An Indian Story
"I know where the timid fawn abidesIn the depths of the shaded dell,Where the leaves are broad and the thicket hides,With its many stems and its tangled sides,From the eye of the hunter well.
"I know where the young May violet grows,In its lone and lowly nook,On the mossy bank, where the larch-tree throwsIts broad dark boughs, in solemn repose,Far over the silent brook.
"And that timid fawn starts not with fearWhen I steal to her secret bower;And that young May violet to me is dear,And I visit the silent streamlet near,To look on the lovely flower."
Thus Maquon sings as he lightly walksTo the hunting-ground on the hills;'Tis a song of his maid of the woods and rocks,With her bright black eyes and long black locks,And voice like the music of rills.
He goes to the chase--but evil eyesAre at watch in the thicker shades;For she was lovely that smiled on his sighs,And he bore, from a hundred lovers, his prize,The flower of the forest maids.
The boughs in the morning wind are stirred,And the woods their song renew,With the early carol of many a bird,And the quickened tune of the streamlet heardWhere the hazels trickle with dew.
And Maquon has promised his dark-haired maid,Ere eve shall redden the sky,A good red deer from the forest shade,That bounds with the herd through grove and glade,At her cabin-door shall lie.
The hollow woods, in the setting sun,Ring shrill with the fire-bird's lay;And Maquon's sylvan labours are done,And his shafts are spent, but the spoil they wonHe bears on his homeward way.
He stops near his bower--his eye perceivesStrange traces along the ground--At once to the earth his burden he heaves,He breaks through the veil of boughs and leaves,And gains its door with a bound.
But the vines are torn on its walls that leant,And all from the young shrubs thereBy struggling hands have the leaves been rent,And there hangs on the sassafras, broken and bent,One tress of the well-known hair.
But where is she who, at this calm hour,Ever watched his coming to see?She is not at the door, nor yet in the bower;He calls--but he only hears on the flowerThe hum of the laden bee.
It is not a time for idle grief,Nor a time for tears to flow;The horror that freezes his limbs is brief--He grasps his war-axe and bow, and a sheafOf darts made sharp for the foe.
And he looks for the print of the ruffian's feet,Where he bore the maiden away;And he darts on the fatal path more fleetThan the blast that hurries the vapour and sleetO'er the wild November day.
'Twas early summer when Maquon's brideWas stolen away from his door;But at length the maples in crimson are dyed,And the grape is black on the cabin side,--And she smiles at his hearth once more.
But far in the pine-grove, dark and cold,Where the yellow leaf falls not,Nor the autumn shines in scarlet and gold,There lies a hillock of fresh dark mould,In the deepest gloom of the spot.
And the Indian girls, that pass that way,Point out the ravisher's grave;"And how soon to the bower she loved," they say,"Returned the maid that was borne awayFrom Maquon, the fond and the brave."
Words in this poem
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- lone n.
- A lane. See Loanin.
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- streamlet n.
- A small stream; a rivulet; a rill.
- carol v. t.
- To praise or celebrate in song.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- homeward a.
- Being in the direction of home; as, the homeward way.
- heaves n.
- A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.
- tress n.
- A braid, knot, or curl, of hair; a ringlet. [OE. tresse, OF. trece, F. tresse, LL. tricia, fr. Gr. tri`cha threefold, because a tress is usually formed by interlacing three pieces; akin to trei^s three. Se]
- hurries n.
- A staith or framework from which coal is discharged from cars into vessels.
- vapour n.
- Any substance in the gaseous, or aëriform, state, the condition of which is ordinarily that of a liquid or solid. [OE. vapour, OF. vapour, vapor, vapeur, F. vapeur, L. vapor; probably for cvapor, and akin to Gr. kvepti to breathe, smell, Russ. kopote fine soot. Cf. Vapid.]
- sleet n.
- The part of a mortar extending from the chamber to the trunnions.
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
An Indian Story is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Cullen Bryant, An Indian Story, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/an-indian-story.html, id L07269.
Form and metre
An Indian Story is 80 lines in 16 stanzas of 5 lines each. The rhyme scheme is ABAAB, complete in 15 of its 16 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 76%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 9.0 syllables. 6 lines end on an unstressed syllable, a feminine ending. 19% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAAB abidesA · dellB · hidesA · sidesA · wellB
- 2 ABAAB growsA · nookB · throwsA · reposeA · brookB
- 3 ABAAB fearA · bowerB · dearA · nearA · flowerB
- 4 -ABBA walks · hillsA · rocksB · locksB · rillsA
- 5 ABAAB eyesA · shadesB · sighsA · prizeA · maidsB
- 6 ABAAB stirredA · renewB · birdA · heardA · dewB
- 7 ABAAB maidA · skyB · shadeA · gladeA · lieB
- 8 ABAAB sunA · layB · doneA · wonA · wayB
- 9 ABAAB perceivesA · groundB · heavesA · leavesA · boundB
- 10 ABAAB leantA · thereB · rentA · bentA · hairB
- 11 ABAAB hourA · seeB · bowerA · flowerA · beeB
- 12 ABAAB griefA · flowB · briefA · sheafA · foeB
- 13 ABAAB feetA · awayB · fleetA · sleetA · dayB
- 14 ABAAB brideA · doorB · dyedA · sideA · moreB
- 15 ABAAB coldA · notB · goldA · mouldA · spotB
- 16 ABAAB wayA · graveB · sayA · awayA · braveB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| "I know where the timid fawn abides | 9 | ····/˘·˘/ |
| In the depths of the shaded dell, | 8 | ·····/˘· |
| Where the leaves are broad and the thicket hides, | 10 | ·······/˘· |
| With its many stems and its tangled sides, | 10 | ··/˘···/˘· |
| From the eye of the hunter well. | 8 | ·····/˘· |
| "I know where the young May violet grows, | 10 | ······/˘˘· |
| In its lone and lowly nook, | 7 | ····/˘· |
| On the mossy bank, where the larch-tree throws | 10 | ··/˘······ |
| Its broad dark boughs, in solemn repose, | 9 | ·····/˘˘/ |
| Far over the silent brook. | 7 | ····/˘· |
| "And that timid fawn starts not with fear | 9 | ··/˘····· |
| When I steal to her secret bower; | 9 | ·····/˘/˘ |
| And that young May violet to me is dear, | 10 | ····/˘···· |
| And I visit the silent streamlet near, | 10 | ··/˘·/˘/˘· |
| To look on the lovely flower." | 8 | ····/˘/˘ |
| Thus Maquon sings as he lightly walks | 9 | ······/˘· |
| To the hunting-ground on the hills; | 8 | ··/˘···· |
| 'Tis a song of his maid of the woods and rocks, | 11 | ··········· |
| With her bright black eyes and long black locks, | 9 | ········· |
| And voice like the music of rills. | 8 | ····/˘·· |
| He goes to the chase--but evil eyes | 9 | ······/˘· |
| Are at watch in the thicker shades; | 8 | ·····/˘· |
| For she was lovely that smiled on his sighs, | 10 | ···/˘····· |
| And he bore, from a hundred lovers, his prize, | 11 | ·····/˘/˘·· |
| The flower of the forest maids. | 8 | ·/˘··/˘· |
| The boughs in the morning wind are stirred, | 10 | ····/˘···˘ |
| And the woods their song renew, | 7 | ·····˘/ |
| With the early carol of many a bird, | 10 | ··/˘/˘·/·· |
| And the quickened tune of the streamlet heard | 10 | ··/˘···/˘· |
| Where the hazels trickle with dew. | 8 | ··/˘/˘·· |
| And Maquon has promised his dark-haired maid, | 10 | ····/˘···· |
| Ere eve shall redden the sky, | 7 | ···/˘·· |
| A good red deer from the forest shade, | 9 | ······/˘· |
| That bounds with the herd through grove and glade, | 9 | ········· |
| At her cabin-door shall lie. | 7 | ··/˘··· |
| The hollow woods, in the setting sun, | 9 | ·/˘···/˘· |
| Ring shrill with the fire-bird's lay; | 8 | ····/˘·· |
| And Maquon's sylvan labours are done, | 9 | ···/˘/˘·· |
| And his shafts are spent, but the spoil they won | 10 | ·········· |
| He bears on his homeward way. | 7 | ····/˘· |
| He stops near his bower--his eye perceives | 10 | ····/˘··˘/ |
| Strange traces along the ground-- | 7 | ·/˘˘/·· |
| At once to the earth his burden he heaves, | 10 | ······/˘·· |
| He breaks through the veil of boughs and leaves, | 9 | ········· |
| And gains its door with a bound. | 7 | ······· |
| But the vines are torn on its walls that leant, | 11 | ·········/˘ |
| And all from the young shrubs there | 7 | ······· |
| By struggling hands have the leaves been rent, | 10 | ·/˘˘······ |
| And there hangs on the sassafras, broken and bent, | 12 | ·····/˘·/˘·· |
| One tress of the well-known hair. | 7 | ······· |
| But where is she who, at this calm hour, | 10 | ········/˘ |
| Ever watched his coming to see? | 9 | /˘·˘·/˘·· |
| She is not at the door, nor yet in the bower; | 11 | ··········/ |
| He calls--but he only hears on the flower | 11 | ····/˘···/˘ |
| The hum of the laden bee. | 7 | ····/˘· |
| It is not a time for idle grief, | 9 | ······/˘· |
| Nor a time for tears to flow; | 7 | ······· |
| The horror that freezes his limbs is brief-- | 10 | ·/˘·/˘···· |
| He grasps his war-axe and bow, and a sheaf | 10 | ·········· |
| Of darts made sharp for the foe. | 7 | ······· |
| And he looks for the print of the ruffian's feet, | 11 | ··········· |
| Where he bore the maiden away; | 8 | ····/˘˘/ |
| And he darts on the fatal path more fleet | 10 | ·····/˘··· |
| Than the blast that hurries the vapour and sleet | 11 | ····/˘·/˘·· |
| O'er the wild November day. | 7 | ···˘/˘· |
| 'Twas early summer when Maquon's bride | 9 | ·/˘/˘···· |
| Was stolen away from his door; | 8 | ·/˘˘/··· |
| But at length the maples in crimson are dyed, | 11 | ····/˘·/˘·· |
| And the grape is black on the cabin side,-- | 10 | ·······/˘· |
| And she smiles at his hearth once more. | 8 | ········ |
| But far in the pine-grove, dark and cold, | 9 | ········· |
| Where the yellow leaf falls not, | 7 | ··/˘··· |
| Nor the autumn shines in scarlet and gold, | 10 | ··/˘··/˘·· |
| There lies a hillock of fresh dark mould, | 9 | ···/˘···· |
| In the deepest gloom of the spot. | 8 | ··/˘···· |
| And the Indian girls, that pass that way, | 10 | ··/˘˘····· |
| Point out the ravisher's grave; | 7 | ······· |
| "And how soon to the bower she loved," they say, | 10 | ·····/···· |
| "Returned the maid that was borne away | 10 | ˘/˘·····˘/ |
| From Maquon, the fond and the brave." | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.