The Buried Life
Light flows our war of mocking words; and yet,Behold, with tears mine eyes are wet!I feel a nameless sadness o’er me roll.Yes, yes, we know that we can jest,We know, we know that we can smile!But there’s a something in this breast,To which thy light words bring no rest,And thy gay smiles no anodyne;Give me thy hand, and hush awhile,And turn those limpid eyes on mine,And let me read there, love! thy inmost soul.
Alas! is even love too weakTo unlock the heart, and let it speak?Are even lovers powerless to revealTo one another what indeed they feel?
I knew the mass of men concealedTheir thoughts, for fear that if revealedThey would by other men be metWith blank indifference, or with blame reproved;I knew they lived and movedTricked in disguises, alien to the restOf men, and alien to themselves--and yetThe same heart beats in every human breast!
But we, my love! doth a like spell benumbOur hearts, our voices? must we too be dumb?
Ah! well for us, if even we,Even for a moment, can get freeOur heart, and have our lips unchained;For that which seals them hath been deep-ordained!
Fate, which foresawHow frivolous a baby man would be,--By what distractions he would be possessed,How he would pour himself in every strife,And well-nigh change his own identity,--That it might keep from his capricious playHis genuine self, and force him to obeyEven in his own despite his being’s law,Bade through the deep recesses of our breastThe unregarded river of our lifePursue with indiscernible flow its way;And that we should not seeThe buried stream, and seem to beEddying at large in blind uncertainty,Though driving on with it eternally.
But often, in the world’s most crowded streets,But often, in the din of strife,There rises an unspeakable desireAfter the knowledge of our buried life;A thirst to spend our fire and restless forceIn tracking out our true, original course;A longing to inquireInto the mystery of this heart which beatsSo wild, so deep in us,--to knowWhence our lives come, and where they go.And many a man in his own breast then delves,But deep enough, alas! none ever mines.And we have been on many thousand lines,And we have shown, on each, spirit and power;But hardly have we, for one little hour,Been on our own line, have we been ourselves,--Hardly had skill to utter one of allThe nameless feelings that course through our breast,But they course on forever unexpressed.And long we try in vain to speak and actOur hidden self, and what we say and doIs eloquent, is well--but ’tis not true!And then we will no more be rackedWith inward striving, and demandOf all the thousand nothings of the hourTheir stupefying power;Ah, yes, and they benumb us at our call!Yet still, from time to time, vague and forlorn,From the soul’s subterranean depth upborneAs from an infinitely distant land,Come airs, and floating echoes, and conveyA melancholy into all our day.
Only--but this is rare--When a beloved hand is laid in ours,When, jaded with the rush and glareOf the interminable hours,Our eyes can in another’s eyes read clear,When our world-deafened earIs by the tones of a loved voice caressed,--A bolt is shot back somewhere in our breast,And a lost pulse of feeling stirs again.The eye sinks inward, and the heart lies plain,And what we mean, we say, and what we would, we know.
A man becomes aware of his life’s flow,And hears its winding murmur, and he seesThe meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot raceWherein he doth forever chaseThe flying and elusive shadow, rest.An air of coolness plays upon his face,And an unwonted calm pervades his breast;And then he thinks he knowsThe hills where his life rose,And the sea where it goes.
Words in this poem 17
- nameless a.
- Without a name; not having been given a name; as, a nameless star.
- sadness n.
- Heaviness; firmness.
- jest n.
- A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- unlock v. t.
- To unfasten, as what is locked; as, to unlock a door or a chest. [Cf. AS. unl. See 1st Un-, and Lock, v. t.]
- benumb v. t.
- To make torpid; to deprive of sensation or sensibility; to stupefy; as, a hand or foot benumbed by cold. [OE. binomen, p. p. of binimen to take away, AS. beniman; pref. be + niman to take. See Numb, a., and cf. Benim.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- bade
- A form of the pat tense of Bid.
- indiscernible a.
- Not to be discerned; imperceptible; not discoverable or visible. [Pref. in- not + discernible: cf. F. indiscernable.]
- eternally adv.
- In an eternal manner.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- lull v. t.
- To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
- elusive a.
- Tending to elude; using arts or deception to escape; adroitly escaping or evading; eluding the grasp; fallacious.
- unwonted a.
- Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Buried Life is in the public domain. This text is taken from Poems, Project Gutenberg ebook #54985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Matthew Arnold, The Buried Life, in Poems (1849–1867), text of Project Gutenberg ebook #54985, Laurel, https://laurelpoetry.com/poem/arnold-poems/the-buried-life.html, id L07054.
Form and metre
The Buried Life is 98 lines in 10 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.0 syllables. 7 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCDCCEDEB yetA · wetA · rollB · jestC · smileD · breastC · restC · anodyneE · awhileD · mineE · soulB
- 2 AABB weakA · speakA · revealB · feelB
- 3 AABCCDBD concealedA · revealedA · metB · reprovedC · movedC · restD · yetB · breastD
- 4 AA benumbA · dumbA
- 5 AABB weA · freeA · unchainedB · ordainedB
- 6 ABCD-EEACDEBB-- foresawA · beB · possessedC · strifeD · identity · playE · obeyE · lawA · breastC · lifeD · wayE · seeB · beB · uncertainty · eternally
- 7 -A-ABB--CC-DDEE--FFGHHG-II-JJ-KK streets · strifeA · desire · lifeA · forceB · courseB · inquire · beats · knowC · goC · delves · minesD · linesD · powerE · hourE · ourselves · all · breastF · unexpressedF · actG · doH · trueH · rackedG · demand · hourI · powerI · call · forlornJ · upborneJ · land · conveyK · dayK
- 8 ABABCCDDEE- rareA · oursB · glareA · hoursB · clearC · earC · caressedD · breastD · againE · plainE · know
- 9 -AA flow · seesA · breezeA
- 10 AABABCCC raceA · chaseA · restB · faceA · breastB · knowsC · roseC · goesC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Light flows our war of mocking words; and yet, | 10 | ··/··/˘··· |
| Behold, with tears mine eyes are wet! | 8 | ˘/······ |
| I feel a nameless sadness o’er me roll. | 10 | ···/˘/˘··· |
| Yes, yes, we know that we can jest, | 8 | ········ |
| We know, we know that we can smile! | 8 | ········ |
| But there’s a something in this breast, | 8 | ···/˘··· |
| To which thy light words bring no rest, | 8 | ········ |
| And thy gay smiles no anodyne; | 8 | ·····/˘˘ |
| Give me thy hand, and hush awhile, | 8 | ······˘/ |
| And turn those limpid eyes on mine, | 8 | ···/˘··· |
| And let me read there, love! thy inmost soul. | 10 | ·······/˘· |
| Alas! is even love too weak | 8 | ˘/·/˘··· |
| To unlock the heart, and let it speak? | 9 | ·˘/······ |
| Are even lovers powerless to reveal | 9 | ·//˘/˘·˘/ |
| To one another what indeed they feel? | 10 | ··˘/˘·˘/·· |
| I knew the mass of men concealed | 8 | ······˘/ |
| Their thoughts, for fear that if revealed | 8 | ······˘/ |
| They would by other men be met | 8 | ···/˘··· |
| With blank indifference, or with blame reproved; | 10 | ··˘/˘····· |
| I knew they lived and moved | 8 | ····˘··˘ |
| Tricked in disguises, alien to the rest | 10 | ··˘/˘/˘··· |
| Of men, and alien to themselves--and yet | 10 | ···/˘·˘/·· |
| The same heart beats in every human breast! | 10 | ·····/˘/˘· |
| But we, my love! doth a like spell benumb | 10 | ········˘/ |
| Our hearts, our voices? must we too be dumb? | 10 | /·//˘····· |
| Ah! well for us, if even we, | 8 | ·····/˘· |
| Even for a moment, can get free | 8 | /··/˘··· |
| Our heart, and have our lips unchained; | 8 | /···/··· |
| For that which seals them hath been deep-ordained! | 10 | ········˘/ |
| Fate, which foresaw | 4 | ···/ |
| How frivolous a baby man would be,-- | 9 | ·/˘·/˘··· |
| By what distractions he would be possessed, | 10 | ··˘/˘···˘/ |
| How he would pour himself in every strife, | 10 | ····˘/·/˘· |
| And well-nigh change his own identity,-- | 9 | ······˘/˘ |
| That it might keep from his capricious play | 10 | ······˘/˘· |
| His genuine self, and force him to obey | 10 | ·/˘·····˘/ |
| Even in his own despite his being’s law, | 10 | /···˘/·/˘· |
| Bade through the deep recesses of our breast | 9 | ····/˘·/· |
| The unregarded river of our life | 10 | ·····/˘·/· |
| Pursue with indiscernible flow its way; | 11 | ˘/········· |
| And that we should not see | 6 | ······ |
| The buried stream, and seem to be | 8 | ·/˘····· |
| Eddying at large in blind uncertainty, | 9 | /˘····˘/˘ |
| Though driving on with it eternally. | 9 | ·/˘···˘/˘ |
| But often, in the world’s most crowded streets, | 10 | ·/˘····/˘· |
| But often, in the din of strife, | 8 | ·/˘····· |
| There rises an unspeakable desire | 9 | ·/˘·˘/˘˘/ |
| After the knowledge of our buried life; | 10 | ···/˘·//˘· |
| A thirst to spend our fire and restless force | 10 | ····//·/˘· |
| In tracking out our true, original course; | 10 | ·/˘·/·˘/˘· |
| A longing to inquire | 6 | ·/˘·˘/ |
| Into the mystery of this heart which beats | 10 | ···/˘····· |
| So wild, so deep in us,--to know | 8 | ········ |
| Whence our lives come, and where they go. | 8 | ·/······ |
| And many a man in his own breast then delves, | 10 | ·/········ |
| But deep enough, alas! none ever mines. | 9 | ··˘/˘/·/· |
| And we have been on many thousand lines, | 9 | ·····//˘· |
| And we have shown, on each, spirit and power; | 9 | ······/·/ |
| But hardly have we, for one little hour, | 10 | ·/˘····/˘/ |
| Been on our own line, have we been ourselves,-- | 10 | ··/·····˘/ |
| Hardly had skill to utter one of all | 10 | /˘···/˘··· |
| The nameless feelings that course through our breast, | 10 | ·/˘/˘···/· |
| But they course on forever unexpressed. | 10 | ····˘/˘··· |
| And long we try in vain to speak and act | 10 | ·········· |
| Our hidden self, and what we say and do | 10 | //˘······· |
| Is eloquent, is well--but ’tis not true! | 9 | ·/˘······ |
| And then we will no more be racked | 8 | ········ |
| With inward striving, and demand | 8 | ·/˘/˘·˘/ |
| Of all the thousand nothings of the hour | 10 | ···/˘/˘··/ |
| Their stupefying power; | 6 | ····/˘ |
| Ah, yes, and they benumb us at our call! | 10 | ····˘/··/· |
| Yet still, from time to time, vague and forlorn, | 10 | ········˘/ |
| From the soul’s subterranean depth upborne | 9 | ···˘/˘··· |
| As from an infinitely distant land, | 8 | ···/˘/˘· |
| Come airs, and floating echoes, and convey | 10 | ···/˘/˘·˘/ |
| A melancholy into all our day. | 10 | ·/˘·˘···/· |
| Only--but this is rare-- | 6 | /˘···· |
| When a beloved hand is laid in ours, | 9 | ··˘/····/ |
| When, jaded with the rush and glare | 8 | ·/˘····· |
| Of the interminable hours, | 9 | ··˘/˘˘˘/˘ |
| Our eyes can in another’s eyes read clear, | 10 | /···˘/˘··· |
| When our world-deafened ear | 8 | ·/˘·/˘˘· |
| Is by the tones of a loved voice caressed,-- | 10 | ········˘/ |
| A bolt is shot back somewhere in our breast, | 10 | ·····/··/· |
| And a lost pulse of feeling stirs again. | 10 | ·····/˘·˘/ |
| The eye sinks inward, and the heart lies plain, | 10 | ···/˘····· |
| And what we mean, we say, and what we would, we know. | 12 | ············ |
| A man becomes aware of his life’s flow, | 10 | ··˘/˘/···· |
| And hears its winding murmur, and he sees | 10 | ···/˘/˘··· |
| The meadows where it glides, the sun, the breeze. | 10 | ·/········ |
| And there arrives a lull in the hot race | 10 | ··˘/······ |
| Wherein he doth forever chase | 8 | ····˘/˘· |
| The flying and elusive shadow, rest. | 10 | ·/˘·˘/˘/·· |
| An air of coolness plays upon his face, | 10 | ···/˘····· |
| And an unwonted calm pervades his breast; | 10 | ··˘/˘·˘/·· |
| And then he thinks he knows | 6 | ······ |
| The hills where his life rose, | 6 | ······ |
| And the sea where it goes. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.