Lines Written in Kensington Gardens

Matthew Arnold (1822–1888) · 1849–1867

iambic tetrameter · ABAB · 44 lines · from Poems

In this lone, open glade I lie,Screened by deep boughs on either hand;And at its end, to stay the eye,Those black-crowned, red-boled pine-trees stand.

Birds here make song, each bird has his,Across the girdling city’s hum.How green under the boughs it is!How thick the tremulous sheep-cries come!

Sometimes a child will cross the gladeTo take his nurse his broken toy;Sometimes a thrush flit overheadDeep in her unknown day’s employ.

Here at my feet what wonders pass!What endless, active life is here!What blowing daisies, fragrant grass!An air-stirred forest, fresh and clear.

Scarce fresher is the mountain sodWhere the tired angler lies, stretched out,And, eased of basket and of rod,Counts his day’s spoil, the spotted trout.

In the huge world which roars hard by,Be others happy if they can!But in my helpless cradle IWas breathed on by the rural Pan.

I, on men’s impious uproar hurled,Think often, as I hear them rave,That peace has left the upper world,And now keeps only in the grave.

Yet here is peace forever new!When I who watch them am away,Still all things in this glade go throughThe changes of their quiet day.

Then to their happy rest they pass;The flowers upclose, the birds are fed,The night comes down upon the grass,The child sleeps warmly in his bed.

Calm soul of all things! make it mineTo feel, amid the city’s jar,That there abides a peace of thine,Man did not make, and cannot mar.

The will to neither strive nor cry,The power to feel with others, give!Calm, calm me more! nor let me dieBefore I have begun to live.

Words in this poem

lone n.
A lane. See Loanin.
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
flit a.
Nimble; quick; swift. See Fleet.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
warmly adv.
In a warm manner; ardently.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Lines Written in Kensington Gardens is in the public domain. This text is taken from Poems, Project Gutenberg ebook #54985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Matthew Arnold, Lines Written in Kensington Gardens, in Poems (1849–1867), text of Project Gutenberg ebook #54985, Laurel, https://laurelpoetry.com/poem/arnold-poems/lines-written-in-kensington-gardens.html, id L07055.

Form and metre

Lines Written in Kensington Gardens is 44 lines in 11 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 10 of its 11 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 16% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB lieA · handB · eyeA · standB
  2. 2 ABAB hisA · humB · isA · comeB
  3. 3 -A-A glade · toyA · overhead · employA
  4. 4 ABAB passA · hereB · grassA · clearB
  5. 5 ABAB sodA · outB · rodA · troutB
  6. 6 ABAB byA · canB · iA · panB
  7. 7 ABAB hurledA · raveB · worldA · graveB
  8. 8 ABAB newA · awayB · throughA · dayB
  9. 9 ABAB passA · fedB · grassA · bedB
  10. 10 ABAB mineA · jarB · thineA · marB
  11. 11 ABAB cryA · giveB · dieA · liveB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
In this lone, open glade I lie,8···/˘···
Screened by deep boughs on either hand;8·····/˘·
And at its end, to stay the eye,8········
Those black-crowned, red-boled pine-trees stand.8········
Birds here make song, each bird has his,8········
Across the girdling city’s hum.8˘/·/˘/˘·
How green under the boughs it is!8········
How thick the tremulous sheep-cries come!8···/˘···
Sometimes a child will cross the glade8˘/······
To take his nurse his broken toy;8·····/˘·
Sometimes a thrush flit overhead8˘/···/˘/
Deep in her unknown day’s employ.8···˘/·˘/
Here at my feet what wonders pass!8·····/˘·
What endless, active life is here!8·/˘/˘···
What blowing daisies, fragrant grass!8·/˘/˘/˘·
An air-stirred forest, fresh and clear.8···/˘···
Scarce fresher is the mountain sod8·/˘··/˘·
Where the tired angler lies, stretched out,8··//˘···
And, eased of basket and of rod,8···/˘···
Counts his day’s spoil, the spotted trout.8·····/˘·
In the huge world which roars hard by,8········
Be others happy if they can!8·/˘/˘···
But in my helpless cradle I8···/˘/˘·
Was breathed on by the rural Pan.8·····/˘·
I, on men’s impious uproar hurled,9···˘/˘/··
Think often, as I hear them rave,8·/˘·····
That peace has left the upper world,8·····/˘·
And now keeps only in the grave.8···/˘···
Yet here is peace forever new!8····˘/˘·
When I who watch them am away,8······˘/
Still all things in this glade go through8········
The changes of their quiet day.8·/˘··/˘·
Then to their happy rest they pass;8···/˘···
The flowers upclose, the birds are fed,8·/······
The night comes down upon the grass,8········
The child sleeps warmly in his bed.8···/˘···
Calm soul of all things! make it mine8········
To feel, amid the city’s jar,8··˘/·/˘·
That there abides a peace of thine,8··˘/····
Man did not make, and cannot mar.8·····/˘·
The will to neither strive nor cry,8···/˘···
The power to feel with others, give!8·/···/˘·
Calm, calm me more! nor let me die8········
Before I have begun to live.8····˘/··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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