Poem VII

W. B. Yeats (1865–1939) · 1928

iambic hexameter · 42 lines · from The Tower

I See Phantoms of Hatred and of the Heart’s Fullness and of the ComingEmptiness

I climb to the tower top and lean upon broken stone,A mist that is like blown snow is sweeping over all,Valley, river, and elms, under the light of a moonThat seems unlike itself, that seems unchangeable,A glittering sword out of the east. A puff of windAnd those white glimmering fragments of the mist sweep by.Frenzies bewilder, reveries perturb the mind;Monstrous familiar images swim to the mind’s eye.

‘Vengeance upon the murderers,’ the cry goes up,‘Vengeance for Jacques Molay.’ In cloud-pale rags, or in lace,The rage driven, rage tormented, and rage hungry troop,Trooper belabouring trooper, biting at arm or at face,Plunges towards nothing, arms and fingers spreading wideFor the embrace of nothing; and I, my wits astrayBecause of all that senseless tumult, all but criedFor vengeance on the murderers of Jacques Molay.

Their legs long delicate and slender, aquamarine their eyes,Magical unicorns bear ladies on their backs,The ladies close their musing eyes. No prophecies,Remembered out of Babylonian almanacs,Have closed the ladies’ eyes, their minds are but a poolWhere even longing drowns under its own excess;Nothing but stillness can remain when hearts are fullOf their own sweetness, bodies of their loveliness.

The cloud-pale unicorns, the eyes of aquamarine,The quivering half-closed eyelids, the rags of cloud or of lace,Or eyes that rage has brightened, arms it has made lean,Give place to an indifferent multitude, give placeTo brazen hawks. Nor self-delighting reverie,Nor hate of what’s to come, nor pity for what’s gone,Nothing but grip of claw, and the eye’s complacency,The innumerable clanging wings that have put out the moon.

I turn away and shut the door, and on the stairWonder how many times I could have proved my worthIn something that all others understand or share;But oh, ambitious heart had such a proof drawn forthA company of friends, a conscience set at ease,It had but made us pine the more. The abstract joy,The half read wisdom of daemonic images,Suffice the ageing man as once the growing boy.

Words in this poem

perturb v. t.
To disturb; to agitate; to vex; to trouble; to disquiet. [L. perturbare, perturbatum; per + turbare to disturb, fr. turba a disorder: cf. OF. perturber. See Per-, and Turbid.]
trooper n.
A soldier in a body of cavalry; a cavalryman; also, the horse of a cavalryman.
aquamarine n.
A transparent, pale green variety of beryl, used as a gem. See Beryl.
backs n.
Among leather dealers, the thickest and stoutest tanned hides.
babylonian a.
Of or pertaining to the real or to the mystical Babylon, or to the ancient kingdom of Babylonia; Chaldean.
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
loveliness n.
The state or quality of being lovely. [From Lovely.]
reverie n.
A loose or irregular train of thought occurring in musing or mediation; deep musing; daydream. [F. réverie, fr. rêver to dream, rave, be light-headed. Cf. Rave.]
complacency n.
Calm contentment; satisfaction; gratification. [LL. complacentia: cf. F. complaisance. See Complacent, and cf. Complaisance.]
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
suffice v. i.
To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Poem VII is in the public domain. This text is taken from The tower, Project Gutenberg ebook #72985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. B. Yeats, Poem VII, in The Tower (1928), text of Project Gutenberg ebook #72985, Laurel, https://laurelpoetry.com/poem/yeats-tower/poem-vii.html, id L19966.

Form and metre

Poem VII is 42 lines in 6 stanzas. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 79%).

See other poems in iambic hexameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 ----ABAB stone · all · moon · unchangeable · windA · byB · mindA · eyeB
  2. 3 -A-AB-B- up · laceA · troop · faceA · wideB · astray · criedB · molay
  3. 4 A-A--B-B eyesA · backs · propheciesA · almanacs · pool · excessB · full · lovelinessB
  4. 5 ABAB---- aquamarineA · laceB · leanA · placeB · reverie · gone · complacency · moon
  5. 6 A-A-BCBC stairA · worth · shareA · forth · easeB · joyC · imagesB · boyC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.

LineSyl.Stress
I See Phantoms of Hatred and of the Heart’s Fullness and of the Coming18··/˘·/˘····/˘···/˘
Emptiness3/˘˘
I climb to the tower top and lean upon broken stone,13····/·····/˘·
A mist that is like blown snow is sweeping over all,12········/˘··
Valley, river, and elms, under the light of a moon13/˘/˘·········
That seems unlike itself, that seems unchangeable,12··˘/˘/······
A glittering sword out of the east. A puff of wind12·/˘·········
And those white glimmering fragments of the mist sweep by.12···/˘/˘·····
Frenzies bewilder, reveries perturb the mind;12/˘˘/˘/˘˘˘/··
Monstrous familiar images swim to the mind’s eye.12/˘˘/˘/˘·····
‘Vengeance upon the murderers,’ the cry goes up,12/˘···/˘˘····
‘Vengeance for Jacques Molay.’ In cloud-pale rags, or in lace,13/˘···········
The rage driven, rage tormented, and rage hungry troop,12··/·/·˘··/˘·
Trooper belabouring trooper, biting at arm or at face,14/˘˘/˘/˘/˘·····
Plunges towards nothing, arms and fingers spreading wide12/˘·/˘··/˘/˘·
For the embrace of nothing; and I, my wits astray13··˘/·/˘····˘/
Because of all that senseless tumult, all but cried12·····/˘/˘···
For vengeance on the murderers of Jacques Molay.12·/˘··/˘˘····
Their legs long delicate and slender, aquamarine their eyes,13···/˘·/˘·˘/··
Magical unicorns bear ladies on their backs,12/˘˘/˘··/˘···
The ladies close their musing eyes. No prophecies,12·/˘··/˘··/˘˘
Remembered out of Babylonian almanacs,12˘/˘···˘/˘/˘·
Have closed the ladies’ eyes, their minds are but a pool12···/········
Where even longing drowns under its own excess;12·/˘/˘·····˘/
Nothing but stillness can remain when hearts are full12/˘·/˘·˘/····
Of their own sweetness, bodies of their loveliness.12···/˘/˘··/˘˘
The cloud-pale unicorns, the eyes of aquamarine,12···/˘·····˘/
The quivering half-closed eyelids, the rags of cloud or of lace,14·/˘··/········
Or eyes that rage has brightened, arms it has made lean,12·····/˘·····
Give place to an indifferent multitude, give place12····˘/˘/˘···
To brazen hawks. Nor self-delighting reverie,12·/˘···˘/˘/˘˘
Nor hate of what’s to come, nor pity for what’s gone,12·······/˘···
Nothing but grip of claw, and the eye’s complacency,13/˘·······˘/˘˘
The innumerable clanging wings that have put out the moon.13·˘/˘/˘·······
I turn away and shut the door, and on the stair12··˘/········
Wonder how many times I could have proved my worth12/˘·/˘·······
In something that all others understand or share;12·/˘··/˘·˘/··
But oh, ambitious heart had such a proof drawn forth12··˘/˘·······
A company of friends, a conscience set at ease,12·/˘˘···/˘···
It had but made us pine the more. The abstract joy,12·········˘/·
The half read wisdom of daemonic images,12···/˘····/˘˘
Suffice the ageing man as once the growing boy.12˘/·······/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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