Fourth Part

Elizabeth Barrett Browning (1806–1861) · 1844

iambic heptameter · rhyming couplets · 42 lines · from Lady Geraldine's Courtship, and Other Poems

Onora looketh listlessly adown the garden walk:"I am weary, O my mother, of thy tender talk.I am weary of the trees a-waving to and fro,Of the steadfast skies above, the running brooks below.All things are the same, but I,--only I am dreary,And, mother, of my dreariness behold me very weary.

"Mother, brother, pull the flowers I planted in the springAnd smiled to think I should smile more upon their gathering:The bees will find out other flowers--oh, pull them, dearest mine,And carry them and carry me before Saint Agnes' shrine."--Whereat they pulled the summer flowers she planted in the spring,And her and them all mournfully to Agnes' shrine did bring.

She looked up to the pictured saint and gently shook her head--"The picture is too calm for me--too calm for me," she said:"The little flowers we brought with us, before it we may lay,For those are used to look at heaven,--but I must turn away,Because no sinner under sun can dare or bear to gazeOn God's or angel's holiness, except in Jesu's face."

She spoke with passion after pause--"And were it wisely doneIf we who cannot gaze above, should walk the earth alone?If we whose virtue is so weak should have a will so strong,And stand blind on the rocks to choose the right path from the wrong?To choose perhaps a love-lit hearth, instead of love and heaven,--A single rose, for a rose-tree which beareth seven times seven?A rose that droppeth from the hand, that fadeth in the breast,--Until, in grieving for the worst, we learn what is the best!"

Then breaking into tears,--"Dear God," she cried, "and must we seeAll blissful things depart from us or ere we go to THEE?We cannot guess Thee in the wood or hear Thee in the wind?Our cedars must fall round us ere we see the light behind?Ay sooth, we feel too strong, in weal, to need thee on that road,But woe being come, the soul is dumb that crieth not on 'God.'"

Her mother could not speak for tears; she ever mused thus,"The bees will find out other flowers,--but what is left for us?"But her young brother stayed his sobs and knelt beside her knee,--"Thou sweetest sister in the world, hast never a word for me?"She passed her hand across his face, she pressed it on his cheek,So tenderly, so tenderly--she needed not to speak.

The wreath which lay on shrine that day, at vespers bloomed no more.The woman fair who placed it there had died an hour before.Both perished mute for lack of root, earth's nourishment to reach.O reader, breathe (the ballad saith) some sweetness out of each!

Words in this poem 15
adown adv.
From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
dreariness n.
Sorrow; wretchedness.
whereat adv.
At which; upon which; whereupon; -- used relatively.
pictured a.
Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
shook v. t.
To pack, as staves, in a shook.
sinner n.
One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
blissful a.
Full of, characterized by, or causing, joy and felicity; happy in the highest degree.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
sooth a.
True; faithful; trustworthy. [OE. soth, AS. s, for san; akin to OS. s, OHG. sand, Icel. sannr, Sw. sann, Dan. sand, Skr. sat, sant, real, genuine, present, being; properly p. pr. from a root]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
tenderly adv.
In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
saith
3d pers. sing. pres. of Say.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fourth Part is in the public domain. This text is taken from The Poetical Works of Elizabeth Barrett Browning, Volume 2, Project Gutenberg ebook #33363; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Elizabeth Barrett Browning, Fourth Part, in Lady Geraldine's Courtship, and Other Poems (1844), text of Project Gutenberg ebook #33363, Laurel, https://laurelpoetry.com/poem/barrett-browning-poems-2/fourth-part.html, id L24815.

Form and metre

Fourth Part is 42 lines in 7 verse paragraphs. It is in rhyming couplets, 90% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in rhyming couplets, other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC walkA · talkA · froB · belowB · drearyC · wearyC
  2. 2 AABBAA springA · gatheringA · mineB · shrineB · springA · bringA
  3. 3 AABB-- headA · saidA · layB · awayB · gaze · face
  4. 4 AABBAACC doneA · aloneA · strongB · wrongB · heavenA · sevenA · breastC · bestC
  5. 5 AABB-- seeA · theeA · windB · behindB · road · god
  6. 6 AABBCC thusA · usA · kneeB · meB · cheekC · speakC
  7. 7 AABB moreA · beforeA · reachB · eachB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
Onora looketh listlessly adown the garden walk:14···/˘/˘˘˘/·/˘·
"I am weary, O my mother, of thy tender talk.13··/˘··/˘··/˘·
I am weary of the trees a-waving to and fro,13··/˘····/˘···
Of the steadfast skies above, the running brooks below.13··/·····/˘···
All things are the same, but I,--only I am dreary,13·······/˘··/˘
And, mother, of my dreariness behold me very weary.15·/˘··/˘˘˘/·/˘/˘
"Mother, brother, pull the flowers I planted in the spring14/˘/˘··/˘·/˘···
And smiled to think I should smile more upon their gathering:14···········/˘˘
The bees will find out other flowers--oh, pull them, dearest mine,14·····/˘/···/˘·
And carry them and carry me before Saint Agnes' shrine."14·/˘··/˘····/˘·
--Whereat they pulled the summer flowers she planted in the spring,14˘/···/˘/·/˘···
And her and them all mournfully to Agnes' shrine did bring.14·········/˘···
She looked up to the pictured saint and gently shook her head--14·····/˘··/˘···
"The picture is too calm for me--too calm for me," she said:14·/˘···········
"The little flowers we brought with us, before it we may lay,14·/˘/··········
For those are used to look at heaven,--but I must turn away,14·······/····˘/
Because no sinner under sun can dare or bear to gaze14···/˘·········
On God's or angel's holiness, except in Jesu's face."14···/˘/˘˘···/˘·
She spoke with passion after pause--"And were it wisely done14···/˘······/˘·
If we who cannot gaze above, should walk the earth alone?14···/˘·······˘/
If we whose virtue is so weak should have a will so strong,14···/˘·········
And stand blind on the rocks to choose the right path from the wrong?14··············
To choose perhaps a love-lit hearth, instead of love and heaven,--15··˘/····˘/···/˘
A single rose, for a rose-tree which beareth seven times seven?15·/˘······/˘/·/˘
A rose that droppeth from the hand, that fadeth in the breast,--14···/˘·········
Until, in grieving for the worst, we learn what is the best!"14···/˘·········
Then breaking into tears,--"Dear God," she cried, "and must we see14·/˘···········
All blissful things depart from us or ere we go to THEE?14·/˘·˘/········
We cannot guess Thee in the wood or hear Thee in the wind?14·/˘···········
Our cedars must fall round us ere we see the light behind?14//˘···········
Ay sooth, we feel too strong, in weal, to need thee on that road,14··············
But woe being come, the soul is dumb that crieth not on 'God.'"14··/˘··········
Her mother could not speak for tears; she ever mused thus,14·/˘······/˘·˘·
"The bees will find out other flowers,--but what is left for us?"14·····/˘/······
But her young brother stayed his sobs and knelt beside her knee,14···/˘·····˘/··
--"Thou sweetest sister in the world, hast never a word for me?"14·/˘/˘····/····
She passed her hand across his face, she pressed it on his cheek,14····˘/········
So tenderly, so tenderly--she needed not to speak.14·/˘˘·/˘˘·/˘···
The wreath which lay on shrine that day, at vespers bloomed no more.14·········/˘···
The woman fair who placed it there had died an hour before.14·/˘········/··
Both perished mute for lack of root, earth's nourishment to reach.14·/˘······/˘˘··
O reader, breathe (the ballad saith) some sweetness out of each!14·/˘··/˘··/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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