Francis Hodgson

Lord Byron (1788–1824) · 1816

iambic tetrameter · 225 lines · from The Giaour, and Other Poems

"' ... many a dayIn these, to me, deserted towers.'(Newstead, October 11, 1811.)

"'When stretched on fever's sleepless bed.'(At Patras, about September, 1810.)

"'Death for theePrepared a light and pangless dart.'

"'And oft I thought at Cynthia's noon,When sailing o'er the AEgean wave,"Now Thyrza gazes on that moon"--Alas, it gleam'd upon her grave!'(One struggle more, and I am free.)

"'The pledge we wore--I wear it still,But where is thine?--Ah! where art thou?'

"'Verses Addressed by Lord Byron in the year 1812 to the Hon. Mrs.George Lamb.

"'The sacred song that on my earYet vibrates from that voice of thineI heard before from one so dear,'Tis strange it still appears divine.But oh! so sweet that look and toneTo her and thee alike is given;It seemed as if for me aloneThat both had been recalled from Heaven.And though I never can redeemThe vision thus endeared to me,I scarcely can regret my dreamWhen realized again by thee.'"

"Tears o'er my parted Thyrza's grave I shed,Affection's fondest tribute to the dead.Break, break my heart, o'ercharged with bursting woeAn empty offering to the shades below!Ah, plant regretted! Death's remorseless power,With dust unfruitful checked thy full-blown flower.Take, earth, the gentle inmate to thy breast,And soft-embosomed let my Thyrza rest."

y(a) The kiss that left no sting behindSo guiltless Passion thus forbore;Those eyes bespoke so pure a mind,/ plead \That Love forgot to { } for more.\ ask /

(b) The kiss that left no sting behind,So guiltless Love each wish forebore;Those eyes proclaimed so pure a mind,That Passion blushed to smile for more.--

aaIf judging from my present painThat rest alone----.--If rest alone is in the tomb.--

ajFrom pangs that tear----.--Such pangs that tear----.--

amIt would not be, so hadst not thouWithdrawn so soon----.--

aoLike freedom to the worn-out slave.--But Health and life returned and gave,A boon 'twas idle then to give,Relenting Health in mocking gave.--

"Spare me the whispering, crowded room,The friends who come and gape and go," etc.

'Peramabili consobrinae

'Ah! Maria!pvellarvm elegantissima!ah Flore venvstatis abrepta,vale!hev qvanto minvs estcvm reliqvis versariqvam tuimeminisse.'"

arAre mingled with the Earth.--Were never meant for Earth.--

atI will not ask where thou art laid,Nor look upon the name.--

beThe flower in beauty's bloom unmatchedIs still the earliest prey.--The rose by some rude fingers snatched,Is earliest doomed to fade.--

bgBut night and day of thine are passed,And thou wert lovely to the last;Destroyed----.--

biO how much less it were to gain,All beauteous though they be.--

"Blest omens of a happy reign,In swift succession hourly rise,Forsaken friends, vows made in vain--A daughter's tears, a nation's sighs."

"The party consisted of the Princess Charlotte, the Duchess ofYork, the Dukes of York and Cambridge, Lords Moira, Erskine,Lauderdale, Messrs. Adams and Sheridan.

(which I myself saw from a house-top in Covent-garden) was atWestminster Bridge, from the reflection on the Thames."--Letter to Lord

bnAs flashing far the new Volcano shone/ meteors \And swept the skies with { } not their own.\ lightnings /

/ sadly \or, As flashed the volumed blaze, and { } shone\ ghastly /The skies with lightnings awful as their own.--or, As glared each rising flash, and ghastly shoneThe skies with lightnings awful as their own.--

bo/ lava of the \Till slowly ebbed the { } wave.\ spent volcanic // the burning \or, Till ebb'd the lava of { } wave,\ that molten /And blackening ashes mark'd the Muse's grave.--

bqFar be from him that hour which asks in vainTears such as flow for Garrick in his strain;or, Far be that hour that vainly asks in turn/ crowned his \Sad verse for him as { } Garrick's urn.--\ wept o'er /

brSuch are the names that here your plaudits sought,When Garrick acted, and when Brinsley wrote.--

"Nay, lower still, the Drama yet deploresThat late she deigned to crawl upon all-fours.When Richard roars in Bosworth for a horse,If you command, the steed must come in course.If you decree, the Stage must condescendTo soothe the sickly taste we dare not mend.Blame not our judgment should we acquiesce,And gratify you more by showing less.Oh, since your Fiat stamps the Drama's laws,Forbear to mock us with misplaced applause;That public praise be ne'er again disgraced,/ brutes to man recall \From { } a nation's taste;\ babes and brutes redeem /Then pride shall doubly nerve the actor's powers,When Reason's voice is echoed back with ours."

"The past reproach let present scenes refute,Nor shift from man to babe, from babe to brute."

"When energising objects men pursue,What are the prodigies they cannot do?A magic edifice you here survey,Shot from the ruins of the other day!As Harlequin had smote the slumberous heap,And bade the rubbish to a fabric leap.Yet at that speed you'd never be amazed,Knew you the zeal with which the pile was raised;Nor even here your smiles would be represt,Knew you the rival flame that fires our breast,Flame! fire and flame! sad heart-appalling sounds,Dread metaphors that ope our healing wounds--A sleeping pang awakes--and----But awayWith all reflections that would cloud the dayThat this triumphant, brilliant prospect brings,Where Hope reviving re-expands her wings;Where generous joy exults, where duteous ardour springs.

If mighty things with small we may compare,This spirit drives Britannia's conquering car,Burns in her ranks and kindles every tar.Nelson displayed its power upon the main,And Wellington exhibits it in Spain;Another Marlborough points to Blenheim's story,And with its lustre, blends his kindred glory.

In Arms and Science long our Isle hath shone,And Shakespeare--wondrous Shakespeare--reared a throneFor British Poesy--whose powers inspireThe British pencil, and the British lyre--Her we invoke--her Sister Arts implore:Their smiles beseech whose charms yourselves adore,These if we win, the Graces too we gain--Their dear, beloved, inseparable train;Three who their witching arts from Cupid stoleAnd three acknowledged sovereigns of the soul:Harmonious throng! with nature blending art!Divine Sestetto! warbling to the heartFor Poesy shall here sustain the upper part.Thus lifted gloriously we'll sweep along,Shine in our music, scenery and song;Shine in our farce, masque, opera and play,And prove old Drury has not had her day,Nay more--so stretch the wing the world shall cry,Old Drury never, never soared so high.'But hold,' you'll say, 'this self-complacent boast;Easy to reckon thus without your host.'True, true--that lowers at once our mounting pride;'Tis yours alone our merit to decide;'Tis ours to look to you, you hold the prizeThat bids our great, our best ambitions rise.A double blessing your rewards impart,Each good provide and elevate the heart.Our twofold feeling owns its twofold cause,Your bounty's comfort--rapture your applause;When in your fostering beam you bid us live,You give the means of life, and gild the means you give."

"Just as she quickens fuel into fire,

"'Remember thee,' nay--doubt it not--Thy Husband too may 'think' of thee!By neither canst thou be forgot,Thou false to him--thou fiend to me!

"'Remember thee'? Yes--yes--till FateIn Lethe quench the guilty dream.Yet then--e'en then--Remorse and HateShall vainly quaff the vanquished stream."

Genevra," were addressed to Lady Frances Wedderburn Webster.--See

bzResigning thee, alas! I lostJoys bought too dear, if bright with tears,Yet ne'er regret the pangs it cost.--

'My Life!' is still the name you give,Dear words! on which my heart had dotedHad Man an endless term to live.But, ah! so swift the seasons rollThat name must be repeated never,For 'Life' in future say, 'My Soul,'Which like my love exists for ever."

Byron wrote these lines in 1815, in Lady Lansdowne's album, atBowood.--Note by Mr. Richard Edgecombe, Notes and Queries, Sixth

Words in this poem 40
sleepless a.
Having no sleep; wakeful.
pangless a.
Without a pang; painless.
remorseless a.
Being without remorse; having no pity; hence, destitute of sensibility; cruel; insensible to distress; merciless.
guiltless a.
Free from guilt; innocent.
boon n.
A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
hourly a.
Happening or done every hour; occurring hour by hour; frequent; often repeated; renewed hour by hour; continual.
princess n.
A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
charlotte n.
A kind of pie or pudding made by lining a dish with slices of bread, and filling it with bread soaked in milk, and baked. Charlotte Russe (, or Charlotte à la russe Etym: [F., lit., Russian charlotte] [F.]
duchess n.
The wife or widow of a duke; also, a lady who has the sovereignty of a duchy in her own right. [F. duchesse, fr. duc duke.]
moira n.
The deity who assigns to every man his lot.
sadly adv.
Wearily; heavily; firmly.
volumed a.
Having the form of a volume, or roil; as, volumed mist.
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
crawl v. i.
To move slowly by drawing the body along the ground, as a worm; to move slowly on hands and kness; to creep. [Dan. kravle, or Icel. krafla, to paw, scrabble with the hands; akin to Sw. kr to crawl; cf. LG. krabbeln, D. krabbelen to scratch.]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
condescend v. i.
To stoop or descend; to let one's self down; to submit; to waive the privilege of rank or dignity; to accommodate one's self to an inferior. [F. condescendre, LL. condescendere, fr. L. con- + descendere. See Descend.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
slumberous a.
Inviting slumber; soporiferous.
bade
A form of the pat tense of Bid.
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
duteous a.
Fulfilling duty; dutiful; having the sentiments due to a superior, or to one to whom respect or service is owed; obedient; as, a duteous son or daughter. [From Duty.]
ardour n.
Heat, in a literal sense; as, the ardor of the sun's rays. [L. ardor, fr. ardere to burn: cf. OF. ardor, ardur, F. ardeur.]
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
poesy n.
The art of composing poems; poetical skill or faculty; as, the heavenly gift of poesy. [F. poésie (cf. It. poesia), L. poesis, from Gr. Posy.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
witching a.
That witches or enchants; suited to enchantment or witchcraft; bewitching.
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
blending n.
The act of mingling.
masque n.
A mask; a masquerade.
lethe n.
A river of Hades whose waters when drunk caused forgetfulness of the past.
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
webster n.
A weaver; originally, a female weaver. Brathwait. [AS. webbestre. See Web, Weave, and -ster.]
doted a.
Stupid; foolish.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Francis Hodgson is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Francis Hodgson, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/francis-hodgson.html, id L23861.

Form and metre

Francis Hodgson is 225 lines in 42 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 ABAB- noonA · waveB · moonA · graveB · free
  2. 7 ABABCBCBDEDE earA · thineB · dearA · divineB · toneC · givenB · aloneC · heavenB · redeemD · meE · dreamD · theeE
  3. 8 AABBCCDD shedA · deadA · woeB · belowB · powerC · flowerC · breastD · restD
  4. 9 -ABACBC y · behindA · forboreB · mindA · — · moreB · —
  5. 10 ABAB behindA · foreboreB · mindA · moreB
  6. 12 -AA aj · tearA · tearA
  7. 14 -AA-A ao · slaveA · gaveA · give · gaveA
  8. 18 -AA ar · earthA · earthA
  9. 20 -A-A- be · unmatchedA · prey · snatchedA · fade
  10. 21 -AA- — · passedA · lastA · destroyed
  11. 22 A-A biA · gain · beA
  12. 23 ABAB reignA · riseB · vainA · sighsB
  13. 24 -AA of · erskineA · sheridanA
  14. 26 ABABA — · shoneB · — · ownB · —
  15. 27 ABABBB — · shoneB · — · ownB · shoneB · ownB
  16. 28 -ABAABAB bo · — · waveB · — · — · waveB · — · graveB
  17. 29 ABBCACA — · vainB · strainB · turnC · — · urnC · —
  18. 31 AABBCCDDEEFGFGHH deploresA · foursA · horseB · courseB · condescendC · mendC · acquiesceD · lessD · lawsE · applauseE · disgracedF · — · tasteF · — · powersH · oursH
  19. 32 AA refuteA · bruteA
  20. 33 AABBCCDDEE--BBFFF pursueA · doA · surveyB · dayB · heapC · leapC · amazedD · raisedD · represtE · breastE · sounds · wounds · awayB · dayB · bringsF · wingsF · springsF
  21. 34 -AABBCC compare · carA · tarA · mainB · spainB · storyC · gloryC
  22. 35 AABBCCDDEEFFFGGHHIIJJKKLLMM---- shoneA · throneA · inspireB · lyreB · imploreC · adoreC · gainD · trainD · stoleE · soulE · artF · heartF · partF · alongG · songG · playH · dayH · cryI · highI · boastJ · hostJ · prideK · decideK · prizeL · riseL · impartM · heartM · cause · applause · live · give
  23. 37 ABAB notA · theeB · forgotA · meB
  24. 38 ABAB fateA · dreamB · hateA · streamB
  25. 40 -A-A — · lostA · tears · costA
  26. 41 A-ABCBC giveA · doted · liveA · rollB · neverC · soulB · everC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
"' ... many a day4/˘··
In these, to me, deserted towers.'9····˘/˘/˘
(Newstead, October 11, 1811.)5··˘/˘
"'When stretched on fever's sleepless bed.'8···/˘/˘·
(At Patras, about September, 1810.)8·····˘/˘
"'Death for thee3···
Prepared a light and pangless dart.'8˘/···/˘·
"'And oft I thought at Cynthia's noon,8·····/˘·
When sailing o'er the AEgean wave,9·/˘··˘/˘·
"Now Thyrza gazes on that moon"--8···/˘···
Alas, it gleam'd upon her grave!'8˘/······
(One struggle more, and I am free.)8·/˘·····
"'The pledge we wore--I wear it still,8········
But where is thine?--Ah! where art thou?'8········
"'Verses Addressed by Lord Byron in the year 1812 to the Hon. Mrs.16/˘˘/··/˘······/˘
George Lamb.2··
"'The sacred song that on my ear8·/˘·····
Yet vibrates from that voice of thine8·/˘·····
I heard before from one so dear,8········
'Tis strange it still appears divine.8····˘/˘/
But oh! so sweet that look and tone8········
To her and thee alike is given;9····˘/·/˘
It seemed as if for me alone8······˘/
That both had been recalled from Heaven.9····˘/·/˘
And though I never can redeem8···/˘·˘/
The vision thus endeared to me,8·/˘·˘/··
I scarcely can regret my dream8·/˘·˘/··
When realized again by thee.'"8·/·˘˘/··
"Tears o'er my parted Thyrza's grave I shed,10···/˘·····
Affection's fondest tribute to the dead.10˘/˘/˘/˘···
Break, break my heart, o'ercharged with bursting woe10·······/˘·
An empty offering to the shades below!10·/˘/˘·····
Ah, plant regretted! Death's remorseless power,10··˘/˘·˘/˘/
With dust unfruitful checked thy full-blown flower.10··˘/˘····/
Take, earth, the gentle inmate to thy breast,10···/˘/····
And soft-embosomed let my Thyrza rest."10··········
y1·
(a) The kiss that left no sting behind9·········
So guiltless Passion thus forbore;8·/˘/˘·˘/
Those eyes bespoke so pure a mind,8··˘/····
/ plead \1·
That Love forgot to { } for more.7··˘/···
\ ask /1·
(b) The kiss that left no sting behind,9·········
So guiltless Love each wish forebore;9·/˘······
Those eyes proclaimed so pure a mind,8··˘/····
That Passion blushed to smile for more.--8·/˘·····
aa1·
If judging from my present pain8·/˘··/˘·
That rest alone----.--4··˘/
If rest alone is in the tomb.--8··˘/····
aj1·
From pangs that tear----.--4····
Such pangs that tear----.--4····
am1·
It would not be, so hadst not thou8········
Withdrawn so soon----.--4˘/··
ao1·
Like freedom to the worn-out slave.--8·/˘·····
But Health and life returned and gave,8····˘/··
A boon 'twas idle then to give,8···/˘···
Relenting Health in mocking gave.--8˘/˘··/˘·
"Spare me the whispering, crowded room,8···/˘/˘·
The friends who come and gape and go," etc.11·········/˘
'Peramabili consobrinae8········
'Ah! Maria!4·˘/˘
pvellarvm elegantissima!8········
ah Flore venvstatis abrepta,8········
vale!1·
hev qvanto minvs est6····˘/
cvm reliqvis versari7·······
qvam tui2··
meminisse.'"3···
ar1·
Are mingled with the Earth.--7·/˘˘···
Were never meant for Earth.--6·/˘···
at1·
I will not ask where thou art laid,8········
Nor look upon the name.--6······
be1·
The flower in beauty's bloom unmatched8·/·/˘·˘/
Is still the earliest prey.--7···/˘˘·
The rose by some rude fingers snatched,8·····/˘·
Is earliest doomed to fade.--8·/˘˘·˘··
bg1·
But night and day of thine are passed,8········
And thou wert lovely to the last;8···/˘···
Destroyed----.--2˘/
bi1·
O how much less it were to gain,8········
All beauteous though they be.--7·/˘˘···
"Blest omens of a happy reign,8·/˘··/˘·
In swift succession hourly rise,8··˘/˘/˘·
Forsaken friends, vows made in vain--8˘/˘·····
A daughter's tears, a nation's sighs."8·/˘··/˘·
"The party consisted of the Princess Charlotte, the Duchess of16·/˘˘/˘··/˘/˘·/˘·
York, the Dukes of York and Cambridge, Lords Moira, Erskine,13······/˘·/˘/·
Lauderdale, Messrs. Adams and Sheridan.10/˘·/˘/˘·/˘
(which I myself saw from a house-top in Covent-garden) was at16···/······/˘/˘··
Westminster Bridge, from the reflection on the Thames."--Letter to Lord16·/˘···˘/˘···/˘··
bn1·
As flashing far the new Volcano shone10·/˘···˘/˘·
/ meteors \3/˘˘
And swept the skies with { } not their own.8········
\ lightnings /2/˘
/ sadly \2/˘
or, As flashed the volumed blaze, and { } shone9····/˘···
\ ghastly /2/˘
The skies with lightnings awful as their own.--10···/˘/˘···
or, As glared each rising flash, and ghastly shone11····/˘··/˘·
The skies with lightnings awful as their own.--10···/˘/˘···
bo1·
/ lava of the \4/˘··
Till slowly ebbed the { } wave.8·/˘/˘˘··
\ spent volcanic /4·˘/˘
/ the burning \3·/˘
or, Till ebb'd the lava of { } wave,9··/˘·/˘··
\ that molten /3·/˘
And blackening ashes mark'd the Muse's grave.--10·/˘/˘··/˘·
bq1·
Far be from him that hour which asks in vain10·····/····
Tears such as flow for Garrick in his strain;10·····/˘···
or, Far be that hour that vainly asks in turn11····/·/˘···
/ crowned his \2··
Sad verse for him as { } Garrick's urn.--8·····/˘·
\ wept o'er /2··
br1·
Such are the names that here your plaudits sought,10·······/˘·
When Garrick acted, and when Brinsley wrote.--10·/˘/˘·····
"Nay, lower still, the Drama yet deplores9·/··/˘·˘/
That late she deigned to crawl upon all-fours.10··········
When Richard roars in Bosworth for a horse,10·/˘··/˘···
If you command, the steed must come in course.10··˘/······
If you decree, the Stage must condescend10··˘/····˘/
To soothe the sickly taste we dare not mend.10···/˘·····
Blame not our judgment should we acquiesce,10··//˘···˘/
And gratify you more by showing less.10·/˘····/˘·
Oh, since your Fiat stamps the Drama's laws,10···/˘··/˘·
Forbear to mock us with misplaced applause;10˘/····˘/˘/
That public praise be ne'er again disgraced,10·/˘···˘/˘/
/ brutes to man recall \5···/·
From { } a nation's taste;5··/˘·
\ babes and brutes redeem /5···˘/
Then pride shall doubly nerve the actor's powers,10···/˘··/˘/
When Reason's voice is echoed back with ours."10·/˘··/˘··/
"The past reproach let present scenes refute,10··˘/·/˘·˘/
Nor shift from man to babe, from babe to brute."10··········
"When energising objects men pursue,10·/˘·˘/˘·˘/
What are the prodigies they cannot do?9···/˘·˘/·
A magic edifice you here survey,9·/˘/˘··/·
Shot from the ruins of the other day!10···/˘··/˘·
As Harlequin had smote the slumberous heap,10·/˘···/˘˘·
And bade the rubbish to a fabric leap.10···/˘··/˘·
Yet at that speed you'd never be amazed,9·····/·˘/
Knew you the zeal with which the pile was raised;10··········
Nor even here your smiles would be represt,9·/·····/˘
Knew you the rival flame that fires our breast,10···/˘··//·
Flame! fire and flame! sad heart-appalling sounds,10·/····˘/˘·
Dread metaphors that ope our healing wounds--9·/˘··//˘·
A sleeping pang awakes--and----But away10·/˘·˘/··˘/
With all reflections that would cloud the day10··˘/˘·····
That this triumphant, brilliant prospect brings,10··˘/˘/˘/˘·
Where Hope reviving re-expands her wings;10··˘/˘·˘/··
Where generous joy exults, where duteous ardour springs.13·/˘·˘/·/˘˘/˘·
If mighty things with small we may compare,10·/˘·····˘/
This spirit drives Britannia's conquering car,9·/·˘/˘/˘·
Burns in her ranks and kindles every tar.10·····/˘/˘·
Nelson displayed its power upon the main,10/˘˘/·/····
And Wellington exhibits it in Spain;9·/˘˘/˘···
Another Marlborough points to Blenheim's story,11˘/˘/˘··/·/˘
And with its lustre, blends his kindred glory.11···/˘··/˘/˘
In Arms and Science long our Isle hath shone,10···/˘·/···
And Shakespeare--wondrous Shakespeare--reared a throne10·/·/˘/····
For British Poesy--whose powers inspire10·/˘/˘˘·/˘/
The British pencil, and the British lyre--10·/˘/˘··/˘·
Her we invoke--her Sister Arts implore:10··˘/·/˘·˘/
Their smiles beseech whose charms yourselves adore,10··˘/··˘/˘/
These if we win, the Graces too we gain--10·····/˘···
Their dear, beloved, inseparable train;8··˘/˘/˘·
Three who their witching arts from Cupid stole10···/˘··/˘·
And three acknowledged sovereigns of the soul:10··˘/˘/˘···
Harmonious throng! with nature blending art!10˘/˘··/˘/˘·
Divine Sestetto! warbling to the heart10˘/˘/˘/˘···
For Poesy shall here sustain the upper part.12·/˘˘··˘/·/˘·
Thus lifted gloriously we'll sweep along,9·/˘/˘··˘/
Shine in our music, scenery and song;9··//˘/˘··
Shine in our farce, masque, opera and play,9··/··/˘··
And prove old Drury has not had her day,10···/˘·····
Nay more--so stretch the wing the world shall cry,10··········
Old Drury never, never soared so high.8·/˘//···
'But hold,' you'll say, 'this self-complacent boast;10······˘/˘·
Easy to reckon thus without your host.'10/˘·/˘·····
True, true--that lowers at once our mounting pride;11···/˘··//˘·
'Tis yours alone our merit to decide;10··˘///˘·˘/
'Tis ours to look to you, you hold the prize10·/········
That bids our great, our best ambitions rise.10··/·/·˘/˘·
A double blessing your rewards impart,10·/˘/˘·˘/˘/
Each good provide and elevate the heart.10··˘/·/˘···
Our twofold feeling owns its twofold cause,10////˘··//·
Your bounty's comfort--rapture your applause;10·/˘/˘/˘·˘/
When in your fostering beam you bid us live,10···/˘·····
You give the means of life, and gild the means you give."12············
"Just as she quickens fuel into fire,9···/˘/··/
"'Remember thee,' nay--doubt it not--8˘/˘·····
Thy Husband too may 'think' of thee!8·/˘·····
By neither canst thou be forgot,8·/˘···˘/
Thou false to him--thou fiend to me!8········
"'Remember thee'? Yes--yes--till Fate8˘/˘·····
In Lethe quench the guilty dream.8·/˘··/˘·
Yet then--e'en then--Remorse and Hate8····˘/··
Shall vainly quaff the vanquished stream."8·/˘··/˘·
Genevra," were addressed to Lady Frances Wedderburn Webster.--See17····˘/·/˘/˘···/˘·
bz1·
Resigning thee, alas! I lost8˘/˘·˘/··
Joys bought too dear, if bright with tears,8········
Yet ne'er regret the pangs it cost.--8··˘/····
'My Life!' is still the name you give,8········
Dear words! on which my heart had doted9·······/˘
Had Man an endless term to live.8···/˘···
But, ah! so swift the seasons roll8·····/˘·
That name must be repeated never,9····˘/˘/˘
For 'Life' in future say, 'My Soul,'8···/˘···
Which like my love exists for ever."9····˘/·/˘
Byron wrote these lines in 1815, in Lady Lansdowne's album, at14/˘·····/˘/·/˘·
Bowood.--Note by Mr. Richard Edgecombe, Notes and Queries, Sixth15····/˘/˘/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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