Love Among the Ruins

Robert Browning (1812–1889) · 1864

trochaic dimeter · AABBCCDDEEFF · 84 lines · from Selections from the Poems and Plays of Robert Browning

Where the quiet-colored end of evening smiles,Miles and milesOn the solitary pastures where our sheepHalf-asleepTinkle homeward through the twilight, stray or stopAs they crop--Was the site once of a city great and gay(So they say)Of our country's very capital, its princeAges sinceHeld his court in, gathered councils, wielding farPeace or war.

Now--the country does not even boast a tree,As you see,To distinguish slopes of verdure; certain rillsFrom the hillsIntersect and give a name to (else they runInto one)Where the domed and daring palace shot its spiresUp like firesO'er the hundred-gated circuit of a wallBounding all,Made of marble, men might march on nor be pressed,Twelve abreast.

And such plenty and perfection, see, of grassNever was!Such a carpet as, this summer-time, o'erspreadsAnd embedsEvery vestige of the city, guessed alone,Stock or stone--Where a multitude of men breathed joy and woeLong ago;Lust of glory pricked their hearts up, dread of shameStruck them tame;And that glory and that shame alike, the goldBought and sold.

Now--the single little turret that remainsOn the plains,By the caper overrooted, by the gourdOverscored,While the patching houseleek's head of blossom winksThrough the chinks--Marks the basement whence a tower in ancient timeSprang sublime,And a burning ring, all around, the chariots tracedAs they raced,And the monarch and his minions and his damesViewed the games.

And I know, while thus the quiet-colored eveSmiles to leaveTo their folding all our many-tinkling fleeceIn such peace,And the slopes and rills in undistinguished grayMelt away--That a girl with eager eyes and yellow hairWaits me thereIn the turret whence the charioteers caught soulFor the goal,When the king looked, where she looks now, breathless, dumbTill I come.

But he looked upon the city, every side,Far and wide,All the mountains topped with temples, all the glades'Colonnades,All the causeys, bridges, aqueducts--and then,All the men!When I do come, she will speak not, she will stand,Either handOn my shoulder, give her eyes the first embraceOf my face,Ere we rush, ere we extinguish sight and speechEach on each.

In one year they sent a million fighters forthSouth and North,And they built their gods a brazen pillar highAs the sky,Yet reserved a thousand chariots in full force--Gold, of course.O heart! O blood that freezes, blood that burns!Earth's returnsFor whole centuries of folly, noise and sin!Shut them in,With their triumphs and their glories and the rest!Love is best.

Words in this poem

homeward a.
Being in the direction of home; as, the homeward way.
wielding n.
Power; authority; rule.
domed a.
Furnished with a dome; shaped like a dome.
gated a.
Having gates. Young.
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
breathless a.
Spent with labor or violent action; out of breath.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Love Among the Ruins is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, Love Among the Ruins, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/love-among-the-ruins.html, id L25086.

Form and metre

Love Among the Ruins is 84 lines in 7 stanzas of 12 lines each. Every stanza rhymes AABBCCDDEEFF. The metre is trochaic dimeter, measured from the stress the words themselves fix (confidence 88%).

See other poems in trochaic dimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFF smilesA · milesA · sheepB · asleepB · stopC · cropC · gayD · sayD · princeE · sinceE · farF · warF
  2. 2 AABBCCDDEEFF treeA · seeA · rillsB · hillsB · runC · oneC · spiresD · firesD · wallE · allE · pressedF · abreastF
  3. 3 AABBCCDDEEFF grassA · wasA · o'erspreadsB · embedsB · aloneC · stoneC · woeD · agoD · shameE · tameE · goldF · soldF
  4. 4 AABBCCDDEEFF remainsA · plainsA · gourdB · overscoredB · winksC · chinksC · timeD · sublimeD · tracedE · racedE · damesF · gamesF
  5. 5 AABBCCDDEEFF eveA · leaveA · fleeceB · peaceB · grayC · awayC · hairD · thereD · soulE · goalE · dumbF · comeF
  6. 6 AABBCCDDEEFF sideA · wideA · gladesB · colonnadesB · thenC · menC · standD · handD · embraceE · faceE · speechF · eachF
  7. 7 AABBCCDDEEFF forthA · northA · highB · skyB · forceC · courseC · burnsD · returnsD · sinE · inE · restF · bestF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic dimeter. How this is done.

LineSyl.Stress
Where the quiet-colored end of evening smiles,10··//˘··/˘·
Miles and miles3···
On the solitary pastures where our sheep11··/˘·˘/˘·/·
Half-asleep3·˘/
Tinkle homeward through the twilight, stray or stop11/˘/˘··/····
As they crop--3···
Was the site once of a city great and gay11······/˘···
(So they say)3···
Of our country's very capital, its prince10·//˘/˘/˘··
Ages since3/˘·
Held his court in, gathered councils, wielding far11····/˘/˘/˘·
Peace or war.3···
Now--the country does not even boast a tree,10··/˘··/···
As you see,3···
To distinguish slopes of verdure; certain rills11·˘/˘··/˘/˘·
From the hills3···
Intersect and give a name to (else they run11·˘/········
Into one)3···
Where the domed and daring palace shot its spires11····/˘/˘···
Up like fires4··/˘
O'er the hundred-gated circuit of a wall11··/˘/˘/˘···
Bounding all,3/˘·
Made of marble, men might march on nor be pressed,11··/˘·······
Twelve abreast.3·˘/
And such plenty and perfection, see, of grass11··/˘·˘/˘···
Never was!3/˘·
Such a carpet as, this summer-time, o'erspreads11··/˘··/˘···
And embeds3·˘/
Every vestige of the city, guessed alone,11/˘/˘··/˘·˘/
Stock or stone--3···
Where a multitude of men breathed joy and woe11··/˘·······
Long ago;3·˘/
Lust of glory pricked their hearts up, dread of shame11··/˘·······
Struck them tame;3···
And that glory and that shame alike, the gold11··/˘···˘/··
Bought and sold.3···
Now--the single little turret that remains11··/˘/˘/˘·˘/
On the plains,3···
By the caper overrooted, by the gourd11··/˘·······
Overscored,3···
While the patching houseleek's head of blossom winks12··/˘·····/˘·
Through the chinks--3···
Marks the basement whence a tower in ancient time11··/˘··/·/˘·
Sprang sublime,3·˘/
And a burning ring, all around, the chariots traced12··/˘·····/˘·
As they raced,3···
And the monarch and his minions and his dames11··/···/˘···
Viewed the games.3···
And I know, while thus the quiet-colored eve10······//˘·
Smiles to leave3···
To their folding all our many-tinkling fleece10··/˘·///˘·
In such peace,3···
And the slopes and rills in undistinguished gray11·······˘/˘·
Melt away--3·˘/
That a girl with eager eyes and yellow hair11····/˘··/˘·
Waits me there3···
In the turret whence the charioteers caught soul11··/˘·······
For the goal,3···
When the king looked, where she looks now, breathless, dumb11········/˘·
Till I come.3···
But he looked upon the city, every side,11······/˘/˘·
Far and wide,3···
All the mountains topped with temples, all the glades'11··/˘··/˘···
Colonnades,3·˘/
All the causeys, bridges, aqueducts--and then,11··/˘/˘/˘···
All the men!3···
When I do come, she will speak not, she will stand,11···········
Either hand3/˘·
On my shoulder, give her eyes the first embrace11··/˘·····˘/
Of my face,3···
Ere we rush, ere we extinguish sight and speech11·····˘/˘···
Each on each.3···
In one year they sent a million fighters forth10······/˘/·
South and North,3···
And they built their gods a brazen pillar high11······/˘/˘·
As the sky,3···
Yet reserved a thousand chariots in full force--11·˘/·/˘/˘···
Gold, of course.3···
O heart! O blood that freezes, blood that burns!10·····/˘···
Earth's returns3·˘/
For whole centuries of folly, noise and sin!10··/˘·/˘···
Shut them in,3···
With their triumphs and their glories and the rest!11··/˘··/˘···
Love is best.3···

On this poem

A man is on his way across the fields to a turret where he is to meet the girl he loves. As he walks through the solitary pastures he mentally recreates the powerful life and varied interests of the city which, tradition has it, once occupied this site, and he seems to be absorbed in a melancholy recognition of the evanescence of human glory. The girl is not mentioned till stanza 5. Does the emphasis on the scenery and its historic associations unduly minimize the love element of the poem? Or is the whole picture of vanished joy and woe, pride and defeat, but a background against which stands out more clearly the rapture of the meeting in the ruined turret?
Notes from the edition 1

Notes by Myra Reynolds, Selections from the Poems and Plays of Robert Browning (Project Gutenberg #28041).

  1. Stanza 7, line 8 Earth's returns. This phrase refers to the ruins which are all that now remains of the centuries of folly, noise, and sin. "Them" in l. 81 refers apparently to the "fighters" and the others of the first part of the stanza.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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