Canto III: Canto III I
Slow sinks, more lovely ere his race be run,Along Morea's hills the setting Sun;Not, as in Northern climes, obscurely bright,But one unclouded blaze of living light!O'er the hushed deep the yellow beam he throws,Gilds the green wave, that trembles as it glows.On old AEgina's rock, and Idra's isle,The God of gladness sheds his parting smile;O'er his own regions lingering, loves to shine,Though there his altars are no more divine.Descending fast the mountain shadows kissThy glorious gulf, unconquered Salamis!Their azure arches through the long expanseMore deeply purpled met his mellowing glance,And tenderest tints, along their summits driven,Mark his gay course, and own the hues of Heaven;Till, darkly shaded from the land and deep,Behind his Delphian cliff he sinks to sleep.
On such an eve, his palest beam he cast,When--Athens! here thy Wisest looked his last.How watched thy better sons his farewell ray,That closed their murdered Sage's latest day!Not yet--not yet--Sol pauses on the hill--The precious hour of parting lingers still;But sad his light to agonising eyes,And dark the mountain's once delightful dyes:Gloom o'er the lovely land he seemed to pour,The land, where Phoebus never frowned before:But ere he sunk below Cithaeron's head,The cup of woe was quaffed--the Spirit fled;The Soul of him who scorned to fear or fly--Who lived and died, as none can live or die!
But lo! from high Hymettus to the plain,The Queen of night asserts her silent reign.No murky vapour, herald of the storm,Hides her fair face, nor girds her glowing form;With cornice glimmering as the moon-beams play,There the white column greets her grateful ray,And bright around with quivering beams beset,Her emblem sparkles o'er the Minaret:The groves of olive scattered dark and wideWhere meek Cephisus pours his scanty tide;The cypress saddening by the sacred Mosque,The gleaming turret of the gay Kiosk;And, dun and sombre 'mid the holy calm,Near Theseus' fane yon solitary palm,All tinged with varied hues arrest the eye--And dull were his that passed him heedless by.
Again the AEgean, heard no more afar,Lulls his chafed breast from elemental war;Again his waves in milder tints unfoldTheir long array of sapphire and of gold,Mixed with the shades of many a distant isle,That frown--where gentler Ocean seems to smile.
Words in this poem
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- phoebus n.
- Apollo; the sun god.
- vapour n.
- Any substance in the gaseous, or aëriform, state, the condition of which is ordinarily that of a liquid or solid. [OE. vapour, OF. vapour, vapor, vapeur, F. vapeur, L. vapor; probably for cvapor, and akin to Gr. kvepti to breathe, smell, Russ. kopote fine soot. Cf. Vapid.]
- minaret n.
- A slender, lofty tower attached to a mosque and surrounded by one or more projecting balconies, from which the summon to prayer is cried by the muezzin. [Sp. minarete, Ar. manarat lamp, lantern, lighthouse, turret, fr. nar to shine.]
- kiosk n.
- A Turkish open summer house or pavilion, supported by pillars. [Turk. kiushk, kiöshk, Per. k.]
- sombre n.
- Gloom; obscurity; duskiness; somberness.
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto III: Canto III I is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, Canto III: Canto III I, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/canto-iii-canto-iii-i.html, id L23916.
Form and metre
Canto III: Canto III I is 54 lines in 4 verse paragraphs. It is in rhyming couplets, 89% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEE--FF--GG runA · sunA · brightB · lightB · throwsC · glowsC · isleD · smileD · shineE · divineE · kiss · salamis · expanseF · glanceF · driven · heaven · deepG · sleepG
- 2 AABBCCDDEEFFGG castA · lastA · rayB · dayB · hillC · stillC · eyesD · dyesD · pourE · beforeE · headF · fledF · flyG · dieG
- 3 AABBCCDDEEFFGGHH plainA · reignA · stormB · formB · playC · rayC · besetD · minaretD · wideE · tideE · mosqueF · kioskF · calmG · palmG · eyeH · byH
- 4 --AABB afar · war · unfoldA · goldA · isleB · smileB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Slow sinks, more lovely ere his race be run, | 10 | ···/˘····· |
| Along Morea's hills the setting Sun; | 10 | ˘//˘˘··/˘· |
| Not, as in Northern climes, obscurely bright, | 10 | ···/˘·˘/˘· |
| But one unclouded blaze of living light! | 10 | ·······/˘· |
| O'er the hushed deep the yellow beam he throws, | 10 | ·····/˘··· |
| Gilds the green wave, that trembles as it glows. | 10 | ·····/˘··· |
| On old AEgina's rock, and Idra's isle, | 10 | ·········· |
| The God of gladness sheds his parting smile; | 10 | ···/˘··/˘· |
| O'er his own regions lingering, loves to shine, | 10 | ···/˘/˘··· |
| Though there his altars are no more divine. | 10 | ···/˘···˘/ |
| Descending fast the mountain shadows kiss | 10 | ˘/˘··/˘/·· |
| Thy glorious gulf, unconquered Salamis! | 11 | ·/˘˘····˘/˘ |
| Their azure arches through the long expanse | 10 | ·/˘/˘···˘/ |
| More deeply purpled met his mellowing glance, | 10 | ·/˘/˘··/˘· |
| And tenderest tints, along their summits driven, | 10 | ·/˘·˘/·/˘/ |
| Mark his gay course, and own the hues of Heaven; | 11 | ·········/˘ |
| Till, darkly shaded from the land and deep, | 10 | ·/˘/˘····· |
| Behind his Delphian cliff he sinks to sleep. | 10 | ···/˘····· |
| On such an eve, his palest beam he cast, | 10 | ·····/˘··· |
| When--Athens! here thy Wisest looked his last. | 10 | ·/˘··/˘··· |
| How watched thy better sons his farewell ray, | 10 | ···/˘···/· |
| That closed their murdered Sage's latest day! | 10 | ···/˘/˘/˘· |
| Not yet--not yet--Sol pauses on the hill-- | 10 | ·····/˘··· |
| The precious hour of parting lingers still; | 10 | ·/˘/·/˘/˘· |
| But sad his light to agonising eyes, | 10 | ·····/˘·˘· |
| And dark the mountain's once delightful dyes: | 10 | ···/˘·˘/˘· |
| Gloom o'er the lovely land he seemed to pour, | 10 | ···/˘····· |
| The land, where Phoebus never frowned before: | 10 | ···/˘/˘··· |
| But ere he sunk below Cithaeron's head, | 10 | ·········· |
| The cup of woe was quaffed--the Spirit fled; | 10 | ·······/˘· |
| The Soul of him who scorned to fear or fly-- | 10 | ·········· |
| Who lived and died, as none can live or die! | 10 | ·········· |
| But lo! from high Hymettus to the plain, | 10 | ·········· |
| The Queen of night asserts her silent reign. | 10 | ····˘/·/˘· |
| No murky vapour, herald of the storm, | 10 | ·/˘/˘/˘··· |
| Hides her fair face, nor girds her glowing form; | 10 | ·······/˘· |
| With cornice glimmering as the moon-beams play, | 10 | ·/˘/˘····· |
| There the white column greets her grateful ray, | 10 | ···/˘··/˘· |
| And bright around with quivering beams beset, | 10 | ·····/˘·˘/ |
| Her emblem sparkles o'er the Minaret: | 10 | ·/˘/˘···˘/ |
| The groves of olive scattered dark and wide | 10 | ···/˘/˘··· |
| Where meek Cephisus pours his scanty tide; | 10 | ·······/˘· |
| The cypress saddening by the sacred Mosque, | 10 | ·/˘/˘··/˘· |
| The gleaming turret of the gay Kiosk; | 10 | ·/˘/˘···/· |
| And, dun and sombre 'mid the holy calm, | 10 | ···/˘··/˘· |
| Near Theseus' fane yon solitary palm, | 10 | ·····/˘·˘· |
| All tinged with varied hues arrest the eye-- | 10 | ···/˘·˘/·· |
| And dull were his that passed him heedless by. | 10 | ·······/˘· |
| Again the AEgean, heard no more afar, | 11 | ˘/·˘/˘···˘/ |
| Lulls his chafed breast from elemental war; | 10 | ······˘/˘· |
| Again his waves in milder tints unfold | 10 | ˘/···/˘·˘/ |
| Their long array of sapphire and of gold, | 10 | ··˘/·/˘··· |
| Mixed with the shades of many a distant isle, | 10 | ·····/·/˘· |
| That frown--where gentler Ocean seems to smile. | 10 | ···/˘/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.