By Dr. Plagiary
Half stolen, with acknowledgments, to be spoken in aninarticulate voice by Master ---- at the opening of the nextnew theatre. [Stolen parts marked with the inverted commas of
"When energising objects men pursue,"Then Lord knows what is writ by Lord knows who.A modest Monologue you here survey,Hissed from the theatre the "other day,"As if Sir Fretful wrote "the slumberous" verse,And gave his son "the rubbish" to rehearse."Yet at the thing you'd never be amazed,"Knew you the rumpus which the Author raised;"Nor even here your smiles would be represt,"Knew you these lines--the badness of the best,"Flame! fire! and flame!" (words borrowed from Lucretius.)"Dread metaphors" which open wounds like issues!"And sleeping pangs awake--and----But away"--(Confound me if I know what next to say).Lo "Hope reviving re-expands her wings,"And Master G---- recites what Dr. Busby sings!--"If mighty things with small we may compare,"(Translated from the Grammar for the fair!)Dramatic "spirit drives a conquering car,"And burn'd poor Moscow like a tub of "tar.""This spirit" "Wellington has shown in Spain,"To furnish Melodrames for Drury Lane."Another Marlborough points to Blenheim's story,"And George and I will dramatise it for ye.
"In Arts and Sciences our Isle hath shone"(This deep discovery is mine alone).Oh "British poesy, whose powers inspire"My verse--or I'm a fool--and Fame's a liar,"Thee we invoke, your Sister Arts implore"With "smiles," and "lyres," and "pencils," and much more.These, if we win the Graces, too, we gainDisgraces, too! "inseparable train!""Three who have stolen their witching airs from Cupid"(You all know what I mean, unless you're stupid):"Harmonious throng" that I have kept in pettoNow to produce in a "divine sestetto"!!"While Poesy," with these delightful doxies,"Sustains her part" in all the "upper" boxes!"Thus lifted gloriously, you'll sweep along,"Borne in the vast balloon of Busby's song;"Shine in your farce, masque, scenery, and play"(For this last line George had a holiday)."Old Drury never, never soar'd so high,"So says the Manager, and so say I."But hold," you say, "this self-complacent boast;"Is this the Poem which the public lost?"True--true--that lowers at once our mounting pride;"But lo;--the Papers print what you deride."'Tis ours to look on you--you hold the prize,"'Tis twenty guineas, as they advertise!"A double blessing your rewards impart"--I wish I had them, then, with all my heart."Our twofold feeling owns its twofold cause,"Why son and I both beg for your applause."When in your fostering beams you bid us live,"My next subscription list shall say how much you give!
Words in this poem 17
- theatre n.
- An edifice in which dramatic performances or spectacles are exhibited for the amusement of spectators; anciently uncovered, except the stage, but in modern times roofed. [F. thé\'83tre, L. theatrum, Gr. dhya to meditate, think. Cf. Theory.]
- monologue n.
- A speech uttered by a person alone; soliloquy; also, talk or discourse in company, in the strain of a soliloquy; as, an account in monologue. [F. monologue, Gr. Legend.]
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- slumberous a.
- Inviting slumber; soporiferous.
- rumpus n.
- A disturbance; noise and confusion; a quarrel.
- dramatise v. t.
- To compose in the form of the drama; to represent in a drama; to adapt to dramatic representation; as, to dramatize a novel, or an historical episode. [Cf. F. dramatiser.]
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- poesy n.
- The art of composing poems; poetical skill or faculty; as, the heavenly gift of poesy. [F. poésie (cf. It. poesia), L. poesis, from Gr. Posy.]
- liar n.
- A person who knowingly utters falsehood; one who lies. [OE. liere. See Lie to falsify.]
- witching a.
- That witches or enchants; suited to enchantment or witchcraft; bewitching.
- cupid
- The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
- petto n.
- The breast. In petto, in the breast; hence, in secrecy; in reserve. [It., fr. L. pectus.]
- masque n.
- A mask; a masquerade.
- deride v. t.
- To laugh at with contempt; to laugh to scorn; to turn to ridicule or make sport of; to mock; to scoff at. [L. deridere, derisum; de- + rid to laugh. See Ridicule.]
- advertise v. t.
- To give notice to; to inform or apprise; to notify; to make known; hence, to warn; -- often followed by of before the subject of information; as, to advertise a man of his loss. [F. avertir, formerly also spelt advertir, to warn, give notice to, L. advertere to turn to. The ending was probably influenced by the noun advertisement. See Ad]
- subscription n.
- The act of subscribing. [L. subscriptio: cf. F. souscription.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
By Dr. Plagiary is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, By Dr. Plagiary, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/by-dr-plagiary.html, id L23849.
Form and metre
By Dr. Plagiary is 59 lines in 3 verse paragraphs. It is in rhyming couplets, 68% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AABBCCDDEE--BBFFGGHHII-- pursueA · whoA · surveyB · dayB · verseC · rehearseC · amazedD · raisedD · represtE · bestE · lucretius · issues · awayB · sayB · wingsF · singsF · compareG · fairG · carH · tarH · spainI · laneI · story · ye
- 3 AA--BBCC--DD--EEFFGG--HHIIJJ---- shoneA · aloneA · inspire · liar · imploreB · moreB · gainC · trainC · cupid · stupid · pettoD · sestettoD · doxies · boxes · alongE · songE · playF · holidayF · highG · iG · boast · lost · prideH · derideH · prizeI · advertiseI · impartJ · heartJ · cause · applause · live · give
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Half stolen, with acknowledgments, to be spoken in an | 13 | ·/˘·˘/˘··/˘·· |
| inarticulate voice by Master ---- at the opening of the next | 14 | ˘/˘··/˘··/˘··· |
| new theatre. [Stolen parts marked with the inverted commas of | 15 | ·/˘/˘····˘/˘/˘· |
| "When energising objects men pursue," | 10 | ·/˘·˘/˘·˘/ |
| Then Lord knows what is writ by Lord knows who. | 10 | ·········· |
| A modest Monologue you here survey, | 10 | ·/˘/˘···˘/ |
| Hissed from the theatre the "other day," | 10 | ···/˘˘·/˘· |
| As if Sir Fretful wrote "the slumberous" verse, | 11 | ···/˘··/˘˘· |
| And gave his son "the rubbish" to rehearse. | 10 | ·····/˘·˘/ |
| "Yet at the thing you'd never be amazed," | 10 | ·····/˘·˘/ |
| Knew you the rumpus which the Author raised; | 10 | ···/˘··/˘· |
| "Nor even here your smiles would be represt," | 11 | ·/˘·····/˘˘ |
| Knew you these lines--the badness of the best, | 10 | ·····/˘··· |
| "Flame! fire! and flame!" (words borrowed from Lucretius.) | 11 | ·/···/····· |
| "Dread metaphors" which open wounds like issues! | 11 | ·/˘˘·/˘··/˘ |
| "And sleeping pangs awake--and----But away"-- | 10 | ·/˘·˘/··˘/ |
| (Confound me if I know what next to say). | 10 | ˘/········ |
| Lo "Hope reviving re-expands her wings," | 10 | ··˘/˘·˘/·· |
| And Master G---- recites what Dr. Busby sings!-- | 11 | ·/˘·˘/··/˘· |
| "If mighty things with small we may compare," | 10 | ·/˘·····˘/ |
| (Translated from the Grammar for the fair!) | 10 | ˘/˘··/˘··· |
| Dramatic "spirit drives a conquering car," | 10 | ˘/˘/··/˘˘· |
| And burn'd poor Moscow like a tub of "tar." | 10 | ···/······ |
| "This spirit" "Wellington has shown in Spain," | 10 | ·/˘/˘˘···· |
| To furnish Melodrames for Drury Lane. | 10 | ·/˘····/˘· |
| "Another Marlborough points to Blenheim's story," | 11 | ˘/˘/˘··/·/˘ |
| And George and I will dramatise it for ye. | 11 | ·····/˘···· |
| "In Arts and Sciences our Isle hath shone" | 10 | ···/˘˘/··· |
| (This deep discovery is mine alone). | 10 | ··˘/˘˘··˘/ |
| Oh "British poesy, whose powers inspire" | 10 | ·/˘/˘˘·/˘/ |
| My verse--or I'm a fool--and Fame's a liar, | 11 | ·········/˘ |
| "Thee we invoke, your Sister Arts implore" | 10 | ··˘/·/˘·˘/ |
| With "smiles," and "lyres," and "pencils," and much more. | 10 | ·····/˘··· |
| These, if we win the Graces, too, we gain | 10 | ·····/˘··· |
| Disgraces, too! "inseparable train!" | 10 | ˘/˘·˘/˘˘˘· |
| "Three who have stolen their witching airs from Cupid" | 12 | ···/˘·/˘··/˘ |
| (You all know what I mean, unless you're stupid): | 11 | ·········/˘ |
| "Harmonious throng" that I have kept in petto | 11 | ˘/˘······/˘ |
| Now to produce in a "divine sestetto"!! | 11 | ··˘/··˘/˘/˘ |
| "While Poesy," with these delightful doxies, | 11 | ·/˘˘··˘/˘/˘ |
| "Sustains her part" in all the "upper" boxes! | 11 | ˘/·····/˘/˘ |
| "Thus lifted gloriously, you'll sweep along," | 10 | ·/˘/˘˘··˘/ |
| Borne in the vast balloon of Busby's song; | 10 | ····˘/·/˘· |
| "Shine in your farce, masque, scenery, and play" | 10 | ·····/˘˘·· |
| (For this last line George had a holiday). | 10 | ·······/˘· |
| "Old Drury never, never soar'd so high," | 10 | ·/˘/˘/˘··· |
| So says the Manager, and so say I. | 10 | ···/˘˘···· |
| "But hold," you say, "this self-complacent boast;" | 10 | ······˘/˘· |
| Is this the Poem which the public lost? | 10 | ···/˘··/˘· |
| "True--true--that lowers at once our mounting pride;" | 11 | ···/˘··//˘· |
| But lo;--the Papers print what you deride. | 10 | ···/˘···˘/ |
| "'Tis ours to look on you--you hold the prize," | 10 | ·/········ |
| 'Tis twenty guineas, as they advertise! | 10 | ·/˘/˘··/˘· |
| "A double blessing your rewards impart"-- | 10 | ·/˘/˘·˘/˘/ |
| I wish I had them, then, with all my heart. | 10 | ·········· |
| "Our twofold feeling owns its twofold cause," | 10 | ////˘··//· |
| Why son and I both beg for your applause. | 10 | ········˘/ |
| "When in your fostering beams you bid us live," | 10 | ···/˘····· |
| My next subscription list shall say how much you give! | 12 | ··˘/˘······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.