Abt Vogler
INVENTION)
Would that the structure brave, the manifold music I build,Bidding my organ obey, calling its keys to their work,Claiming each slave of the sound, at a touch, as when Solomon willedArmies of angels that soar, legions of demons that lurk,Man, brute, reptile, fly--alien of end and of aim,Adverse, each from the other heaven-high, hell-deep removed--Should rush into sight at once as he named the ineffable Name,And pile him a palace straight, to pleasure the princess he loved!Would it might tarry like his, the beautiful building of mine,This which my keys in a crowd pressed and importuned toraise!Ah, one and all, how they helped, would dispart now and now combine,Zealous to hasten the work, heighten their master his praise!And one would bury his brow with a blind plunge down to hell,Burrow awhile and build broad on the roots of things,Then up again swim into sight, having based me my palacewell,Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,Aye, another and yet another, one crowd but with many a crest,Raising my rampired walls of gold as transparent as glass,Eager to do and die, yield each his place to the rest:For higher still and higher (as a runner tips with fire,When a great illumination surprises a festal night--Outlining round and round Rome's dome from space to spire)Up, the pinnacled glory reached, and the pride of my soul was insight.
In sight? Not half! for it seemed, it was certain, to matchman's birth,Nature in turn conceived, obeying an impulse as I;And the emulous heaven yearned down, made effort to reach the earth,As the earth had done her best, in my passion, to scale the sky:Novel splendors burst forth, grew familiar and dwelt with mine,Not a point nor peak but found and fixed its wanderingstar;Meteor-moons, balls of blaze; and they did not pale nor pine,For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,Presences plain in the place; or, fresh from the Protoplast,Furnished for ages to come, when a kindlier wind should blow,Lured now to begin and live, in a house to their liking at last;Or else the wonderful Dead who have passed through the body and gone,But were back once more to breathe in an old world worth their new:What never had been, was now; what was, as it shall be anon;And what is--shall I say, matched both? for I was madeperfect, too.
All through my keys that gave their sounds to a wish of my soul,All through my soul that praised as its wish flowed visibly forth,All through music and me! For think, had I painted the whole,Why, there it had stood, to see, nor the process so wonder-worth:Had I written the same, made verse--still, effect proceedsfrom cause,Ye know why the forms are fair, ye hear how the tale is told;It is all triumphant art, but art in obedience to laws,Painter and poet are proud in the artist-list enrolled:
But here is the finger of God, a flash of the will that can,Existent behind all laws, that made them and, lo, they are!And I know not if, save in this, such gift be allowed to man,That out of three sounds he frame, not a fourth sound, but a star.Consider it well: each tone of our scale in itself is naught;It is everywhere in the world--loud, soft, and all is said:Give it to me to use! I mix it with two in my thought:And there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;Gone! and the good tears start, the praises that come too slow;For one is assured at first, one scarce can say that he feared,That he even gave it a thought, the gone thing was to go.Never to be again! But many more of the kindAs good, nay, better perchance: is this your comfort to me?To me, who must be saved because I cling with my mindTo the same, same self, same love, same God: aye, what was, shallbe.
Therefore to whom turn I but to thee, the ineffable Name?Builder and maker, thou, of houses not made with hands!What, have fear of change from thee who art ever the same?Doubt that thy power can fill the heart that thy power expands?There shall never be one lost good! What was, shall live as before;The evil is null, is naught, is silence implying sound;What was good shall be good, with, for evil, so much good more;On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;Not its semblance, but itself; no beauty, nor good, nor powerWhose voice has gone forth, but each survives for themelodistWhen eternity affirms the conception of an hour.The high that proved too high, the heroic for earth too hard,The passion that left the ground to lose itself in the sky,Are music sent up to God by the lover and the bard;Enough that He heard it once: we shall hear it by-and-by.
And what is our failure here but a triumph's evidenceFor the fullness of the days? Have we withered or agonized?Why else was the pause prolonged but that singing might issue thence?Why rushed the discords in but that harmony should be prized?Sorrow is hard to bear, and doubt is slow to clear,Each sufferer says his say, his scheme of the weal and woe:But God has a few of us whom He whispers in the ear;The rest may reason and welcome: 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:I will be patient and proud, and soberly acquiesce.Give me the keys. I feel for the common chord again,Sliding by semitones, till I sink to the minor--yes,And I blunt it into a ninth, and I stand on alien ground,Surveying awhile the heights I rolled from into the deep;Which, hark, I have dared and done, for my resting-place isfound,The C Major of this life: so, now I will try to sleep.
Words in this poem 17
- solomon n.
- One of the kings of Israel, noted for his superior wisdom and magnificent reign; hence, a very wise man.
- princess n.
- A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
- dispart v. t.
- To part asunder; to divide; to separate; to sever; to rend; to rive or split; as, disparted air; disparted towers. [Pref. dis- + part: cf. OF. despartir.]
- heighten v. t.
- To make high; to raise higher; to elevate.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- nether a.
- Situated down or below; lying beneath, or in the lower part; having a lower position; belonging to the region below; lower; under; -- opposed to upper. [OE. nethere, neithere, AS. ni, fr. the adv. ni downward; akin to neo below, beneath, D. neder down, G. nieder, Sw. nedre below, nether, a. & adv., and also to S]
- festal a.
- Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- protoplast n.
- The thing first formed; that of which there are subsequent copies or reproductions; the original.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- anon adv.
- Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
- artist n.
- One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- melodist n.
- A composer or singer of melodies. [Cf. F. mélodiste.]
- rushed a.
- Abounding or covered with rushes.
- sufferer n.
- One who suffers; one who endures or undergoes suffering; one who sustains inconvenience or loss; as, sufferers by poverty or sickness; men are sufferers by fire or by losses at sea.
- soberly a.
- Grave; serious; solemn; sad.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Abt Vogler is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Browning, Abt Vogler, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/abt-vogler.html, id L25111.
Form and metre
Abt Vogler is 107 lines in 12 stanzas. The commonest rhyme scheme is ABABCDCD, in 3 of the 12 stanzas; the rest vary or could not be confirmed.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABABC-C-D-EDEFG-FG buildA · workB · willedA · lurkB · aimC · removed · nameC · loved · mineD · to · raiseE · combineD · praiseE · hellF · thingsG · palace · wellF · springsG
- 3 -A-ABCB-C was · crestA · glass · restA · fireB · nightC · spireB · in · sightC
- 4 -ABABC-DCD match · birthA · iB · earthA · skyB · mineC · wandering · starD · pineC · farD
- 5 ABAB-C--C glowA · protoplastB · blowA · lastB · gone · newC · anon · made · tooC
- 6 A-A--BCBC soulA · forth · wholeA · worth · proceeds · causeB · toldC · lawsB · enrolledC
- 7 ABABCDCD canA · areB · manA · starB · naughtC · saidD · thoughtC · headD
- 8 ABABCDC-D rearedA · slowB · fearedA · goB · kindC · meD · mindC · shall · beD
- 9 ABABCDCD nameA · handsB · sameA · expandsB · beforeC · soundD · moreC · roundD
- 10 AB-ABCDCD existA · powerB · the · melodistA · hourB · hardC · skyD · bardC · byD
- 11 ABABCDCD evidenceA · agonizedB · thenceA · prizedB · clearC · woeD · earC · knowD
- 12 ABABCD-CD reignA · acquiesceB · againA · yesB · groundC · deepD · is · foundC · sleepD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| INVENTION) | 3 | ˘/˘ |
| Would that the structure brave, the manifold music I build, | 14 | ···/˘··/˘·/˘·· |
| Bidding my organ obey, calling its keys to their work, | 14 | /˘·/˘˘//˘····· |
| Claiming each slave of the sound, at a touch, as when Solomon willed | 15 | /˘··········/˘· |
| Armies of angels that soar, legions of demons that lurk, | 14 | /˘·/˘··/˘·/˘·· |
| Man, brute, reptile, fly--alien of end and of aim, | 12 | ··/˘·/˘····· |
| Adverse, each from the other heaven-high, hell-deep removed-- | 13 | ˘/···/˘/···˘/ |
| Should rush into sight at once as he named the ineffable Name, | 15 | ···········˘/˘· |
| And pile him a palace straight, to pleasure the princess he loved! | 15 | ····/˘··/˘·/˘·· |
| Would it might tarry like his, the beautiful building of mine, | 14 | ···/˘···/˘/˘·· |
| This which my keys in a crowd pressed and importuned to | 13 | ············· |
| raise! | 1 | · |
| Ah, one and all, how they helped, would dispart now and now combine, | 15 | ········˘/···/˘ |
| Zealous to hasten the work, heighten their master his praise! | 14 | /˘·/˘··/˘·/˘·· |
| And one would bury his brow with a blind plunge down to hell, | 14 | ···/˘········· |
| Burrow awhile and build broad on the roots of things, | 12 | /˘˘/········ |
| Then up again swim into sight, having based me my palace | 15 | ··˘/····/˘···/˘ |
| well, | 1 | · |
| Founded it, fearless of flame, flat on the nether springs. | 13 | /˘·/˘·····/˘· |
| And another would mount and march, like the excellent minion he was, | 16 | ·˘/˘······/˘/˘·· |
| Aye, another and yet another, one crowd but with many a crest, | 16 | ·˘/˘··˘/˘····/·· |
| Raising my rampired walls of gold as transparent as glass, | 14 | /˘·······˘/˘·· |
| Eager to do and die, yield each his place to the rest: | 13 | /˘··········· |
| For higher still and higher (as a runner tips with fire, | 12 | ·/··/··/˘··/ |
| When a great illumination surprises a festal night-- | 15 | ···˘·˘/˘˘/˘·/˘· |
| Outlining round and round Rome's dome from space to spire) | 12 | /·˘········· |
| Up, the pinnacled glory reached, and the pride of my soul was in | 15 | ··/˘/˘········· |
| sight. | 1 | · |
| In sight? Not half! for it seemed, it was certain, to match | 13 | ·········/˘·· |
| man's birth, | 2 | ·· |
| Nature in turn conceived, obeying an impulse as I; | 14 | /˘··˘/˘/˘·˘/·· |
| And the emulous heaven yearned down, made effort to reach the earth, | 15 | ··/˘˘/···/˘···· |
| As the earth had done her best, in my passion, to scale the sky: | 15 | ·········/˘···· |
| Novel splendors burst forth, grew familiar and dwelt with mine, | 14 | /˘/˘···˘/˘···· |
| Not a point nor peak but found and fixed its wandering | 12 | ··········/˘ |
| star; | 1 | · |
| Meteor-moons, balls of blaze; and they did not pale nor pine, | 13 | /˘··········· |
| For earth had attained to heaven, there was no more near nor far. | 14 | ···˘/·/······· |
| Nay more; for there wanted not who walked in the glare and glow, | 14 | ····/˘········ |
| Presences plain in the place; or, fresh from the Protoplast, | 13 | /˘········/˘˘ |
| Furnished for ages to come, when a kindlier wind should blow, | 14 | /˘·/˘········· |
| Lured now to begin and live, in a house to their liking at last; | 16 | ···˘/·······/˘·· |
| Or else the wonderful Dead who have passed through the body and gone, | 15 | ···/˘······/˘·· |
| But were back once more to breathe in an old world worth their new: | 14 | ·············· |
| What never had been, was now; what was, as it shall be anon; | 14 | ·/··········˘/ |
| And what is--shall I say, matched both? for I was made | 12 | ············ |
| perfect, too. | 3 | ˘/· |
| All through my keys that gave their sounds to a wish of my soul, | 14 | ·············· |
| All through my soul that praised as its wish flowed visibly forth, | 13 | ··········/˘· |
| All through music and me! For think, had I painted the whole, | 14 | ··/˘······/˘·· |
| Why, there it had stood, to see, nor the process so wonder-worth: | 15 | ·········/··/˘· |
| Had I written the same, made verse--still, effect proceeds | 13 | ··/˘·····˘/˘/ |
| from cause, | 2 | ·· |
| Ye know why the forms are fair, ye hear how the tale is told; | 14 | ·············· |
| It is all triumphant art, but art in obedience to laws, | 15 | ···˘/˘····˘/˘·· |
| Painter and poet are proud in the artist-list enrolled: | 14 | /˘·/˘····/˘·˘/ |
| But here is the finger of God, a flash of the will that can, | 15 | ····/˘········· |
| Existent behind all laws, that made them and, lo, they are! | 14 | ˘/˘··········· |
| And I know not if, save in this, such gift be allowed to man, | 15 | ···········˘/·· |
| That out of three sounds he frame, not a fourth sound, but a star. | 14 | ·············· |
| Consider it well: each tone of our scale in itself is naught; | 15 | ˘/˘·····/··˘/·· |
| It is everywhere in the world--loud, soft, and all is said: | 14 | ··/˘·········· |
| Give it to me to use! I mix it with two in my thought: | 14 | ·············· |
| And there! Ye have heard and seen: consider and bow the head! | 14 | ·······˘/˘···· |
| Well, it is gone at last, the palace of music I reared; | 14 | ·······/˘·/˘·· |
| Gone! and the good tears start, the praises that come too slow; | 13 | ·······/˘···· |
| For one is assured at first, one scarce can say that he feared, | 14 | ···˘/········· |
| That he even gave it a thought, the gone thing was to go. | 13 | ··/·········· |
| Never to be again! But many more of the kind | 11 | /··˘/·/···· |
| As good, nay, better perchance: is this your comfort to me? | 14 | ···/˘˘/···/˘·· |
| To me, who must be saved because I cling with my mind | 13 | ············· |
| To the same, same self, same love, same God: aye, what was, shall | 13 | ············· |
| be. | 1 | · |
| Therefore to whom turn I but to thee, the ineffable Name? | 14 | ··········˘/˘· |
| Builder and maker, thou, of houses not made with hands! | 13 | /˘·/˘··/˘···· |
| What, have fear of change from thee who art ever the same? | 12 | ·········/·· |
| Doubt that thy power can fill the heart that thy power expands? | 13 | ···/······/˘/ |
| There shall never be one lost good! What was, shall live as before; | 14 | ··/··········· |
| The evil is null, is naught, is silence implying sound; | 13 | ·/·····/˘˘/˘· |
| What was good shall be good, with, for evil, so much good more; | 13 | ········/···· |
| On the earth the broken arcs; in the heaven, a perfect round. | 14 | ····/˘···/·˘/· |
| All we have willed or hoped or dreamed of good shall exist; | 13 | ···········˘/ |
| Not its semblance, but itself; no beauty, nor good, nor power | 14 | ··/˘·˘/·/˘···/ |
| Whose voice has gone forth, but each survives for the | 11 | ·······˘/·· |
| melodist | 3 | /˘˘ |
| When eternity affirms the conception of an hour. | 13 | ·˘/˘˘/·˘/˘··/ |
| The high that proved too high, the heroic for earth too hard, | 14 | ·······˘/˘···· |
| The passion that left the ground to lose itself in the sky, | 14 | ·/˘······˘/··· |
| Are music sent up to God by the lover and the bard; | 14 | ·/˘······/˘··· |
| Enough that He heard it once: we shall hear it by-and-by. | 14 | ˘/············ |
| And what is our failure here but a triumph's evidence | 13 | ···//˘···/˘/˘ |
| For the fullness of the days? Have we withered or agonized? | 15 | ··/˘·····/˘·/˘· |
| Why else was the pause prolonged but that singing might issue thence? | 15 | ·····˘/··/˘·/˘· |
| Why rushed the discords in but that harmony should be prized? | 13 | ···/˘···/˘··· |
| Sorrow is hard to bear, and doubt is slow to clear, | 12 | /˘·········· |
| Each sufferer says his say, his scheme of the weal and woe: | 13 | ·/˘·········· |
| But God has a few of us whom He whispers in the ear; | 14 | ·········/˘··· |
| The rest may reason and welcome: 'tis we musicians know. | 14 | ···/˘·/˘··˘/˘· |
| Well, it is earth with me; silence resumes her reign: | 12 | ······/˘˘/·· |
| I will be patient and proud, and soberly acquiesce. | 13 | ···/˘···/˘·˘/ |
| Give me the keys. I feel for the common chord again, | 13 | ········/˘·˘/ |
| Sliding by semitones, till I sink to the minor--yes, | 13 | /˘·········/· |
| And I blunt it into a ninth, and I stand on alien ground, | 15 | ············/˘· |
| Surveying awhile the heights I rolled from into the deep; | 14 | /·˘˘/········· |
| Which, hark, I have dared and done, for my resting-place is | 13 | ·········/˘·· |
| found, | 1 | · |
| The C Major of this life: so, now I will try to sleep. | 14 | ··/˘·········· |
On this poem
Notes from the edition 6
Notes by Myra Reynolds, Selections from the Poems and Plays of Robert Browning (Project Gutenberg #28041).
- Stanza 2, line 3 Solomon. In Jewish legend it is said that Solomon had power over angels and demons through a seal on which "the most great name of God was engraved."
- Stanza 2, line 14 And one would bury his brow. This description of the foundations of the palace is not unlike Milton's account of the work of the fallen angels in building the palace in hell. (Paradise Lost, I, 170.) That "fabric huge" was as magical in its construction as the palace of Abt Vogler, for, though it was not built by music, it "Rose like an exhalation with the sound Of Dulcet Symphonies and voices sweet."
- Stanza 2, line 18 Nether Springs. Remotest origins.
- Stanza 3, line 7 Rome's dome. The illumination of St. Peter's was formerly one of the customary spectacles on the evening of Easter Sunday. "At Ave-Maria we drove to Piazza of St. Peter's. The lighting of the lanternoni, or large paper lanterns, each of which looks like a globe of ethereal fire, had been going on for an hour, and by the time we arrived there was nearly completed.... The whole of this immense church--its columns, capitals, cornices, and pediments--the beautiful swell of the lofty dome ... all were designed in lines of fire, and the vast sweep of the circling colonnades ... was resplendent with the same beautiful light." (C. A. Eaton, Rome in the Nineteenth Century, II, 208.)
- Stanza 3, line 7 Space to spire. From the wide opening between the colonnades to the cross on the top of the lantern surmounting the dome.
- Stanza 5, line 2 Protoplast. Used apparently for protoplasm, a substance constituting the physical basis of life in all plants and animals.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.