The Letter

Charlotte, Emily and Anne Brontë (1816–1855) · 1846

iambic tetrameter · ABABCDCDEFEF · 84 lines · from Poems by Currer, Ellis, and Acton Bell

What is she writing? Watch her now,How fast her fingers move!How eagerly her youthful browIs bent in thought above!Her long curls, drooping, shade the light,She puts them quick aside,Nor knows that band of crystals bright,Her hasty touch untied.It slips adown her silken dress,Falls glittering at her feet;Unmarked it falls, for she no lessPursues her labour sweet.

The very loveliest hour that shines,Is in that deep blue sky;The golden sun of June declines,It has not caught her eye.The cheerful lawn, and unclosed gate,The white road, far away,In vain for her light footsteps wait,She comes not forth to-day.There is an open door of glassClose by that lady's chair,From thence, to slopes of messy grass,Descends a marble stair.

Tall plants of bright and spicy bloomAround the threshold grow;Their leaves and blossoms shade the roomFrom that sun's deepening glow.Why does she not a moment glanceBetween the clustering flowers,And mark in heaven the radiant danceOf evening's rosy hours?O look again! Still fixed her eye,Unsmiling, earnest, still,And fast her pen and fingers fly,Urged by her eager will.

Her soul is in th'absorbing task;To whom, then, doth she write?Nay, watch her still more closely, askHer own eyes' serious light;Where do they turn, as now her penHangs o'er th'unfinished line?Whence fell the tearful gleam that thenDid in their dark spheres shine?The summer-parlour looks so dark,When from that sky you turn,And from th'expanse of that green park,You scarce may aught discern.

Yet, o'er the piles of porcelain rare,O'er flower-stand, couch, and vase,Sloped, as if leaning on the air,One picture meets the gaze.'Tis there she turns; you may not seeDistinct, what form definesThe clouded mass of mysteryYon broad gold frame confines.But look again; inured to shadeYour eyes now faintly traceA stalwart form, a massive head,A firm, determined face.

Black Spanish locks, a sunburnt cheekA brow high, broad, and white,Where every furrow seems to speakOf mind and moral might.Is that her god? I cannot tell;Her eye a moment metTh'impending picture, then it fellDarkened and dimmed and wet.A moment more, her task is done,And sealed the letter lies;And now, towards the setting sunShe turns her tearful eyes.

Those tears flow over, wonder not,For by the inscription seeIn what a strange and distant spotHer heart of hearts must be!Three seas and many a league of landThat letter must pass o'er,Ere read by him to whose loved hand'Tis sent from England's shore.Remote colonial wilds detainHer husband, loved though stern;She, 'mid that smiling English scene,Weeps for his wished return.

Words in this poem

adown adv.
From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
unclosed a.
Not separated by inclosures; open. Clarendon. [Pref. un- not + closed.]
tearful a.
Abounding with tears; weeping; shedding tears; as, tearful eyes.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
stalwart a.
Brave; bold; strong; redoubted; daring; vehement; violent. [OE. stalworth, AS. stælwyrth serviceable, probably originally, good at stealing, or worth stealing or taking, and afterwards extended to other causes of estimat]
colonial a.
Of or pertaining to a colony; as, colonial rights, traffic, wars. [Cf. F. colonial.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Letter is in the public domain. This text is taken from Poems by Currer, Ellis, and Acton Bell, Project Gutenberg ebook #1019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Charlotte, Emily and Anne Brontë, The Letter, in Poems by Currer, Ellis, and Acton Bell (1846), text of Project Gutenberg ebook #1019, Laurel, https://laurelpoetry.com/poem/bronte-poems/the-letter.html, id L13219.

Form and metre

The Letter is 84 lines in 7 stanzas of 12 lines each. The rhyme scheme is ABABCDCDEFEF, complete in 5 of its 7 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 3 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDEFEF nowA · moveB · browA · aboveB · lightC · asideD · brightC · untiedD · dressE · feetF · lessE · sweetF
  2. 2 ABABCDCDEFEF shinesA · skyB · declinesA · eyeB · gateC · awayD · waitC · dayD · glassE · chairF · grassE · stairF
  3. 3 ABABCDCDEFEF bloomA · growB · roomA · glowB · glanceC · flowersD · danceC · hoursD · eyeE · stillF · flyE · willF
  4. 4 ABABCDCDEFEF taskA · writeB · askA · lightB · penC · lineD · thenC · shineD · darkE · turnF · parkE · discernF
  5. 5 ABA--C-C-B-B rareA · vaseB · airA · gaze · see · definesC · mystery · confinesC · shade · traceB · head · faceB
  6. 6 ABABCDCDEFEF cheekA · whiteB · speakA · mightB · tellC · metD · fellC · wetD · doneE · liesF · sunE · eyesF
  7. 7 ABABC-C--D-D notA · seeB · spotA · beB · landC · o'er · handC · shore · detain · sternD · scene · returnD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
What is she writing? Watch her now,8···/˘···
How fast her fingers move!6···/˘·
How eagerly her youthful brow8·/˘˘·/˘·
Is bent in thought above!6······
Her long curls, drooping, shade the light,8···/˘···
She puts them quick aside,6····˘/
Nor knows that band of crystals bright,8·····/˘·
Her hasty touch untied.6·/˘·˘/
It slips adown her silken dress,8··˘/·/˘·
Falls glittering at her feet;7·/˘˘···
Unmarked it falls, for she no less8˘/······
Pursues her labour sweet.6˘/·/··
The very loveliest hour that shines,9·/˘···/··
Is in that deep blue sky;6······
The golden sun of June declines,8·/˘···˘/
It has not caught her eye.6······
The cheerful lawn, and unclosed gate,8·/˘··˘/·
The white road, far away,6····˘/
In vain for her light footsteps wait,8·····/··
She comes not forth to-day.6······
There is an open door of glass8···/˘···
Close by that lady's chair,6···/˘·
From thence, to slopes of messy grass,8·····/˘·
Descends a marble stair.6˘/·/˘·
Tall plants of bright and spicy bloom8·····/˘·
Around the threshold grow;6···/··
Their leaves and blossoms shade the room8···/˘···
From that sun's deepening glow.7···/˘˘·
Why does she not a moment glance8·····/˘·
Between the clustering flowers,8···/˘˘/˘
And mark in heaven the radiant dance8···/·/˘·
Of evening's rosy hours?7·/˘/˘/˘
O look again! Still fixed her eye,8··˘/····
Unsmiling, earnest, still,6˘/˘/˘·
And fast her pen and fingers fly,8·····/˘·
Urged by her eager will.7·˘··/˘·
Her soul is in th'absorbing task;8········
To whom, then, doth she write?6······
Nay, watch her still more closely, ask8·····/˘·
Her own eyes' serious light;7···/˘˘·
Where do they turn, as now her pen8········
Hangs o'er th'unfinished line?7·····˘·
Whence fell the tearful gleam that then8···/˘···
Did in their dark spheres shine?6······
The summer-parlour looks so dark,8·/˘/˘···
When from that sky you turn,6······
And from th'expanse of that green park,8········
You scarce may aught discern.6····˘/
Yet, o'er the piles of porcelain rare,8·····/˘·
O'er flower-stand, couch, and vase,7·/˘····
Sloped, as if leaning on the air,8···/˘···
One picture meets the gaze.6·/˘···
'Tis there she turns; you may not see8········
Distinct, what form defines6˘/··˘/
The clouded mass of mystery8·/˘··/˘˘
Yon broad gold frame confines.6····/·
But look again; inured to shade8··˘/˘/··
Your eyes now faintly trace6···/˘·
A stalwart form, a massive head,8·/˘··/˘·
A firm, determined face.7··˘/˘˘·
Black Spanish locks, a sunburnt cheek8·/˘·····
A brow high, broad, and white,6······
Where every furrow seems to speak8·/˘/˘···
Of mind and moral might.6···/˘·
Is that her god? I cannot tell;8·····/˘·
Her eye a moment met6···/˘·
Th'impending picture, then it fell8···/˘···
Darkened and dimmed and wet.8/˘˘··˘··
A moment more, her task is done,8·/˘·····
And sealed the letter lies;7··˘·/˘·
And now, towards the setting sun8·····/˘·
She turns her tearful eyes.6···/˘·
Those tears flow over, wonder not,8·····/˘·
For by the inscription see7···˘/˘·
In what a strange and distant spot8·····/˘·
Her heart of hearts must be!6······
Three seas and many a league of land8···/····
That letter must pass o'er,6·/˘···
Ere read by him to whose loved hand8········
'Tis sent from England's shore.6···/˘·
Remote colonial wilds detain8˘/˘/˘·˘/
Her husband, loved though stern;7·/˘·˘··
She, 'mid that smiling English scene,8···/˘/˘·
Weeps for his wished return.7····˘˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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