The Host of the Air
O'Driscoll drove with a song,The wild duck and the drake,From the tall and the tufted reedsOf the drear Hart Lake.
And he saw how the reeds grew darkAt the coming of night tide,And dreamed of the long dim hairOf Bridget his bride.
He heard while he sang and dreamedA piper piping away,And never was piping so sad,And never was piping so gay.
And he saw young men and young girlsWho danced on a level placeAnd Bridget his bride among them,With a sad and a gay face.
The dancers crowded about him,And many a sweet thing said,And a young man brought him red wineAnd a young girl white bread.
But Bridget drew him by the sleeve,Away from the merry bands,To old men playing at cardsWith a twinkling of ancient hands.
The bread and the wine had a doom,For these were the host of the air;He sat and played in a dreamOf her long dim hair.
He played with the merry old menAnd thought not of evil chance,Until one bore Bridget his brideAway from the merry dance.
He bore her away in his arms,The handsomest young man there,And his neck and his breast and his armsWere drowned in her long dim hair.
O'Driscoll scattered the cardsAnd out of his dream awoke:Old men and young men and young girlsWere gone like a drifting smoke;
But he heard high up in the airA piper piping away,And never was piping so sad,And never was piping so gay.
Words in this poem
- drove n.
- A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
- drake n.
- The male of the duck kind. [Akin to LG. drake, OHG. antrache, anetrecho, G. enterich, Icel. andriki, Dan. andrik, OSw. andrak, andrage, masc., and fr. AS. ened, fem., duck; akin to D. eend]
- drear n.
- Sadness; dismalness.
- piping a.
- Playing on a musical pipe. [From Pipe, v.]
- twinkling n.
- The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Host of the Air is in the public domain. This text is taken from The Wind Among the Reeds, Project Gutenberg ebook #32233; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, The Host of the Air, in The Wind Among the Reeds (1899), text of Project Gutenberg ebook #32233, Laurel, https://laurelpoetry.com/poem/yeats-wind-among-reeds/the-host-of-the-air.html, id L04517.
Form and metre
The Host of the Air is 44 lines in 11 stanzas of 4 lines each. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 89% of its stressed syllables fall where the metre puts the beat. The lines average 7.4 syllables. 1 line ends on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A song · drakeA · reeds · lakeA
- 2 -A-A dark · tideA · hair · brideA
- 3 -A-A dreamed · awayA · sad · gayA
- 4 -A-A girls · placeA · them · faceA
- 5 -A-A him · saidA · wine · breadA
- 6 -A-A sleeve · bandsA · cards · handsA
- 7 -A-A doom · airA · dream · hairA
- 8 -A-A men · chanceA · bride · danceA
- 9 ABAB armsA · thereB · armsA · hairB
- 10 -A-A cards · awokeA · girls · smokeA
- 11 -A-A air · awayA · sad · gayA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| O'Driscoll drove with a song, | 7 | ˘/˘···· |
| The wild duck and the drake, | 6 | ······ |
| From the tall and the tufted reeds | 8 | ·····/˘· |
| Of the drear Hart Lake. | 5 | ····· |
| And he saw how the reeds grew dark | 8 | ········ |
| At the coming of night tide, | 7 | ··/˘··· |
| And dreamed of the long dim hair | 8 | ··˘····· |
| Of Bridget his bride. | 5 | ·/˘·· |
| He heard while he sang and dreamed | 8 | ·······˘ |
| A piper piping away, | 7 | ·/˘/˘˘/ |
| And never was piping so sad, | 8 | ·/˘·/˘·· |
| And never was piping so gay. | 8 | ·/˘·/˘·· |
| And he saw young men and young girls | 8 | ········ |
| Who danced on a level place | 8 | ··˘··/˘· |
| And Bridget his bride among them, | 8 | ·/˘····· |
| With a sad and a gay face. | 7 | ······· |
| The dancers crowded about him, | 8 | ·/˘/˘··· |
| And many a sweet thing said, | 7 | ·/˘···· |
| And a young man brought him red wine | 8 | ········ |
| And a young girl white bread. | 6 | ······ |
| But Bridget drew him by the sleeve, | 8 | ·/˘····· |
| Away from the merry bands, | 7 | ˘/··/˘· |
| To old men playing at cards | 7 | ···/˘·· |
| With a twinkling of ancient hands. | 8 | ··/˘·/˘· |
| The bread and the wine had a doom, | 8 | ········ |
| For these were the host of the air; | 8 | ········ |
| He sat and played in a dream | 8 | ····˘··· |
| Of her long dim hair. | 5 | ····· |
| He played with the merry old men | 8 | ····/˘·· |
| And thought not of evil chance, | 7 | ····/˘· |
| Until one bore Bridget his bride | 8 | ····/˘·· |
| Away from the merry dance. | 7 | ˘/··/˘· |
| He bore her away in his arms, | 8 | ···˘/··· |
| The handsomest young man there, | 7 | ·/˘˘··· |
| And his neck and his breast and his arms | 9 | ········· |
| Were drowned in her long dim hair. | 8 | ··˘····· |
| O'Driscoll scattered the cards | 8 | ˘/˘/˘˘·· |
| And out of his dream awoke: | 7 | ·····˘/ |
| Old men and young men and young girls | 8 | ········ |
| Were gone like a drifting smoke; | 7 | ····/˘· |
| But he heard high up in the air | 8 | ········ |
| A piper piping away, | 7 | ·/˘/˘˘/ |
| And never was piping so sad, | 8 | ·/˘·/˘·· |
| And never was piping so gay. | 8 | ·/˘·/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.