Part II

Joanna Baillie (1762–1851) · 1790

common measure · ABAB · 108 lines · from Poems (1790)

Loud roars the wind that shakes this wall;It is no common blast:Deep hollow sounds pass thro' my hall,O would the night were past!

"Methinks the dæmons of the airUpon the turrets growl;While down the empty winding stairTheir deep'ning murmurs roll.

"The glimm'ring fire cheers not the gloom:How blue its weakly ray!And like a taper in a tomb,But spreads the more dismay.

"Athwart its melancholy lightThe lengthen'd shadow falls:My grandsires, to my troubled sight,Low'r on me from these walls.

"Methinks yon angry warrior's headDoth in its casement frown,And darts a look, as if it said,Where hast thou laid my son?

"But will these fancies never cease?O, would the night were run!My troubled soul can find no peace,But with the morning sun.

"Vain hope! the guilty never rest;Dismay is always near:There is a midnight in the breastNo morn shall ever cheer.

"The weary hind is now at rest,Tho' lowly is his head,How sweetly lies the guiltless breast,Upon the hardest bed!

"The beggar, in his wretched haunt,May now a monarch be;Forget his woe, forget his want,For all can sleep but me.

"I've dar'd whate'er the boldest can,Then why this childish dread;I never fear'd a living man,And shall I fear the dead!

"No, whistling storms may shake my tower,And passing spirits scream:Their shadowy arms are void of power,And but a gloomy dream.

"But, lo! a form advancing slowAcross my dusky hall!Art thou a friend? art thou a foe?O, answer to my call!"

Still nearer to the glimm'ring lightThe tow'ring figure strode,Till full, and horrid to the sight,The murther'd Edward stood.

His hand a broken dagger sway'd,Like Time's dark threat'ning dart;And pointed to the rugged bladeThat quiver'd in his heart.

The blood still trickled from his head,And clotted was his hair,That on his manly shoulders spread;His mangled breast was bare.

His face was like the muddy skyBefore the coming snow;And dark and dreadful was his eye,And cloudy was his brow.

Pale Conrad shrunk, but grasp'd his sword;Fear thrill'd in ev'ry vein;His quiv'ring lip half-spoke its word;He paus'd, and shrunk again.

"Pale bloody spectre, at this hourWhy do'st thou haunt the night?Has the deep gloomy vault no powerTo keep thee from my sight?

"Why do'st thou glare? Why do'st thou waveThat fatal cursed knife?The deed is done, and from the graveWho can recall to life?

"Why rolls thine eye beneath thy brow,Dark as the midnight storm?What do'st thou want? O, let me know!But hide thy dreadful form.

"I'd give the life's blood from my heartTo wash my crime away:If thou'rt a spirit, O, depart!Nor haunt a wretch of clay.

"Say, do'st thou with the blessed dwell?Return and blessed be!Or com'st thou from the lowest hell?I am more curst than thee."

The form advanc'd with solemn step,As though it meant to speak;And thrice it mov'd its mutt'ring lip,But silence did not break.

Then sternly stalk'd with heavy pace,Which shook the trembling wall;And, frowning, turn'd its angry face,And vanish'd from the hall.

With fixed eyes, pale Conrad stood,That from their sockets swell;Back on his heart ran the cold blood,He shudder'd as he fell.

Night fled, and thro' the window 'ganThe early light to play;But on a more unhappy manNe'er shone the dawning day.

The gladsome sun all nature cheers,But cannot charm his cares:Still dwells his mind with gloomy fears,And murther'd Edward glares.

Words in this poem 19
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
guiltless a.
Free from guilt; innocent.
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
dreadful a.
Full of dread or terror; fearful.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
spectre n.
Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
cursed a.
Deserving a curse; execrable; hateful; detestable; abominable.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
curst a.
Froward; malignant; mischievous; malicious; snarling. [SeeCurse.]
sternly adv.
In a stern manner.
shook v. t.
To pack, as staves, in a shook.
gladsome a.
Pleased; joyful; cheerful.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II is in the public domain. This text is taken from Poems, &c. (1790) Wherein It Is Attempted To Describe Certain Views Of Nature And Of Rustic Manners; And Also, To Point Out, In Some Instances, The Different Influence Which The Same Circumstances Produce On Different Characters, Project Gutenberg ebook #14617; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Joanna Baillie, Part II, in Poems (1790) (1790), text of Project Gutenberg ebook #14617, Laurel, https://laurelpoetry.com/poem/baillie-poems/part-ii.html, id L09852.

Form and metre

Part II is 108 lines in 27 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 20 of its 27 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 93%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB wallA · blastB · hallA · pastB
  2. 2 A-A- airA · growl · stairA · roll
  3. 3 ABAB gloomA · rayB · tombA · dismayB
  4. 4 ABAB lightA · fallsB · sightA · wallsB
  5. 5 A-A- headA · frown · saidA · son
  6. 6 ABAB ceaseA · runB · peaceA · sunB
  7. 7 ABAB restA · nearB · breastA · cheerB
  8. 8 ABAB restA · headB · breastA · bedB
  9. 9 ABAB hauntA · beB · wantA · meB
  10. 10 ABAB canA · dreadB · manA · deadB
  11. 11 ABAB towerA · screamB · powerA · dreamB
  12. 12 ABAB slowA · hallB · foeA · callB
  13. 13 A-A- lightA · strode · sightA · stood
  14. 14 ABAB sway'dA · dartB · bladeA · heartB
  15. 15 ABAB headA · hairB · spreadA · bareB
  16. 16 A-A- skyA · snow · eyeA · brow
  17. 17 -A-A sword · veinA · word · againA
  18. 18 ABAB hourA · nightB · powerA · sightB
  19. 19 ABAB waveA · knifeB · graveA · lifeB
  20. 20 -A-A brow · stormA · know · formA
  21. 21 ABAB heartA · awayB · departA · clayB
  22. 22 ABAB dwellA · beB · hellA · theeB
  23. 24 ABAB paceA · wallB · faceA · hallB
  24. 25 ABAB stoodA · swellB · bloodA · fellB
  25. 26 ABAB ganA · playB · manA · dayB
  26. 27 ABAB cheersA · caresB · fearsA · glaresB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
Loud roars the wind that shakes this wall;8········
It is no common blast:6···/˘·
Deep hollow sounds pass thro' my hall,8·/˘·····
O would the night were past!6······
"Methinks the dæmons of the air8˘/······
Upon the turrets growl;6···/˘·
While down the empty winding stair8···/˘/˘·
Their deep'ning murmurs roll.6···/˘·
"The glimm'ring fire cheers not the gloom:9···/˘····
How blue its weakly ray!6···/˘·
And like a taper in a tomb,8···/˘···
But spreads the more dismay.6····˘/
"Athwart its melancholy light8˘/·/˘·˘·
The lengthen'd shadow falls:6·/˘/··
My grandsires, to my troubled sight,8·····/˘·
Low'r on me from these walls.6······
"Methinks yon angry warrior's head9˘/·/˘/˘˘·
Doth in its casement frown,6···/˘·
And darts a look, as if it said,8········
Where hast thou laid my son?6······
"But will these fancies never cease?8···/˘/˘·
O, would the night were run!6······
My troubled soul can find no peace,8·/˘·····
But with the morning sun.6···/˘·
"Vain hope! the guilty never rest;8···/˘/˘·
Dismay is always near:6˘/·/··
There is a midnight in the breast8···/····
No morn shall ever cheer.6···/˘·
"The weary hind is now at rest,8·/˘·····
Tho' lowly is his head,6·/˘···
How sweetly lies the guiltless breast,8·/˘··/˘·
Upon the hardest bed!6···/˘·
"The beggar, in his wretched haunt,8·/˘··/˘·
May now a monarch be;6···/··
Forget his woe, forget his want,8˘/··˘/··
For all can sleep but me.6······
"I've dar'd whate'er the boldest can,9··˘˘/·/˘·
Then why this childish dread;6···/˘·
I never fear'd a living man,8·/˘··/˘·
And shall I fear the dead!6······
"No, whistling storms may shake my tower,9·/˘····/˘
And passing spirits scream:6·/˘/˘·
Their shadowy arms are void of power,10·/˘˘····/˘
And but a gloomy dream.6···/˘·
"But, lo! a form advancing slow8····˘/˘·
Across my dusky hall!6˘/·/˘·
Art thou a friend? art thou a foe?8········
O, answer to my call!"6·/˘···
Still nearer to the glimm'ring light8·/˘·····
The tow'ring figure strode,6···/˘·
Till full, and horrid to the sight,8···/˘···
The murther'd Edward stood.6···/˘·
His hand a broken dagger sway'd,8···/˘/˘·
Like Time's dark threat'ning dart;6······
And pointed to the rugged blade8·/˘··/˘·
That quiver'd in his heart.6······
The blood still trickled from his head,8···/˘···
And clotted was his hair,6·/˘···
That on his manly shoulders spread;8···/˘/˘·
His mangled breast was bare.6·/˘···
His face was like the muddy sky8·····/˘·
Before the coming snow;6···/˘·
And dark and dreadful was his eye,8···/˘···
And cloudy was his brow.6·/˘···
Pale Conrad shrunk, but grasp'd his sword;8·/˘·····
Fear thrill'd in ev'ry vein;6······
His quiv'ring lip half-spoke its word;8········
He paus'd, and shrunk again.6····˘/
"Pale bloody spectre, at this hour9·/˘/˘··/˘
Why do'st thou haunt the night?6······
Has the deep gloomy vault no power9···/˘··/˘
To keep thee from my sight?6······
"Why do'st thou glare? Why do'st thou wave8········
That fatal cursed knife?5·/˘··
The deed is done, and from the grave8········
Who can recall to life?6··/···
"Why rolls thine eye beneath thy brow,8········
Dark as the midnight storm?6···/··
What do'st thou want? O, let me know!8········
But hide thy dreadful form.6···/˘·
"I'd give the life's blood from my heart8········
To wash my crime away:6····˘/
If thou'rt a spirit, O, depart!8···/˘·˘/
Nor haunt a wretch of clay.6······
"Say, do'st thou with the blessed dwell?7·······
Return and blessed be!5˘/···
Or com'st thou from the lowest hell?8·····/˘·
I am more curst than thee."6······
The form advanc'd with solemn step,8··˘/·/˘·
As though it meant to speak;6······
And thrice it mov'd its mutt'ring lip,8········
But silence did not break.6·/˘···
Then sternly stalk'd with heavy pace,8·/˘··/˘·
Which shook the trembling wall;7···/˘˘·
And, frowning, turn'd its angry face,8·/˘··/˘·
And vanish'd from the hall.6·/˘···
With fixed eyes, pale Conrad stood,7····/˘·
That from their sockets swell;6···/˘·
Back on his heart ran the cold blood,8········
He shudder'd as he fell.6·/˘···
Night fled, and thro' the window 'gan8·····/˘·
The early light to play;6·/˘···
But on a more unhappy man8····˘/˘·
Ne'er shone the dawning day.6···/˘·
The gladsome sun all nature cheers,8·/˘··/˘·
But cannot charm his cares:6·/˘···
Still dwells his mind with gloomy fears,8·····/˘·
And murther'd Edward glares.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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