To Time
Time! on whose arbitrary wingThe varying hours must flag or fly,Whose tardy winter, fleeting spring,But drag or drive us on to die--Hail thou! who on my birth bestowedThose boons to all that know thee known;Yet better I sustain thy load,For now I bear the weight alone.I would not one fond heart should shareThe bitter moments thou hast given;And pardon thee--since thou couldst spareAll that I loved, to peace or Heaven.To them be joy or rest--on meThy future ills shall press in vain;I nothing owe but years to thee,A debt already paid in pain.Yet even that pain was some relief;It felt, but still forgot thy power:bsThe active agony of griefRetards, but never counts the hour.btIn joy I've sighed to think thy flightWould soon subside from swift to slow;Thy cloud could overcast the light,But could not add a night to Woe;For then, however drear and dark,My soul was suited to thy sky;One star alone shot forth a sparkTo prove thee--not Eternity.That beam hath sunk--and now thou artA blank--a thing to count and curseThrough each dull tedious trifling part,Which all regret, yet all rehearse.One scene even thou canst not deform--The limit of thy sloth or speedWhen future wanderers bear the stormWhich we shall sleep too sound to heed.And I can smile to think how weakThine efforts shortly shall be shown,When all the vengeance thou canst wreakMust fall upon--a nameless stone.
Words in this poem
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- overcast v. t.
- To cast or cover over; hence, to cloud; to darken.
- drear n.
- Sadness; dismalness.
- deform a.
- Deformed; misshapen; shapeless; horrid. [L. deformis; de- + forma form: cf. OF. deforme, F. difforme. Cf. Difform.]
- shortly adv.
- In a short or brief time or manner; soon; quickly. [AS. sceortlice.]
- wreak v. i.
- To reck; to care.
- nameless a.
- Without a name; not having been given a name; as, a nameless star.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To Time is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, To Time, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/to-time.html, id L23852.
Form and metre
To Time is 40 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCDEDEDFDFDG-G-HIHIJ-J-KLKLMNMNOPOP wingA · flyB · springA · dieB · bestowedC · knownD · loadC · aloneD · shareE · givenD · spareE · heavenD · meF · vainD · theeF · painD · reliefG · power:bs · griefG · hour.bt · flightH · slowI · lightH · woeI · darkJ · sky · sparkJ · eternity · artK · curseL · partK · rehearseL · deformM · speedN · stormM · heedN · weakO · shownP · wreakO · stoneP
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Time! on whose arbitrary wing | 8 | ···/˘·˘· |
| The varying hours must flag or fly, | 8 | ·/˘/···· |
| Whose tardy winter, fleeting spring, | 8 | ·/˘/˘/˘· |
| But drag or drive us on to die-- | 8 | ········ |
| Hail thou! who on my birth bestowed | 8 | ······˘/ |
| Those boons to all that know thee known; | 8 | ········ |
| Yet better I sustain thy load, | 8 | ·/˘·˘/·· |
| For now I bear the weight alone. | 8 | ······˘/ |
| I would not one fond heart should share | 8 | ········ |
| The bitter moments thou hast given; | 9 | ·/˘/˘··/˘ |
| And pardon thee--since thou couldst spare | 8 | ·/˘····· |
| All that I loved, to peace or Heaven. | 9 | ·······/˘ |
| To them be joy or rest--on me | 8 | ········ |
| Thy future ills shall press in vain; | 8 | ·/˘····· |
| I nothing owe but years to thee, | 8 | ·/˘····· |
| A debt already paid in pain. | 8 | ··˘/˘··· |
| Yet even that pain was some relief; | 8 | ·/····˘/ |
| It felt, but still forgot thy power:bs | 9 | ····˘/·/· |
| The active agony of grief | 8 | ·/˘/˘˘·· |
| Retards, but never counts the hour.bt | 9 | ˘/·/··/// |
| In joy I've sighed to think thy flight | 8 | ········ |
| Would soon subside from swift to slow; | 8 | ··˘/···· |
| Thy cloud could overcast the light, | 8 | ···/˘··· |
| But could not add a night to Woe; | 8 | ········ |
| For then, however drear and dark, | 8 | ···/˘··· |
| My soul was suited to thy sky; | 8 | ···/˘··· |
| One star alone shot forth a spark | 8 | ··˘/···· |
| To prove thee--not Eternity. | 8 | ····˘/˘˘ |
| That beam hath sunk--and now thou art | 8 | ········ |
| A blank--a thing to count and curse | 8 | ········ |
| Through each dull tedious trifling part, | 8 | ···/˘/˘· |
| Which all regret, yet all rehearse. | 8 | ··˘/··˘/ |
| One scene even thou canst not deform-- | 8 | ··/····/ |
| The limit of thy sloth or speed | 8 | ·/˘····· |
| When future wanderers bear the storm | 8 | ·/˘/˘··· |
| Which we shall sleep too sound to heed. | 8 | ········ |
| And I can smile to think how weak | 8 | ········ |
| Thine efforts shortly shall be shown, | 8 | ·/˘/˘··· |
| When all the vengeance thou canst wreak | 8 | ···/˘··· |
| Must fall upon--a nameless stone. | 8 | ·····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.