The People
'What have I earned for all that work,' I said,'For all that I have done at my own charge?The daily spite of this unmannerly town,Where who has served the most is most defamed,The reputation of his lifetime lostBetween the night and morning. I might have lived,And you know well how great the longing has been,Where every day my footfall should have litIn the green shadow of Ferrara wall;Or climbed among the images of the past--The unperturbed and courtly images--Evening and morning, the steep street of UrbinoTo where the duchess and her people talkedThe stately midnight through until they stoodIn their great window looking at the dawn;I might have had no friend that could not mixCourtesy and passion into one like thoseThat saw the wicks grow yellow in the dawn;I might have used the one substantial rightMy trade allows: chosen my company,And chosen what scenery had pleased me best.'Thereon my phoenix answered in reproof,'The drunkards, pilferers of public funds,All the dishonest crowd I had driven away,When my luck changed and they dared meet my face,Crawled from obscurity, and set upon meThose I had served and some that I had fed;Yet never have I, now nor any time,Complained of the people.'
All I could replyWas: 'You, that have not lived in thought but deed,Can have the purity of a natural force,But I, whose virtues are the definitionsOf the analytic mind, can neither closeThe eye of the mind nor keep my tongue from speech.'And yet, because my heart leaped at her words,I was abashed, and now they come to mindAfter nine years, I sink my head abashed.
Words in this poem
- unmannerly a.
- Not mannerly; ill-bred; rude.
- lifetime n.
- The time that life continues.
- footfall n.
- A setting down of the foot; a footstep; the sound of a footstep.
- ferrara n.
- A sword bearing the mark of one of the Ferrara family of Italy.
- courtly a.
- Relating or belonging to a court. [From Court.]
- duchess n.
- The wife or widow of a duke; also, a lady who has the sovereignty of a duchy in her own right. [F. duchesse, fr. duc duke.]
- thereon adv.
- On that or this. [AS. . See There, and On.]
- reproof n.
- Refutation; confutation; contradiction. [OE. reproef. See Proof, Reprove.]
- dishonest a.
- Dishonorable; shameful; indecent; unchaste; lewd. [Pref. dis- + honest: cf. F. déshonnête, OF. deshoneste.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The People is in the public domain. This text is taken from The Wild Swans at Coole, Project Gutenberg ebook #32491; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, The People, in The Wild Swans at Coole (1919), text of Project Gutenberg ebook #32491, Laurel, https://laurelpoetry.com/poem/yeats-wild-swans/the-people.html, id L20017.
Form and metre
The People is 38 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-------------B--B--------A-- saidA · charge · town · defamed · lost · lived · been · lit · wall · past · images · urbino · talked · stood · dawnB · mix · those · dawnB · right · company · best · reproof · funds · away · face · me · fedA · time · people
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'What have I earned for all that work,' I said, | 10 | ·········· |
| 'For all that I have done at my own charge? | 10 | ·········· |
| The daily spite of this unmannerly town, | 11 | ·/˘···˘/˘˘· |
| Where who has served the most is most defamed, | 10 | ········˘/ |
| The reputation of his lifetime lost | 10 | ··˘/˘··/·· |
| Between the night and morning. I might have lived, | 11 | ·····/˘···· |
| And you know well how great the longing has been, | 11 | ·······/˘·· |
| Where every day my footfall should have lit | 10 | ·/˘··/···· |
| In the green shadow of Ferrara wall; | 10 | ···/··˘/˘· |
| Or climbed among the images of the past-- | 10 | ·····/˘··· |
| The unperturbed and courtly images-- | 10 | ··˘/·/˘/˘˘ |
| Evening and morning, the steep street of Urbino | 12 | /˘·/˘······· |
| To where the duchess and her people talked | 10 | ···/˘··/˘· |
| The stately midnight through until they stood | 10 | ·/˘/······ |
| In their great window looking at the dawn; | 10 | ···/˘/˘··· |
| I might have had no friend that could not mix | 10 | ·········· |
| Courtesy and passion into one like those | 10 | /˘·/˘····· |
| That saw the wicks grow yellow in the dawn; | 10 | ·····/˘··· |
| I might have used the one substantial right | 10 | ······˘/˘· |
| My trade allows: chosen my company, | 10 | ··˘//˘·/˘˘ |
| And chosen what scenery had pleased me best.' | 10 | ·/˘·/˘···· |
| Thereon my phoenix answered in reproof, | 10 | ˘/·/˘/˘·˘/ |
| 'The drunkards, pilferers of public funds, | 10 | ·/˘····/˘· |
| All the dishonest crowd I had driven away, | 11 | ··˘/˘···/˘/ |
| When my luck changed and they dared meet my face, | 10 | ·········· |
| Crawled from obscurity, and set upon me | 10 | ··˘/˘····· |
| Those I had served and some that I had fed; | 10 | ·········· |
| Yet never have I, now nor any time, | 10 | ·/˘····/˘· |
| Complained of the people.' | 6 | ˘/··/˘ |
| All I could reply | 5 | ···˘/ |
| Was: 'You, that have not lived in thought but deed, | 10 | ·········· |
| Can have the purity of a natural force, | 10 | ···/˘··/˘· |
| But I, whose virtues are the definitions | 11 | ···/˘···˘/˘ |
| Of the analytic mind, can neither close | 11 | ···˘/˘··/˘· |
| The eye of the mind nor keep my tongue from speech.' | 11 | ··········· |
| And yet, because my heart leaped at her words, | 10 | ·········· |
| I was abashed, and now they come to mind | 10 | ··˘/······ |
| After nine years, I sink my head abashed. | 10 | ········˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.