Address, Spoken at the Opening of Drury-Lane Theatre, October 10, 1812
In one dread night our city saw, and sighed,Bowed to the dust, the Drama's tower of pride;In one short hour beheld the blazing fane,Apollo sink, and Shakespeare cease to reign.
Ye who beheld, (oh! sight admired and mourned,Whose radiance mocked the ruin it adorned!)Through clouds of fire the massy fragments riven,Like Israel's pillar, chase the night from heaven;Saw the long column of revolving flamesShake its red shadow o'er the startled Thames,While thousands, thronged around the burning dome,Shrank back appalled, and trembled for their home,As glared the volumed blaze, and ghastly shonebnThe skies, with lightnings awful as their own,Till blackening ashes and the lonely wallboUsurped the Muse's realm, and marked her fall;Say--shall this new, nor less aspiring pile,Reared where once rose the mightiest in our isle,Know the same favour which the former knew,A shrine for Shakespeare--worthy him and you?
Yes--it shall be--the magic of that nameDefies the scythe of time, the torch of flame;bpOn the same spot still consecrates the scene,And bids the Drama be where she hath been:This fabric's birth attests the potent spell----Indulge our honest pride, and say, How well!
As soars this fane to emulate the last,Oh! might we draw our omens from the past,Some hour propitious to our prayers may boastNames such as hallow still the dome we lost.On Drury first your Siddons' thrilling artO'erwhelmed the gentlest, stormed the sternest heart.On Drury, Garrick's latest laurels grew;Here your last tears retiring Roscius drew,Sighed his last thanks, and wept his last adieu:But still for living wit the wreaths may bloom,That only waste their odours o'er the tomb.Such Drury claimed and claims--nor you refuseOne tribute to revive his slumbering muse;With garlands deck your own Menander's head,Nor hoard your honours idly for the dead!bqDear are the days which made our annals bright,Ere Garrick fled, or Brinsley ceased to writebrHeirs to their labours, like all high-born heirs,Vain of our ancestry as they of theirs;While thus Remembrance borrows Banquo's glassTo claim the sceptred shadows as they pass,And we the mirror hold, where imaged shineImmortal names, emblazoned on our line,Pause--ere their feebler offspring you condemn,Reflect how hard the task to rival them!
Friends of the stage! to whom both Players and PlaysMust sue alike for pardon or for praise,Whose judging voice and eye alone directThe boundless power to cherish or reject;If e'er frivolity has led to fame,And made us blush that you forbore to blame--If e'er the sinking stage could condescendTo soothe the sickly taste it dare not mend--All past reproach may present scenes refute,And censure, wisely loud, be justly mute!Oh! since your fiat stamps the Drama's laws,Forbear to mock us with misplaced applause;So Pride shall doubly nerve the actor's powers,And Reason's voice be echoed back by ours!
This greeting o'er--the ancient rule obeyed,The Drama's homage by her herald paid--Receive our welcome too--whose every toneSprings from our hearts, and fain would win your own.The curtain rises--may our stage unfoldScenes not unworthy Drury's days of old!Britons our judges, Nature for our guide,Still may we please--long, long may you preside.
Words in this poem 15
- fane n.
- A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
- admired a.
- Regarded with wonder and delight; highly prized; as, an admired poem.
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- volumed a.
- Having the form of a volume, or roil; as, volumed mist.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- aspiring a.
- That aspires; as, an Aspiring mind.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- annals n.
- A relation of events in chronological order, each event being recorded under the year in which it happened. [L. annalis (sc. liber), and more frequently in the pl. annales (sc. libri), chronicles, fr. annus year. Cf. Annual.]
- frivolity n.
- The condition or quality of being frivolous; also, acts or habits of trifling; unbecoming levity of disposition. [Cg. F. frivolité. See Frivolous.]
- condescend v. i.
- To stoop or descend; to let one's self down; to submit; to waive the privilege of rank or dignity; to accommodate one's self to an inferior. [F. condescendre, LL. condescendere, fr. L. con- + descendere. See Descend.]
- soothe v. t.
- To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
- fain v. t.
- To be glad ; to wish or desire.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Address, Spoken at the Opening of Drury-Lane Theatre, October 10, 1812 is in the public domain. This text is taken from The Works of Lord Byron. Vol. 3, Project Gutenberg ebook #21811; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, Address, Spoken at the Opening of Drury-Lane Theatre, October 10, 1812, in The Giaour, and Other Poems (1816), text of Project Gutenberg ebook #21811, Laurel, https://laurelpoetry.com/poem/byron-works-3/address-spoken-at-the-opening-of-drury-lane-theatre-october-10-1812.html, id L26291.
Form and metre
Address, Spoken at the Opening of Drury-Lane Theatre, October 10, 1812 is 73 lines in 6 verse paragraphs. It is in rhyming couplets, 79% of the lines: octosyllabic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB sighedA · prideA · faneB · reignB
- 2 AABBCCDDEEFFGGHH mournedA · adornedA · rivenB · heavenB · flamesC · thamesC · domeD · homeD · shonebnE · ownE · wallboF · fallF · pileG · isleG · knewH · youH
- 3 ----AA name · flame;bp · scene · been · spellA · wellA
- 4 AA--BBCCCDDEE----FFGGHHII lastA · pastA · boast · lost · artB · heartB · grewC · drewC · adieuC · bloomD · tombD · refuseE · museE · head · dead!bq · bright · writebr · heirsF · theirsF · glassG · passG · shineH · lineH · condemnI · themI
- 5 AABBCCDDEEFFGG playsA · praiseA · directB · rejectB · fameC · blameC · condescendD · mendD · refuteE · muteE · lawsF · applauseF · powersG · oursG
- 6 AABBCCDD obeyedA · paidA · toneB · ownB · unfoldC · oldC · guideD · presideD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In one dread night our city saw, and sighed, | 10 | ····//˘··· |
| Bowed to the dust, the Drama's tower of pride; | 10 | ·····/˘/·· |
| In one short hour beheld the blazing fane, | 10 | ···/˘/·/˘· |
| Apollo sink, and Shakespeare cease to reign. | 10 | ˘/˘··/···· |
| Ye who beheld, (oh! sight admired and mourned, | 10 | ··˘/··˘/·· |
| Whose radiance mocked the ruin it adorned!) | 10 | ·/˘˘··/·˘/ |
| Through clouds of fire the massy fragments riven, | 11 | ···/·/˘/˘/˘ |
| Like Israel's pillar, chase the night from heaven; | 11 | ·/˘/˘····/˘ |
| Saw the long column of revolving flames | 10 | ···/˘·˘/˘· |
| Shake its red shadow o'er the startled Thames, | 10 | ···/···/˘· |
| While thousands, thronged around the burning dome, | 10 | ·/˘····/˘· |
| Shrank back appalled, and trembled for their home, | 10 | ··˘/·/˘··· |
| As glared the volumed blaze, and ghastly shonebn | 11 | ···/˘··/˘·· |
| The skies, with lightnings awful as their own, | 10 | ···/˘/˘··· |
| Till blackening ashes and the lonely wallbo | 11 | ·/˘/˘··/˘·· |
| Usurped the Muse's realm, and marked her fall; | 10 | ·/·/˘····· |
| Say--shall this new, nor less aspiring pile, | 10 | ······˘/˘· |
| Reared where once rose the mightiest in our isle, | 10 | ·····/˘·/· |
| Know the same favour which the former knew, | 10 | ···/˘··/˘· |
| A shrine for Shakespeare--worthy him and you? | 10 | ···/·/˘··· |
| Yes--it shall be--the magic of that name | 10 | ·····/˘··· |
| Defies the scythe of time, the torch of flame;bp | 11 | ˘/········· |
| On the same spot still consecrates the scene, | 10 | ·····/˘··· |
| And bids the Drama be where she hath been: | 10 | ···/˘····· |
| This fabric's birth attests the potent spell---- | 10 | ·/˘·˘/·/˘· |
| Indulge our honest pride, and say, How well! | 10 | ˘///˘····· |
| As soars this fane to emulate the last, | 10 | ·····/˘··· |
| Oh! might we draw our omens from the past, | 10 | ····//˘··· |
| Some hour propitious to our prayers may boast | 10 | ·/˘/˘·/··· |
| Names such as hallow still the dome we lost. | 10 | ···/˘····· |
| On Drury first your Siddons' thrilling art | 10 | ·/˘··/˘/˘· |
| O'erwhelmed the gentlest, stormed the sternest heart. | 10 | ···/˘··/˘· |
| On Drury, Garrick's latest laurels grew; | 10 | ·/˘/˘/˘/˘· |
| Here your last tears retiring Roscius drew, | 10 | ····˘/˘··· |
| Sighed his last thanks, and wept his last adieu: | 10 | ········˘/ |
| But still for living wit the wreaths may bloom, | 10 | ···/˘····· |
| That only waste their odours o'er the tomb. | 10 | ·/˘··/˘··· |
| Such Drury claimed and claims--nor you refuse | 10 | ·/˘·····˘/ |
| One tribute to revive his slumbering muse; | 10 | ·/˘·˘/·/˘· |
| With garlands deck your own Menander's head, | 10 | ·/˘······· |
| Nor hoard your honours idly for the dead!bq | 11 | ···/˘/˘···· |
| Dear are the days which made our annals bright, | 10 | ······//˘· |
| Ere Garrick fled, or Brinsley ceased to writebr | 11 | ·/˘········ |
| Heirs to their labours, like all high-born heirs, | 10 | ···/˘····· |
| Vain of our ancestry as they of theirs; | 10 | ··//˘˘···· |
| While thus Remembrance borrows Banquo's glass | 10 | ··˘/˘/˘/˘· |
| To claim the sceptred shadows as they pass, | 10 | ···/˘/···· |
| And we the mirror hold, where imaged shine | 10 | ···/˘··/˘· |
| Immortal names, emblazoned on our line, | 10 | ˘/˘·˘/˘·/· |
| Pause--ere their feebler offspring you condemn, | 10 | ·····/··˘/ |
| Reflect how hard the task to rival them! | 10 | ˘/·····/˘· |
| Friends of the stage! to whom both Players and Plays | 11 | ·······/˘·· |
| Must sue alike for pardon or for praise, | 10 | ··˘/·/˘··· |
| Whose judging voice and eye alone direct | 10 | ·/˘···˘/˘/ |
| The boundless power to cherish or reject; | 10 | ·/˘/·/˘·˘/ |
| If e'er frivolity has led to fame, | 10 | ··˘/˘˘···· |
| And made us blush that you forbore to blame-- | 10 | ······˘/·· |
| If e'er the sinking stage could condescend | 10 | ···/˘···˘/ |
| To soothe the sickly taste it dare not mend-- | 10 | ···/˘····· |
| All past reproach may present scenes refute, | 10 | ··˘/·/˘·˘/ |
| And censure, wisely loud, be justly mute! | 10 | ·/˘/˘··/˘· |
| Oh! since your fiat stamps the Drama's laws, | 10 | ···/˘··/˘· |
| Forbear to mock us with misplaced applause; | 10 | ˘/····˘/˘/ |
| So Pride shall doubly nerve the actor's powers, | 11 | ···/˘··/˘/˘ |
| And Reason's voice be echoed back by ours! | 11 | ·/˘··/˘··/˘ |
| This greeting o'er--the ancient rule obeyed, | 10 | ·/˘··/˘·˘/ |
| The Drama's homage by her herald paid-- | 10 | ·/˘/˘··/˘· |
| Receive our welcome too--whose every tone | 10 | ˘///˘··/˘· |
| Springs from our hearts, and fain would win your own. | 10 | ··/······· |
| The curtain rises--may our stage unfold | 10 | ·/˘/˘·/·˘/ |
| Scenes not unworthy Drury's days of old! | 10 | ··˘/˘/˘··· |
| Britons our judges, Nature for our guide, | 10 | /˘//˘/˘·/· |
| Still may we please--long, long may you preside. | 10 | ········˘/ |
Notes from the edition 4
E. H. Coleridge's notes to The Works of Lord Byron, Poetry, Vol. III (John Murray, 1900; Project Gutenberg #21811). Bracketed passages are the editor's; unbracketed are Byron's own or earlier editors'. Lettered variant readings (manuscript and edition collations) are not harvested here, matching the treatment of Coleridge's Don Juan notes.
- Stanza 2, line 6 ["By the by, the best view of the said fire [February 24, 1809] (which I myself saw from a house-top in Covent-garden) was at Westminster Bridge, from the reflection on the Thames."--Letter to Lord Holland, September 25, 1812, Letters, 1898, ii. 148.]
- Stanza 4, line 17 [Originally, "Ere Garrick died," etc. "By the by, one of my corrections in the fair copy sent yesterday has dived into the bathos some sixty fathom--
'When Garrick died, and Brinsley ceased to write.'
Ceasing to live is a much more serious concern, and ought not to be first; therefore I will let the old couplet stand, with its half rhymes 'sought' and 'wrote' [vide supra, variant ii.] Second thoughts in every thing are best, but, in rhyme, third and fourth don't come amiss.... I always scrawl in this way, and smooth as much as I can, but never sufficiently."--Letter to Lord Holland, September 26, 1812, Letters, 1898, ii. 150.] - Stanza 5, line 10 [The following lines were omitted by the Committee:--
"Nay, lower still, the Drama yet deplores That late she deigned to crawl upon all-fours. When Richard roars in Bosworth for a horse, If you command, the steed must come in course. If you decree, the Stage must condescend To soothe the sickly taste we dare not mend. Blame not our judgment should we acquiesce, And gratify you more by showing less. Oh, since your Fiat stamps the Drama's laws, Forbear to mock us with misplaced applause; That public praise be ne'er again disgraced, / brutes to man recall \ From { } a nation's taste; \ babes and brutes redeem / Then pride shall doubly nerve the actor's powers, When Reason's voice is echoed back with ours."
The last couplet but one was altered in a later copy, thus--
"The past reproach let present scenes refute, Nor shift from man to babe, from babe to brute."
"Is Whitbread," wrote Lord Byron, "determined to castrate all my cavalry lines?... I do implore, for my own gratification, one lash on those accursed quadrupeds--'a long shot, Sir Lucius, if you love me.'"--Letter to Lord Holland, September 28, 1812, Letters, 1898, ii. 156. For "animal performers," vide ibid., note 1.] - Stanza 6, line 1 [Lines 66-69 were added on September 24, in a letter to Lord Holland.]
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.