Carmen XXXII: Craving Ipsithilla's Last Favours

Catullus (84 BC–54 BC), translated by Richard Burton · 1894

iambic tetrameter · 11 lines · from The Carmina

I'll love my Ipsithilla sweetest,My desires and my wit the meetest,So bid me join thy nap o' noon!Then (after bidding) add the boonUndraw thy threshold-bolt none dare,Lest thou be led afar to fare;Nay bide at home, for us prepareNine-fold continuous love-delights.But aught do thou to hurry things,For dinner-full I lie aback,And gown and tunic through I crack.

Words in this poem

boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
undraw v. t.
To draw aside or open; to draw back. [1st pref. un- + draw.]
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
bide v. i.
To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
aback n.
An abacus. B. Jonson.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Carmen XXXII: Craving Ipsithilla's Last Favours is in the public domain. This text is taken from The Carmina, Project Gutenberg ebook #20732, the Richard Burton translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Catullus, Carmen XXXII: Craving Ipsithilla's Last Favours, in The Carmina (1894), text of Project Gutenberg ebook #20732, Laurel, https://laurelpoetry.com/poem/catullus-carmina/carmen-xxxii-craving-ipsithilla-s-last-favours.html, id L13815.

Form and metre

Carmen XXXII: Craving Ipsithilla's Last Favours is 11 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 2 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBB--CC sweetest · meetest · noonA · boonA · dareB · fareB · prepareB · delights · things · abackC · crackC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I'll love my Ipsithilla sweetest,9·······/˘
My desires and my wit the meetest,10·˘/˘····/˘
So bid me join thy nap o' noon!8········
Then (after bidding) add the boon8···/˘···
Undraw thy threshold-bolt none dare,8˘/·/····
Lest thou be led afar to fare;8····˘/··
Nay bide at home, for us prepare8······˘/
Nine-fold continuous love-delights.9··˘/˘˘·˘/
But aught do thou to hurry things,8·····/˘·
For dinner-full I lie aback,8·/˘···˘/
And gown and tunic through I crack.8···/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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