Part III

Joanna Baillie (1762–1851) · 1790

common measure · ABAB · 108 lines · from Poems (1790)

"No rest nor comfort can I find,I watch the midnight hour;I sit and listen to the windWhich beats upon my tower.

"Methinks low voices from the groundBreak mournful on mine ear,And thro' these empty chambers soundSo dismal and so drear.

"The ghost of some departed friendDoth in my sorrows share;Or is it but the rushing windThat mocketh my despair.

"Sad thro' the hall the pale lamp gleamsUpon my father's arms:My soul is fill'd with gloomy dreams,I fear unknown alarms.

"Oh! I have known this lonely placeWith ev'ry blessing stor'd;And many a friend with cheerful faceSit smiling at my board,

"Whilst round the fire, in early bloom,My harmless children play'd,Who now within the narrow tombAre with their mother laid.

"And now low bends my wretched head,And those I lov'd are gone:My friends, my family, all are fled,And I am left alone.

"Oft' as the cheerless fire declines,In it I sadly trace,As 'lone I sit, the half form'd linesOf many a much lov'd face.

"But chief, O Marg'ret! to my mindThy lovely features rise:I strive to think thee less unkind,And wipe my streaming eyes.

"For only thee I had to vaunt,Thou wert thy mother's pride:She left thee like a shooting plantTo screen my widow'd side.

"But thou hast left me weak, forlorn,And chill'd with age's frost,To count my weary days, and mournThe comforts I have lost.

"Unkindly fair! why did'st thou go?O, had I known the truth!Tho' Edward's father was my foe,I would have bless'd the youth.

"O could I see that face again,Whose smile calm'd ev'ry strife!And hear that voice, which sooth'd my pain,And made me wish for life!

"Thy harp hangs silent by the wall:My nights are sad and long:And thou art in a distant hall,Where strangers raise the song.

"Ha! some delusion of the mindMy senses doth confound!It was the harp, and not the wind,That did so sweetly sound."

Old Arno rose, all wan as death,With broken steps of care;And oft' he check'd his quick-heav'd breath,And turn'd his eager ear.

When like a full, but distant choirThe swelling sound return'd;And with the soft and trembling wire,The sighing echoes mourn'd.

Then softly whisper'd o'er the songWhich Marg'ret lov'd to play,Like some sweet dirge, and sad, and long,It faintly died away.

His dim-worn eyes to heav'n he cast,Where all his griefs were known;And smote upon his troubled breast,And heav'd a heavy groan.

"I know it is my daughter's hand,But 'tis no hand of clay:And here a lonely wretch I stand,All childless, bent, and grey.

"And art thou low, my lovely child?And hast thou met thy doom?And has thy flatt'ring morning smil'd,To lead but to the tomb?

"O let me see thee ere we part,For souls like thine are blest;O let me fold thee to my heartIf aught of form thou hast.

"This passing mist enrobes thy charms:Alas, to nought 'tis shrunk!And hollow strike my empty armsAgainst my aged trunk.

"Thou'rt fled like the low ev'ning breathThat sighs upon the hill:O stay! tho' in thy weeds of death,Thou art my daughter still."

Loud wak'd the sound, then fainter grew,And long and sadly mourn'd;And softly sigh'd a long adieu,And never more return'd.

Old Arno stretch'd him on the ground,Thick as the gloom of night,Death's misty shadows gather'd round,And swam before his sight.

He heav'd a deep and deadly groan,Which rent his lab'ring breast;And long before the morning shone,His spirit was at rest.

Words in this poem

methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
drear n.
Sadness; dismalness.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
sadly adv.
Wearily; heavily; firmly.
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
streaming a.
Sending forth streams.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
forlorn a.
Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
unkindly a.
Not kindly; unkind; ungracious.
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
dirge n.
A piece of music of a mournful character, to accompany funeral rites; a funeral hymn. [Contraction of Lat. dirige, direct thou (imperative of dirigere), the first word of a funeral hymn (Lat. transl. of Psalm v. 8) beginning, "Dirige, Domine, in c]
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part III is in the public domain. This text is taken from Poems, &c. (1790) Wherein It Is Attempted To Describe Certain Views Of Nature And Of Rustic Manners; And Also, To Point Out, In Some Instances, The Different Influence Which The Same Circumstances Produce On Different Characters, Project Gutenberg ebook #14617; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Joanna Baillie, Part III, in Poems (1790) (1790), text of Project Gutenberg ebook #14617, Laurel, https://laurelpoetry.com/poem/baillie-poems/part-iii.html, id L09853.

Form and metre

Part III is 108 lines in 27 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 21 of its 27 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 94%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB findA · hourB · windA · towerB
  2. 2 ABAB groundA · earB · soundA · drearB
  3. 3 -A-A friend · shareA · wind · despairA
  4. 4 ABAB gleamsA · armsB · dreamsA · alarmsB
  5. 5 ABAB placeA · stor'dB · faceA · boardB
  6. 6 ABAB bloomA · play'dB · tombA · laidB
  7. 7 A-A- headA · gone · fledA · alone
  8. 8 ABAB declinesA · traceB · linesA · faceB
  9. 9 ABAB mindA · riseB · unkindA · eyesB
  10. 10 ABAB vauntA · prideB · plantA · sideB
  11. 11 ABAB forlornA · frostB · mournA · lostB
  12. 12 ABAB goA · truthB · foeA · youthB
  13. 13 ABAB againA · strifeB · painA · lifeB
  14. 14 ABAB wallA · longB · hallA · songB
  15. 15 ABAB mindA · confoundB · windA · soundB
  16. 16 ABAB deathA · careB · breathA · earB
  17. 17 A-A- choirA · return'd · wireA · mourn'd
  18. 18 ABAB songA · playB · longA · awayB
  19. 19 -A-A cast · knownA · breast · groanA
  20. 20 ABAB handA · clayB · standA · greyB
  21. 21 ABAB childA · doomB · smil'dA · tombB
  22. 22 A-A- partA · blest · heartA · hast
  23. 23 ABAB charmsA · shrunkB · armsA · trunkB
  24. 24 ABAB breathA · hillB · deathA · stillB
  25. 25 A-A- grewA · mourn'd · adieuA · return'd
  26. 26 ABAB groundA · nightB · roundA · sightB
  27. 27 ABAB groanA · breastB · shoneA · restB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
"No rest nor comfort can I find,8···/˘···
I watch the midnight hour;7···/·/˘
I sit and listen to the wind8···/˘···
Which beats upon my tower.7·····/˘
"Methinks low voices from the ground8˘/·/˘···
Break mournful on mine ear,6·/˘···
And thro' these empty chambers sound8···/˘/˘·
So dismal and so drear.6·/˘···
"The ghost of some departed friend8····˘/˘·
Doth in my sorrows share;6···/˘·
Or is it but the rushing wind8·····/˘·
That mocketh my despair.6·/˘·˘/
"Sad thro' the hall the pale lamp gleams8········
Upon my father's arms:6···/˘·
My soul is fill'd with gloomy dreams,8·····/˘·
I fear unknown alarms.6··˘/˘/
"Oh! I have known this lonely place8·····/˘·
With ev'ry blessing stor'd;6···/˘·
And many a friend with cheerful face9·/˘···/˘·
Sit smiling at my board,6·/˘···
"Whilst round the fire, in early bloom,9···/˘·/˘·
My harmless children play'd,6·/˘/˘·
Who now within the narrow tomb8·····/˘·
Are with their mother laid.6···/˘·
"And now low bends my wretched head,8·····/˘·
And those I lov'd are gone:6······
My friends, my family, all are fled,9···/˘˘···
And I am left alone.6····˘/
"Oft' as the cheerless fire declines,9···/˘/˘˘/
In it I sadly trace,6···/˘·
As 'lone I sit, the half form'd lines8········
Of many a much lov'd face.7·/˘····
"But chief, O Marg'ret! to my mind8···/˘···
Thy lovely features rise:6·/˘/˘·
I strive to think thee less unkind,8······˘/
And wipe my streaming eyes.6···/˘·
"For only thee I had to vaunt,8·/˘·····
Thou wert thy mother's pride:6···/˘·
She left thee like a shooting plant8·····/˘·
To screen my widow'd side.6···/˘·
"But thou hast left me weak, forlorn,8······˘/
And chill'd with age's frost,6···/˘·
To count my weary days, and mourn8···/˘···
The comforts I have lost.6·/˘···
"Unkindly fair! why did'st thou go?8˘/˘·····
O, had I known the truth!6······
Tho' Edward's father was my foe,8·/˘/˘···
I would have bless'd the youth.6······
"O could I see that face again,8······˘/
Whose smile calm'd ev'ry strife!6······
And hear that voice, which sooth'd my pain,8········
And made me wish for life!6······
"Thy harp hangs silent by the wall:8···/˘···
My nights are sad and long:6······
And thou art in a distant hall,8·····/˘·
Where strangers raise the song.6·/˘···
"Ha! some delusion of the mind8··˘/˘···
My senses doth confound!6·/˘·˘/
It was the harp, and not the wind,8········
That did so sweetly sound."6···/˘·
Old Arno rose, all wan as death,8·/˘·····
With broken steps of care;6·/˘···
And oft' he check'd his quick-heav'd breath,8········
And turn'd his eager ear.6···/˘·
When like a full, but distant choir9·····/˘/˘
The swelling sound return'd;6·/˘·˘/
And with the soft and trembling wire,10·····/˘˘/˘
The sighing echoes mourn'd.6·/˘/˘·
Then softly whisper'd o'er the song8·/˘/˘···
Which Marg'ret lov'd to play,6·/˘···
Like some sweet dirge, and sad, and long,8········
It faintly died away.6·/˘·˘/
His dim-worn eyes to heav'n he cast,8········
Where all his griefs were known;6······
And smote upon his troubled breast,9·····/˘˘·
And heav'd a heavy groan.6···/˘·
"I know it is my daughter's hand,8·····/˘·
But 'tis no hand of clay:6······
And here a lonely wretch I stand,8···/˘···
All childless, bent, and grey.6·/˘···
"And art thou low, my lovely child?8·····/˘·
And hast thou met thy doom?6······
And has thy flatt'ring morning smil'd,8·····/˘·
To lead but to the tomb?6······
"O let me see thee ere we part,8········
For souls like thine are blest;6······
O let me fold thee to my heart8········
If aught of form thou hast.6······
"This passing mist enrobes thy charms:8·/˘·····
Alas, to nought 'tis shrunk!6˘/····
And hollow strike my empty arms8·/˘··/˘·
Against my aged trunk.5·····
"Thou'rt fled like the low ev'ning breath8········
That sighs upon the hill:6······
O stay! tho' in thy weeds of death,8········
Thou art my daughter still."6···/˘·
Loud wak'd the sound, then fainter grew,8·····/˘·
And long and sadly mourn'd;6···/˘·
And softly sigh'd a long adieu,8·/˘···˘/
And never more return'd.6·/˘·˘/
Old Arno stretch'd him on the ground,8·/˘·····
Thick as the gloom of night,6······
Death's misty shadows gather'd round,8·/˘/·/˘·
And swam before his sight.6······
He heav'd a deep and deadly groan,8·····/˘·
Which rent his lab'ring breast;6······
And long before the morning shone,8·····/˘·
His spirit was at rest.6·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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