To the Rose upon the Rood of Time
Red Rose, proud Rose, sad Rose of all my days!Come near me, while I sing the ancient ways:Cuchulain battling with the bitter tide;The Druid, gray, wood-nurtured, quiet-eyed,Who cast round Fergus dreams, and ruin untold;And thine own sadness, whereof stars, grown oldIn dancing silver sandalled on the sea,Sing in their high and lonely melody.Come near, that no more blinded by man's fate,I find under the boughs of love and hate,In all poor foolish things that live a day,Eternal beauty wandering on her way.
Come near, come near, come near--Ah, leave me stillA little space for the rose-breath to fill!Lest I no more hear common things that crave;The weak worm hiding down in its small cave,The field mouse running by me in the grass,And heavy mortal hopes that toil and pass;But seek alone to hear the strange things saidBy God to the bright hearts of those long dead,And learn to chaunt a tongue men do not know.Come near; I would, before my time to go,Sing of old Eire and the ancient ways:Red Rose, proud Rose, sad Rose of all my days.
The whole day have I followed in the rocks,And you have changed and flowed from shape to shape.First as a raven on whose ancient wingsScarcely a feather lingered, then you seemedA weasel moving on from stone to stone,And now at last you wear a human shape,A thin gray man half lost in gathering night.
This would I say, most wise of living souls:Young subtle Concobar sat close by meWhen I gave judgment, and his words were wise,And what to me was burden without end,To him seemed easy, so I laid the crownUpon his head to cast away my care.
I feast amid my people on the hill,And pace the woods, and drive my chariot wheelsIn the white border of the murmuring sea;And still I feel the crown upon my head.
Look on my thin gray hair and hollow cheeksAnd on these hands that may not lift the swordThis body trembling like a wind-blown reed.No woman loves me, no man seeks my help,Because I be not of the things I dream.
I see my life go dripping like a streamFrom change to change; I have been many things,A green drop in the surge, a gleam of lightUpon a sword, a fir-tree on a hill,An old slave grinding at a heavy quern,A king sitting upon a chair of gold,And all these things were wonderful and great;But now I have grown nothing, being all,And the whole world weighs down upon my heart:Ah! Druid, Druid, how great webs of sorrowLay hidden in the small slate-coloured bag!
Words in this poem
- druid n.
- One of an order of priests which in ancient times existed among certain branches of the Celtic race, especially among the Gauls and Britons. [L. Druides; of Celtic origin; cf. Ir. & Gael. draoi, druidh, magician, Druid, W. derwydd Druid.]
- untold a.
- Not told; not related; not revealed; as, untold secrets.
- sadness n.
- Heaviness; firmness.
- whereof adv.
- Of which; of whom; formerly, also, with which; -- used relatively.
- crave v. t.
- To ask with earnestness or importunity; to ask with submission or humility; to beg; to entreat; to beseech; to implore. [AS. crafian; akin to Icel. krefia, Sw. kr, Dan. kr.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- dripping n.
- A falling in drops, or the sound so made.
- quern n.
- A mill for grinding grain, the upper stone of which was turned by hand; -- used before the invention of windmills and watermills. [AS. cweorn, cwyrn; akin to D. kweern, OHG. quirn, Icel. kvern, Sw. qvarn, Dan. quærn, Goth. qairnus (in asiluqaírnus), Lith. qìrnos, and perh. E. corn.]
- coloured a.
- Having color; tinged; dyed; painted; stained.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To the Rose upon the Rood of Time is in the public domain. This text is taken from Poems, Project Gutenberg ebook #38877; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: W. B. Yeats, To the Rose upon the Rood of Time, in Poems (1895), text of Project Gutenberg ebook #38877, Laurel, https://laurelpoetry.com/poem/yeats-poems/to-the-rose-upon-the-rood-of-time.html, id L16647.
Form and metre
To the Rose upon the Rood of Time is 57 lines in 7 stanzas. The metre is iambic pentameter, as Wikipedia: To the Rose upon the Rood of Time has it. 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC--DDEE daysA · waysA · tideB · eyedB · untoldC · oldC · sea · melody · fateD · hateD · dayE · wayE
- 2 AABBCCDDEEFF stillA · fillA · craveB · caveB · grassC · passC · saidD · deadD · knowE · goE · waysF · daysF
- 3 -A---A- rocks · shapeA · wings · seemed · stone · shapeA · night
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Red Rose, proud Rose, sad Rose of all my days! | 10 | ·········· |
| Come near me, while I sing the ancient ways: | 10 | ·······/˘· |
| Cuchulain battling with the bitter tide; | 10 | ···/˘··/˘· |
| The Druid, gray, wood-nurtured, quiet-eyed, | 10 | ·/˘··/˘/˘· |
| Who cast round Fergus dreams, and ruin untold; | 10 | ···/˘··/˘/ |
| And thine own sadness, whereof stars, grown old | 10 | ···/˘····· |
| In dancing silver sandalled on the sea, | 10 | ·/˘/˘/˘··· |
| Sing in their high and lonely melody. | 10 | ·····/˘/˘˘ |
| Come near, that no more blinded by man's fate, | 10 | ·····/˘··· |
| I find under the boughs of love and hate, | 10 | ·········· |
| In all poor foolish things that live a day, | 10 | ···/˘····· |
| Eternal beauty wandering on her way. | 10 | ˘/˘/˘/˘··· |
| Come near, come near, come near--Ah, leave me still | 10 | ·········· |
| A little space for the rose-breath to fill! | 10 | ·/˘······· |
| Lest I no more hear common things that crave; | 10 | ·····/˘··· |
| The weak worm hiding down in its small cave, | 10 | ···/˘····· |
| The field mouse running by me in the grass, | 10 | ···/˘····· |
| And heavy mortal hopes that toil and pass; | 10 | ·/˘/˘····· |
| But seek alone to hear the strange things said | 10 | ··˘/······ |
| By God to the bright hearts of those long dead, | 10 | ·········· |
| And learn to chaunt a tongue men do not know. | 10 | ·········· |
| Come near; I would, before my time to go, | 10 | ·········· |
| Sing of old Eire and the ancient ways: | 9 | ······/˘· |
| Red Rose, proud Rose, sad Rose of all my days. | 10 | ·········· |
| The whole day have I followed in the rocks, | 10 | ·····/˘··· |
| And you have changed and flowed from shape to shape. | 10 | ·········· |
| First as a raven on whose ancient wings | 10 | ···/˘··/˘· |
| Scarcely a feather lingered, then you seemed | 10 | /˘·/˘/˘··· |
| A weasel moving on from stone to stone, | 10 | ·/˘/˘····· |
| And now at last you wear a human shape, | 10 | ·······/˘· |
| A thin gray man half lost in gathering night. | 10 | ·······/˘· |
| This would I say, most wise of living souls: | 10 | ·······/˘· |
| Young subtle Concobar sat close by me | 10 | ·/˘······· |
| When I gave judgment, and his words were wise, | 10 | ···/˘····· |
| And what to me was burden without end, | 10 | ·····/˘··· |
| To him seemed easy, so I laid the crown | 10 | ···/˘····· |
| Upon his head to cast away my care. | 10 | ······˘/·· |
| I feast amid my people on the hill, | 10 | ··˘/·/˘··· |
| And pace the woods, and drive my chariot wheels | 10 | ·······/˘· |
| In the white border of the murmuring sea; | 10 | ···/˘··/˘· |
| And still I feel the crown upon my head. | 10 | ·········· |
| Look on my thin gray hair and hollow cheeks | 10 | ·······/˘· |
| And on these hands that may not lift the sword | 10 | ·········· |
| This body trembling like a wind-blown reed. | 10 | ·/˘/˘····· |
| No woman loves me, no man seeks my help, | 10 | ·/˘······· |
| Because I be not of the things I dream. | 10 | ·········· |
| I see my life go dripping like a stream | 10 | ·····/˘··· |
| From change to change; I have been many things, | 10 | ·······/˘· |
| A green drop in the surge, a gleam of light | 10 | ·········· |
| Upon a sword, a fir-tree on a hill, | 10 | ·········· |
| An old slave grinding at a heavy quern, | 10 | ···/˘··/˘· |
| A king sitting upon a chair of gold, | 10 | ··/˘······ |
| And all these things were wonderful and great; | 10 | ·····/˘˘·· |
| But now I have grown nothing, being all, | 10 | ·····/˘/˘· |
| And the whole world weighs down upon my heart: | 10 | ·········· |
| Ah! Druid, Druid, how great webs of sorrow | 11 | ·/˘/˘····/˘ |
| Lay hidden in the small slate-coloured bag! | 10 | ·/˘····/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.