The Boy and the Angel

Robert Browning (1812–1889) · 1864

iambic tetrameter · octosyllabic couplets · 78 lines · from Selections from the Poems and Plays of Robert Browning

Morning, evening, noon, and night,"Praise God!" sang Theocrite.

Then to his poor trade he turned,Whereby the daily meal was earned.

Hard he labored, long and well;O'er his work the boy's curls fell.

But ever, at each period,He stopped and sang, "Praise God!"

Then back again his curls he threw,And cheerful turned to work anew.

Said Blaise, the listening monk, "Well done;I doubt not thou art heard, my son:

"As well as if thy voice todayWere praising God, the Pope's great way.

"This Easter Day, the Pope at RomePraises God from Peter's dome."

Said Theocrite, "Would God that IMight praise him, that great way, and die!"

Night passed, day shone,And Theocrite was gone.

With God a day endures alway,A thousand years are but a day.

God said in heaven, "Nor day nor nightNow brings the voice of my delight."

Then Gabriel, like a rainbow's birth,Spread his wings and sank to earth;

Entered, in flesh, the empty cell,Lived there, and played the craftsman well;

And morning, evening, noon, and night,Praised God in place of Theocrite.

And from a boy, to youth he grew;The man put off the stripling's hue;

The man matured and fell awayInto the season of decay;

And ever o'er the trade he bent,And ever lived on earth content.

(He did God's will; to him, all oneIf on the earth or in the sun.)

God said, "A praise is in mine ear;There is no doubt in it, no fear:

"So sing old worlds, and soNew worlds that from my footstool go.

"Clearer loves sound other ways;I miss my little human praise."

Then forth sprang Gabriel's wings, off fellThe flesh disguise, remained the cell.

'Twas Easter Day; he flew to Rome,And paused above Saint Peter's dome.

In the tiring-room close byThe great outer gallery,

With his holy vestments dight,Stood the new Pope, Theocrite;

And all his past careerCame back upon him clear,

Since when, a boy, he plied his trade,Till on his life the sickness weighed;

And in his cell, when death drew near,An angel in a dream brought cheer;

And rising from the sickness drearHe grew a priest, and now stood here.

To the East with praise he turned,And on his sight the angel burned.

"I bore thee from thy craftsman's cellAnd set thee here; I did not well.

"Vainly I left my angel-sphere,Vain was thy dream of many a year.

"Thy voice's praise seemed weak; it dropped--Creation's chorus stopped!

"Go back and praise againThe early way, while I remain.

"With that weak voice of our disdain,Take up creation's pausing strain.

"Back to the cell and poor employ;Resume the craftsman and the boy!"

Theocrite grew old at home;A new Pope dwelt in Peter's dome.

One vanished as the other died;They sought God side by side.

Words in this poem

craftsman n.
One skilled in some trade or manual occupation; an artificer; a mechanic.
footstool n.
A low stool to support the feet of one when sitting.
clearer n.
One who, or that which, clears.
dight v. t.
To prepare; to put in order; hence, to dress, or put on; to array; to adorn. [OF. dihten, AS. dihtan to dictate, command, dispose, arrange, fr. L. dictare to say often, dictate, order; cf. G. dichten to write poetry, fr. L. dictare. See D]
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
drear n.
Sadness; dismalness.
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Boy and the Angel is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, The Boy and the Angel, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/the-boy-and-the-angel.html, id L25101.

Form and metre

The Boy and the Angel is 78 lines in 39 stanzas of 2 lines each. It is in rhyming couplets, 85% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AA turnedA · earnedA
  2. 3 AA wellA · fellA
  3. 4 AA periodA · godA
  4. 5 AA threwA · anewA
  5. 6 AA doneA · sonA
  6. 7 AA todayA · wayA
  7. 8 AA romeA · domeA
  8. 9 AA iA · dieA
  9. 12 AA nightA · delightA
  10. 13 AA birthA · earthA
  11. 14 AA cellA · wellA
  12. 16 AA grewA · hueA
  13. 17 AA awayA · decayA
  14. 18 AA bentA · contentA
  15. 19 AA oneA · sunA
  16. 20 AA earA · fearA
  17. 21 AA soA · goA
  18. 22 AA waysA · praiseA
  19. 23 AA fellA · cellA
  20. 24 AA romeA · domeA
  21. 27 AA careerA · clearA
  22. 28 AA tradeA · weighedA
  23. 29 AA nearA · cheerA
  24. 30 AA drearA · hereA
  25. 31 AA turnedA · burnedA
  26. 32 AA cellA · wellA
  27. 33 AA sphereA · yearA
  28. 34 AA droppedA · stoppedA
  29. 35 AA againA · remainA
  30. 36 AA disdainA · strainA
  31. 37 AA employA · boyA
  32. 38 AA homeA · domeA
  33. 39 AA diedA · sideA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Morning, evening, noon, and night,7/˘/˘···
"Praise God!" sang Theocrite.5·····
Then to his poor trade he turned,8·······˘
Whereby the daily meal was earned.8···/˘···
Hard he labored, long and well;8··/˘˘···
O'er his work the boy's curls fell.7·······
But ever, at each period,8·/˘··/˘˘
He stopped and sang, "Praise God!"7··˘····
Then back again his curls he threw,8··˘/····
And cheerful turned to work anew.8·/˘···˘/
Said Blaise, the listening monk, "Well done;8···/˘···
I doubt not thou art heard, my son:8········
"As well as if thy voice today8······˘/
Were praising God, the Pope's great way.8·/˘·····
"This Easter Day, the Pope at Rome8·/˘·····
Praises God from Peter's dome."7/˘··/˘·
Said Theocrite, "Would God that I7·······
Might praise him, that great way, and die!"8········
Night passed, day shone,4····
And Theocrite was gone.5·····
With God a day endures alway,8····˘//˘
A thousand years are but a day.8·/˘·····
God said in heaven, "Nor day nor night8···/····
Now brings the voice of my delight."8······˘/
Then Gabriel, like a rainbow's birth,8·/˘··/··
Spread his wings and sank to earth;7·······
Entered, in flesh, the empty cell,8/˘···/˘·
Lived there, and played the craftsman well;8·····/˘·
And morning, evening, noon, and night,8·/˘/˘···
Praised God in place of Theocrite.8·˘······
And from a boy, to youth he grew;8········
The man put off the stripling's hue;8·····/˘·
The man matured and fell away8··˘/··˘/
Into the season of decay;8···/˘·˘/
And ever o'er the trade he bent,8·/˘·····
And ever lived on earth content.8·/˘···˘/
(He did God's will; to him, all one8········
If on the earth or in the sun.)8········
God said, "A praise is in mine ear;8········
There is no doubt in it, no fear:8········
"So sing old worlds, and so6······
New worlds that from my footstool go.8·····/˘·
"Clearer loves sound other ways;7/˘··/˘·
I miss my little human praise."8···/˘/˘·
Then forth sprang Gabriel's wings, off fell8···/˘···
The flesh disguise, remained the cell.8··˘/˘/··
'Twas Easter Day; he flew to Rome,8·/˘·····
And paused above Saint Peter's dome.8·····/˘·
In the tiring-room close by7··/˘···
The great outer gallery,7··/˘/˘˘
With his holy vestments dight,7··/˘···
Stood the new Pope, Theocrite;6······
And all his past career6····˘/
Came back upon him clear,6······
Since when, a boy, he plied his trade,8········
Till on his life the sickness weighed;8·····/˘·
And in his cell, when death drew near,8········
An angel in a dream brought cheer;8·/˘·····
And rising from the sickness drear8·/˘··/˘·
He grew a priest, and now stood here.8········
To the East with praise he turned,8·······˘
And on his sight the angel burned.8·····/˘·
"I bore thee from thy craftsman's cell8·····/˘·
And set thee here; I did not well.8········
"Vainly I left my angel-sphere,8/˘···/˘·
Vain was thy dream of many a year.8·····/··
"Thy voice's praise seemed weak; it dropped--8·/˘·····
Creation's chorus stopped!7˘/˘/˘·˘
"Go back and praise again6····˘/
The early way, while I remain.8·/˘···˘/
"With that weak voice of our disdain,8·····/˘/
Take up creation's pausing strain.8··˘/˘/˘·
"Back to the cell and poor employ;8······˘/
Resume the craftsman and the boy!"8˘/·/˘···
Theocrite grew old at home;6······
A new Pope dwelt in Peter's dome.8·····/˘·
One vanished as the other died;8·/˘··/˘·
They sought God side by side.6······

On this poem

There is no known original for the story of Theocrite, but it is in accord with the Roman Catholic belief that angels watch over human beings and are interested in their affairs. In the last line is the fundamental lesson of the poem. Compare the thought of Pippa in the song "All service ranks the same with God." See Leigh Hunt's "King Robert of Sicily" (in A Jar of Honey, ch. vi.) and Longfellow's "King Robert of Sicily" (in Tales of a Wayside Inn) for an analogous legend.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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