Poem I

W. B. Yeats (1865–1939) · 1928

iambic pentameter · 17 lines · from The Tower

What shall I do with this absurdity--O heart, O troubled heart--this caricature,Decrepit age that has been tied to meAs to a dog’s tail?Never had I moreExcited, passionate, fantasticalImagination, nor an ear and eyeThat more expected the impossible--No, not in boyhood when with rod and fly,Or the humbler worm, I climbed Ben Bulben’s backAnd had the livelong summer day to spend.It seems that I must bid the Muse go pack,Choose Plato and Plotinus for a friendUntil imagination, ear and eye,Can be content with argument and dealIn abstract things; or be derided byA sort of battered kettle at the heel.

Words in this poem

shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
caricature n.
An exaggeration, or distortion by exaggeration, of parts or characteristics, as in a picture. [It. caricatura, fr. caricare to charge, overload, exaggerate. See Charge, v. t.]
decrepit a.
Broken down with age; wasted and enfeebled by the infirmities of old age; feeble; worn out. [L. decrepitus, perhaps orig., noised out, noiseless, applied to old people, who creep about quietly; de- + crepare to make a noise, rattle: cf. F. décrépit. See]
fantastical a.
Fanciful; unreal; whimsical; capricious; fantastic.
boyhood n.
The state of being a boy; the time during which one is a boy. [Boy + -hood.]
humbler n.
One who, or that which, humbles some one.
livelong a.
Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
kettle n.
A metallic vessel, with a wide mouth, often without a cover, used for heating and boiling water or other liguids. Kettle pins, ninepins; skittles. Shelton. [OE. ketel; cf. AS. cetel, cetil, cytel; akin to D. kjedel, G. kessel, OHG. chezzil, Icel. ketill, SW. kittel, Dan. kjedel, Goth. katils; all perh. fr. L. catill]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Poem I is in the public domain. This text is taken from The tower, Project Gutenberg ebook #72985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: W. B. Yeats, Poem I, in The Tower (1928), text of Project Gutenberg ebook #72985, Laurel, https://laurelpoetry.com/poem/yeats-tower/poem-i.html, id L19957.

Form and metre

Poem I is 17 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AB--ABACDCDAEAE absurdity · caricature · meA · tailB · more · fantastical · eyeA · impossibleB · flyA · backC · spendD · packC · friendD · eyeA · dealE · byA · heelE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
What shall I do with this absurdity--10······˘/˘˘
O heart, O troubled heart--this caricature,11···/˘··/˘˘˘
Decrepit age that has been tied to me10˘/˘·······
As to a dog’s tail?5·····
Never had I more5/˘···
Excited, passionate, fantastical10˘/˘/˘˘˘/˘˘
Imagination, nor an ear and eye10˘·˘/˘·····
That more expected the impossible--10··˘/˘·˘/˘˘
No, not in boyhood when with rod and fly,10···/······
Or the humbler worm, I climbed Ben Bulben’s back11··/˘·······
And had the livelong summer day to spend.10···/˘/˘···
It seems that I must bid the Muse go pack,10··········
Choose Plato and Plotinus for a friend10·/˘·······
Until imagination, ear and eye,10··˘·˘/˘···
Can be content with argument and deal10··˘/·/˘˘··
In abstract things; or be derided by10·/····˘/˘·
A sort of battered kettle at the heel.10···/˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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