Self-Congratulation
Ellen, you were thoughtless onceOf beauty or of grace,Simple and homely in attire,Careless of form and face;Then whence this change? and wherefore nowSo often smoothe your hair?And wherefore deck your youthful formWith such unwearied care?
Tell us, and cease to tire our earsWith that familiar strain;Why will you play those simple tunesSo often o'er again?"Indeed, dear friends, I can but sayThat childhood's thoughts are gone;Each year its own new feelings brings,And years move swiftly on:
"And for these little simple airs--I love to play them o'erSo much--I dare not promise, now,To play them never more."I answered--and it was enough;They turned them to depart;They could not read my secret thoughts,Nor see my throbbing heart.
I've noticed many a youthful form,Upon whose changeful faceThe inmost workings of the soulThe gazer well might trace;The speaking eye, the changing lip,The ready blushing cheek,The smiling, or beclouded brow,Their different feelings speak.
But, thank God! you might gaze on mineFor hours, and never knowThe secret changes of my soulFrom joy to keenest woe.Last night, as we sat round the fireConversing merrily,We heard, without, approaching stepsOf one well known to me!
There was no trembling in my voice,No blush upon my cheek,No lustrous sparkle in my eyes,Of hope, or joy, to speak;But, oh! my spirit burned within,My heart beat full and fast!He came not nigh--he went away--And then my joy was past.
And yet my comrades marked it not:My voice was still the same;They saw me smile, and o'er my faceNo signs of sadness came.They little knew my hidden thoughts;And they will NEVER knowThe aching anguish of my heart,The bitter burning woe!
Words in this poem
- homely a.
- Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- unwearied a.
- Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- changeful a.
- Full of change; mutable; inconstant; fickle; uncertain.
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- went n.
- Course; way; path; journey; direction.
- sadness n.
- Heaviness; firmness.
- aching a.
- That aches; continuously painful. See Ache.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Self-Congratulation is in the public domain. This text is taken from Poems by Currer, Ellis, and Acton Bell, Project Gutenberg ebook #1019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Charlotte, Emily and Anne Brontë, Self-Congratulation, in Poems by Currer, Ellis, and Acton Bell (1846), text of Project Gutenberg ebook #1019, Laurel, https://laurelpoetry.com/poem/bronte-poems/self-congratulation.html, id L18596.
Form and metre
Self-Congratulation is 56 lines in 7 stanzas of 8 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 93%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A-B-B once · graceA · attire · faceA · now · hairB · form · careB
- 2 -A-A-B-B ears · strainA · tunes · againA · say · goneB · brings · onB
- 3 -----A-A airs · o'er · now · more · enough · departA · thoughts · heartA
- 4 -A-A-B-B form · faceA · soul · traceA · lip · cheekB · brow · speakB
- 5 -A-A---- mine · knowA · soul · woeA · fire · merrily · steps · me
- 6 -A-A-B-B voice · cheekA · eyes · speakA · within · fastB · away · pastB
- 7 -A-A-B-B not · sameA · face · cameA · thoughts · knowB · heart · woeB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Ellen, you were thoughtless once | 7 | /˘··/˘· |
| Of beauty or of grace, | 6 | ·/˘··· |
| Simple and homely in attire, | 9 | /˘·/˘·˘/˘ |
| Careless of form and face; | 6 | /˘···· |
| Then whence this change? and wherefore now | 8 | ·····/˘· |
| So often smoothe your hair? | 6 | ·/˘··· |
| And wherefore deck your youthful form | 8 | ·/˘··/˘· |
| With such unwearied care? | 6 | ··˘/˘· |
| Tell us, and cease to tire our ears | 8 | ·····//· |
| With that familiar strain; | 6 | ··˘/˘· |
| Why will you play those simple tunes | 8 | ·····/˘· |
| So often o'er again? | 6 | ·/˘·˘/ |
| "Indeed, dear friends, I can but say | 8 | ˘/······ |
| That childhood's thoughts are gone; | 6 | ·/···· |
| Each year its own new feelings brings, | 8 | ·····/˘· |
| And years move swiftly on: | 6 | ···/˘· |
| "And for these little simple airs-- | 8 | ···/˘/˘· |
| I love to play them o'er | 6 | ······ |
| So much--I dare not promise, now, | 8 | ·····/˘· |
| To play them never more." | 6 | ···/˘· |
| I answered--and it was enough; | 8 | ·/˘···˘/ |
| They turned them to depart; | 7 | ··˘··˘/ |
| They could not read my secret thoughts, | 8 | ·····/˘· |
| Nor see my throbbing heart. | 6 | ···/˘· |
| I've noticed many a youthful form, | 8 | ·/˘/·/˘· |
| Upon whose changeful face | 6 | ···/˘· |
| The inmost workings of the soul | 8 | ·/˘/˘··· |
| The gazer well might trace; | 6 | ·/˘··· |
| The speaking eye, the changing lip, | 8 | ·/˘··/˘· |
| The ready blushing cheek, | 6 | ·/˘/˘· |
| The smiling, or beclouded brow, | 8 | ·/˘····· |
| Their different feelings speak. | 7 | ·/˘˘/˘· |
| But, thank God! you might gaze on mine | 8 | ········ |
| For hours, and never know | 7 | ·/˘·/˘· |
| The secret changes of my soul | 8 | ·/˘/˘··· |
| From joy to keenest woe. | 6 | ···/˘· |
| Last night, as we sat round the fire | 9 | ·······/˘ |
| Conversing merrily, | 6 | ˘/˘/˘˘ |
| We heard, without, approaching steps | 8 | ····˘/˘· |
| Of one well known to me! | 6 | ······ |
| There was no trembling in my voice, | 8 | ···/˘··· |
| No blush upon my cheek, | 6 | ······ |
| No lustrous sparkle in my eyes, | 8 | ·/˘/˘··· |
| Of hope, or joy, to speak; | 6 | ······ |
| But, oh! my spirit burned within, | 8 | ···/˘··· |
| My heart beat full and fast! | 6 | ······ |
| He came not nigh--he went away-- | 8 | ······˘/ |
| And then my joy was past. | 6 | ······ |
| And yet my comrades marked it not: | 8 | ···/···· |
| My voice was still the same; | 6 | ······ |
| They saw me smile, and o'er my face | 8 | ········ |
| No signs of sadness came. | 6 | ···/˘· |
| They little knew my hidden thoughts; | 8 | ·/˘··/˘· |
| And they will NEVER know | 6 | ···/˘· |
| The aching anguish of my heart, | 8 | ·/˘/˘··· |
| The bitter burning woe! | 6 | ·/˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.