Up at a Villa—Down in the City (As Distinguished by an Italian Person of Quality)
Had I but plenty of money, money enough and to spare,The house for me, no doubt, were a house in the city-square;Ah, such a life, such a life, as one leads at the window there!
Something to see, by Bacchus, something to hear, at least!There, the whole day long, one's life is a perfect feast;While up at a villa one lives, I maintain it, no more than a beast.
Well now, look at our villa! stuck like the horn of a bullJust on a mountain-edge as bare as the creature's skull,Save a mere shag of a bush with hardly a leaf to pull!--I scratch my own, sometimes, to see if the hair's turnedwool.
But the city, oh, the city--the square with the houses! Why?They are stone-faced, white as a curd, there's something to take theeye!Houses in four straight lines, not a single front awry;You watch who crosses and gossips, who saunters, who hurries by;Green blinds, as a matter of course, to draw when the sun getshigh;And the shops with fanciful signs which are painted properly.
What of a villa? Though winter be over in March by rights,'Tis May perhaps ere the snow shall have withered well off theheights:You've the brown plowed land before, where the oxen steam and wheeze,And the hills over-smoked behind by the faint grayolive-trees.
Is it better in May, I ask you? You've summer all at once;In a day he leaps complete with a few strong April suns.'Mid the sharp short emerald wheat, scarce risen three fingers well,The wild tulip, at end of its tube, blows out its great red bellLike a thin clear bubble of blood, for the children to pickand sell.
Is it ever hot in the square? There's a fountain to spout and splash!In the shade it sings and springs; in the shine such foam-bows flashOn the horses with curling fish-tails, that prance and paddle andpashRound the lady atop in her conch--fifty gazers do not abash,Though all that she wears is some weeds round her waist in asort of sash.
All the year long at the villa, nothing to see though you linger,Except yon cypress that points like death's lean lifted forefinger.Some think fireflies pretty when they mix i' the corn and mingle,Or thrid the stinking hemp till the stalks of it seem a-tingle.Late August or early September, the stunning cicala isshrill,And the bees keep their tiresome whine round the resinous firs on thehill.Enough of the seasons--I spare you the months of the fever and chill.
Ere you open your eyes in the city, the blessed church-bells begin;No sooner the bells leave off than the diligence rattles in;You get the pick of the news, and it costs you never a pin.By and by there's the traveling doctor gives pills, lets blood, drawsteeth;Or the Pulcinello-trumpet breaks up the market beneath.At the post office such a scene-picture--the new play, piping hot!And a notice how, only this morning, three liberal thieves were shot.Above it, behold the Archbishop's most fatherly of rebukes,And beneath, with his crown and his lion, some little new law of theDuke's!Or a sonnet with flowery marge, to the Reverend Don So-and-so,Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero;"And, moreover" (the sonnet goes rhyming), "the skirts of Saint Paulhas reached,Having preached us those six Lent-lectures more unctuous thanever he preached."Noon strikes--here sweeps the procession! our Lady borne smiling andsmartWith a pink gauze gown all spangles, and seven swords stuck in herheart!Bang-whang-whang goes the drum, tootle-te-tootle the fife;No keeping one's haunches still; it's the greatest pleasure in life.
But bless you, it's dear--it's dear! fowls, wine, at doublethe rate.They have clapped a new tax upon salt, and what oil pays passing thegateIt's a horror to think of. And so the villa for me, not the city!Beggars can scarcely be choosers; but still--ah, the pity, the pity!Look, two and two go the priests, then the monks with cowls andsandals,And the penitents dressed in white shirts, a-holding theyellow candles;One, he carries a flag up straight, and another a cross with handles,And the Duke's guard brings up the rear, for the better prevention ofscandals;Bang-whang-whang goes the drum, tootle-te-tootle the fife.Oh, a day in the city-square, there is no such pleasure in life!
Words in this poem 19
- villa n.
- A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
- hurries n.
- A staith or framework from which coal is discharged from cars into vessels.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- wheeze v. i.
- To breathe hard, and with an audible piping or whistling sound, as persons affected with asthma. [OE. whesen, AS. hwsan (cf. Icel. hvæsa to hiss, Sw. hväsa, Dan. hvæse); akin to AS. hwsta a cough, D. hoest, G. husten, OHG. huosto, Icel. h, Lith. kosti to cou]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- tulip n.
- Any plant of the liliaceous genus Tulipa. Many varieties are cultivated for their beautiful, often variegated flowers. Tulip tree. [F. tulipe, OF. also tulipan, It. tulipano, tulipa, from Turk. tulbend, dulbend, literally, a turban, Per. dulband; -- so called from the resemblance of the form]
- pash v. t.
- To strike; to crush; to smash; to dash in pieces. P. [Prob. of imitative origin, or possibly akin to box to fight with the fists.]
- atop adv.
- On or at the top.
- abash v.
- To destroy the self-possession of; to confuse or confound, as by exciting suddenly a consciousness of guilt, mistake, or inferiority; to put to shame; to disconcert; to discomfit. [OE. abaissen, abaisshen, abashen, OF.esbahir, F. ébahir, to astonish, fr. L. ex + the interjection bah, expressing astonishment. In OE. somewhat confused with a]
- forefinger n.
- The finger next to the thumb; the index.
- thrid n.
- Thread; continuous line.
- stunning a.
- Overpowering consciousness; overpowering the senses; especially, overpowering the sense of hearing; confounding with noise.
- cicala n.
- A cicada. See Cicada. [It., fr. L. cicada.]
- piping a.
- Playing on a musical pipe. [From Pipe, v.]
- fatherly a.
- Like a father in affection and care; paternal; tender; protecting; careful.
- sonnet n.
- A short poem, -- usually amatory. [F., fr. It. sonetto, fr. suono a sound, a song, fr. L. sonus a sound. See Sound noise.]
- marge n.
- Border; margin; edge; verge. [F. marge. See Margin.]
- reverend a.
- Worthy of reverence; entitled to respect mingled with fear and affection; venerable. [F. révérend, L. reverendus, fr. revereri. See Revere.]
- prevention n.
- The act of going, or state of being, before. [Cf. F. prévention.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Up at a Villa—Down in the City (As Distinguished by an Italian Person of Quality) is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Browning, Up at a Villa—Down in the City (As Distinguished by an Italian Person of Quality), in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/up-at-a-villa-down-in-the-city-as-distinguished-by-an-italia.html, id L25087.
Form and metre
Up at a Villa—Down in the City (As Distinguished by an Italian Person of Quality) is 85 lines in 10 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AAA spareA · squareA · thereA
- 2 AAA leastA · feastA · beastA
- 3 A-A-A bullA · skull · pullA · turned · woolA
- 4 A-AAA-A- whyA · the · eyeA · awryA · byA · gets · highA · properly
- 5 A-AB-B rightsA · the · heightsA · wheezeB · gray · treesB
- 6 --AA-A once · suns · wellA · bellA · pick · sellA
- 7 AA-AA-A splashA · flashA · and · pashA · abashA · a · sashA
- 8 AABB-C-CC lingerA · forefingerA · mingleB · tingleB · is · shrillC · the · hillC · chillC
- 9 AAA-BBCCD-DEE-F-F-G-GHH beginA · inA · pinA · draws · teethB · beneathB · hotC · shotC · rebukesD · the · duke'sD · soE · ciceroE · paul · reachedF · than · preachedF · and · smartG · her · heartG · fifeH · lifeH
- 10 -ABACC-DBDD-DEE double · rateA · theB · gateA · cityC · pityC · and · sandalsD · theB · candlesD · handlesD · of · scandalsD · fifeE · lifeE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Had I but plenty of money, money enough and to spare, | 15 | ···/˘·/˘/˘˘/··· |
| The house for me, no doubt, were a house in the city-square; | 14 | ···········/˘· |
| Ah, such a life, such a life, as one leads at the window there! | 15 | ············/˘· |
| Something to see, by Bacchus, something to hear, at least! | 13 | /˘···/˘/˘···· |
| There, the whole day long, one's life is a perfect feast; | 12 | ·········˘/· |
| While up at a villa one lives, I maintain it, no more than a beast. | 17 | ····/˘···˘/······ |
| Well now, look at our villa! stuck like the horn of a bull | 14 | ····//˘······· |
| Just on a mountain-edge as bare as the creature's skull, | 13 | ···/˘·····/˘· |
| Save a mere shag of a bush with hardly a leaf to pull! | 14 | ········/˘···· |
| --I scratch my own, sometimes, to see if the hair's turned | 12 | ····˘/······ |
| wool. | 1 | · |
| But the city, oh, the city--the square with the houses! Why? | 15 | ··/˘··/˘····/˘· |
| They are stone-faced, white as a curd, there's something to take the | 14 | ·········/˘··· |
| eye! | 1 | · |
| Houses in four straight lines, not a single front awry; | 13 | /˘······/˘·˘/ |
| You watch who crosses and gossips, who saunters, who hurries by; | 15 | ···/˘·/˘·/˘·/˘· |
| Green blinds, as a matter of course, to draw when the sun gets | 14 | ····/˘········ |
| high; | 1 | · |
| And the shops with fanciful signs which are painted properly. | 13 | ····/˘···/˘/˘ |
| What of a villa? Though winter be over in March by rights, | 14 | ···/˘·/˘······ |
| 'Tis May perhaps ere the snow shall have withered well off the | 14 | ··˘/·····/˘··· |
| heights: | 1 | · |
| You've the brown plowed land before, where the oxen steam and wheeze, | 14 | ·········/˘··· |
| And the hills over-smoked behind by the faint gray | 11 | ··········· |
| olive-trees. | 3 | /˘· |
| Is it better in May, I ask you? You've summer all at once; | 15 | ··/˘······/˘··· |
| In a day he leaps complete with a few strong April suns. | 14 | ·····˘/····/˘· |
| 'Mid the sharp short emerald wheat, scarce risen three fingers well, | 14 | ····/˘··/˘·/˘· |
| The wild tulip, at end of its tube, blows out its great red bell | 15 | ··/˘··········· |
| Like a thin clear bubble of blood, for the children to pick | 14 | ····/˘····/˘·· |
| and sell. | 2 | ·· |
| Is it ever hot in the square? There's a fountain to spout and splash! | 15 | ··/······/˘···· |
| In the shade it sings and springs; in the shine such foam-bows flash | 14 | ·············· |
| On the horses with curling fish-tails, that prance and paddle and | 15 | ··/˘·/˘·····/˘· |
| pash | 1 | · |
| Round the lady atop in her conch--fifty gazers do not abash, | 17 | ··/˘˘/···/˘····˘/ |
| Though all that she wears is some weeds round her waist in a | 13 | ············· |
| sort of sash. | 3 | ··· |
| All the year long at the villa, nothing to see though you linger, | 16 | ······/˘/˘····/˘ |
| Except yon cypress that points like death's lean lifted forefinger. | 15 | ···/˘·····/˘/·˘ |
| Some think fireflies pretty when they mix i' the corn and mingle, | 16 | ··/˘·/˘·······/˘ |
| Or thrid the stinking hemp till the stalks of it seem a-tingle. | 15 | ···/˘········/˘ |
| Late August or early September, the stunning cicala is | 16 | ·/˘·/˘˘/˘·/˘˘/˘· |
| shrill, | 1 | · |
| And the bees keep their tiresome whine round the resinous firs on the | 16 | ·····/˘···/˘˘··· |
| hill. | 1 | · |
| Enough of the seasons--I spare you the months of the fever and chill. | 17 | ˘/··/˘·······/˘·· |
| Ere you open your eyes in the city, the blessed church-bells begin; | 16 | ··/˘····/˘····˘/ |
| No sooner the bells leave off than the diligence rattles in; | 14 | ·/˘······/˘/˘· |
| You get the pick of the news, and it costs you never a pin. | 14 | ···········/·· |
| By and by there's the traveling doctor gives pills, lets blood, draws | 14 | ·····/˘/˘····· |
| teeth; | 1 | · |
| Or the Pulcinello-trumpet breaks up the market beneath. | 15 | ······/˘···/˘·· |
| At the post office such a scene-picture--the new play, piping hot! | 16 | ···/˘···/˘···/˘· |
| And a notice how, only this morning, three liberal thieves were shot. | 16 | ··/˘·/˘·/˘·/˘··· |
| Above it, behold the Archbishop's most fatherly of rebukes, | 15 | ···˘/·//˘·/˘·˘/ |
| And beneath, with his crown and his lion, some little new law of the | 16 | ········/·/˘···· |
| Duke's! | 1 | · |
| Or a sonnet with flowery marge, to the Reverend Don So-and-so, | 16 | ··/˘·/˘···/˘···· |
| Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero; | 17 | ··/˘····/˘·˘/·/˘· |
| "And, moreover" (the sonnet goes rhyming), "the skirts of Saint Paul | 15 | ·˘/˘·/˘·/˘····· |
| has reached, | 2 | ·· |
| Having preached us those six Lent-lectures more unctuous than | 13 | /˘·····/˘·/˘· |
| ever he preached." | 4 | /˘·· |
| Noon strikes--here sweeps the procession! our Lady borne smiling and | 15 | ·····˘/˘//˘·/˘· |
| smart | 1 | · |
| With a pink gauze gown all spangles, and seven swords stuck in her | 14 | ······/˘·/···· |
| heart! | 1 | · |
| Bang-whang-whang goes the drum, tootle-te-tootle the fife; | 13 | ······/˘·/˘·· |
| No keeping one's haunches still; it's the greatest pleasure in life. | 15 | ·/˘······/˘/˘·· |
| But bless you, it's dear--it's dear! fowls, wine, at double | 12 | ··········/˘ |
| the rate. | 2 | ·· |
| They have clapped a new tax upon salt, and what oil pays passing the | 16 | ·············/˘· |
| gate | 1 | · |
| It's a horror to think of. And so the villa for me, not the city! | 18 | ··/˘······/˘····/˘ |
| Beggars can scarcely be choosers; but still--ah, the pity, the pity! | 17 | /˘·/˘·······/˘·/˘ |
| Look, two and two go the priests, then the monks with cowls and | 13 | ············· |
| sandals, | 2 | /˘ |
| And the penitents dressed in white shirts, a-holding the | 12 | ··/˘·····/˘· |
| yellow candles; | 4 | /˘/˘ |
| One, he carries a flag up straight, and another a cross with handles, | 17 | ··/˘·····˘/˘···/˘ |
| And the Duke's guard brings up the rear, for the better prevention of | 16 | ··········/˘˘/˘· |
| scandals; | 2 | /˘ |
| Bang-whang-whang goes the drum, tootle-te-tootle the fife. | 13 | ······/˘·/˘·· |
| Oh, a day in the city-square, there is no such pleasure in life! | 16 | ·····/˘·····/˘·· |
On this poem
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.