘··· |
| What love can give the heart in me | 8 | ········ |
| More hope and exaltation than | 8 | ········ |
| The hand of light that tips the tree | 8 | ········ |
| And beckons far from marts of man? | 8 | ·/˘····· |
| That reaches foamy fingers through | 8 | ·/˘/˘/˘· |
| The broken ripple, and replies | 8 | ·/˘/˘·˘/ |
| With sparkling speech of lips and eyes | 8 | ·/˘····· |
| To souls who seek and still pursue. | 8 | ······˘/ |
| Give me the streams, that counterfeit | 8 | ·····/˘· |
| The twilight of autumnal skies; | 8 | ·/··˘/˘· |
| The shadowy, silent waters, lit | 8 | ·/˘/˘/˘· |
| With fire like a woman's eyes! | 8 | ·/˘··/˘· |
| Slow waters that, in autumn, glass | 8 | ·/˘··/˘· |
| The scarlet-strewn and golden grass, | 8 | ·/˘··/˘· |
| And drink the sunset's tawny dyes. | 8 | ···/·/˘· |
| Give me the pools, that lie among | 8 | ········ |
| The centuried forests! give me those, | 9 | ·˘/˘/˘··· |
| Deep, dim, and sad as darkness hung | 8 | ·····/˘· |
| Beneath the sunset's somber rose: | 8 | ···/·/˘· |
| Still pools, in whose vague mirrors look-- | 8 | ·····/˘· |
| Like ragged gypsies round a book | 8 | ·/˘/˘··· |
| Of magic--trees in wild repose. | 8 | ·/˘···˘/ |
| No quiet thing, or innocent, | 8 | ·/˘··/˘˘ |
| Of water, earth, or air shall please | 8 | ·/˘····· |
| My soul now: but the violent | 8 | ·····/˘˘ |
| Between the sunset and the trees: | 8 | ···/···· |
| The fierce, the splendid, and intense, | 8 | ···/˘·˘/ |
| That love matures in innocence, | 8 | ··˘/·/˘˘ |
| Like mighty music, give me these! | 8 | ·/˘/˘··· |
| When thorn-tree copses still were bare | 8 | ···/˘··· |
| And black along the turbid brook; | 8 | ··˘/·/˘· |
| When catkined willows blurred and shook | 8 | ···/···· |
| Great tawny tangles in the air; | 8 | ·/˘/˘··· |
| In bottomlands, the first thaw makes | 8 | ········ |
| An oozy bog, beneath the trees, | 8 | ·/˘····· |
| Prophetic of the spring that wakes, | 8 | ˘/˘····· |
| Sang the sonorous hylodes. | 8 | ··/˘˘˘/˘ |
| Now that wild winds have stripped the thorn, | 8 | ········ |
| And clogged with leaves the forest-creek; | 8 | ·····/˘· |
| Now that the woods look blown and bleak, | 8 | ········ |
| And webs are frosty white at morn; | 8 | ···/˘··· |
| At night beneath the spectral sky, | 8 | ·····/˘· |
| A far foreboding cry I hear-- | 8 | ··˘/˘··· |
| The wild fowl calling as they fly? | 8 | ···/˘··· |
| Or wild voice of the dying Year? | 8 | ·····/˘· |
| And still my soul holds phantom tryst, | 8 | ·····/˘· |
| When chestnuts hiss among the coals, | 8 | ·/˘····· |
| Upon the Evening of All Souls, | 8 | ···/˘··· |
| When all the night is moon and mist, | 8 | ········ |
| And all the world is mystery; | 8 | ·····/˘˘ |
| I kiss dear lips that death hath kissed, | 8 | ········ |
| And gaze in eyes no man may see, | 8 | ········ |
| Filled with a love long lost to me. | 8 | ········ |
| I hear the night-wind's ghostly glove | 8 | ·····/˘· |
| Flutter the window: then the knob | 8 | /˘·/˘··· |
| Of some dark door turn, with a sob | 8 | ········ |
| As when love comes to gaze on love | 8 | ········ |
| Who lies pale-coffined in a room: | 8 | ···/˘··· |
| And then the iron gallop of | 8 | ···/˘/˘· |
| The storm, who rides outside; his plume | 8 | ····//·· |
| Sweeping the night with dread and gloom. | 8 | /˘······ |
| So fancy takes the mind, and paints | 8 | ·/˘····· |
| The darkness with eidolon light, | 8 | ·/˘·˘/˘· |
| And writes the dead's romance in night | 8 | ····˘/·· |
| On the dim Evening of All Saints: | 8 | ···/˘··· |
| Unheard the hissing nuts; the clink | 8 | ˘/·/˘··· |
| And fall of coals, whose shadow faints | 8 | ·····/·· |
| Around the hearts that sit and think, | 8 | ········ |
| Borne far beyond the actual's brink. | 8 | ·····/˘· |
| I heard the wind, before the morn | 8 | ········ |
| Stretched gaunt, gray fingers 'thwart my pane, | 8 | ···/˘··· |
| Drive clouds down, a dark dragon-train; | 8 | ·····/˘· |
| Its iron visor closed, a horn | 8 | ·/˘/˘··· |
| Of steel from out the north it wound.-- | 8 | ········ |
| No morn like yesterday's! whose mouth, | 8 | ···/˘··· |
| A cool carnation, from the south | 8 | ··˘/˘··· |
| Breathed through a golden reed the sound | 8 | ···/˘··· |
| Of days that drop clear gold upon | 8 | ········ |
| Cerulean silver floors of dawn. | 9 | ˘/˘˘/˘··· |
| And all of yesterday is lost | 8 | ···/˘··· |
| And swallowed in to-day's wild light-- | 8 | ·/˘····· |
| The birth deformed of day and night, | 8 | ··˘/···· |
| The illegitimate, who cost | 8 | ··˘/˘˘·· |
| Its mother secret tears and sighs; | 8 | ·/˘/˘··· |
| Unlovely since unloved; and chilled | 8 | ˘/˘·˘/·· |
| With sorrows and the shame that filled | 8 | ·/˘····· |
| Its parents' love; which was not wise | 8 | ·/˘····· |
| In passion as the day and night | 8 | ·/˘····· |
| That married yestermorn with light. | 8 | ·/˘····· |
| Down through the dark, indignant trees, | 8 | ····˘/˘· |
| On indistinguishable wings | 8 | ·˘˘/˘˘˘· |
| Of storm, the wind of evening swings; | 8 | ·····/˘· |
| Before its insane anger flees | 8 | ···˘//˘· |
| Distracted leaf and shattered bough: | 8 | ˘/˘··/˘· |
| There is a rushing as when seas | 8 | ···/˘··· |
| Of thunder beat an iron prow | 8 | ·/˘··/˘· |
| On reefs of wrath and roaring wreck: | 8 | ·····/˘· |
| 'Mid stormy leaves, a hurrying speck | 8 | ·/˘··/˘· |
| Of flickering blackness, driven by, | 8 | ·/˘˘/˘/· |
| A mad bat whirls along the sky. | 8 | ····˘/·· |
| Like some sad shadow, in the eve's | 8 | ···/···· |
| Deep melancholy--visible | 8 | ·/˘·˘/˘˘ |
| As by some strange and twilight spell-- | 8 | ·····/·· |
| A gaunt girl stands among the leaves, | 8 | ········ |
| The night-wind in her dolorous dress: | 9 | ·····/˘˘· |
| Symbolic of the life that grieves, | 8 | ˘/˘····· |
| Of toil that patience makes not less, | 8 | ···/˘··· |
| Her load of fagots fallen there.-- | 8 | ·····/˘· |
| A wilder shadow sweeps the air, | 8 | ·/˘/···· |
| And she is gone.... Was it the dumb | 8 | ········ |
| Eidolon of the month to come? | 8 | ˘/˘····· |
| The song birds--are they flown away? | 8 | ······˘/ |
| The song birds of the summer time, | 8 | ·····/˘· |
| That sang their souls into the day, | 8 | ········ |
| And set the laughing hours to rhyme. | 8 | ···/˘/·· |
| No catbird scatters through the bush | 8 | ·/·/˘··· |
| The sparkling crystals of its song; | 8 | ·/˘/˘··· |
| Within the woods no hermit-thrush | 8 | ·····/˘· |
| Thridding with vocal gold the hush. | 8 | ···/˘··· |
| All day the crows fly cawing past: | 8 | ········ |
| The acorns drop: the forests scowl: | 8 | ·/˘··/˘· |
| At night I hear the bitter blast | 8 | ·····/˘· |
| Hoot with the hooting of the owl. | 8 | ···/˘··· |
| The wild creeks freeze: the ways are strewn | 8 | ········ |
| With leaves that clog: beneath the tree | 8 | ········ |
| The bird, that set its toil to tune, | 8 | ········ |
| And made a home for melody, | 8 | ·····/˘˘ |
| Lies dead beneath the snow-white moon. | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.