The Letter
What is she writing? Watch her now,How fast her fingers move!How eagerly her youthful browIs bent in thought above!Her long curls, drooping, shade the light,She puts them quick aside,Nor knows that band of crystals bright,Her hasty touch untied.It slips adown her silken dress,Falls glittering at her feet;Unmarked it falls, for she no lessPursues her labour sweet.
The very loveliest hour that shines,Is in that deep blue sky;The golden sun of June declines,It has not caught her eye.The cheerful lawn, and unclosed gate,The white road, far away,In vain for her light footsteps wait,She comes not forth to-day.There is an open door of glassClose by that lady's chair,From thence, to slopes of messy grass,Descends a marble stair.
Tall plants of bright and spicy bloomAround the threshold grow;Their leaves and blossoms shade the roomFrom that sun's deepening glow.Why does she not a moment glanceBetween the clustering flowers,And mark in heaven the radiant danceOf evening's rosy hours?O look again! Still fixed her eye,Unsmiling, earnest, still,And fast her pen and fingers fly,Urged by her eager will.
Her soul is in th'absorbing task;To whom, then, doth she write?Nay, watch her still more closely, askHer own eyes' serious light;Where do they turn, as now her penHangs o'er th'unfinished line?Whence fell the tearful gleam that thenDid in their dark spheres shine?The summer-parlour looks so dark,When from that sky you turn,And from th'expanse of that green park,You scarce may aught discern.
Yet, o'er the piles of porcelain rare,O'er flower-stand, couch, and vase,Sloped, as if leaning on the air,One picture meets the gaze.'Tis there she turns; you may not seeDistinct, what form definesThe clouded mass of mysteryYon broad gold frame confines.But look again; inured to shadeYour eyes now faintly traceA stalwart form, a massive head,A firm, determined face.
Black Spanish locks, a sunburnt cheekA brow high, broad, and white,Where every furrow seems to speakOf mind and moral might.Is that her god? I cannot tell;Her eye a moment metTh'impending picture, then it fellDarkened and dimmed and wet.A moment more, her task is done,And sealed the letter lies;And now, towards the setting sunShe turns her tearful eyes.
Those tears flow over, wonder not,For by the inscription seeIn what a strange and distant spotHer heart of hearts must be!Three seas and many a league of landThat letter must pass o'er,Ere read by him to whose loved hand'Tis sent from England's shore.Remote colonial wilds detainHer husband, loved though stern;She, 'mid that smiling English scene,Weeps for his wished return.
Words in this poem
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- unclosed a.
- Not separated by inclosures; open. Clarendon. [Pref. un- not + closed.]
- tearful a.
- Abounding with tears; weeping; shedding tears; as, tearful eyes.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- stalwart a.
- Brave; bold; strong; redoubted; daring; vehement; violent. [OE. stalworth, AS. stælwyrth serviceable, probably originally, good at stealing, or worth stealing or taking, and afterwards extended to other causes of estimat]
- colonial a.
- Of or pertaining to a colony; as, colonial rights, traffic, wars. [Cf. F. colonial.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Letter is in the public domain. This text is taken from Poems by Currer, Ellis, and Acton Bell, Project Gutenberg ebook #1019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Charlotte, Emily and Anne Brontë, The Letter, in Poems by Currer, Ellis, and Acton Bell (1846), text of Project Gutenberg ebook #1019, Laurel, https://laurelpoetry.com/poem/bronte-poems/the-letter.html, id L13219.
Form and metre
The Letter is 84 lines in 7 stanzas of 12 lines each. The rhyme scheme is ABABCDCDEFEF, complete in 5 of its 7 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 3 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCDEFEF nowA · moveB · browA · aboveB · lightC · asideD · brightC · untiedD · dressE · feetF · lessE · sweetF
- 2 ABABCDCDEFEF shinesA · skyB · declinesA · eyeB · gateC · awayD · waitC · dayD · glassE · chairF · grassE · stairF
- 3 ABABCDCDEFEF bloomA · growB · roomA · glowB · glanceC · flowersD · danceC · hoursD · eyeE · stillF · flyE · willF
- 4 ABABCDCDEFEF taskA · writeB · askA · lightB · penC · lineD · thenC · shineD · darkE · turnF · parkE · discernF
- 5 ABA--C-C-B-B rareA · vaseB · airA · gaze · see · definesC · mystery · confinesC · shade · traceB · head · faceB
- 6 ABABCDCDEFEF cheekA · whiteB · speakA · mightB · tellC · metD · fellC · wetD · doneE · liesF · sunE · eyesF
- 7 ABABC-C--D-D notA · seeB · spotA · beB · landC · o'er · handC · shore · detain · sternD · scene · returnD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| What is she writing? Watch her now, | 8 | ···/˘··· |
| How fast her fingers move! | 6 | ···/˘· |
| How eagerly her youthful brow | 8 | ·/˘˘·/˘· |
| Is bent in thought above! | 6 | ······ |
| Her long curls, drooping, shade the light, | 8 | ···/˘··· |
| She puts them quick aside, | 6 | ····˘/ |
| Nor knows that band of crystals bright, | 8 | ·····/˘· |
| Her hasty touch untied. | 6 | ·/˘·˘/ |
| It slips adown her silken dress, | 8 | ··˘/·/˘· |
| Falls glittering at her feet; | 7 | ·/˘˘··· |
| Unmarked it falls, for she no less | 8 | ˘/······ |
| Pursues her labour sweet. | 6 | ˘/·/·· |
| The very loveliest hour that shines, | 9 | ·/˘···/·· |
| Is in that deep blue sky; | 6 | ······ |
| The golden sun of June declines, | 8 | ·/˘···˘/ |
| It has not caught her eye. | 6 | ······ |
| The cheerful lawn, and unclosed gate, | 8 | ·/˘··˘/· |
| The white road, far away, | 6 | ····˘/ |
| In vain for her light footsteps wait, | 8 | ·····/·· |
| She comes not forth to-day. | 6 | ······ |
| There is an open door of glass | 8 | ···/˘··· |
| Close by that lady's chair, | 6 | ···/˘· |
| From thence, to slopes of messy grass, | 8 | ·····/˘· |
| Descends a marble stair. | 6 | ˘/·/˘· |
| Tall plants of bright and spicy bloom | 8 | ·····/˘· |
| Around the threshold grow; | 6 | ···/·· |
| Their leaves and blossoms shade the room | 8 | ···/˘··· |
| From that sun's deepening glow. | 7 | ···/˘˘· |
| Why does she not a moment glance | 8 | ·····/˘· |
| Between the clustering flowers, | 8 | ···/˘˘/˘ |
| And mark in heaven the radiant dance | 8 | ···/·/˘· |
| Of evening's rosy hours? | 7 | ·/˘/˘/˘ |
| O look again! Still fixed her eye, | 8 | ··˘/···· |
| Unsmiling, earnest, still, | 6 | ˘/˘/˘· |
| And fast her pen and fingers fly, | 8 | ·····/˘· |
| Urged by her eager will. | 7 | ·˘··/˘· |
| Her soul is in th'absorbing task; | 8 | ········ |
| To whom, then, doth she write? | 6 | ······ |
| Nay, watch her still more closely, ask | 8 | ·····/˘· |
| Her own eyes' serious light; | 7 | ···/˘˘· |
| Where do they turn, as now her pen | 8 | ········ |
| Hangs o'er th'unfinished line? | 7 | ·····˘· |
| Whence fell the tearful gleam that then | 8 | ···/˘··· |
| Did in their dark spheres shine? | 6 | ······ |
| The summer-parlour looks so dark, | 8 | ·/˘/˘··· |
| When from that sky you turn, | 6 | ······ |
| And from th'expanse of that green park, | 8 | ········ |
| You scarce may aught discern. | 6 | ····˘/ |
| Yet, o'er the piles of porcelain rare, | 8 | ·····/˘· |
| O'er flower-stand, couch, and vase, | 7 | ·/˘···· |
| Sloped, as if leaning on the air, | 8 | ···/˘··· |
| One picture meets the gaze. | 6 | ·/˘··· |
| 'Tis there she turns; you may not see | 8 | ········ |
| Distinct, what form defines | 6 | ˘/··˘/ |
| The clouded mass of mystery | 8 | ·/˘··/˘˘ |
| Yon broad gold frame confines. | 6 | ····/· |
| But look again; inured to shade | 8 | ··˘/˘/·· |
| Your eyes now faintly trace | 6 | ···/˘· |
| A stalwart form, a massive head, | 8 | ·/˘··/˘· |
| A firm, determined face. | 7 | ··˘/˘˘· |
| Black Spanish locks, a sunburnt cheek | 8 | ·/˘····· |
| A brow high, broad, and white, | 6 | ······ |
| Where every furrow seems to speak | 8 | ·/˘/˘··· |
| Of mind and moral might. | 6 | ···/˘· |
| Is that her god? I cannot tell; | 8 | ·····/˘· |
| Her eye a moment met | 6 | ···/˘· |
| Th'impending picture, then it fell | 8 | ···/˘··· |
| Darkened and dimmed and wet. | 8 | /˘˘··˘·· |
| A moment more, her task is done, | 8 | ·/˘····· |
| And sealed the letter lies; | 7 | ··˘·/˘· |
| And now, towards the setting sun | 8 | ·····/˘· |
| She turns her tearful eyes. | 6 | ···/˘· |
| Those tears flow over, wonder not, | 8 | ·····/˘· |
| For by the inscription see | 7 | ···˘/˘· |
| In what a strange and distant spot | 8 | ·····/˘· |
| Her heart of hearts must be! | 6 | ······ |
| Three seas and many a league of land | 8 | ···/···· |
| That letter must pass o'er, | 6 | ·/˘··· |
| Ere read by him to whose loved hand | 8 | ········ |
| 'Tis sent from England's shore. | 6 | ···/˘· |
| Remote colonial wilds detain | 8 | ˘/˘/˘·˘/ |
| Her husband, loved though stern; | 7 | ·/˘·˘·· |
| She, 'mid that smiling English scene, | 8 | ···/˘/˘· |
| Weeps for his wished return. | 7 | ····˘˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.