Act the First: Scene I
ROSAURA. Wild hippogriff swift speeding,Thou that dost run, the winged winds exceeding,Bolt which no flash illumes,Fish without scales, bird without shifting plumes,And brute awhile bereftOf natural instinct, why to this wild cleft,This labyrinth of naked rocks, dost sweepUnreined, uncurbed, to plunge thee down the steep?Stay in this mountain wold,And let the beasts their Phaeton behold.For I, without a guide,Save what the laws of destiny decide,Benighted, desperate, blind.Take any path whatever that doth windDown this rough mountain to its base,Whose wrinkled brow in heaven frowns in the sun's bright face.Ah, Poland! in ill moodHast thou received a stranger, since in bloodThe name thou writest on thy sandsOf her who hardly here fares hardly at thy hands.My fate may well say so:--But where shall one poor wretch find pity in her woe?
CLARIN. Say two, if you please;Don't leave me out when making plaints like these.For if we are the twoWho left our native country with the viewOf seeking strange adventures, if we beThe two who, madly and in misery,Have got so far as this, and if we stillAre the same two who tumbled down this hill,Does it not plainly to a wrong amount,To put me in the pain and not in the account?
ROSAURA. I do not wish to impart,Clarin, to thee, the sorrows of my heart;Mourning for thee would spoil the consolationOf making for thyself thy lamentation;For there is such a pleasure in complaining,That a philosopher I've heard maintainingOne ought to seek a sorrow and be vain of it,In order to be privileged to complain of it.
CLARIN. That same philosopherWas an old drunken fool, unless I err:Oh, that I could a thousand thumps present him,In order for complaining to content him!But what, my lady, say,Are we to do, on foot, alone, our wayLost in the shades of night?For see, the sun descends another sphere to light.
ROSAURA. So strange a misadventure who has seen?But if my sight deceives me not, betweenThese rugged rocks, half-lit by the moon's rayAnd the declining day,It seems, or is it fancy? that I seeA human dwelling?
CLARIN. So it seems to me,Unless my wish the longed-for lodging mocks.
ROSAURA. A rustic little palace 'mid the rocksUplifts its lowly roof,Scarce seen by the far sun that shines aloof.Of such a rude deviceIs the whole structure of this edifice,That lying at the feetOf these gigantic crags that rise to greetThe sun's first beams of gold,It seems a rock that down the mountain rolled.
CLARIN. Let us approach more near,For long enough we've looked at it from here;Then better we shall seeIf those who dwell therein will generouslyA welcome give us.
ROSAURA. See an open door(Funereal mouth 'twere best the name it bore),From which as from a wombThe night is born, engendered in its gloom.
CLARIN. Heavens! what is this I hear?
ROSAURA. Half ice, half fire, I stand transfixed with fear.
CLARIN. A sound of chains, is it not?Some galley-slave his sentence here hath got;My fear may well suggest it so may be.
Words in this poem
- hippogriff n.
- A fabulous winged animal, half horse and half griffin. [F. hippogriffe; cf. It. ippogrifo. See Hippopotamus, Griffon.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- wold n.
- A wood; a forest. [OE. wold, wald, AS. weald, wald, a wood, forest; akin to OFries. & OS. wald, D. woud, G. wald, Icel. völlr, a field, and probably to Gr. va a garden, inclosure.]
- phaeton n.
- A four-wheeled carriage (with or without a top), open, or having no side pieces, in front of the seat. It is drawn by one or two horses. [F. phaéton a kind of carriage, fr. Phaéthon Phaëthon, the son of Helios. See Phaëthon.]
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- womb n.
- The belly; the abdomen. [OE. wombe, wambe, AS. wamb, womb; akin to D. wam belly, OS. & OHG. wamba, G. wamme, wampe, Icel. vömb, Sw. v&mb, Dan. vom, Goth. wamba.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act the First: Scene I is in the public domain. This text is taken from Life Is a Dream, Project Gutenberg ebook #6363, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Pedro Calderón de la Barca, Act the First: Scene I, in Life Is a Dream (1873), text of Project Gutenberg ebook #6363, Laurel, https://laurelpoetry.com/poem/calderon-life-is-a-dream/act-the-first-scene-i.html, id L26558.
Form and metre
Act the First: Scene I is 79 lines in 12 verse paragraphs. It is in rhyming couplets, 78% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHH--IIJJ speedingA · exceedingA · illumesB · plumesB · bereftC · cleftC · sweepD · steepD · woldE · beholdE · guideF · decideF · blindG · windG · baseH · faceH · mood · blood · sandsI · handsI · soJ · woeJ
- 2 AABB--CCDD pleaseA · theseA · twoB · viewB · be · misery · stillC · hillC · amountD · accountD
- 3 AABBCCDD impartA · heartA · consolationB · lamentationB · complainingC · maintainingC · itD · itD
- 4 --AABBCC philosopher · err · himA · himA · sayB · wayB · nightC · lightC
- 5 AABB-- seenA · betweenA · rayB · dayB · see · dwelling
- 7 -AABBCCDD rocks · roofA · aloofA · deviceB · edificeB · feetC · greetC · goldD · rolledD
- 8 AA--- nearA · hereA · see · generously · us
- 9 AABB doorA · boreA · wombB · gloomB
- 12 AA- notA · gotA · be
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| ROSAURA. Wild hippogriff swift speeding, | 10 | ····/˘˘·/˘ |
| Thou that dost run, the winged winds exceeding, | 10 | ·······˘/˘ |
| Bolt which no flash illumes, | 6 | ······ |
| Fish without scales, bird without shifting plumes, | 10 | ·······/˘· |
| And brute awhile bereft | 6 | ··˘/˘/ |
| Of natural instinct, why to this wild cleft, | 10 | ·/˘/˘····· |
| This labyrinth of naked rocks, dost sweep | 10 | ·/˘··/˘··· |
| Unreined, uncurbed, to plunge thee down the steep? | 10 | /˘········ |
| Stay in this mountain wold, | 6 | ···/˘· |
| And let the beasts their Phaeton behold. | 9 | ·······˘/ |
| For I, without a guide, | 6 | ······ |
| Save what the laws of destiny decide, | 9 | ·····/˘˘/ |
| Benighted, desperate, blind. | 6 | ˘/˘/˘· |
| Take any path whatever that doth wind | 10 | ·/˘··/˘··· |
| Down this rough mountain to its base, | 8 | ···/˘··· |
| Whose wrinkled brow in heaven frowns in the sun's bright face. | 12 | ·/˘··/······ |
| Ah, Poland! in ill mood | 6 | ·/˘··· |
| Hast thou received a stranger, since in blood | 10 | ··˘/·/˘··· |
| The name thou writest on thy sands | 8 | ···/˘··· |
| Of her who hardly here fares hardly at thy hands. | 12 | ···/˘··/˘··· |
| My fate may well say so:-- | 6 | ······ |
| But where shall one poor wretch find pity in her woe? | 12 | ·······/˘··· |
| CLARIN. Say two, if you please; | 7 | ······· |
| Don't leave me out when making plaints like these. | 10 | ·····/˘··· |
| For if we are the two | 6 | ······ |
| Who left our native country with the view | 10 | ··//˘/˘··· |
| Of seeking strange adventures, if we be | 10 | ·/˘·˘/˘··· |
| The two who, madly and in misery, | 9 | ···/˘··/˘ |
| Have got so far as this, and if we still | 10 | ·········· |
| Are the same two who tumbled down this hill, | 10 | ·····/˘··· |
| Does it not plainly to a wrong amount, | 10 | ···/˘···˘/ |
| To put me in the pain and not in the account? | 12 | ··········˘/ |
| ROSAURA. I do not wish to impart, | 10 | ········˘/ |
| Clarin, to thee, the sorrows of my heart; | 10 | ·····/˘··· |
| Mourning for thee would spoil the consolation | 11 | /˘······˘/˘ |
| Of making for thyself thy lamentation; | 11 | ·/˘·˘/····· |
| For there is such a pleasure in complaining, | 11 | ·····/˘·˘/˘ |
| That a philosopher I've heard maintaining | 10 | ··˘/˘··˘/˘ |
| One ought to seek a sorrow and be vain of it, | 12 | ·····/˘····· |
| In order to be privileged to complain of it. | 12 | ·/˘··/˘·˘/·· |
| CLARIN. That same philosopher | 8 | ····˘/˘˘ |
| Was an old drunken fool, unless I err: | 10 | ···/˘····· |
| Oh, that I could a thousand thumps present him, | 11 | ·····/˘·˘/· |
| In order for complaining to content him! | 11 | ·/˘·˘/˘·˘/· |
| But what, my lady, say, | 6 | ···/˘· |
| Are we to do, on foot, alone, our way | 10 | ······˘//· |
| Lost in the shades of night? | 6 | ······ |
| For see, the sun descends another sphere to light. | 12 | ····˘/˘/˘··· |
| ROSAURA. So strange a misadventure who has seen? | 12 | ······˘/˘··· |
| But if my sight deceives me not, between | 10 | ····˘/···· |
| These rugged rocks, half-lit by the moon's ray | 10 | ·/˘······· |
| And the declining day, | 6 | ··˘/˘· |
| It seems, or is it fancy? that I see | 10 | ·····/˘··· |
| A human dwelling? | 5 | ·/˘/˘ |
| CLARIN. So it seems to me, | 7 | ······· |
| Unless my wish the longed-for lodging mocks. | 10 | ·······/˘· |
| ROSAURA. A rustic little palace 'mid the rocks | 13 | ····/˘/˘/˘··· |
| Uplifts its lowly roof, | 6 | /˘·/˘· |
| Scarce seen by the far sun that shines aloof. | 10 | ········˘/ |
| Of such a rude device | 6 | ····˘/ |
| Is the whole structure of this edifice, | 9 | ···/˘··/˘ |
| That lying at the feet | 6 | ·/˘··· |
| Of these gigantic crags that rise to greet | 10 | ··˘/˘····· |
| The sun's first beams of gold, | 6 | ······ |
| It seems a rock that down the mountain rolled. | 10 | ·······/˘· |
| CLARIN. Let us approach more near, | 8 | ····˘/·· |
| For long enough we've looked at it from here; | 10 | ··˘/······ |
| Then better we shall see | 6 | ·/˘··· |
| If those who dwell therein will generously | 9 | ·······/˘ |
| A welcome give us. | 5 | ·/˘·· |
| ROSAURA. See an open door | 8 | ·····/˘· |
| (Funereal mouth 'twere best the name it bore), | 11 | ˘/˘˘······· |
| From which as from a womb | 6 | ······ |
| The night is born, engendered in its gloom. | 10 | ····˘/˘··· |
| CLARIN. Heavens! what is this I hear? | 9 | ··/˘····· |
| ROSAURA. Half ice, half fire, I stand transfixed with fear. | 13 | ······/··˘/·· |
| CLARIN. A sound of chains, is it not? | 9 | ········· |
| Some galley-slave his sentence here hath got; | 10 | ·/˘··/˘··· |
| My fear may well suggest it so may be. | 10 | ····˘/···· |
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