Act the First: Scene VIII

Pedro Calderón de la Barca (1600–1681), translated by Denis Florence MacCarthy · 1873

trochaic tetrameter · 57 lines · from The Purgatory of St. Patrick

PAUL [aside]. I'm to keep what you discarded!Good in faith!-- [To PATRICK] Behold in meYour strict guard; in you I seeThe sole thing I ever guardedIn my life; with such a careI can neither sleep nor eat.If you wish to use your feetYou can go, your road lies there.Nay, in flying quickly henceYou to me a good will do,Since my care will fly with you.Go in peace.

PATRICK. With confidenceYou may trust me, for I'm not,Though a slave, a fugitive.Lord! how gladly do I liveIn this solitary spot,Where my soul in raptured prayerMay adore Thee, or in tranceSee the living countenanceOf Thy prodigies so rare!Human wisdom, earlthly lore,Solitude reveals and reaches;What diviner wisdom teachesIn it, too, I would explore.

PAUL. Tell me, talking thus apart,Who it is on whom you call?

PATRICK. Great primeval cause of all,Thou, O Lord, in all things art!These blue heavens, these crystal skiesFormed of dazzling depths of light,In which sun, moon, stars unite,Are they not but draperiesHung before Thy heavenly land?--The discordant elements,Water, fire, earth, air immense,Prove they not Thy master hand?Or in dark or brightsome hours,Praise they not Thy power and might?O'er the earth dost Thou not writeIn the characters of flowersThy great goodness? And the air,In reverberating thunder,Does it not in fear and wonderSay, O Lord, that Thou art there?Are not, too, Thy praises sungBy the fire and water -- eachDowered for this divinest speech,With tongue the wave, the flame with tongue?Here, then, in this lonely placeI, O Lord, may better be,Since in all things I find Thee.Thou hast given to me the graceOf Obedience, Faith, and Fear;As a slave, then, let me stay,Or remove me where I mayServe Thee truly, if not here.

Words in this poem

gladly adv.
Preferably; by choice. [From Glad, a.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
brightsome a.
Bright; clear; luminous; brilliant. Marlowe.
dowered p. a.
Furnished with, or as with, dower or a marriage portion.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act the First: Scene VIII is in the public domain. This text is taken from The Purgatory of St. Patrick, Project Gutenberg ebook #6371, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Pedro Calderón de la Barca, Act the First: Scene VIII, in The Purgatory of St. Patrick (1873), text of Project Gutenberg ebook #6371, Laurel, https://laurelpoetry.com/poem/calderon-purgatorio-san-patricio/act-the-first-scene-viii.html, id L26666.

Form and metre

Act the First: Scene VIII is 57 lines in 4 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AA-BCCB-DD- discarded · meA · seeA · guarded · careB · eatC · feetC · thereB · hence · doD · youD · peace
  2. 2 -E--EF--FGHHG confidence · notE · fugitive · live · spotE · prayerF · trance · countenance · rareF · loreG · reachesH · teachesH · exploreG
  3. 3 IJ apartI · callJ
  4. 4 JI-KK-L--LMNNMOPPOQRRQSTTSUVVU allJ · artI · skies · lightK · uniteK · draperies · landL · elements · immense · handL · hoursM · mightN · writeN · flowersM · airO · thunderP · wonderP · thereO · sungQ · eachR · speechR · tongueQ · placeS · beT · theeT · graceS · fearU · stayV · mayV · hereU
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
PAUL [aside]. I'm to keep what you discarded!11·˘/·····˘/˘
Good in faith!-- [To PATRICK] Behold in me10····/˘˘/··
Your strict guard; in you I see7·······
The sole thing I ever guarded8····/˘/˘
In my life; with such a care7·······
I can neither sleep nor eat.7··/˘···
If you wish to use your feet7·······
You can go, your road lies there.7·······
Nay, in flying quickly hence7··/˘/˘·
You to me a good will do,7·······
Since my care will fly with you.7·······
Go in peace.3···
PATRICK. With confidence6/˘·/˘˘
You may trust me, for I'm not,7·······
Though a slave, a fugitive.7····/˘˘
Lord! how gladly do I live7··/˘···
In this solitary spot,7··/˘·˘·
Where my soul in raptured prayer8····/˘˘·
May adore Thee, or in trance7·˘/····
See the living countenance7··/˘/˘˘
Of Thy prodigies so rare!7··/˘˘··
Human wisdom, earlthly lore,7/˘/˘···
Solitude reveals and reaches;8/˘·˘/·/˘
What diviner wisdom teaches8·˘/˘/˘/˘
In it, too, I would explore.7·····˘/
PAUL. Tell me, talking thus apart,8···/˘·˘/
Who it is on whom you call?7·······
PATRICK. Great primeval cause of all,9/˘·˘/˘···
Thou, O Lord, in all things art!7·······
These blue heavens, these crystal skies8··/˘·/˘·
Formed of dazzling depths of light,8··/˘˘···
In which sun, moon, stars unite,7·····/·
Are they not but draperies7····/˘˘
Hung before Thy heavenly land?--8····/˘˘·
The discordant elements,7·˘/˘/˘˘
Water, fire, earth, air immense,8/˘/˘··˘/
Prove they not Thy master hand?7····/˘·
Or in dark or brightsome hours,8····/˘/˘
Praise they not Thy power and might?8····/˘··
O'er the earth dost Thou not write7·······
In the characters of flowers8··/˘˘·/˘
Thy great goodness? And the air,7··/˘···
In reverberating thunder,8·˘/˘·˘/˘
Does it not in fear and wonder8······/˘
Say, O Lord, that Thou art there?7·······
Are not, too, Thy praises sung7····/˘·
By the fire and water -- each8··/˘·/˘·
Dowered for this divinest speech,8·˘··˘/˘·
With tongue the wave, the flame with tongue?8········
Here, then, in this lonely place7····/˘·
I, O Lord, may better be,7····/˘·
Since in all things I find Thee.7·······
Thou hast given to me the grace8··/˘····
Of Obedience, Faith, and Fear;8·˘/˘˘···
As a slave, then, let me stay,7·······
Or remove me where I may7·˘/····
Serve Thee truly, if not here.7··/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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