Canto Sixth
The City of Conception--The City of Penco--Castle--Lautaro--WildIndian Maid--Zarinel--Missionary.
The second moon had now begun to wane,Since bold Valdivia left the southern plain;Goal of his labours, Penco's port and bay,Far gleaming to the summer sunset lay.The wayworn veteran, who had slowly passedThrough trackless woods, or o'er savannahs vast,With hope impatient sees the city spiresGild the horizon, like ascending fires.Now well-known sounds salute him, as more nearThe citadel and battlements appear;The approaching trumpets ring at intervals;The trumpet answers from the rampart walls,Where many a maiden casts an anxious eye,Some long-lost object of her love to espy,Or watches, as the evening light illumesThe points of lances, or the passing plumes.The grating drawbridge and the portal-arch,Now echo to the long battalion's march;Whilst every eye some friend remembered greets,Amid the gazing crowd that throngs the streets.As bending o'er his mule, amid the throng,Pensive and pale, Anselmo rode along,How sacred, 'mid the noise of arms, appearedHis venerable mien and snowy beard!Whilst every heart a silent prayer bestowed,Slow to the convent's massy gate he rode:Around, the brothers, gratulating, stand,And ask for tidings of the southern land.As from the turret tolls the vesper bell,He seeks, a weary man, his evening cell,No sounds of social cheer, no beds of state,Nor gorgeous canopies his coming wait;But o'er a little bread, with folded hands,Thanking the God that gave, a while he stands;Then, while all thoughts of earthly sorrow cease,Upon his pallet lays him down in peace.The scene how different, where the castle-hallRings to the loud triumphant festival:A hundred torches blaze, and flame aloof,Long quivering shadows streak the vaulted roof,--Whilst, seen far off, the illumined windows throwA splendour on the shore and seas below.Amid his captains, in imperial state,Beneath a crimson canopy, elate,Valdivia sits--and, striking loud the strings,The wandering ministrel of Valentia sings.For Chili conquered, fill the bowl again!For Chili conquered, raise the heroic strain!Lautaro left the hall of jubileeUnmarked, and wandered by the moonlit sea:He heard far off, in dissonant acclaim,The song, the shout, and his loved country's name.As swelled at times the trump's insulting sound,He raised his eyes impatient from the ground;Then smote his breast indignantly, and cried,Chili! my country; would that I had diedOn the sad night of that eventful dayWhen on the ground my murdered father lay!I should not then, dejected and alone,Have thought I heard his injured spirit groan.Ha! was it not his form--his face--his hair?Hold, soldier! stern, inhuman soldier, spare!Ha! is it not his blood? Avenge, he cries,Avenge, my son, these wounds! He faints--he dies!Leave me, dread shadow! Can I then forgetMy father's look--his voice? He beckons yet!Now on that glimmering rock I see him stand:Avenge! he cries, and waves his dim-seen hand!Thus mused the youth, distempered and forlorn,When, hark! the sound as of a distant hornSwells o'er the surge! he turned his look around,And still, with many a pause, he heard the sound:It came from yonder rocks; and, list! what strainBreaks on the silence of the sleeping main?I heard the song of gladness;It seemed but yesterday,But it turned my thoughts to madness,So soon it died away:I sound my sea-shell; but in vain I tryTo bring back that enchanting harmony!Hark! heard ye not the surges say,Oh! heartless maid, what canst thou do?O'er the moon-gleaming ocean, I'll wander away,And paddle to Spain in my light canoe!The youth drew near, by the strange accents led,Where in a cave, wild sea-weeds round her head,And holding a large sea-conch in her hand,He saw, with wildering air, an Indian maiden stand.A tattered poncho o'er her shoulders hung;On either side her long black locks were flung;And now by the moon's glimmer, he espiesHer high cheek-bones, and bright but hollow eyes.Lautaro spoke: Oh! say what cruel wrongWeighs on thy heart, maiden, what bodes thy song?She answered not, but blew her shell again;Then thus renewed the desultory strain:Yes, yes, we must forget! the world is wide;My music now shall be the dashing tide:In the calm of the deep I will frolic and swim--With the breath of the South o'er the sea-blossom skim.If ever, stranger, on thy way,Sounds, more than earthly sweet, thy soul should move,It is the youth! Oh! do not say--That poor Olola died for love.Lautaro stretched his hand; she said, Adieu!And o'er the glimmering rocks like lightning flew.He followed, and still heard at distance swellThe lessening echoes of that mournful shell.It ceased at once; and now he heard no moreThan the sea's murmur dying on the shore.Olola!--ha! his sister had that name!Oh, horrid fancies! shake not thus his frame!All night he wandered by the desert main,To catch the melancholy sounds again.No torches blaze in Penco's castled hallThat echoed to the midnight festival.The weary soldiers by their toils oppressed,Had now retired to silence and to rest.The minstrel only, who the song had sungOf noble Cid, as o'er the strings he hung,Upon the instrument had fall'n asleep,Weary, and now was hushed in slumbers deep.Tracing the scenes long past, in busy dreamsAgain he wanders by his native streams;Or sits, his evening saraband to singTo the clear Garonne's gentle murmuring.Cold o'er the fleckered clouds the morning brokeAslant ere from his slumbers he awoke;Still as he sat, nor yet had left the place,The first dim light fell on his pallid face.He wakes--he gazes round--the dawning dayComes from the deep, in garb of cloudy gray.The woods with crow of early turkeys ring,The glancing birds beneath the castle sing,And the sole sun his rising orb displays,Radiant and reddening, through the scattered haze.To recreate the languid sense a while,When earth and ocean wore their sweetest smile,He wandered to the beach: the early airBlew soft, and lifted, as it blew, his hair;Flushed was his cheek; his faded eye, more bright,Shone with a faint but animated light,While the soft morning ray seemed to bestowOn his tired mind a transient kindred glow.As thus, with shadow stretching o'er the sand,He mused and wandered on the winding strand,At distance tossed upon the tumbling tide,A dark and floating substance he espied.He stood, and where the eddying surges beat,An Indian corse was rolled beneath his feet:The hollow wave retired with sullen sound;The face of that sad corse was to the ground;It seemed a female, by the slender form;He touched the hand--it was no longer warm;He turned its face--O God! that eye, though dim,Seemed with its deadly glare as fixed on him!How sunk his shuddering sense, how changed his hue,When poor Olola in that corse he knew!Lautaro, rushing from the rocks, advanced;His keen eye, like a startled eagle's glanced:'Tis she!--he knew her by a mark impressedFrom earliest infancy beneath her breast.Oh, my poor sister! when all hopes were pastOf meeting, do we meet--thus meet--at last!Then full on Zarinel, as one amazed,With rising wrath and stern suspicion gazed;For Zarinel still knelt upon the sand,And to his forehead pressed the dead maid's hand.Speak! whence art thou?Pale Zarinel, his headUpraising answered,Peace is with the dead!Him dost thou seek who injured thine and thee?Here--strike the fell assassin--I am he!Die! he exclaimed, and with convulsive startInstant had plunged the dagger in his heart,When the meek father, with his holy book,And placid aspect, met his frenzied look.He trembled--struck his brow--and, turning round,Flung the uplifted dagger to the ground.Then murmured: Father, Heaven has heard thy prayer--But oh! the sister of my soul lies there!The Christian's God has triumphed! father, heapSome earth upon her bones, whilst I go weep!Anselmo with calm brow approached the place,And hastened with his staff his faltering pace:Ho! child of guilt and wretchedness, he cried,Speak!--Holy father, the sad youth replied,God bade the seas the accusing victim rollDead at my feet, to teach my shuddering soulIts guilt: Oh! father, holy father, prayThat heaven may take the deep, dire curse away!Oh! yet, Anselmo cried, live and repent,For not in vain was this dread warning sent;The deep reproaches of thy soul I spare,Go! seek Heaven's peace by penitence and prayer.The youth arose, yet trembling from the shock,And severed from the dead maid's hair a lock;This to his heart with trembling hand he pressed,And dried the salt-sea moisture on his breast.They laid her limbs within the sea-beat grave,And prayed: Her soul, O blessed Mary, save!
The "sea-blossom," Holothuria, known to seamen by the name of"Portuguese man of war," is among the most striking and beautifulobjects in the calms of the Southern ocean.
Words in this poem 40
- wayworn a.
- Wearied by traveling.
- trackless a.
- Having no track; marked by no footsteps; untrodden; as, a trackless desert.
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- rode n.
- Redness; complexion. [See Rud.]
- snowy a.
- White like snow.
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- vesper n.
- The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- pallet n.
- A small and mean bed; a bed of straw. [OE. paillet, F. paillet a heap of straw, fr. paille straw, fr. L. palea chaff; cf. Gr. pala straw, palava chaff. Cf. Paillasse.]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- elate a.
- Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
- moonlit a.
- Illumined by the moon.
- dissonant a.
- Sounding harshly; discordant; unharmonious. [L. dissonans, -antis, p. pr. of dissonare to disagree in sound, be discordant; dis- + sonare to sound: cf. F. dissonant. See Sonant.]
- acclaim v. i.
- To shout applause.
- indignantly adv.
- In an indignant manner.
- eventful a.
- Full of, or rich in, events or incidents; as, an eventful journey; an eventful period of history; an eventful period of life.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- heartless a.
- Without a heart.
- wildering n.
- A plant growing in a state of nature; especially, one which has run wild, or escaped from cultivation.
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- desultory a.
- Leaping or skipping about. [L. desultorius, fr. desultor a leaper, fr. desilire, desultum, to leap down; de + salire to leap. See Saltation.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- horrid a.
- Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
- castled a.
- Having a castle or castles; supporting a castle; as, a castled height or crag.
- saraband n.
- A slow Spanish dance of Saracenic origin, to an air in triple time; also, the air itself. [F. sarabande, Sp. zarabanda, fr. Per. serbend a song.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- aslant adv.
- Toward one side; in a slanting direction; obliquely. [Pref. a- + slant.]
- garb n.
- External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
- glancing a.
- Shooting, as light.
- recreate v. t.
- To give fresh life to; to reanimate; to revive; especially, to refresh after wearying toil or anxiety; to relieve; to cheer; to divert; to amuse; to gratify. [L. recreatus, p. p. of recreate to create anew, to refresh; pref. re- re- + creare to create. See Create.]
- corse n.
- A living body or its bulk. [OF. cors, F. corps. See Corpse.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- faltering a.
- Hesitating; trembling.
- bade
- A form of the pat tense of Bid.
- dire a.
- Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
- repent a.
- Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto Sixth is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Lisle Bowles, Canto Sixth, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/canto-sixth.html, id L10011.
Form and metre
Canto Sixth is 207 lines in 3 verse paragraphs. It is in rhyming couplets, 85% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 14 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AABBCC--DDEE--FFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUU--VVWWXXYYZZaabbccddeeffgghhijij--jkjkllmmnnoopp--qqrrststuuvvwwxx--yyzzAABBCCDDEEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWWXXYY-ZZZaabbccddeeffgghhiijjkkllmmnnoo waneA · plainA · bayB · layB · passedC · vastC · spires · fires · nearD · appearD · intervalsE · wallsE · eye · espy · illumesF · plumesF · archG · marchG · greetsH · streetsH · throngI · alongI · appearedJ · beardJ · bestowedK · rodeK · standL · landL · bellM · cellM · stateN · waitN · handsO · standsO · ceaseP · peaceP · hallQ · festivalQ · aloofR · roofR · throwS · belowS · stateT · elateT · stringsU · singsU · again · strain · jubileeV · seaV · acclaimW · nameW · soundX · groundX · criedY · diedY · dayZ · layZ · alonea · groana · hairb · spareb · criesc · diesc · forgetd · yetd · stande · hande · forlornf · hornf · aroundg · soundg · strainh · mainh · gladnessi · yesterdayj · madnessi · awayj · try · harmony · sayj · dok · awayj · canoek · ledl · headl · handm · standm · hungn · flungn · espieso · eyeso · wrongp · songp · again · strain · wideq · tideq · swimr · skimr · ways · movet · says · lovet · adieuu · flewu · swellv · shellv · morew · shorew · namex · framex · main · again · hally · festivaly · oppressedz · restz · sungA · hungA · asleepB · deepB · dreamsC · streamsC · singD · murmuringD · brokeE · awokeE · placeF · faceF · dayG · grayG · ringH · singH · displaysI · hazeI · whileJ · smileJ · airK · hairK · brightL · lightL · bestowM · glowM · sandN · strandN · tideO · espiedO · beatP · feetP · soundQ · groundQ · formR · warmR · dimS · himS · hueT · knewT · advancedU · glancedU · impressedV · breastV · pastW · lastW · amazedX · gazedX · sandY · handY · thou · headZ · answeredZ · deadZ · theea · hea · startb · heartb · bookc · lookc · roundd · groundd · prayere · theree · heapf · weepf · placeg · paceg · criedh · repliedh · rolli · souli · prayj · awayj · repentk · sentk · sparel · prayerl · shockm · lockm · pressedn · breastn · graveo · saveo
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The City of Conception--The City of Penco--Castle--Lautaro--Wild | 19 | ·/˘·˘/˘·/˘···/˘···· |
| Indian Maid--Zarinel--Missionary. | 11 | /˘˘····/˘·˘ |
| The second moon had now begun to wane, | 10 | ·/˘···˘/·· |
| Since bold Valdivia left the southern plain; | 10 | ··˘/˘··/˘· |
| Goal of his labours, Penco's port and bay, | 10 | ···/˘····· |
| Far gleaming to the summer sunset lay. | 10 | ·/˘··/˘/·· |
| The wayworn veteran, who had slowly passed | 10 | ·/˘/˘··/˘· |
| Through trackless woods, or o'er savannahs vast, | 10 | ·/˘···˘/˘· |
| With hope impatient sees the city spires | 10 | ··˘/˘··/˘· |
| Gild the horizon, like ascending fires. | 11 | ··˘/˘·˘/˘/˘ |
| Now well-known sounds salute him, as more near | 10 | ····˘/···· |
| The citadel and battlements appear; | 10 | ·/˘··/˘˘˘/ |
| The approaching trumpets ring at intervals; | 11 | ·˘/˘/˘··/˘˘ |
| The trumpet answers from the rampart walls, | 10 | ·/˘/˘··/˘· |
| Where many a maiden casts an anxious eye, | 10 | ·/·/˘··/˘· |
| Some long-lost object of her love to espy, | 11 | ···/˘····/˘ |
| Or watches, as the evening light illumes | 10 | ·/˘··/˘··· |
| The points of lances, or the passing plumes. | 10 | ···/˘··/˘· |
| The grating drawbridge and the portal-arch, | 10 | ·/˘/···/˘· |
| Now echo to the long battalion's march; | 10 | ·/˘···˘/˘· |
| Whilst every eye some friend remembered greets, | 10 | ·/˘···˘/˘· |
| Amid the gazing crowd that throngs the streets. | 10 | ˘/·/˘····· |
| As bending o'er his mule, amid the throng, | 10 | ·/˘···˘/·· |
| Pensive and pale, Anselmo rode along, | 10 | /˘··˘/˘·˘/ |
| How sacred, 'mid the noise of arms, appeared | 10 | ·/˘·····˘/ |
| His venerable mien and snowy beard! | 10 | ·/˘˘˘··/˘· |
| Whilst every heart a silent prayer bestowed, | 10 | ·/˘··/˘·˘/ |
| Slow to the convent's massy gate he rode: | 10 | ···/˘/˘··· |
| Around, the brothers, gratulating, stand, | 10 | ···/˘····· |
| And ask for tidings of the southern land. | 10 | ···/˘··/˘· |
| As from the turret tolls the vesper bell, | 10 | ···/˘··/˘· |
| He seeks, a weary man, his evening cell, | 10 | ···/˘··/˘· |
| No sounds of social cheer, no beds of state, | 10 | ···/˘····· |
| Nor gorgeous canopies his coming wait; | 10 | ·/˘/˘˘·/˘· |
| But o'er a little bread, with folded hands, | 10 | ···/˘··/˘· |
| Thanking the God that gave, a while he stands; | 10 | /˘········ |
| Then, while all thoughts of earthly sorrow cease, | 10 | ·····/˘/˘· |
| Upon his pallet lays him down in peace. | 10 | ···/˘····· |
| The scene how different, where the castle-hall | 10 | ···/˘··/˘· |
| Rings to the loud triumphant festival: | 10 | ····˘/˘/˘˘ |
| A hundred torches blaze, and flame aloof, | 10 | ·/˘/˘···˘/ |
| Long quivering shadows streak the vaulted roof,-- | 10 | ·/˘/···/˘· |
| Whilst, seen far off, the illumined windows throw | 11 | ·····˘/˘/˘· |
| A splendour on the shore and seas below. | 10 | ·/˘······· |
| Amid his captains, in imperial state, | 10 | ˘/·/˘·˘/˘· |
| Beneath a crimson canopy, elate, | 10 | ···/˘/˘˘˘/ |
| Valdivia sits--and, striking loud the strings, | 10 | ˘/˘··/˘··· |
| The wandering ministrel of Valentia sings. | 11 | ·/˘····˘/˘· |
| For Chili conquered, fill the bowl again! | 10 | ·/˘/˘···˘/ |
| For Chili conquered, raise the heroic strain! | 11 | ·/˘/˘··˘/˘· |
| Lautaro left the hall of jubilee | 10 | ·······/˘· |
| Unmarked, and wandered by the moonlit sea: | 10 | ˘/·/˘··/·· |
| He heard far off, in dissonant acclaim, | 10 | ·····/˘˘˘/ |
| The song, the shout, and his loved country's name. | 10 | ·······/˘· |
| As swelled at times the trump's insulting sound, | 10 | ······˘/˘· |
| He raised his eyes impatient from the ground; | 10 | ····˘/˘··· |
| Then smote his breast indignantly, and cried, | 10 | ····˘/˘˘·· |
| Chili! my country; would that I had died | 10 | /˘·/˘····· |
| On the sad night of that eventful day | 10 | ······˘/˘· |
| When on the ground my murdered father lay! | 10 | ·····/˘/˘· |
| I should not then, dejected and alone, | 10 | ····˘/˘·˘/ |
| Have thought I heard his injured spirit groan. | 10 | ·····/˘/˘· |
| Ha! was it not his form--his face--his hair? | 10 | ·········· |
| Hold, soldier! stern, inhuman soldier, spare! | 10 | ·/˘·˘/˘/˘· |
| Ha! is it not his blood? Avenge, he cries, | 10 | ······˘/·· |
| Avenge, my son, these wounds! He faints--he dies! | 10 | ˘/········ |
| Leave me, dread shadow! Can I then forget | 10 | ···/····˘/ |
| My father's look--his voice? He beckons yet! | 10 | ·/˘····/˘· |
| Now on that glimmering rock I see him stand: | 10 | ···/˘····· |
| Avenge! he cries, and waves his dim-seen hand! | 10 | ˘/········ |
| Thus mused the youth, distempered and forlorn, | 10 | ····˘/˘·˘/ |
| When, hark! the sound as of a distant horn | 10 | ·······/˘· |
| Swells o'er the surge! he turned his look around, | 10 | ·········· |
| And still, with many a pause, he heard the sound: | 10 | ···/······ |
| It came from yonder rocks; and, list! what strain | 10 | ···/˘····· |
| Breaks on the silence of the sleeping main? | 10 | ···/˘··/˘· |
| I heard the song of gladness; | 7 | ·····/˘ |
| It seemed but yesterday, | 6 | ···/˘· |
| But it turned my thoughts to madness, | 9 | ···˘···/˘ |
| So soon it died away: | 6 | ····˘/ |
| I sound my sea-shell; but in vain I try | 10 | ·········· |
| To bring back that enchanting harmony! | 10 | ····˘/˘/˘˘ |
| Hark! heard ye not the surges say, | 8 | ·····/˘· |
| Oh! heartless maid, what canst thou do? | 8 | ·/˘····· |
| O'er the moon-gleaming ocean, I'll wander away, | 11 | ···/˘/·/˘˘/ |
| And paddle to Spain in my light canoe! | 10 | ·/˘·····˘/ |
| The youth drew near, by the strange accents led, | 10 | ·······/˘· |
| Where in a cave, wild sea-weeds round her head, | 10 | ·········· |
| And holding a large sea-conch in her hand, | 10 | ·/˘······· |
| He saw, with wildering air, an Indian maiden stand. | 12 | ···/˘··/˘/˘· |
| A tattered poncho o'er her shoulders hung; | 10 | ·/˘/˘··/˘· |
| On either side her long black locks were flung; | 10 | ·/˘······· |
| And now by the moon's glimmer, he espies | 10 | ·····/˘·/˘ |
| Her high cheek-bones, and bright but hollow eyes. | 10 | ·······/˘· |
| Lautaro spoke: Oh! say what cruel wrong | 10 | ·······/˘· |
| Weighs on thy heart, maiden, what bodes thy song? | 10 | ····/˘···· |
| She answered not, but blew her shell again; | 10 | ·/˘·····˘/ |
| Then thus renewed the desultory strain: | 10 | ··˘/·/˘·˘· |
| Yes, yes, we must forget! the world is wide; | 10 | ····˘/···· |
| My music now shall be the dashing tide: | 10 | ·/˘····/˘· |
| In the calm of the deep I will frolic and swim-- | 12 | ········/˘·· |
| With the breath of the South o'er the sea-blossom skim. | 12 | ·········/˘· |
| If ever, stranger, on thy way, | 8 | ·/˘/˘··· |
| Sounds, more than earthly sweet, thy soul should move, | 10 | ···/˘····· |
| It is the youth! Oh! do not say-- | 8 | ········ |
| That poor Olola died for love. | 8 | ········ |
| Lautaro stretched his hand; she said, Adieu! | 10 | ········˘/ |
| And o'er the glimmering rocks like lightning flew. | 10 | ···/˘··/˘· |
| He followed, and still heard at distance swell | 10 | ·/˘····/˘· |
| The lessening echoes of that mournful shell. | 10 | ·/˘/˘··/˘· |
| It ceased at once; and now he heard no more | 10 | ·········· |
| Than the sea's murmur dying on the shore. | 10 | ···/˘/˘··· |
| Olola!--ha! his sister had that name! | 10 | ·····/˘··· |
| Oh, horrid fancies! shake not thus his frame! | 10 | ·/˘/˘····· |
| All night he wandered by the desert main, | 10 | ···/˘··/˘· |
| To catch the melancholy sounds again. | 10 | ···/˘·˘·˘/ |
| No torches blaze in Penco's castled hall | 10 | ·/˘····/˘· |
| That echoed to the midnight festival. | 10 | ·/˘··/·/˘˘ |
| The weary soldiers by their toils oppressed, | 10 | ·/˘/˘···˘/ |
| Had now retired to silence and to rest. | 10 | ··˘/·/˘··· |
| The minstrel only, who the song had sung | 10 | ·/˘/˘····· |
| Of noble Cid, as o'er the strings he hung, | 10 | ·/˘······· |
| Upon the instrument had fall'n asleep, | 10 | ···/˘˘··˘/ |
| Weary, and now was hushed in slumbers deep. | 10 | /˘·····/˘· |
| Tracing the scenes long past, in busy dreams | 10 | /˘·····/˘· |
| Again he wanders by his native streams; | 10 | ˘/·/˘··/˘· |
| Or sits, his evening saraband to sing | 10 | ···/˘/˘˘·· |
| To the clear Garonne's gentle murmuring. | 10 | ···˘//˘/˘˘ |
| Cold o'er the fleckered clouds the morning broke | 10 | ·······/˘· |
| Aslant ere from his slumbers he awoke; | 10 | ˘/···/˘·˘/ |
| Still as he sat, nor yet had left the place, | 10 | ·········· |
| The first dim light fell on his pallid face. | 10 | ·······/˘· |
| He wakes--he gazes round--the dawning day | 10 | ···/˘··/˘· |
| Comes from the deep, in garb of cloudy gray. | 10 | ·······/˘· |
| The woods with crow of early turkeys ring, | 10 | ·····/˘/˘· |
| The glancing birds beneath the castle sing, | 10 | ·/˘····/˘· |
| And the sole sun his rising orb displays, | 10 | ·····/˘·˘/ |
| Radiant and reddening, through the scattered haze. | 10 | /˘·/˘··/˘· |
| To recreate the languid sense a while, | 10 | ·/˘··/˘··· |
| When earth and ocean wore their sweetest smile, | 10 | ···/˘··/˘· |
| He wandered to the beach: the early air | 10 | ·/˘····/˘· |
| Blew soft, and lifted, as it blew, his hair; | 10 | ···/˘····· |
| Flushed was his cheek; his faded eye, more bright, | 10 | ·····/˘··· |
| Shone with a faint but animated light, | 10 | ·····/˘·˘· |
| While the soft morning ray seemed to bestow | 10 | ···/˘···˘/ |
| On his tired mind a transient kindred glow. | 10 | ··/··/˘/˘· |
| As thus, with shadow stretching o'er the sand, | 10 | ···/·/˘··· |
| He mused and wandered on the winding strand, | 10 | ···/˘··/˘· |
| At distance tossed upon the tumbling tide, | 10 | ·/˘····/˘· |
| A dark and floating substance he espied. | 9 | ···/˘/˘·· |
| He stood, and where the eddying surges beat, | 10 | ·····/˘/˘· |
| An Indian corse was rolled beneath his feet: | 10 | ·/˘······· |
| The hollow wave retired with sullen sound; | 10 | ·/˘·˘/·/˘· |
| The face of that sad corse was to the ground; | 10 | ·········· |
| It seemed a female, by the slender form; | 10 | ···/···/˘· |
| He touched the hand--it was no longer warm; | 10 | ·······/˘· |
| He turned its face--O God! that eye, though dim, | 10 | ·········· |
| Seemed with its deadly glare as fixed on him! | 10 | ···/˘····· |
| How sunk his shuddering sense, how changed his hue, | 10 | ···/˘····· |
| When poor Olola in that corse he knew! | 10 | ·········· |
| Lautaro, rushing from the rocks, advanced; | 10 | ···/˘···˘/ |
| His keen eye, like a startled eagle's glanced: | 10 | ·····/˘/˘· |
| 'Tis she!--he knew her by a mark impressed | 10 | ········˘/ |
| From earliest infancy beneath her breast. | 10 | ·/˘/˘˘···· |
| Oh, my poor sister! when all hopes were past | 10 | ···/˘····· |
| Of meeting, do we meet--thus meet--at last! | 10 | ·/˘······· |
| Then full on Zarinel, as one amazed, | 10 | ········˘/ |
| With rising wrath and stern suspicion gazed; | 10 | ·/˘···˘/˘· |
| For Zarinel still knelt upon the sand, | 10 | ·········· |
| And to his forehead pressed the dead maid's hand. | 10 | ···/˘····· |
| Speak! whence art thou? | 4 | ···· |
| Pale Zarinel, his head | 6 | ······ |
| Upraising answered, | 5 | ···/˘ |
| Peace is with the dead! | 5 | ····· |
| Him dost thou seek who injured thine and thee? | 10 | ·····/˘··· |
| Here--strike the fell assassin--I am he! | 10 | ····˘/˘··· |
| Die! he exclaimed, and with convulsive start | 10 | ··˘/··˘/˘· |
| Instant had plunged the dagger in his heart, | 10 | /˘···/˘··· |
| When the meek father, with his holy book, | 10 | ···/˘··/˘· |
| And placid aspect, met his frenzied look. | 10 | ·/˘/···/˘· |
| He trembled--struck his brow--and, turning round, | 10 | ·/˘····/˘· |
| Flung the uplifted dagger to the ground. | 10 | ··/˘˘/˘··· |
| Then murmured: Father, Heaven has heard thy prayer-- | 10 | ·/˘/˘/···· |
| But oh! the sister of my soul lies there! | 10 | ···/˘····· |
| The Christian's God has triumphed! father, heap | 10 | ·/˘··/˘/˘· |
| Some earth upon her bones, whilst I go weep! | 10 | ·········· |
| Anselmo with calm brow approached the place, | 10 | ˘/˘···˘/·· |
| And hastened with his staff his faltering pace: | 10 | ·/˘····/˘· |
| Ho! child of guilt and wretchedness, he cried, | 10 | ·····/˘˘·· |
| Speak!--Holy father, the sad youth replied, | 10 | ·/˘/˘···˘/ |
| God bade the seas the accusing victim roll | 11 | ·····˘/˘/˘· |
| Dead at my feet, to teach my shuddering soul | 10 | ·······/˘· |
| Its guilt: Oh! father, holy father, pray | 10 | ···/˘/˘/˘· |
| That heaven may take the deep, dire curse away! | 10 | ·/······˘/ |
| Oh! yet, Anselmo cried, live and repent, | 10 | ··˘/˘···˘/ |
| For not in vain was this dread warning sent; | 10 | ·······/˘· |
| The deep reproaches of thy soul I spare, | 10 | ··˘/˘····· |
| Go! seek Heaven's peace by penitence and prayer. | 11 | ··/˘··/˘˘·· |
| The youth arose, yet trembling from the shock, | 10 | ··˘/·/˘··· |
| And severed from the dead maid's hair a lock; | 10 | ·/˘······· |
| This to his heart with trembling hand he pressed, | 10 | ·····/˘··· |
| And dried the salt-sea moisture on his breast. | 10 | ·····/˘··· |
| They laid her limbs within the sea-beat grave, | 10 | ·········· |
| And prayed: Her soul, O blessed Mary, save! | 10 | ··˘····/˘· |
| The "sea-blossom," Holothuria, known to seamen by the name of | 16 | ··/˘······/˘···· |
| "Portuguese man of war," is among the most striking and beautiful | 16 | /˘·········/˘·/˘ |
| objects in the calms of the Southern ocean. | 11 | ˘/·····/˘/˘ |
Notes from the edition 1
Bowles's own notes to his Poetical Works (Project Gutenberg #18915).
- Stanza 2, line 100 The "sea-blossom," Holothuria, known to seamen by the name of "Portuguese man of war," is among the most striking and beautiful objects in the calms of the Southern ocean.
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