Act the Second: Scene XV

Pedro Calderón de la Barca (1600–1681), translated by Denis Florence MacCarthy · 1873

trochaic tetrameter · 62 lines · from The Wonder-Working Magician

FLORUS. Are you then that virtuous maiden,Who, the very breeze that flattersWith its soft and sweet caresses,You would call rude, bold, unmannered?How then is it you surrenderedEven the very keys of the casketOf your honour?

JUSTINA. Hold, hold, Florus,Do not dare to throw a shadowOn that honour which the sunAfter the most strict examenHas proved bright and pure.

FLORUS. Too lateComes this idle boast. It happensThat I know to whom you have givenFree access...

JUSTINA. You dare this scandal?--

FLORUS. By a balcony...

JUSTINA. Do not say it.

FLORUS. To your honour.

JUSTINA. Thus will you blast me?

FLORUS. Yes, for hypocritical virtueMerits something even harsher.

LELIUS [at the door, aside]. Florus was not then the heroOf the balcony; some more happyLover than us twain she welcomes.

JUSTINA. Oh! defame not noble damsels,Since you noble blood inherit.

FLORUS. Noble damsel, dar'st thou call thee,When thy very arms received him,And from thy balcony he departed?Power subdued thee; from the factThat the Governor is his father,Vanity led thee on to showThat in Antioch he commanded...

LELIUS [aside]. Here he speaks of me.

FLORUS. Not seeingAny graver defect of manner,Than what in his birth and breedingRank may cover with its mantle,But not so....

LELIUS. Be silent, Florus,Nor attack me in my absence;For of a rival to speak ill,Is the act but of a dastard.'Tis to stop this I come forward,Angry after so many passesWhich my sword has had with thine,That I have not yet dispatched thee.

JUSTINA. Who, not guilty, ever saw herIn such dangerous straits entangled?

FLORUS. What behind your back was spoken,I before you will establish,Truth is truth where'er 'tis uttered.

JUSTINA. Florus! Lelius! what would you have then.

LELIUS. I would have full satisfactionWhere I heard th'insulting language.

FLORUS. I'll maintain what I have saidWhere I said it.

JUSTINA. From so manyStrokes of fortune, free me, Heaven!--

FLORUS. And I'll learn to chastise your rashness.

Words in this poem

virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
casket v. t.
To put into, or preserve in, a casket.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
examen n.
Examination; inquiry. [L., the tongue of a balance, examination; for exagmen, fr. exigere to weigh accurately, to treat: cf. F. examen. See Exact, a.]
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
damsel n.
A young person, either male or female, of noble or gentle extraction; as, Damsel Pepin; Damsel Richard, Prince of Wales. [OE. damosel, damesel, damisel, damsel, fr. OF. damoisele, damisele, gentlewoman, F. demoiselle young lady; cf. OF. damoisel young nobleman, F. damoiseau; fr. LL]
graver n.
One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
dastard n.
One who meanly shrinks from danger; an arrant coward; a poltroon. [Prob. from Icel. dæstr exhausted. breathless, p. p. of dæsa to groan, lose one's breath; cf. dasask to become exhausted, and E. daze.]
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
rashness n.
The quality of state of being rash.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act the Second: Scene XV is in the public domain. This text is taken from The Wonder-Working Magician, Project Gutenberg ebook #6372, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Pedro Calderón de la Barca, Act the Second: Scene XV, in The Wonder-Working Magician (1873), text of Project Gutenberg ebook #6372, Laurel, https://laurelpoetry.com/poem/calderon-magico-prodigioso/act-the-second-scene-xv.html, id L26628.

Form and metre

Act the Second: Scene XV is 62 lines in 22 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 83%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 15 ---AA--- florus · absence · ill · dastardA · forwardA · passes · thine · thee
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
FLORUS. Are you then that virtuous maiden,10······/˘/˘
Who, the very breeze that flatters8··/˘··/˘
With its soft and sweet caresses,8·····˘/˘
You would call rude, bold, unmannered?8········
How then is it you surrendered8·····˘/˘
Even the very keys of the casket9/·/˘···/˘
Of your honour?4··/˘
JUSTINA. Hold, hold, Florus,7˘/˘····
Do not dare to throw a shadow8······/·
On that honour which the sun7··/˘···
After the most strict examen8·····˘/˘
Has proved bright and pure.5·····
FLORUS. Too late4····
Comes this idle boast. It happens8··/˘··/˘
That I know to whom you have given9·······/˘
Free access...3·/·
JUSTINA. You dare this scandal?--8˘/˘···/˘
FLORUS. By a balcony...7····/˘˘
JUSTINA. Do not say it.7˘/˘····
FLORUS. To your honour.6····/˘
JUSTINA. Thus will you blast me?8˘/˘·····
FLORUS. Yes, for hypocritical virtue10·····˘/˘/˘
Merits something even harsher.8/˘/˘/˘/˘
LELIUS [at the door, aside]. Florus was not then the hero15·····˘/······/˘
Of the balcony; some more happy9··/˘˘··/˘
Lover than us twain she welcomes.8/˘····/˘
JUSTINA. Oh! defame not noble damsels,11˘/˘·˘/·/˘/˘
Since you noble blood inherit.8··/˘·˘/˘
FLORUS. Noble damsel, dar'st thou call thee,10··/˘/˘····
When thy very arms received him,8··/˘·˘/·
And from thy balcony he departed?9···/˘·˘/˘
Power subdued thee; from the fact8/˘˘/····
That the Governor is his father,9··/˘˘··/˘
Vanity led thee on to show8/˘˘·····
That in Antioch he commanded...9··/˘··˘/˘
LELIUS [aside]. Here he speaks of me.9··˘/·····
FLORUS. Not seeing5···/˘
Any graver defect of manner,9/˘/˘/˘·/˘
Than what in his birth and breeding8······/˘
Rank may cover with its mantle,8··/˘··/˘
But not so....3···
LELIUS. Be silent, Florus,7···/˘··
Nor attack me in my absence;8·˘/···/˘
For of a rival to speak ill,8···/˘···
Is the act but of a dastard.8······/˘
'Tis to stop this I come forward,8······/˘
Angry after so many passes9/˘···/˘/˘
Which my sword has had with thine,7·······
That I have not yet dispatched thee.8·····˘/·
JUSTINA. Who, not guilty, ever saw her10˘/˘··/˘/··
In such dangerous straits entangled?9··/˘˘·˘/˘
FLORUS. What behind your back was spoken,10········/˘
I before you will establish,8·····˘/˘
Truth is truth where'er 'tis uttered.9···˘˘/·/˘
JUSTINA. Florus! Lelius! what would you have then.12˘/˘·········
LELIUS. I would have full satisfaction10·······˘/˘
Where I heard th'insulting language.8······/˘
FLORUS. I'll maintain what I have said9···˘/····
Where I said it.4····
JUSTINA. From so many7˘/˘··/˘
Strokes of fortune, free me, Heaven!--8··/˘··/˘
FLORUS. And I'll learn to chastise your rashness.11······˘/·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Pedro Calderón de la Barca