Canto II: Canto II X
The Leech was sent--but not in mercy--there,To note how much the life yet left could bear;He found enough to load with heaviest chain,And promise feeling for the wrench of Pain;To-morrow--yea--to-morrow's evening SunWill, sinking, see Impalement's pangs begun,And rising with the wonted blush of mornBehold how well or ill those pangs are borne.Of torments this the longest and the worst,Which adds all other agony to thirst,That day by day Death still forbears to slake,While famished vultures flit around the stake."Oh! water--water!"--smiling Hate deniesThe victim's prayer, for if he drinks he dies.This was his doom;--the Leech, the guard, were gone,And left proud Conrad fettered and alone.
'Twere vain to paint to what his feelings grew--It even were doubtful if their victim knew.There is a war, a chaos of the mind,When all its elements convulsed, combinedLie dark and jarring with perturbed force,And gnashing with impenitent Remorse--That juggling fiend, who never spake before,But cries "I warned thee!" when the deed is o'er.Vain voice! the spirit burning but unbent,May writhe--rebel--the weak alone repent!Even in that lonely hour when most it feels,And, to itself, all--all that self reveals,--No single passion, and no ruling thoughtThat leaves the rest, as once, unseen, unsought,But the wild prospect when the Soul reviews,All rushing through their thousand avenues--Ambition's dreams expiring, Love's regret,Endangered Glory, Life itself beset;The joy untasted, the contempt or hate'Gainst those who fain would triumph in our fate;The hopeless past, the hasting future drivenToo quickly on to guess if Hell or Heaven;Deeds--thoughts--and words, perhaps remembered notSo keenly till that hour, but ne'er forgot;Things light or lovely in their acted time,But now to stern Reflection each a crime;The withering sense of Evil unrevealed,Not cankering less because the more concealed;All, in a word, from which all eyes must start,That opening sepulchre, the naked heartBares with its buried woes--till Pride awake,To snatch the mirror from the soul, and break.Aye, Pride can veil, and Courage brave it all--All--all--before--beyond--the deadliest fall.Each hath some fear, and he who least betrays,The only hypocrite deserving praise:Not the loud recreant wretch who boasts and flies;But he who looks on Death--and silent dies:So, steeled by pondering o'er his far career,He half-way meets Him should He menace near!
Words in this poem 18
- wrench n.
- Trick; deceit; fraud; stratagem. [OE. wrench deceit, AS. wrenc deceit, a twisting; akin to G. rank intrigue, crookedness, renken to bend, twist, and E. wring. Wring, and cf. Ranch, v. t.]
- wonted a.
- Accustomed; customary; usual.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- flit a.
- Nimble; quick; swift. See Fleet.
- fettered a.
- Seeming as if fettered, as the feet pf certain animals which bend backward, and appear unfit for walking.
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- jarring a.
- Shaking; disturbing; discordant. [See Jar.]
- perturbed a.
- Agitated; disturbed; troubled.
- impenitent a.
- Not penitent; not repenting of sin; not contrite; of a hard heart. [L. impaenitens; pref. im- not + paenitens penitens: cf. F. impénitent. See Penitent.]
- rebel a.
- Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
- repent a.
- Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
- unseen a.
- Not seen or discovered.
- expiring a.
- Breathing out air from the lungs; emitting fluid or volatile matter; exhaling; breathing the last breath; dying; ending; terminating.
- fain v. t.
- To be glad ; to wish or desire.
- keenly adv.
- In a keen manner.
- withering a.
- Tending to wither; causing to shrink or fade.
- sepulchre n.
- The place in which the dead body of a human being is interred, or a place set apart for that purpose; a grave; a tomb. [OE. sepulcre, OF. sepulcre, F. sépulcre, fr. L. sepulcrum, sepulchrum, fr. sepelire to bury.]
- career n.
- A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto II: Canto II X is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, Canto II: Canto II X, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/canto-ii-canto-ii-x.html, id L23909.
Form and metre
Canto II: Canto II X is 56 lines in 2 verse paragraphs. It is in rhyming couplets, 89% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGG-- thereA · bearA · chainB · painB · sunC · begunC · mornD · borneD · worstE · thirstE · slakeF · stakeF · deniesG · diesG · gone · alone
- 2 AABBCC--DDEEFFGGHHII--JJKKLLMMNNOOPPQQRR grewA · knewA · mindB · combinedB · forceC · remorseC · before · o'er · unbentD · repentD · feelsE · revealsE · thoughtF · unsoughtF · reviewsG · avenuesG · regretH · besetH · hateI · fateI · driven · heaven · notJ · forgotJ · timeK · crimeK · unrevealedL · concealedL · startM · heartM · awakeN · breakN · allO · fallO · betraysP · praiseP · fliesQ · diesQ · careerR · nearR
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The Leech was sent--but not in mercy--there, | 10 | ·······/˘· |
| To note how much the life yet left could bear; | 10 | ·········· |
| He found enough to load with heaviest chain, | 10 | ··˘/···/˘· |
| And promise feeling for the wrench of Pain; | 10 | ·/˘/˘····· |
| To-morrow--yea--to-morrow's evening Sun | 10 | ·/˘··/˘/˘· |
| Will, sinking, see Impalement's pangs begun, | 11 | ·/˘······/˘ |
| And rising with the wonted blush of morn | 10 | ·/˘··/˘··· |
| Behold how well or ill those pangs are borne. | 10 | ˘/········ |
| Of torments this the longest and the worst, | 10 | ·/···/˘··· |
| Which adds all other agony to thirst, | 10 | ···/˘/˘˘·· |
| That day by day Death still forbears to slake, | 10 | ·········· |
| While famished vultures flit around the stake. | 10 | ···/˘····· |
| "Oh! water--water!"--smiling Hate denies | 10 | ·/˘/˘/˘·˘/ |
| The victim's prayer, for if he drinks he dies. | 10 | ·/˘······· |
| This was his doom;--the Leech, the guard, were gone, | 10 | ·········· |
| And left proud Conrad fettered and alone. | 10 | ···/˘/˘·˘/ |
| 'Twere vain to paint to what his feelings grew-- | 10 | ·······/˘· |
| It even were doubtful if their victim knew. | 10 | ·/·/˘··/˘· |
| There is a war, a chaos of the mind, | 10 | ·····/˘··· |
| When all its elements convulsed, combined | 10 | ···/˘˘··˘/ |
| Lie dark and jarring with perturbed force, | 10 | ···/˘·˘/˘· |
| And gnashing with impenitent Remorse-- | 10 | ·/˘·˘/˘˘˘/ |
| That juggling fiend, who never spake before, | 10 | ·/˘˘··/··· |
| But cries "I warned thee!" when the deed is o'er. | 10 | ·········· |
| Vain voice! the spirit burning but unbent, | 10 | ···/˘/˘··· |
| May writhe--rebel--the weak alone repent! | 10 | ··˘/··˘/˘/ |
| Even in that lonely hour when most it feels, | 10 | /··/˘/···· |
| And, to itself, all--all that self reveals,-- | 10 | ··˘/····˘/ |
| No single passion, and no ruling thought | 10 | ·/˘/˘··/˘· |
| That leaves the rest, as once, unseen, unsought, | 10 | ······˘/·· |
| But the wild prospect when the Soul reviews, | 10 | ···/˘···˘/ |
| All rushing through their thousand avenues-- | 10 | ·/˘··/˘/˘· |
| Ambition's dreams expiring, Love's regret, | 10 | ˘/˘·˘/˘·˘/ |
| Endangered Glory, Life itself beset; | 10 | ˘/˘/˘·˘/˘/ |
| The joy untasted, the contempt or hate | 10 | ······˘/·· |
| 'Gainst those who fain would triumph in our fate; | 10 | ·····/˘·/· |
| The hopeless past, the hasting future driven | 11 | ·/˘··/˘/˘/˘ |
| Too quickly on to guess if Hell or Heaven; | 11 | ·/˘······/˘ |
| Deeds--thoughts--and words, perhaps remembered not | 10 | ····˘/˘/˘· |
| So keenly till that hour, but ne'er forgot; | 10 | ·/˘··/··˘/ |
| Things light or lovely in their acted time, | 10 | ···/˘··/˘· |
| But now to stern Reflection each a crime; | 10 | ····˘/˘··· |
| The withering sense of Evil unrevealed, | 10 | ·/˘˘··/··· |
| Not cankering less because the more concealed; | 10 | ·/˘·····˘/ |
| All, in a word, from which all eyes must start, | 10 | ·········· |
| That opening sepulchre, the naked heart | 10 | ·/˘˘···/˘· |
| Bares with its buried woes--till Pride awake, | 10 | ···/˘···˘/ |
| To snatch the mirror from the soul, and break. | 10 | ···/˘····· |
| Aye, Pride can veil, and Courage brave it all-- | 10 | ·····/˘··· |
| All--all--before--beyond--the deadliest fall. | 10 | ·······/˘· |
| Each hath some fear, and he who least betrays, | 10 | ········˘/ |
| The only hypocrite deserving praise: | 10 | ·/˘/˘·˘/˘· |
| Not the loud recreant wretch who boasts and flies; | 11 | ···/˘˘····· |
| But he who looks on Death--and silent dies: | 10 | ·······/˘· |
| So, steeled by pondering o'er his far career, | 10 | ···/˘···˘/ |
| He half-way meets Him should He menace near! | 10 | ·······/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.