Act the Second: Scene VIII

Pedro Calderón de la Barca (1600–1681), translated by Denis Florence MacCarthy · 1873

trochaic tetrameter · 32 lines · from The Purgatory of St. Patrick

LUIS. A most opportune occasionTo my hands has fortune offered;Since Heaven knows that all the showOf apparent love and fondnessWhich I proffered to PoloniaWas assumed, it being my objectShe should go with me, where I,Seizing on the gold and costlyGems she carries, so might issueFrom this Babylonian bondage.For although in my personWas esteemed and duly honoured,Still 'twas slavery after all,And my free wild life was longingFor that liberty, heaven's best gift,Which I had enjoyed so often.But a great embarrassmentAnd a hindrance were a womanFor the end I have in view,Since in me is love a follyThat ne'er passes appetite,Which being satisfied, no longerCare I for a woman's presence,How so fair or so accomplished.And since thus my dispositionIs so free, of what importanceIs a murder more or less?At my hands must die PoloniaFor her loving at a timeWhen there's no one loved or honoured.Had she loved as others love,Then she would have lived as others.

Words in this poem

opportune v. t.
To suit. Dr. Clerke(1637).
fondness n.
The quality or state of being fond; foolishness.
babylonian a.
Of or pertaining to the real or to the mystical Babylon, or to the ancient kingdom of Babylonia; Chaldean.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act the Second: Scene VIII is in the public domain. This text is taken from The Purgatory of St. Patrick, Project Gutenberg ebook #6371, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Pedro Calderón de la Barca, Act the Second: Scene VIII, in The Purgatory of St. Patrick (1873), text of Project Gutenberg ebook #6371, Laurel, https://laurelpoetry.com/poem/calderon-purgatorio-san-patricio/act-the-second-scene-viii.html, id L26676.

Form and metre

Act the Second: Scene VIII is 32 lines in a single stanza. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 86%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
LUIS. A most opportune occasion10˘/···˘/˘/˘
To my hands has fortune offered;8····/˘/˘
Since Heaven knows that all the show8·/˘·····
Of apparent love and fondness8·˘/˘··/˘
Which I proffered to Polonia8··/˘····
Was assumed, it being my object9·˘/·/˘·˘/
She should go with me, where I,7·······
Seizing on the gold and costly8/˘····/˘
Gems she carries, so might issue8··/˘··/˘
From this Babylonian bondage.9···˘/˘˘/˘
For although in my person7·····/˘
Was esteemed and duly honoured,8·˘/·/˘/˘
Still 'twas slavery after all,8··/˘˘···
And my free wild life was longing8······/˘
For that liberty, heaven's best gift,8··/˘/˘··
Which I had enjoyed so often.8···˘/·/˘
But a great embarrassment7···˘/˘˘
And a hindrance were a woman8··/˘··/˘
For the end I have in view,7·······
Since in me is love a folly8······/˘
That ne'er passes appetite,7··/˘/˘·
Which being satisfied, no longer9·/˘/˘··/˘
Care I for a woman's presence,8····/˘/˘
How so fair or so accomplished.8·····˘/˘
And since thus my disposition8·····˘/˘
Is so free, of what importance8·····˘/˘
Is a murder more or less?7··/˘···
At my hands must die Polonia8········
For her loving at a time7··/˘···
When there's no one loved or honoured.8······/˘
Had she loved as others love,8···˘·/˘·
Then she would have lived as others.8······/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Pedro Calderón de la Barca